Quote:
Originally Posted by
Toptube 
These are my current settings, actually the settings I've been using for a over a month now. I like them so well that I don't feel like I could really squeeze anymore out of this TV.
Before these settings I used a tweaked version of the settings from flatpanelshd. After comparing these new settings, it became apparent that the flatpanelshd settings are too "cold" and lacked some color depth.
I just had a guy over at the Blu-ray.com forums try these settings and he loves them.
Warning: Spoiler! (Click to show)Spoiler Â
Warning: Spoiler! (Click to show)Here are my full settings. Although I have a PK950, They are based on CNET's settings for the PX950 (I just decided to try it and hey it looks awesome), but slightly tweaked. Also, CNET did a full 20-point calibration, but I still have not tried the 20-point specific settings. I've only ever used their 2-point settings and the settings for the color management system.
Contrast: 94 (Cnet used 95. Some users have reported this number being too high on their own panels, especially when putting up a white/greyscale test image. I have not tried a test image, but enjoy 94)
Brightness 50
Vertical Sharpness 55*
Horizontal Sharpness 55*
Color 52
Dynamic Contrast Off
Noise Reduction Off
Gamma High
Black Level Low
Color Gamut standard
Edge Enhancement off (sometimes I enable it for soft transfers or for some 2D animation)
Color Filter Off
Color Temp Warm
Method 2-points
pattern outer
Red Contrast 7
Green contrast 18
Blue contrast -15
Red Brightness 4
Green Brightness -7
Blue Brightness 22
Color Management System:
Red Color -14
0
Green Color -5
0
Blue Color -23
0
Yellow Color 0
0
Cyan Color 0
-6
magenta Color -6
4
*I have sharpness set to 50 on the input used by my Comcast HD cable box. I did this because broadcast HD is low bitrate and a higher sharpness brings out the artifacts and noise.
I finally added the 20 point settings from CNET's calibration of the PX950. (I had only been using the 2 point settings.
With my initial appraisal (I'm rewatching my Mad Men Blu-rays) of paused scenes, its all about the color. It looks like it trades a hint of the warm punch from just the 2-point, for bone stock accuracy. Basically, overall color accuracy and color contrast seems to be pretty tight, giving a slight impression of more clarity when actually watching and not just looking at paused screens. Additionally, the color gray now appears nearly accurate, which you can see just by opening the menu. I did have to add one more point onto brightness (from my settings above), as the missing punch dropped the overall brightness by about that much. Its barely noticeable, but I did notice, using a dark scene with two characters inside a taxi at night.
Again, I haven't run it past any benchmarks or calibration images. But if its any consolation, my color vision is quite good. I can actually see all of the numbers in a general color test, which most men cannot.
The difference is not huge though, It may be tough to pick between the two. I think in general, a slightly warm picture can very nice to watch and is even preferred by americans in statistical test. I should try some other things, as Mad Men is known for rich color saturation already. Maybe something different wouldn't favor accuracy as much, but rather a little more punch.
Warning: Spoiler! (Click to show)Spoiler Â
Warning: Spoiler! (Click to show)-- 20 point IRE calibration
IRE: [Red, Green, Blue results, respectively, for each IRE point]
100 [4, 0, -50]
95 [-21, 0, -50]
90 [-13, -9, 12]
85 [0, -6, 20]
80 [10, 0, 20]
75 [2, 6, -9]
70 [0, 0, 0]
65 [0, 0, 0]
60 [0, 0, 0]
55 [0, 0, 0]
50 [0, 0, 0]
45 [0, 0, 0]
40 [0, 0, 0]
35 [0, 0, 0]
30 [0, 0, 0]
25 [0, 0, 0]
20 [0, 0, 0]
15 [0, 0, 0]
10 [0, 0, 0]
5 [-5, -4, -8]
0 [0, 0, 0]