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The "Official" NAD T 747 Owner's Thread - Page 46

post #1351 of 1650
Quote:
Originally Posted by PSBMAN View Post


What video processor is in the Panny?

Don't know.
post #1352 of 1650
Are there no test tones on this thing? I just got an SPL meter and when I go into the speaker lever settings I can change the levels, but no sound. I'll have to dig out the manual.
post #1353 of 1650
Thread Starter 
Quote:
Originally Posted by PSBMAN View Post

Are there no test tones on this thing? I just got an SPL meter and when I go into the speaker lever settings I can change the levels, but no sound. I'll have to dig out the manual.

Check out pg. 26 of the User Manual

Quote:


SETTING SPEAKER LEVELS AT TEST MODE
While at Speaker Levels menu, press the AVR 3 remote's Test key activating the T 747's Speaker Levels balancing test signal. You will hear a Test tone. To test each channel, use AVR 3's [    ] keys to move up or down the speaker channels. If you do not hear the Test tone, check your speaker connections or Speaker Configuration settings.
To adjust the level of a particular channel, press [  ] to display ^ν on
the extreme right of the selected channel. Adjust the selected channel to desired level by pressing [    ] - the level will change by 1 dB increments up to ±12 dB. After adjusting a channel, press [  ] to effect the change in level. Press [    ] to select the next channel for adjustment.
You can exit Test mode at any time by pressing the [  ] key, bringing you back to Speaker Setup menu.

Dana
post #1354 of 1650
Quote:
Originally Posted by drbonbi View Post


Check out pg. 26 of the User Manual

Dana

Thanks a bunch

Cheers
post #1355 of 1650
Quote:
Originally Posted by PSBMAN View Post


Thanks a bunch

Cheers

In addition to this, I will also use a DVD or bluray with test tones to double check.
post #1356 of 1650
Quote:
Originally Posted by jskibo View Post

Just picked up one of these open box from Crutchfield. Its going in the home theater replacing an Onkyo RC160 since I need pre-outs for the Sherwood A965 I picked up.

The Onkyo will be moved to Zone 2 and 3 duty (Bar and Patio).

Hope the NAD sounds good with the Sherwood.

Well the guy selling the Sherwood claims to have lost it now so I won't be getting it.

I found a replacement though, picked up a NAD T955 to go with the T747

Since I'm running a 7.1 theater with Magnepans all around, would I be better off using the 955 for the front 5 and the 747 for the rear surrounds, or picking up a 2400 to power the L&R and using the 955 for Center and surrounds?
post #1357 of 1650
Quote:
Originally Posted by jskibo View Post

Well the guy selling the Sherwood claims to have lost it now so I won't be getting it.

I found a replacement though, picked up a NAD T955 to go with the T747

Since I'm running a 7.1 theater with Magnepans all around, would I be better off using the 955 for the front 5 and the 747 for the rear surrounds, or picking up a 2400 to power the L&R and using the 955 for Center and surrounds?

I would try the 955 for the 3 front & the 2 side surrounds (as in a traditional 5.1) and use the 747 for the 2 back channels. What Maggie's are you using for the surround (side) and back channels?
post #1358 of 1650
Quote:
Originally Posted by Marty913 View Post

I would try the 955 for the 3 front & the 2 side surrounds (as in a traditional 5.1) and use the 747 for the 2 back channels. What Maggie's are you using for the surround (side) and back channels?

MMGW's
post #1359 of 1650
Quote:
Originally Posted by jskibo View Post

MMGW's

Wow, they can be a little bit of a load (88 efficient, 5 Ohms).

Look at it this way. The 747 with 2-channels driven (your backs) bench tests at 137 watts per channel (.1% distortion) into 4 Ohms. Bump that distortion number to 1% and it will hit 197 watts. Given the back channels are seldom used for any "stressful" content, you won't pick up anything with a 2400.

Even if they did see significant content, they cut off at 100 on the lower end so they will never really require a lot of power. I think (my opinion) that a 2400 to drive the backs would be overkill.
post #1360 of 1650
Quote:
Originally Posted by jskibo View Post

Well the guy selling the Sherwood claims to have lost it now so I won't be getting it.

I found a replacement though, picked up a NAD T955 to go with the T747

Since I'm running a 7.1 theater with Magnepans all around, would I be better off using the 955 for the front 5 and the 747 for the rear surrounds, or picking up a 2400 to power the L&R and using the 955 for Center and surrounds?

2400 is similar to the PE 2200 I have - a little less powerful but with better S/N ratio. I would definitely use the 2400 for the Mains and the T955 for the center and surrounds. Using the stereo amp will clean up Signal/Noise compared to using the amp section of the T747 while improving the clarity and presence noticeably. The T955 does a great job for the center and surrounds. For music, the 400 dynamic watts/channel is nice as well...more than double of what the T747 can manage. I will never go back to using the T747 amp section. Plan to replace the PE 2200 with the C 275BEE to get even better sound quality.
post #1361 of 1650
Quote:
Originally Posted by Vracer111 View Post

2400 is similar to the PE 2200 I have - a little less powerful but with better S/N ratio. I would definitely use the 2400 for the Mains and the T955 for the center and surrounds. Using the stereo amp will clean up Signal/Noise compared to using the amp section of the T747 while improving the clarity and presence noticeably. The T955 does a great job for the center and surrounds. For music, the 400 dynamic watts/channel is nice as well...more than double of what the T747 can manage. I will never go back to using the T747 amp section. Plan to replace the PE 2200 with the C 275BEE to get even better sound quality.

I won't argue that the 400 dynamic watts provided by the 2400 is impressive. It should be noted however that the signal-to-noise ratio on both the 955 and the 747 is better than that of the 2400 (>100 to 98). In the case of the 747 the bench tested S/N was 108. I love the 2200 (owned 2 of them) and the 2400 but still can't see any real advantage mixing front sound stage amps unless your listening is primarily 2-channel.
post #1362 of 1650
Quote:
Originally Posted by Vracer111 View Post


2400 is similar to the PE 2200 I have - a little less powerful but with better S/N ratio. I would definitely use the 2400 for the Mains and the T955 for the center and surrounds. Using the stereo amp will clean up Signal/Noise compared to using the amp section of the T747 while improving the clarity and presence noticeably. The T955 does a great job for the center and surrounds. For music, the 400 dynamic watts/channel is nice as well...more than double of what the T747 can manage. I will never go back to using the T747 amp section. Plan to replace the PE 2200 with the C 275BEE to get even better sound quality.

I'm quite impressed with the amp section of the T747. With my SVS PC12-Plus taking most of the heavy load, the NAD drives the rest of the system nicely.
post #1363 of 1650
I'm just going by the specs NAD gives for their equipment:

T747 is rated at >90dB @ 1W (8 ohm), >100 dB @110W, <0.08% THD, Continuous output power (in stereo mode) - 110W, IHF dynamic power rating (in stereo mode) @ 8 ohm/4 ohm - 140W/200W

T955 is rated at >100dB @ 1W (8 ohm), >130dB @100W, <0.03% THD, Continuous output power - >160W, IHF dynamic power rating @ 8 ohm/4 ohm - 150W/200W

2200 PE is rated at >91dB @ 1W (8 ohm), >111 dB @ 100W, <0.03% THD, Continuous output power - 100W, IHF dynamic power rating @ 8 ohm/4 ohm - 400W/600W

2400 is rated at 98dB @ 1W (8 ohm), 118 dB @ 100W, <0.03% THD, Continuous output power - >100W, IHF dynamic power rating @ 8 ohm/4 ohm - 370W/400W

C275BEE is rated at >102dB @ 1W (8 & 4 ohm), >123dB @ 150W, <0.008% THD, Continuous output power - >150W, IHF dynamic power rating @ 8 ohm/4 ohm - 250W/410W

I have somewhat fairly sensitive main speakers (Polk RTi-A5's, 8ohm, 90dBWm) and Polk RTi family line of 8ohm, 89dBWm center/surrounds. The sound unquestionably improved running the mains through the PE 2200 versus the T747 amp section. Have not run the T955 through the mains, but the T955 cleared up the center and surrounds just as well and reduced system noise to inaudible with ears right off the drivers with master volume set at listening level and nothing playing. With the T747 driving the center/surround speakers you could hear system noise anywhere within a foot of the drivers. IMO, if you listen to a lot of music it makes more sense to have one of the 2-channel amps drive the mains and the T955 power the rest...
post #1364 of 1650
2400 THX any better than the 2400 non-THX?

I'm running Maggies throughout the 7.1 setup, so 4ohm and far from efficient
post #1365 of 1650
Does anybody else suffer from the extreme fickleness of the NAD T747's digital lock-on?

I thought my Squeezebox Touch was the culprit, but the NAD loses lock (the 44.1k on the front panel disappears) when it encounters digital silence and so it trims off a few milliseconds of whatever follows by regaining sync. Ruins the openings of lots of songs.

I've resorted to stereo RCA cables, and it works, but seriously, to lose lock on silence? this makes it impossible to use S/PDIF for music. I've tried optical and coaxial and neither works properly.

At this point I've kind of had it with the T747. I'm sorry, this thing sounds great but the processor itself is an unmitigated disaster. NAD refuses to send me the firmware update to do myself.

I'll buy your power amps, NAD, but I'll never buy your processors again.
post #1366 of 1650
Quote:
Originally Posted by Ladyfingers View Post

Does anybody else suffer from the extreme fickleness of the NAD T747's digital lock-on?

I thought my Squeezebox Touch was the culprit, but the NAD loses lock (the 44.1k on the front panel disappears) when it encounters digital silence and so it trims off a few milliseconds of whatever follows by regaining sync. Ruins the openings of lots of songs.

I've resorted to stereo RCA cables, and it works, but seriously, to lose lock on silence? this makes it impossible to use S/PDIF for music. I've tried optical and coaxial and neither works properly.

At this point I've kind of had it with the T747. I'm sorry, this thing sounds great but the processor itself is an unmitigated disaster. NAD refuses to send me the firmware update to do myself.

I'll buy your power amps, NAD, but I'll never buy your processors again.

Yep, I have to agree with you there champ.........unfortunately.
post #1367 of 1650
Quote:
Originally Posted by Ladyfingers View Post

Does anybody else suffer from the extreme fickleness of the NAD T747's digital lock-on?

I thought my Squeezebox Touch was the culprit, but the NAD loses lock (the 44.1k on the front panel disappears) when it encounters digital silence and so it trims off a few milliseconds of whatever follows by regaining sync. Ruins the openings of lots of songs.

I've resorted to stereo RCA cables, and it works, but seriously, to lose lock on silence? this makes it impossible to use S/PDIF for music. I've tried optical and coaxial and neither works properly.

At this point I've kind of had it with the T747. I'm sorry, this thing sounds great but the processor itself is an unmitigated disaster. NAD refuses to send me the firmware update to do myself.

I'll buy your power amps, NAD, but I'll never buy your processors again.

I'm not seeing it unless I'm going blind / deaf. Admittedly I'm using HDMI from my media player (Netgear NEO) to the T747 so that's one difference.

I picked a few WAV tracks & didn't hear what you're describing so I used WavePad to insert several seconds of digital silence into the beginning of each track. I then saved them as both WAV & Mp3 files and played them both sequentially & randomly. The digital readout on the 747 never blinked at any time so I'm assuming no loss of sync. Regardless, I didn't hear any cut off on song openings.

Maybe my test conditions are flawed in some way, or there's something else at work here.
post #1368 of 1650
Quote:
Originally Posted by Marty913 View Post

I'm not seeing it unless I'm going blind / deaf. Admittedly I'm using HDMI from my media player (Netgear NEO) to the T747 so that's one difference.

I picked a few WAV tracks & didn't hear what you're describing so I used WavePad to insert several seconds of digital silence into the beginning of each track. I then saved them as both WAV & Mp3 files and played them both sequentially & randomly. The digital readout on the 747 never blinked at any time so I'm assuming no loss of sync. Regardless, I didn't hear any cut off on song openings.

Maybe my test conditions are flawed in some way, or there's something else at work here.

You're a star for doing all this. Can you let me know what firmware you're running? Mine is on M 1.20.
post #1369 of 1650
Quote:
Originally Posted by Ladyfingers View Post

You're a star for doing all this. Can you let me know what firmware you're running? Mine is on M 1.20.

I know I did check it once but remind me again how I do that.
post #1370 of 1650
Quote:
Originally Posted by Marty913 View Post

I'm not seeing it unless I'm going blind / deaf. Admittedly I'm using HDMI from my media player (Netgear NEO) to the T747 so that's one difference.

I picked a few WAV tracks & didn't hear what you're describing so I used WavePad to insert several seconds of digital silence into the beginning of each track. I then saved them as both WAV & Mp3 files and played them both sequentially & randomly. The digital readout on the 747 never blinked at any time so I'm assuming no loss of sync. Regardless, I didn't hear any cut off on song openings.

Maybe my test conditions are flawed in some way, or there's something else at work here.

Ah hah! I can post here again! Yeah!!

I don't see what you are seeing either, unless the player is changing the bit depth or sample rate. Then I see that. Could that be happening to you?

-Paul
post #1371 of 1650
Quote:
Originally Posted by paul.raulerson View Post

Ah hah! I can post here again! Yeah!!

I don't see what you are seeing either, unless the player is changing the bit depth or sample rate. Then I see that. Could that be happening to you?

-Paul

Were you banned or something Paul!!

I bought a NAD T775HD from Saturday Audio a few weeks ago. I am still torn about it because just two months ago I bought a used T763 which sounds great too.

The 775 definitely sounds better than the 763 and has 4 HDMI ports, 7.1 channels instead of 6.1 (like the 763) and does Audyssey Multi XT with NAD response curves, Dynamic EQ and Dynamic Volume.

I am still tweaking audyssey settings - still not satisfactory.

I did find one bug similar to what Ladyfingers is having. The beginning of any song is cutoff on the T775 if I use a digital connection (HDMI or SPDIF). I sent my findings to NAD and they are in the process of getting back to me. My two older NAD receivers T744 and T763 don't have this problem. So, it looks like this problem was introduced later on (like the 747 and 775). Other 775 owners have this problem too. I don't think I have a problem with it dropping signal in the middle of a song but only the beginning.

I still have the T763. I cannot return the 775 since Saturday Audio (where I bought it from) has only a 7 day return policy. I could exchange it for another product - but I don't know what to get. I might just keep it since it does sound great. May be I should have stuck with the T763 and upgraded my Klipsch RF5, RC7 speakers instead.

I wanted to add that the T775 has no video processing - only a pure pass through - and everything works great there with no frame rate conversion etc that the T747 has been plagued with. I got the T775HD for $1299 from Saturday Audio. They are sold out and the T775HD2 is $2999!!! Crazy huh!
post #1372 of 1650
Quote:
Originally Posted by bommai View Post

Were you banned or something Paul!!

Not sure, but today is the first day in many weeks I have been able to post. Every other time when I hit the "submit reply" button, I have been getting a message telling me I did not have permission to post. I have been reading along with you guys though.

Quote:


I did find one bug similar to what Ladyfingers is having. The beginning of any song is cutoff on the T775 if I use a digital connection (HDMI or SPDIF). I sent my findings to NAD and they are in the process of getting back to me. My two older NAD receivers T744 and T763 don't have this problem. So, it looks like this problem was introduced later on (like the 747 and 775). Other 775 owners have this problem too. I don't think I have a problem with it dropping signal in the middle of a song but only the beginning.

I have this problem with the latest version of Amarra going to to an external DAC, but the 747 seems to ignore it, unless there is a sample rate or bit depth switch. How very very odd.


Quote:


I still have the T763. I cannot return the 775 since Saturday Audio (where I bought it from) has only a 7 day return policy. I could exchange it for another product - but I don't know what to get. I might just keep it since it does sound great. May be I should have stuck with the T763 and upgraded my Klipsch RF5, RC7 speakers instead.

Upgrading speakers is almost always the most impact on a system I think. Just opinion though.


Quote:


I wanted to add that the T775 has no video processing - only a pure pass through - and everything works great there with no frame rate conversion etc that the T747 has been plagued with. I got the T775HD for $1299 from Saturday Audio. They are sold out and the T775HD2 is $2999!!! Crazy huh!

Good price on that dude! Let me know what you might want for the 763 if you decide to offload it. I need something with a bit more ooomph thant the BEE326 I am using in my "man cave" listening room.

-Paul
post #1373 of 1650
Paul, your last post was on 7/1 so it looks like exactly 30 days. Maybe you were a "bad boy" on one of the other forums. Anyway, glad you're back.
post #1374 of 1650
Quote:
Originally Posted by Marty913 View Post

Paul, your last post was on 7/1 so it looks like exactly 30 days. Maybe you were a "bad boy" on one of the other forums. Anyway, glad you're back.

LOL! Perhaps, though I only post on this thread and the Maggie thread here. It might have been something on this computer- just upgraded it to Lion and voial - access appears to have been restored.

-Paul
post #1375 of 1650
Quote:
Originally Posted by bommai View Post

Were you banned or something Paul!!

I bought a NAD T775HD from Saturday Audio a few weeks ago. I am still torn about it because just two months ago I bought a used T763 which sounds great too.

The 775 definitely sounds better than the 763 and has 4 HDMI ports, 7.1 channels instead of 6.1 (like the 763) and does Audyssey Multi XT with NAD response curves, Dynamic EQ and Dynamic Volume.

I am still tweaking audyssey settings - still not satisfactory.

I did find one bug similar to what Ladyfingers is having. The beginning of any song is cutoff on the T775 if I use a digital connection (HDMI or SPDIF). I sent my findings to NAD and they are in the process of getting back to me. My two older NAD receivers T744 and T763 don't have this problem. So, it looks like this problem was introduced later on (like the 747 and 775). Other 775 owners have this problem too. I don't think I have a problem with it dropping signal in the middle of a song but only the beginning.

I still have the T763. I cannot return the 775 since Saturday Audio (where I bought it from) has only a 7 day return policy. I could exchange it for another product - but I don't know what to get. I might just keep it since it does sound great. May be I should have stuck with the T763 and upgraded my Klipsch RF5, RC7 speakers instead.

I wanted to add that the T775 has no video processing - only a pure pass through - and everything works great there with no frame rate conversion etc that the T747 has been plagued with. I got the T775HD for $1299 from Saturday Audio. They are sold out and the T775HD2 is $2999!!! Crazy huh!

I've chatted with a few folks on the Squeezebox forum, and one or two have the same issue with their Squeezebox dropping lock with DACs. Other people don't have the issue (DACs lock to 44.1 from power up regardless of tracks playing or not), so I think that there might be a sort of perfect storm of badly handled digital silence going on here.

If I get no response from NAD, and there's no way to fix this, then I will wait a while and replace the amp. The number of digital handling limitations here is simply too much for me.
post #1376 of 1650
Quote:
Originally Posted by paul.raulerson

LOL! Perhaps, though I only post on this thread and the Maggie thread here. It might have been something on this computer- just upgraded it to Lion and voial - access appears to have been restored.

-Paul
Banned without reason or warning?!? Lol , I had to check.....I thought I might be in the Emotiva Forum there for a second.
post #1377 of 1650
Quote:
Originally Posted by Marty913 View Post
I know I did check it once but remind me again how I do that.
You put select the AM radio source and then hold down the listening mode button for 7 seconds.
post #1378 of 1650
Better Sound from 7.1 inputs?

I swiched the two channel output on my DAC from Audio-3 to the 7.1 inputs, and the difference surprised me - it sounded a lot better.

That's with analog bypass selected on both inputs.

Anyone else tried that, and if so, did you hear a difference? Better or worse?

-Paul
post #1379 of 1650
Quote:
Originally Posted by paul.raulerson View Post

Better Sound from 7.1 inputs?

I swiched the two channel output on my DAC from Audio-3 to the 7.1 inputs, and the difference surprised me - it sounded a lot better.

That's with analog bypass selected on both inputs.

Anyone else tried that, and if so, did you hear a difference? Better or worse?

-Paul

Wel,, ou're either relying on the source DAC or the NAD's DAC. I can say that my NAD does a better job decoding than any of my components, part of the reason I'm irked at it being so finicky about the S/PDIF from my Squeezebox.

I'm not quite sure how a fully analogue receiver implements speaker/lipsync delays in processor bypass mode, though. Analogue delay is a nice effect for guitar, but its definitely not Hi-Fi.
post #1380 of 1650
Quote:
Originally Posted by Ladyfingers View Post

Wel,, ou're either relying on the source DAC or the NAD's DAC. I can say that my NAD does a better job decoding than any of my components, part of the reason I'm irked at it being so finicky about the S/PDIF from my Squeezebox.

I'm not quite sure how a fully analogue receiver implements speaker/lipsync delays in processor bypass mode, though. Analogue delay is a nice effect for guitar, but its definitely not Hi-Fi.

Nope- the same external DAC (a little Wavelength Proton) on both analog inputs, but the 7.1 Front LR inputs sound a heck of a lot better than the Audio-3 inputs. Really odd.

The T747 DAC isn't involved in this one, just the analog inputs.

The problem with the squeezebox is most likely related to the SB not having an internal clock. That can make pretty much any DAC a little slow to unmute.

Indeed, a Squeezbox Touch I picked up yesterday does that same thing with the Benchmark DAC I have here, as well as with the T747. It does not do that with an Arcam rDAC though.

-Paul
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