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JVC DLA-HD250 new entry level DILA - Page 17

post #481 of 1857
Any comments on the 12v trigger? (Last page)
post #482 of 1857
Quote:
Originally Posted by CT_Wiebe View Post


Smarty-pants -- AFIK, the HD250 has a horizontally offset lens. It's basically the same physical package as the RS10. Only the more expensive RS40/50/60 have the new box with a centered lens.

To answer your question, from the "RS40, 50, 60 & HD250" thread, in the "Over $3K" Forum, The HD250 seems to have about the same calibrated (best mode) Lumen output as it's competition (Epson & Panasonic), so your existing screen should work just fine (you said a 2.35:1, ~100" wide).

One of our 2 resident JVC reps (or Woof Woof), should be able to verify that (http://www.avsforum.com/avs-vb/showp...&postcount=473).

Ok, yes, thank you Claus... much appreciated.
I know now that my existing setup will work by just taking out my old pj and dropping in the JVC.

My current screen is actually a 'painted on wall' variety that looks very good with the current setup.
However I'm hoping that with the step-up to a much better display, I should also step-up to some nice screen material, but just not sure what to get that will look best for my setup without breaking the bank on price.
post #483 of 1857
Quote:
Originally Posted by CT_Wiebe View Post

Cham313 -- Vertical lens shift is always given in reference to screen height. Horizontal lens shift is in reference to screen width. It doesn't really make any sense, in general, to specify those any other way. Also those are, I believe, only for a 16:9 screen (is that true, Gary or Chris?).

Also, the zero offset reference is with the lens center lined up with the center of the screen.

So, if say screen height is X and vertical shift is 80%, that would mean the highest position of the lens center is 0.8*X above the screen centerline, i.e 0.3*X above the top of the screen. Correct?
post #484 of 1857
I always get confused by this, but I think this is how it works Take a 90 high screen. Divide by 2 giving you 45 inches. Multiply the 80% by 90 inches giving you 72 inches.
Take the 72 and subtract the 45 giving you 27 inches. 27 inches is the amount the projector can be above the top of the screen
post #485 of 1857
Quote:
Originally Posted by Daniel Hutnicki View Post

I always get confused by this, but I think this is how it works Take a 90 high screen. Divide by 2 giving you 45 inches. Multiply the 80% by 90 inches giving you 72 inches.
Take the 72 and subtract the 45 giving you 27 inches. 27 inches is the amount the projector can be above the top of the screen

Or you can just take the screen height x 30%.
post #486 of 1857
Thread Starter 
I never really measured the extent of the horizontal and vertical shifts on my projectors. Only that they give flexibility in fine-tuning the projected image after the projector is mounted. My projector is placed close to the top of the screen and roughly center in horizontal dimensions.

Fwiw I believe using extremes on lens shift on most projectors may degrade the video quality. So let's just use it for what it's designed for ie fine-tuning and not create awkward projector placements then compensate with lens shift.
post #487 of 1857
Quote:
Originally Posted by Woof Woof View Post

Fwiw I believe using extremes on lens shift on most projectors may degrade the video quality. So let's just use it for what it's designed for ie fine-tuning and not create awkward projector placements then compensate with lens shift.

Actually with the JVC's it's a little different. Supposedly ansi contrast improves with lens shift (maybe on/off too?). Also, some people have got some 'ghosting' of images in dark scenes (like white credits on a black background), which goes away when more extreme lens shift is used.

Downside of extreme lens shift can be less lumens and perhaps a little less sharpness.

Though with a HD250 at the top of your screen, you're already using a good 70-80% of it's lens shift anyway.
post #488 of 1857
Quote:
Originally Posted by CT_Wiebe View Post

paradigm -- The HD250 does not have the lens shift range of the Pannasonics or Epsons (they are the lens shift kings). Woof Woof (this thread starter) has one, so he can verify that. In addition, the vertical lens shift is +/- 80%, AFIK.

Smarty-pants -- AFIK, the HD250 has a horizontally offset lens. It's basically the same physical package as the RS10. Only the more expensive RS40/50/60 have the new box with a centered lens.

To answer your question, from the "RS40, 50, 60 & HD250" thread, in the "Over $3K" Forum, The HD250 seems to have about the same calibrated (best mode) Lumen output as it's competition (Epson & Panasonic), so your existing screen should work just fine (you said a 2.35:1, ~100" wide).

One of our 2 resident JVC reps (or Woof Woof), should be able to verify that (http://www.avsforum.com/avs-vb/showp...&postcount=473).

Claus:
If I remember correctly you have a MITS rated about 18db that you are happy with. Have you had any listening experience of how much noisier the JVC HD250 (old RS10) is at the same lumens? Art's review of the 19db specification for the RS10 seemed to suggest it was not as quiet as the 19db rating would suggest since at that time 18db was as quiet as you could get, but the review implied the JVC was not essentially the same as the quietest projectors available. The RS40 has a higher audible noise rating - is this just because of the 3D requirement? Do you know if a 2D setting for the lamp could make it back to 19db?
post #489 of 1857
Quote:
Originally Posted by CFR View Post

Claus:
If I remember correctly you have a MITS rated about 18db that you are happy with. Have you had any listening experience of how much noisier the JVC HD250 (old RS10) is at the same lumens? Art's review of the 19db specification for the RS10 seemed to suggest it was not as quiet as the 19db rating would suggest since at that time 18db was as quiet as you could get, but the review implied the JVC was not essentially the same as the quietest projectors available. The RS40 has a higher audible noise rating - is this just because of the 3D requirement? Do you know if a 2D setting for the lamp could make it back to 19db?

No it is because of the increased cooling necessary for the higher output lamp.
post #490 of 1857
Quote:
Originally Posted by greg1292 View Post

Being an RS-1 owner I am happy with the overall picture and blacks
look black to me on a hi power screen. From what I read thru this thread
is the 250 would be somewhat of a lateral move? Correct me if I am wrong!
Haven't seen the 250 but have seen a 550 and didn't make me want to switch.

With that being said should I focus my attention on the RS40 since it is
new generation technology?

Upwords lateral. You would get quitter unit, brighter, potentially higher contrast, sharper, fully motorized lens, better uniformity....but, none of these are giant steps over the RS1....so while it is better, how much depends on your level of expectation.
post #491 of 1857
Quote:
Originally Posted by mystikjoe View Post

got mine today took one day to drop ship to me from jersey found the guy on videogon and he was in my area code 570. he had killer feedback and i'm currently trying to get a stewart screen as well. it was weird i talked to the guy from avs he said national backorder. not sure where they are located. i noticed a huge difference from the epson 8100 i replaced. i had it for a week and just wasn't happy. i have a painted screen with screen goo. it's the gray high contrast which isn't the correct paint for my new projector. decisions decisions repaint or screen?

They are on national backorder...not to say a place doesn't still have them in stock...JVC doesn't. A real screen will make a world of difference over a gray painted screen.
post #492 of 1857
Quote:
Originally Posted by nightfly85 View Post

Don't trust the specs on PJ Central until they actually review the PJ - even still, I've seen numerous errors in Zoom range values, throw ranges, etc.

Always go the manf site for the definitive specs with lower chance of errors.

PC is pretty much useless. Why? Well though they often are accurate, the are sometimes not. This makes trusting the accuracy of the site a gamble. As I always tell people....check the manufacturers site to be sure.
post #493 of 1857
Quote:
Originally Posted by paradigm View Post

Wait a minute... Horizontal Lens shift!?! Meaning I could put this PJ in the corner of my room 6 feet of center?

No. Ut you also really want to avoid using horizontal shift if possible...small fine tuning is fine.
post #494 of 1857
Quote:
Originally Posted by Jason Turk View Post

Upwords lateral. You would get quitter unit, brighter, potentially higher contrast, sharper, fully motorized lens, better uniformity....but, none of these are giant steps over the RS1....so while it is better, how much depends on your level of expectation.

Was this comment referring the move from an RS1 to HD250 or the RS40?
(since he mentioned both models)
post #495 of 1857
Sorry...to HD250. The RS40 is a straight upwards jump for sure.
post #496 of 1857
Quote:
Originally Posted by Jason Turk View Post

No it is because of the increased cooling necessary for the higher output lamp.

Thanks Jason:
Can you comment on the audible noise difference between the MITs that Claus has and either the HD250 or RS40?
post #497 of 1857
Quote:
Originally Posted by Jason Turk View Post

Sorry...to HD250. The RS40 is a straight upwards jump for sure.

Thanks.

Do you know if the HD250 has the courser focus adjustments of the RS10/HC350, or the finer adjustments of the RS20 and up?
post #498 of 1857
I had a chance to fire up my hd-250 this evening. I wanted to check there was no handshake or cable issues with my switch and 45ft HDMI cable to my processor before i ran it in the wall. Right out of the box I was impressed. It took like 5 min of adjustments to get a 100" pic from just sitting on my coffee table. we Q'd up avatar for a looksy and ended up watching it for like a half an hour. Sharpness was pretty good. On par with my 61" D-ILA rear projection TV...lol
post #499 of 1857
unclemat -- Lens shift question => The lens shifts are specified as plus/minus 80%, vertical, & 34%, horizontal. These are from the screen center. Therefore you are dealing with half screen dimensions (as others have stated somewhat differently). For my 106" screen, it's 92" wide and 52" high. That means that I could place the HD250 anywhere between 0.8 x 52 = 41.6" above screen center to 41.6" below screen center (provided I used zero horizontal shift). The horizontal lens shift works the same way, but you use the screen width instead.

Since the amount of horizontal lens shift used subtracts from the amount of vertical lens shift available, the use of any significant horizontal lens shift is discouraged. As Daniel (I believe) stated, your HD250 (or any other PJ ) should be mounted so that the center of the lens is at about the horizontal center of your screen. That way, only very small amount of horizontal lens shift will be needed to "tweak" the horizontal alignment. this leaves the majority of vertical lens shift available for use (that's what is really needed for most installations, anyway).

CFR -- My Mitsubishi HC5500 is rated "below 19dB" in the low lamp mode with it's measly 160W lamp (about 22dB in the high lamp mode, which I don't use). The HD250 (from the JVC site) states that the HD250 is rated at 19dB with it's 200W lamp. My PJ is on a shelf behind my left shoulder. The exhaust vent is about 18" from my left ear, and I don't hear it, since it is right at my room's noise floor. Accordingly, I don't think the JVC PJs (even the 220W RS40 & up) would be much more audible. Anything in the 19 to 21dB rating should be great (especially if your PJ is further from your head than mine is). Normal room noise floor is typically rated at 20dB (for a quiet room).

I lived with my old DLP PJ and it's 26dB fan noise, even though it was mounted in the same location. But that one was definitely noticeable (by me) if the audio was on the quiet side (especially if the movie story line didn't "pull me in" -- just about any action-adventure flick, especially science-fiction).

If your, proposed, HD250 were further away from your ears (than mine), it should also be totally unnoticeable. That's one of the advantages of a larger, physical, PJ -- they are usually quieter. They are certainly a whole lot quieter than any of the Epson PJs.

Yes I have the HC5500 and I'm still enjoying it (2670 hours on the 5000 hour rated lamp - low lamp mode). That's why I'm holding off on any upgrades for 2011 (even though it's very difficult to suppress the urge). That way, as I said in the "Over $3K" forum JVC thread, that I will (can likely) afford to get the 2012 model replacement for the RS40 (or possibly even the RS50 -- ).
post #500 of 1857
Quote:
Originally Posted by Jason Turk View Post

They are on national backorder...not to say a place doesn't still have them in stock...JVC doesn't. A real screen will make a world of difference over a gray painted screen.

Warehouse was in nj that he ordered from. maybe it will help u find some. I'm torn between the carada and the Stewart studiotek 130! Carada is 1000 with a real world gain of 1-1.1. The Stewart is more than I paid for the projector. I'm projecting a 139" screen at 14ft 4in away. Myroom is totally light controlled I'm painting ceiling black tonight! I guess I'd like to keep the extra 1600 in the bank if possible! However I made a mistake buying epson 8100 and ended upgrading in less than a week.
post #501 of 1857
Quote:
Originally Posted by mystikjoe View Post

Warehouse was in nj that he ordered from. maybe it will help u find some. I'm torn between the carada and the Stewart studiotek 130! Carada is 1000 with a real world gain of 1-1.1. The Stewart is more than I paid for the projector. I'm projecting a 139" screen at 14ft 4in away. Myroom is totally light controlled I'm painting ceiling black tonight! I guess I'd like to keep the extra 1600 in the bank if possible! However I made a mistake buying epson 8100 and ended upgrading in less than a week.


I have owned the Carada CCW and BW and am also on my 2nd Stewart screen (both of which used the ST130G3 material)........The Stewart screens are worth the extra money to me. There were a few things I did not like about the Carada screens.

Having said that, most people LOVE Carada and the customer service is 2nd to none! The few little issues I found with Carada I have never read about anywhere, so I am obviously in the EXTREME minority. My advice in your situation is buy the Carada and if you by chance find something you dont like (highly unlikely), you can return it.
post #502 of 1857
Quote:
Originally Posted by mystikjoe View Post

Warehouse was in nj that he ordered from. maybe it will help u find some. I'm torn between the carada and the Stewart studiotek 130! Carada is 1000 with a real world gain of 1-1.1. The Stewart is more than I paid for the projector. I'm projecting a 139" screen at 14ft 4in away. Myroom is totally light controlled I'm painting ceiling black tonight! I guess I'd like to keep the extra 1600 in the bank if possible! However I made a mistake buying epson 8100 and ended upgrading in less than a week.

Carada's are quite good....good bang for the buck. Stewart's are the best, but you pay a premium for them for sure.
post #503 of 1857
Quote:
Originally Posted by Jason Turk View Post

Carada's are quite good....good bang for the buck. Stewart's are the best, but you pay a premium for them for sure.

I plan on going with a Carada BW 126" Diagonal screen at 16' in a mostly light controlled room. My original thought was the HP screen, but could not get it to work for my living room. I will get the screen first in about a month and then around March upgrade to either a HD250, RS40 (need to check to see what the cost difference is with AVS-not concerned about 3D, but may need the additional lumens) and the Mits HC6800. I currently have a Mits HC6000 and it has been mostly trouble free except for a lamp lighting issue from day one. This is making the Mits HC6800 at the bottom of my list.
post #504 of 1857
HP is great for some, but not all. The BW is quite decent and David takes good care of his customers.

What's going to happen with pricing on the RS40 come March is hard to say...
post #505 of 1857
Quote:
Originally Posted by sSolar View Post

I had a chance to fire up my hd-250 this evening. I wanted to check there was no handshake or cable issues with my switch and 45ft HDMI cable to my processor before i ran it in the wall. Right out of the box I was impressed. It took like 5 min of adjustments to get a 100" pic from just sitting on my coffee table. we Q'd up avatar for a looksy and ended up watching it for like a half an hour. Sharpness was pretty good. On par with my 61" D-ILA rear projection TV...lol

Ditto. Watched "Replacement Killers" and "Fifth Element" last night. It's remarkable that you can get this good of a picture out of a projector now, and at this price...
post #506 of 1857
Quote:
Originally Posted by ScofieldKid View Post

Ditto. Watched "Replacement Killers" and "Fifth Element" last night. It's remarkable that you can get this good of a picture out of a projector now, and at this price...

This level of performance has been out for a while, what is pretty revolutionary is the pricepoint that one can achieve it for.
post #507 of 1857
i can probably convince my wife to spring up to the rs40 from the hd250... should i?
is it really worth waiting another month for it? i'm so conflicted. haha
post #508 of 1857
Wonder if Jason can give a little more detail(lol) on the sharpness difference between the HD250 and RS40?

And, there's suppose to be an ansi contrast difference too? Any numbers?
post #509 of 1857
the hd250 has 25,000 and the rs40 has 50,000 contrast ratio. with 1000 lumens on the hd250 vs. 1300 on the rs40... i'm coming from a panasonic ax100 so i'm sure any 1080p projector will be leaps and bounds ahead of that.

i'm so excited! i just confirmed my pre order for the rs40 with bobbi from av science. great lady to work with by the way. very accommodating, and the pre order price is well worth it if you are already spending that kind of cash on an hd250. i figure i've waited a really long time for our theater to be finished, another month won't kill me.

it will be my christmas gift this year... hehe
post #510 of 1857
Quote:


i can probably convince my wife to spring up to the rs40 from the hd250... should i?
is it really worth waiting another month for it? i'm so conflicted. haha

Seriously I would. The HD250 is real nice, but the RS40 will be a real improvement. At this point, the price isnt that different. In the long run, the price difference wont make a difference
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