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Official JVC RS-50 Owner's Thread - Page 115

post #3421 of 4177
Quote:
Originally Posted by JonStatt View Post

Previous models contrast on/off aperture open
RS15 14600
RS25 23400

So with the previous models there was a significant difference as I indicated above. So you feel you are getting a strong performance gain for your money as well as the CMS (which worked).

You are feeling ripped off for the 50! What about the 60?!

Well I don't have the 60 and wish I didn't have the 50. Ripped off? Yeah I guess that's one way to put it. Here's another way to put it: We got boned.
post #3422 of 4177
Quote:
Originally Posted by Gotchaa View Post

What happened to you man? You got me going on the calibration and I've jumped off the deep end. Been spending time honing my skills on the VT30, and now I've gone crazy and added a i1pro to the mix...it is all your fault

So I am ready to tackle the RS50 calibration now that I have gotten some solid reps and results in...I am wondering where this new firmware is that is suppose to fix the CMS? I saw 1.3 posted, when did that happen? I was on 1.2 as far as I knew...everyone must be enjoying their PJs too much to care anymore


Been swamped at work with a big software rollout which is making my head spin! Wow dude... You really did jump in from the deep end!

I still have my Chromapure 5 Pro kit still in the box since my bulb only has about 10 hours on it. Getting my new theater carpet installed Saturday and a new cedar fence tomorrow.
post #3423 of 4177
Quote:
Originally Posted by Geof View Post

Well I don't have the 60 and wish I didn't have the 50. Ripped off? Yeah I guess that's one way to put it. Here's another way to put it: We got boned.

Exactly!

This should be JVC's new logo...

post #3424 of 4177
Just thought I would post here as well. I have an RS40 from the first AVS batch received. I had significant dimming after 150hrs. 3D unwatchable shortly after. Today the lamp blew @270hrs. Very disappointing.
post #3425 of 4177
Quote:
Originally Posted by krichter1 View Post

I still have my Chromapure 5 Pro kit still in the box since my bulb only has about 10 hours on it. Getting my new theater carpet installed Saturday and a new cedar fence tomorrow.

Let me know how you like the Chromapure kit. I am considering buying a calibration kit myself. Did you research any of the others available CalMan etc. when you made your choice? Thanks.
post #3426 of 4177
Quote:
Originally Posted by JonStatt View Post

It is all in the table Manni included above which I find very useful particularly for contrast comparisons.

I took the data from the chart Manni posted and plotted it in Excel: Please note that the data for these charts originated from Cine4homes' X3/X7/X9 comparison review.










LL
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post #3427 of 4177
Quote:
Originally Posted by JonStatt View Post

A bad bulb on the RS50 vs a good one on the RS40? We know "out of the box" there is certainly not a 38% difference between an X3 and X7/X9 calibrated to D65. It is more like 20-25%. Can you point me to the post..I may have missed..where Moggie explains the measurements?

The screen size is irrelevant, but the zoom position is relevant. The zoom position is mentioned in the table. As the lens is identical between X3/X7/X9, that would not explain any differential between models.

Jon, I didn't do exhaustive tests because it was very obvious to me that my particular RS50 was not going to work for my setup, however I did take several reading and it was very repeatable (within a couple of lumens). I didn't try with profile off since it would have been academic -- I would have never watched movies with that setting.

Here is the basic setup:

RS-50
@ 17'10" throw, 1 hour on bulb
high lamp, thx mode, completely open iris: 540 lumens
high lamp, any mode with additional color filter: 398 lumens

RS40
exactly the same setup and light meter
high lamp, natural D65k mode, completely open iris: 722 lumens

540 -> 722 is a 38% jump.

I'm at 70 hours now with the RS40 so this weekend I'll check for dimming.
post #3428 of 4177
Quote:
Originally Posted by krichter1 View Post


I still have my Chromapure 5 Pro kit still in the box since my bulb only has about 10 hours on it. Getting my new theater carpet installed Saturday and a new cedar fence tomorrow.

Let us know how you like the new cedar fence..... initial readings, best settings, etc....
post #3429 of 4177
Quote:
Originally Posted by Moggie View Post

Jon, I didn't do exhaustive tests because it was very obvious to me that my particular RS50 was not going to work for my setup, however I did take several reading and it was very repeatable (within a couple of lumens). I didn't try with profile off since it would have been academic -- I would have never watched movies with that setting.

Here is the basic setup:

RS-50
@ 17'10" throw, 1 hour on bulb
high lamp, thx mode, completely open iris: 540 lumens
high lamp, any mode with additional color filter: 398 lumens

RS40
exactly the same setup and light meter
high lamp, natural D65k mode, completely open iris: 722 lumens

540 -> 722 is a 38% jump.

I'm at 70 hours now with the RS40 so this weekend I'll check for dimming.


Thank you for repeating the numbers. While there is an obvious difference, I think your math is the wrong way around.

722 -> 540 is a 25% drop.

Since we are measuring a loss of lumens, you need to look at it as a drop and not a gain. 25% is the same kind of number I have seen from others.

The main surprise is Cine4home's results only show 10% when other examples like yours have shown a bigger difference.
post #3430 of 4177
Quote:
Originally Posted by coolrda View Post

Just thought I would post here as well. I have an RS40 from the first AVS batch received. I had significant dimming after 150hrs. 3D unwatchable shortly after. Today the lamp blew @270hrs. Very disappointing.

Have you contacted JVC support yet? I am curious to see how flexible they will be replacing the lamp given the 'age' (over 90 days) which is a bit ridiculous considering the low hours you have.

Mine dimmed @ 150 hours as well about 30%+ and around 40% by 270 hours. I have a replacement, but not going to use it just yet. I want to see how much dimmer this will get, or hopefully has leveled off considered I only have 360 D65 lumens.

It's a shame the quality of this no-name lamp is becoming such an issue for the 2011 models. it's complete luck if you get one that doesn't die early or start dimming significantly in a short period of time.
post #3431 of 4177
Quote:
Originally Posted by coolrda View Post

Just thought I would post here as well. I have an RS40 from the first AVS batch received. I had significant dimming after 150hrs. 3D unwatchable shortly after. Today the lamp blew @270hrs. Very disappointing.

Hi,

Sorry to hear about the lamp problem.

Please let us know whether JVC responds with a replacement lamp.

Thanks.

Larry
post #3432 of 4177
Quote:
Originally Posted by Geof View Post

I took the data from the chart Manni posted and plotted it in Excel: ]



These are great charts based on our table. Do you mind if we add them to our review?


Regards,
Ekkehart
Cine4Home
post #3433 of 4177
Quote:
Originally Posted by Cine4Home View Post

These are great charts based on our table. Do you mind if we add them to our review?


Regards,
Ekkehart
Cine4Home

Absolutely no problem!!
Your review is tremendous. It nicely details the differences -- Thank-you!!

I'll be more than happy to email you the Excel Spreadsheet if you want -- PM me with your email address if you want it.
post #3434 of 4177
Quote:
Originally Posted by Cine4Home View Post

These are great charts based on our table. Do you mind if we add them to our review?


Regards,
Ekkehart
Cine4Home


I agree the charts are great you should add him to your art staff for all future reviews and also post an english version for us to read as well. Excellent review, I wish we had a publication here that went into that detail. I vote Geof to start the North America office
post #3435 of 4177
Quote:
Originally Posted by Gotchaa View Post

I agree the charts are great you should add him to your art staff for all future reviews and also post an english version for us to read as well. Excellent review, I wish we had a publication here that went into that detail. I vote Geof to start the North America office

Geof...Geof....Geof!! This means he has full English on-line within 24hrs of any review...... Do it Geof!!

Thanks for what you do Ekke! Awesome! JVC hasn't said squat but your amazingly detailed tear down routine gives likely plausible, possible answers to some of the frustrating questions. Different chip in 50/7 and 60/9 for instance for brightness difference from 40/3, lamp QC and luck of the draw excluded.
post #3436 of 4177
About 330 hours on mine now, still 1150 lumens with colour profile off. I have decided I have a bulb that is on some kind of burnout mission. How can it not move at all since I first measured it at 95 hours. I am expecting a disaster. It could be in the next 10 hours, 100 or 200...but don't get jealous, because I am convinced its just suddenly going to say, "I have had enough" and plummet or go pop!
post #3437 of 4177
I'm at about 600 hours on my 50, and while I don't have a meter, I can tell you that I'm still running quite comfortably between -6 and -10, Normal lamp mode, which is pretty much where I was at the beginning (maybe -8 to -13 right at the start...)

Screen is a 133" 2.8 High Power, projector about 14 feet from screen.

I presume I'm lucky or I too have a bomb waiting to go off....
post #3438 of 4177
Quote:
Originally Posted by RonF View Post

Let us know how you like the new cedar fence..... initial readings, best settings, etc....

Thanks Ron... initial reading... BANGIN'!! Just beautiful!

Can't do any calibrations to it though (yet!)
LL
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post #3439 of 4177
Quote:
Originally Posted by krichter1 View Post

Thanks Ron... initial reading... BANGIN'!! Just beautiful!

Can't do any calibrations to it though (yet!)

And... the carpet is being installed tomorrow (pic for reference)!

Should I cover the 50 with plastic you think??
LL
post #3440 of 4177
Quote:
Originally Posted by Geof View Post

Absolutely no problem!!
Your review is tremendous. It nicely details the differences -- Thank-you!!

I'll be more than happy to email you the Excel Spreadsheet if you want -- PM me with your email address if you want it.

WOW!!! Excellent work Geof!! I now understand Ekk's review!
post #3441 of 4177
Quote:
Originally Posted by zombie10k View Post

Have you contacted JVC support yet? I am curious to see how flexible they will be replacing the lamp given the 'age' (over 90 days) which is a bit ridiculous considering the low hours you have.

Mine dimmed @ 150 hours as well about 30%+ and around 40% by 270 hours. I have a replacement, but not going to use it just yet. I want to see how much dimmer this will get, or hopefully has leveled off considered I only have 360 D65 lumens.

It's a shame the quality of this no-name lamp is becoming such an issue for the 2011 models. it's complete luck if you get one that doesn't die early or start dimming significantly in a short period of time.


Don't forget I got mine replaced WAY after the 90th day, so he shouldn't have any arguments from JVC. And if you do feel free to mention my name if it helps! (no wait... maybe that'll hurt you more than help!)
post #3442 of 4177
Quote:
Originally Posted by krichter1 View Post

Thanks Ron... initial reading... BANGIN'!! Just beautiful!

Can't do any calibrations to it though (yet!)

That's a great looking fence Kev and a lot of fence! Are you going to have to seal and stain or coat with something?

Nice carpeting too....different.
post #3443 of 4177
Quote:
Originally Posted by krichter1 View Post

Don't forget I got mine replaced WAY after the 90th day, so he shouldn't have any arguments from JVC. And if you do feel free to mention my name if it helps! (no wait... maybe that'll hurt you more than help!)

hehe.. yeah.. tell them 'jason' sent you. I bet they have a 'wanted' sign with my name on their walls.

I am selling off my older Mitsubishi HC5500 and a number of factory lamps I had hoarded. That is funny money for either the lumigen Mini 3D or the Mitsubishi HC9000. I need to know more about it from people who are familar with the level of ghosting on the JVC's to say it's better/worse/even.

900 and 1100 lumens in 3D mode + my 2.8HP would be kiiller in 3D. I almost thought of picking up the Sharp, but the mounting requirements is downright silly (12+ inches ABOVE the screen) and would be a deal breaker with my HP screen.
post #3444 of 4177
Quote:
Originally Posted by Gotchaa View Post

I agree the charts are great you should add him to your art staff for all future reviews and also post an english version for us to read as well. Excellent review, I wish we had a publication here that went into that detail. I vote Geof to start the North America office

All I did was play around with some data while learning to use the latest Excel charting tools. Sadly most of the real experts (Darin, Mark P. etc) no longer post in this forum. Yes, a properly translated English version of Ekkeharts reviews would be great!!!
post #3445 of 4177
Quote:
Originally Posted by JonStatt View Post

Previous models contrast on/off aperture open
RS15 14600
RS25 23400

So with the previous models there was a significant difference as I indicated above. So you feel you are getting a strong performance gain for your money as well as the CMS (which worked).

You are feeling ripped off for the 50! What about the 60?!

Yes, they dramatically improved CR for their "low end" model while CR for the middle model is only slightly improved.

Cine4homes contrast data shows that the max contrast spec is much like the lumen spec: it's achievable only under specific conditions that one would never use for actual viewing. In actual use the differences are less dramatic than the advertised numbers would indicate. Throw in the fact that the lower lumen output of the 50 & 60's means the iris won't be closed as much (compared to a 40 putting the same fl on screen) and those differences narrow even moreso.

That certainly doesn't help the value of the RS50/60 but to me the more serious issues with them are the impaired CMS and virtually useless Gamma controls. I think many of us decided on the 50 instead of the 40 because of the CMS, and increased CR spec's (of course the lamp iris, Cinema filter, VGA input and various color profiles also favor the 50 & 60 but I think everyone expected a working CMS and gamma controls). Releasing the mid and high end models with an impaired CMS and useless gamma controls devalues the machines and virtually mitigates the reasons for buying the 50. The lower lumen output is salt to the wounds. Ditto with the perfect gamma setting behavior of the 40. I continue to see virtually no reason to purchase a 50 when a 40/Mini3D combo totally mitigates CMS & Gamma issues and is less expensive and more flexible to boot. The improved CR of the 50 would likely never be missed (or even noticed).

So yeah, 50 owners paid a lot more for very little in return: Don't you feel ripped/boned off too?
post #3446 of 4177
Quote:
Originally Posted by RonF View Post

That's a great looking fence Kev and a lot of fence! Are you going to have to seal and stain or coat with something?

Nice carpeting too....different.

Thanks Ron... 285 feet of it! I'm not sure what to do yet but I know I don't want to leave it to get that crappy "grey" look (maybe some clear Thompson's wood sealer or something).

The carpet is a little crazy looking but I've seen it in person and it looks awesome (unique)!


Quote:
Originally Posted by zombie10k View Post

hehe.. yeah.. tell them 'jason' sent you. I bet they have a 'wanted' sign with my name on their walls.

I am selling off my older Mitsubishi HC5500 and a number of factory lamps I had hoarded. That is funny money for either the lumigen Mini 3D or the Mitsubishi HC9000. I need to know more about it from people who are familar with the level of ghosting on the JVC's to say it's better/worse/even.

900 and 1100 lumens in 3D mode + my 2.8HP would be kiiller in 3D. I almost thought of picking up the Sharp, but the mounting requirements is downright silly (12+ inches ABOVE the screen) and would be a deal breaker with my HP screen.

I would imagine there's a top 5 list already on their wall Jason!

How are you coming along on getting a 40 (or have you decided to try the Mits)? Think of this dilemma for those of us use AT screens w/ ~ a 1.0 (or less!) gain!?


Quote:
Originally Posted by Geof View Post

Yes, they dramatically improved CR for their "low end" model while CR for the middle model is only slightly improved.

Cine4homes contrast data shows that the max contrast spec is much like the lumen spec: it's achievable only under specific conditions that one would never use for actual viewing. In actual use the differences are less dramatic than the advertised numbers would indicate. Throw in the fact that the lower lumen output of the 50 & 60's means the iris won't be closed as much (compared to a 40 putting the same fl on screen) and those differences narrow even moreso.

That certainly doesn't help the value of the RS50/60 but to me the more serious issues with them are the impaired CMS and virtually useless Gamma controls. I think many of us decided on the 50 instead of the 40 because of the CMS, and increased CR spec's (of course the lamp iris, Cinema filter, VGA input and various color profiles also favor the 50 & 60 but I think everyone expected a working CMS and gamma controls). Releasing the mid and high end models with an impaired CMS and useless gamma controls devalues the machines and virtually mitigates the reasons for buying the 50. The lower lumen output is salt to the wounds. Ditto with the perfect gamma setting behavior of the 40. I continue to see virtually no reason to purchase a 50 when a 40/Mini3D combo totally mitigates CMS & Gamma issues and is less expensive and more flexible to boot. The improved CR of the 50 would likely never be missed (or even noticed).

So yeah, 50 owners paid a lot more for very little in return: Don't you feel ripped/boned off too?

Good perspective/observation Geof. It's so obvious to me from your graphs that JVC owes us all a justifiable explanation of how they priced the 50 at almost DOUBLE an msrp when they put out only partially functioning "features" (which undoubtedly is part of the initial justification for that enormous price difference!).

This seemingly uncaring silence over the past three months has me to a point of making it near impossible for them to ever motivate me enough to buy another JVC product again, (fool me once...).
post #3447 of 4177
Quote:
Originally Posted by krichter1 View Post

This seemingly uncaring silence over the past three months has me to a point of making it near impossible for them to ever motivate me enough to buy another JVC product again, (fool me once...).

Amen.
Unless they somehow make good on the problems or offer us a refund (or substantial discount of next years models which no doubt will be properly fixed) I'll not be buying anymore JVC products either. Their advertising was/is misleading and deceptive (even JVC USA must agree because they've since removed all references to lumens and 14' screens, etc). The major features and selling points of the 50 over the 40 is the CMS along with higher CR. While there is some CR improvement it's no where near the stated increase in any usable mode and the CMS implementation is a sick and sad joke. Gamma adjustments on RS40 are perfectly well behaved but with the 50 it's a complete disaster. I am at a complete loss to understand why they think it's okay to deliver great gamma controls on their low end model but saddle the upper end models with such a poor implementation that even the most hardened tweaker avoids. I didn't mind the price difference when I thought I was getting a better projector -- one with a properly functioning CMS and one with usable gamma controls. They've not only failed to live up to their advertising, they also failed to deliver working features which form the very basis of the increased cost over the 40. Couple the misleading advertising, broken features, and complete silence on the issues and I think it demonstrates a complete indifference to the customer. Thay may have pulled the wool over our eyes this time around but fooling customers and selling crap that doesn't work isn't the way to garner repeat customers.
post #3448 of 4177
Quote:
Originally Posted by Geof View Post

Amen. Unless they somehow make good on the problems or offer us a refund (or substantial discount of next years models which no doubt will be properly fixed) I will not be buying anymore JVC products. I didn't mind the price difference when I thought I was getting a better projector -- one with a properly functioning CMS and one with usable gamma controls. To charge so much for these broken features while advertising the new 7 axis CMS and 50% brighter bullcrap reeks of a "haha fooled ya and screwed ya attitude". It's painfully obvious we cannot trust their advertising. Like I said earlier, they really must have huge corporate stones to pass this crap off as an upgrade. I do hope somebody sues their asses.

False advertising should have serious consequences to CEM's in the world or they would all be trying to do what JVC is doing!

It's just too bad we didn't have Nick in our camp (which I think we were all hoping!), or I think that "bone removal" train would be rollin' feel steam (and we'd all be on-board by now!).
post #3449 of 4177
Quote:
Originally Posted by krichter1 View Post

I would imagine there's a top 5 list already on their wall Jason!

How are you coming along on getting a 40 (or have you decided to try the Mits)? Think of this dilemma for those of us use AT screens w/ ~ a 1.0 (or less!) gain!?

I think i'm giving up on picking up the 40. This was a good price on a unit with 50 hours that was repaired for the lens door being stuck. I don't want to trade one set of issues for another.

I sent back my original 40 for poor convergence and uneven lens focus. The replacement could easily be as bad as the first, or worse than this RS50 which has exceptional convergence and focus. Then throw in the chances of a bad lamp which i don't believe is resolved since new RS40 owners are losing lamps more than I'd like to hear about.

The Sharp looks interesting & the prices are starting to fall. The lack of lens shift and awkward mounting requirements are the deal breaker though. It sound fairly bright but would want it shelf mounted for full gain on the HP.

That leaves the HC9000. I just need to know if the ghosting is better than the 40/50. if it's brighter, blacks similar to the JVC (with the advantage to JVC) and better 3D (900 & 1100 lumen modes) with less ghosting than I would consider it and either sell the RS50 or move it in a room with a much smaller screen if the resale value is shot.

Long live the HP screen, my JVC's only friend in the world. how else would I have stuck it out this long with only 360 D65 lumens.
post #3450 of 4177
These no name lamps. Could it be that these were more or less defective on the first couple of PJ batches and maybe JVC have been quality controlling after all these occurences, so they now perform better?

Could another lamp from another vendor be an alternative (as in "be made") or are lamps and projectors always intertwined?
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