The In Bruges BD was a bit of a mixed bag. The downside, as noted by someone earlier in the thread, is that the bonus materials are disappointingly light. The upside, though was way higher. The PQ and AQ were absolutely wonderful. The photography was cool, almost cold, but it worked. The movie is set, at Christmas time, in picturesque Bruges, a gorgeously preserved medieval town in Belgium. The wind blew most of the time, the sky was almost always overcast and fog was common. Further, it always seemed to be cold. Thus, the muted colors worked beautifully. Nevertheless, some of the long shots of the town, particularly of some of the lighted buildings at night were demonstration quality. Throughout most of the film, there is not much for the DTS-HD MA audiotrack to do but near the end, there is a chase scene, accompanied by music that was also demonstration quality. Note, though, that the sound was recorded at a curiously low level so I had to crank in another 5 or 6dB of gain to get an audio level for dialog that averaged about 75dB.
In Bruges is a classic, one of the finest character studies I have ever seen. Its ensemble cast was out of this world, particularly the two leads, Colin Farrell and Brendan Gleeson. Ralph Fiennes was also wonderful. The screenplay was far more tightly written than I had given it credit for being, based on earlier viewings.
BIG TIME SPOILER FOLLOWS! DON'T READ IT IF YOU HAVEN'T SEEN THE FILM! TRUST ME ON THIS.
Warning: Spoiler! (Click to show)Spoiler Â
Warning: Spoiler! (Click to show)Farrell's character, Ray, is a contract killer who, along with his partner in murder, Gleeson's character, Ken, is sent to Bruges by their boss, Fiennes' character, Harry. Ray is tortured by the death of a child he accidentally killed while carrying out a contract hit. His boss, though, decided that Ray has to die as a result of his mistake and direct's Ken to kill him. Ken won't do it, though, and pays with his life for his refusal.
The screenplay's kicker comes at the end of the film when the boss accidentally kills who he thinks is a child but is really a dwarf in a child's costume, who is playing a child in a movie that is being filmed in the streets of Bruges. The boss is torn with remorse and puts his gun in his own mouth as Ray, near death at the boss' hand, tries to tell the boss that it wasn't a child who the boss killed but a dwarf. But the boss misunderstands, thinking that Ray was lying and trying to tell him that the body in the child's costume wasn't really dead, although he clearly was dead. The boss then kills himself, as he had said he would do if he ever killed a child as Ray had done.
The deep irony of all this escaped me in earlier viewings. This time I got it, though, and thought it was incredibly powerful.
Don't be put off by my summary. There is much in the fun that is funny and warm