Quote:
Originally Posted by
Agisthos 
It seems those who hold this opinion never do side by side, settings consistant comparisons. There was no basically no difference between the Sony and Marantz players. But the Oppo was a noticable step up in 24p blu-ray ouput.
If you would rather rely on spec theory to tell you what performs better, your loss.
I have compared three players, two PS3s (fat and slimnote: the fat has a better HDMI output, the slim introdues noise into the image with everything) and now use a PC as my primary source for Blu-ray playback. Blu-ray looks the same on all when levels are set up properly. The only difference is chroma upsampling and bit-depth, which are almost negligible and have no effect on how detailed the image is.
A good friend of mine also does work authoring DVDs and Blu-rays and says the same thing.
Quote:
Originally Posted by
Agisthos 
On certain scene modes, Sharpness between 0-50 is OFF, and makes no difference in that range.
On some images (sharpness test patterns even) lowering sharpness to 0 does not appear to have a negative effect on the image. 50 is the neutral setting on these displays, however. Set up a general scene preset with sharpness at 0, and Cinema at 50. Use the Theatre button on the remote to toggle between them. On actual HD content (preferably a well-mastered Blu-ray) the difference should be quite noticeable. Any higher than 50 is adding sharpness and lower is removing detail from the image.
Quote:
Originally Posted by
Agisthos 
I should point out my results come from using a Maylasian built 240v variant of this screen. The different factory setup could be responsible for this issue. But it is not just myself. Rasmus Larsen on flatpanelshd had the same opinion re the 909 and 929.
My set is a 230v 903 and my results matched up with Doug Blackburn's 909 review unit. I doubt there are regional differences with the displays. I have not seen the service manual for this particular set, but Sony usually have fairly tight guidelines for that sort of thing.
Quote:
Originally Posted by
Agisthos 
I fully concur and thought I must have been seeing things compared to the reviews claiming this TV to have good shadow detail. I would say average-poor, especially when compared to the latest Sharp edge LED I played with.
Gamma is not perfect, but it is not crushing shadow details, they are fully resolved.
As for the 929, the results for gamma seem pretty good:
http://www.hdtvtest.co.uk/news/sony-...1108021318.htm (measured with a Klein K10)
Quote:
Originally Posted by
Agisthos 
All calibration and testing I do in pitch darkness. The Clear 1, Backlight 2, Gamma -2 settings are a correct technical calibration, but shadow detail is smashed and pushed to black. Literally most shadow detail unseeable, even in decently lit scenes.
Sounds like another levels mis-match. A "technically correct" calibration is
correctit's how the image was intended to look.
Can you give examples of content where shadow details are crushed, or measurements taken from your display? The only control that should affect shadow details being lost is the brightness control. (raising gamma can over-emphasise them at the expense of midtone contrast, but it does not recover lost detail)
Quote:
Originally Posted by
Agisthos 
I am open to the variance in opinion being because of 240v and different factory builds, but what I see is unmistakable. Going to Clear 2 and Backlight 7 repairs this poor shadow performance and makes the image watchable, without having to pump brightness and gamma for visibility. Calibrating from a starting point of Clear 2/Plus will give a better result.
I have measured my display in all motionflow modes. Without making any other changes, the closest match is:
Clear 2/Plus, Backlight 10
Clear 1, Backlight 2
Other, Backlight 1
These should all produce an image of roughly 80 nits in brightness. (which is the EBU recommended brightness for studio monitors in an ideal environment)
Changing the motionflow mode does not affect gamma at all, or have any effect on shadow detail, but you do have to raise the backlight setting to keep light output consistent.