AVS › AVS Forum › Audio › Receivers, Amps, and Processors › Marantz AV7005
New Posts  All Forums:Forum Nav:

Marantz AV7005 - Page 51

post #1501 of 9365
Quote:
Originally Posted by gaderson View Post


With the Marantz Airplay you will only get audio--as I learned from the Marantz guy at a demo day--so with the AppleTV you can stream both audio AND video.

That's a bummer. Video would be great with this!
post #1502 of 9365
Dumb question, but is the Audyssey MultiEQ XT available in the 7005 any different from the XT version that was in the Onkyo 876, or Denon 3808 let's say?
post #1503 of 9365
^^^

i'd hazard an "educated guess" that it's the same... i don't believe that the audyssey folks would allow "customization" of their software, and i've never come across an avr/pre-pro that did...

ymmv, etc.
post #1504 of 9365
Wow Roadster,

2 big dog mono blocks. Those must look and sound super cool. Glad to hear you like the Marantz.
post #1505 of 9365
I heard that airplay functionality was going to be released in stages. Not sure if any of these future stages can be applied to the Marantz.

I guess this first stage makes it impossible to stream video taken on an iphone 4 to a apple tv.

Did Marantz talk about anything that may be possible in the future?

Right now it seems like you are better off with a $100 apple tv than a $50 firmware update.
post #1506 of 9365
^^^

- yes it is...

- true...

- dunno. my theory on this is "if it ain't there when you buy it, don't count on it being there in the future"...

- depends. if you want to stream video, yes. if you don't want to stream video, no.
post #1507 of 9365
Quote:
Originally Posted by micromax View Post

44'x15'....so kinda She is under construction right now.....hoping to be complete by the Super Bowl

geez, i'm jealous. that's over half the square footage of my entire house!

we hope for pictures...
post #1508 of 9365
Will streaming through AirPlay be playable on Zones 2 and 3? If not, there's not much point of upgrading for those of us who already have AppleTV.
post #1509 of 9365
Quote:
Originally Posted by ccotenj View Post

geez, i'm jealous. that's over half the square footage of my entire house!

we hope for pictures...

I can snap some shots as to where I am at right now in the process when I get off work. Hopefully around 4
post #1510 of 9365
I received my AV7005 last week. I put it in my Salamander rack Triple 20 but will have to do move components around in order to make shelf space (and enough venting space) for the incoming Emotiva UPA7. My question is about performing the Audyssey calibration. I know a couple of folks have put the mic on a tripod at the various listening positions. Is it worth it to buy a tripod w/a boom and mic clip to perform the calibration? I can get a cheap one w/the clip for around $25 or $30 from Amazon.
post #1511 of 9365
Quote:
Originally Posted by m. zillch View Post


Keep in mind all sources for zone 2 out must arrive in component form from their sources as well as having accompanying RCA analog sound arriving as well. The zones won't extract the digital sound from an incoming HDMI signal, nor the video, and also wont convert from an incoming Toslink/coaxial digital sound signal either (with the exception of PCM stereo, according to the manual).

Is this true? So, I cannot use Zone2 audio out from any digital input (either digital Coax/Toslink or HDMI. If so, that stinks. I was hoping to not have to run redundant analog cables from the cable box, CD, etc.
post #1512 of 9365
Hot off the press from my local Marantz rep:

"The original “go live” date for the Airplay upgrade was set for today. I say “was” because the certification process by Apple has taken longer than anticipated and we are now expecting to launch the upgrade in Mid-December. If you go to our website right now, it says “Coming Soon” and will continue to do so until we have finalized the launch date. "

Steve of Sound Video of MN
post #1513 of 9365
According to the the outlaw guide page 18. It looks like Zone 2 and Zone 3 are limited to Stereo Analog out.

Zone 2 will support composite and component video. Zone 3 is audio only.
post #1514 of 9365
Does the use of Zone 2 or 3 effect the your ability to use more than 5.1 speakers?

Can you be watching 7.1 in one area and also use zone 2 and 3 at the same time?
post #1515 of 9365
ok. Got a little straight but not totally.

the Pre-outs for Back Surrounds are used for Zone 2 or 3.

This means that you can only be playing 5.1 with another zone playing.

but are the Pre-outs for the Back Surrounds the only preouts for Zone 2 or 3?

This also leads me to believe that you must toggle between listening to Zone 2 or 3.

If all of this is true, why even have a Zone 3 as the same amp / speakers would be activated with either zone selection. am I missing something?
post #1516 of 9365
Quote:
Originally Posted by vvv View Post

Does the use of Zone 2 or 3 effect the your ability to use more than 5.1 speakers?

Can you be watching 7.1 in one area and also use zone 2 and 3 at the same time?

You can do this as long as you have enough amp channels to power zone 2 and 3. I have a 6.1 set-up and also power the 2 deck speakers via zone 2 and both work at the same time with no issues. Each zone has a power off/on button.
post #1517 of 9365
Where do you plug amps into Zone 3?
post #1518 of 9365
Quote:
Originally Posted by mtb996 View Post

Is this true? So, I cannot use Zone2 audio out from any digital input (either digital Coax/Toslink or HDMI. If so, that stinks. I was hoping to not have to run redundant analog cables from the cable box, CD, etc.

yes, this is true...

it's true of almost every avr/pre-pro, with a few exceptions...

digital input to zones would require multiple digital paths in the avr, and it would bump the manufacturing costs... for the (relatively) few who use zone processing, it wouldn't be worth adding the cost to the unit, given that the great majority of people don't even know what a zone is, let alone use them...
post #1519 of 9365
Quote:
Originally Posted by SteveHerr View Post

Hot off the press from my local Marantz rep:

"The original go live date for the Airplay upgrade was set for today. I say was because the certification process by Apple has taken longer than anticipated and we are now expecting to launch the upgrade in Mid-December. If you go to our website right now, it says Coming Soon and will continue to do so until we have finalized the launch date. "

Steve of Sound Video of MN

drag...

translated: "it doesn't work right yet"...
post #1520 of 9365
Quote:
Originally Posted by AEC View Post

I received my AV7005 last week. I put it in my Salamander rack Triple 20 but will have to do move components around in order to make shelf space (and enough venting space) for the incoming Emotiva UPA7. My question is about performing the Audyssey calibration. I know a couple of folks have put the mic on a tripod at the various listening positions. Is it worth it to buy a tripod w/a boom and mic clip to perform the calibration? I can get a cheap one w/the clip for around $25 or $30 from Amazon.

yes, imo, a tripod is a necessity...
post #1521 of 9365
Chris: Thanks. I found one on ebay and local to me for $22 w/mic clip.
post #1522 of 9365
The mic should be placed at roughly ear height from the seated position(s) however since it is pretty much an omni-directional mic precise aiming isn't critical (but it should point up, roughly). A tripod is nice but if one never has use for it ever again I wouldn't recommend bothering to invest in one and would instead recommend temporarily duct taping the mic to a broom/mop pole or similar such stick and resting that from behind the chair such that the mic will be held at the ear position facing roughly straight up.

Audiophiles like to obsess about things however [like whether their turntable shelf is leaning in one direction by a degree or two] so super exact microphone placement with a super rigid, sandbag damped tripod is exactly the sort of thing they'll cling to in this day and age. It's obsessive nonsense .

If people expect to apply microphone calibration repeatedly, like say because one decides to rearrange the positioning of the remotes on the coffee table or wear a plush sweater while watching a movie on some days (), I'd recommend buying a dirt cheap tripod.
post #1523 of 9365
^^^

i respect your opinion, but i have found repeatedly that good microphone positioning is key to getting good results...

ymmv... there is a difference between an "obsessed audiophile" and doing things "right"... (and no, i don't sandbag my tripod... )...
post #1524 of 9365
Quote:
Originally Posted by ccotenj View Post

^^^

i respect your opinion, but i have found repeatedly that good microphone positioning is key to getting good results....

And these repeated times when you found that sloppy/tripod-less Audyssey microphone positioning yielded poor results, how is it that you know that these results were not accurate and that in truth the tripod results weren't the flawed ones due to the resonant frequency peaks in the measured sound caused by the microphonic ringing of its vibrating aluminum legs?

Since you mentioned failing to dampen the legs with sandbags I hope at the very least you used a tripod with wooden legs to dampen any ringing. Using vibrapods or a similar product under each of the tripod's feet wouldn't help either since the objectionable vibration that makes the legs resonate (causing an objectionable peak in the measured frequency response) isn't conducted by the floor but rather travels through the air.
post #1525 of 9365
deleted, don't want this thread to turn ugly....
post #1526 of 9365
Quote:
Originally Posted by m. zillch View Post

And these repeated times when you found that sloppy/tripod-less Audyssey microphone positioning yielded poor results, how is it that you know that these results were not accurate and that in truth the tripod results weren't the flawed ones due to the resonant frequency peaks in the measured sound caused by the microphonic ringing of its vibrating aluminum legs?

Since you mentioned failing to dampen the legs with sandbags I hope at the very least you used a tripod with wooden legs to dampen any ringing. Using vibrapods or a similar product under each of the tripod's feet wouldn't help either since the objectionable vibration that makes the legs resonate (causing an objectionable peak in the measured frequency response) isn't conducted by the floor but rather travels through the air.

Mind if I ask a quick question about this? Would this question be better in the Audyssey thread than here? I thought they discussed this stuff there.
post #1527 of 9365
Quote:
Originally Posted by Peter Tribeman View Post

Roadster-s,

Thank you for the compliment. There is a growing wealth of information on the 7005. On an "as needed" basis we stand ready to update the Outlaws' Guide (right now it is v1.1) as we learn more from our customers and posts in this thread.

Peter Tribeman
Outlaw Audio

Peter, can you provide a link to the Outlaws' Guide (right now it is v1.1)?

Thank you,
me
post #1528 of 9365
It's on Outlaws website:

http://www.outlawaudio.com/
post #1529 of 9365
"It's best not to put the mic on anything large as reflections will affect the high frequency measurements. We recommend the flimsiest possible tripod that costs about $5 or less. If you can't get one of those, then just put the mic on the palm of your hand and extend your arm out."

Chris Kyriakakis
- Audyssey

post #1530 of 9365
Quote:
Originally Posted by m. zillch View Post

"It's best not to put the mic on anything large as reflections will affect the high frequency measurements. We recommend the flimsiest possible tripod that costs about $5 or less. If you can't get one of those, then just put the mic on the palm of your hand and extend your arm out."

Chris Kyriakakis
- Audyssey


What about setting the mic on the back end of the couch (where you rest your head).
I saw somewhere that it works well there
New Posts  All Forums:Forum Nav:
  Return Home
  Back to Forum: Receivers, Amps, and Processors
AVS › AVS Forum › Audio › Receivers, Amps, and Processors › Marantz AV7005