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Official JVC RS40/X3 Owners Thread - Page 67

post #1981 of 9680
Quote:
Originally Posted by Cine4Home View Post

First of all it is not "my version" but simply how it actually works with SXRD. You can easily see it in the whitpapers of the VW90 or the HC9000.

With "Dark time" I mean both eyes shut by the glasses, I explained that already.

The first version (JVC) is indeed more time effective fo opening times of the glasses but as I pointed out already twice, it reduces light / contrast on the screen and increases noise.


Regards,
Ekkehart

Why then do you think JVC chose to implement it this way then if it is an inferior approach? Is it because they did not do 240hz panels? Do you anticipate that may be the big difference between next years models?
post #1982 of 9680
Quote:
Originally Posted by Tony359 View Post

First of all, I do apologise for the "my version", I choose the wrong words, I didn't mean to be rude at all but that was it could be seen: sorry.

Ok, found the misunderstanding: you are calling "dark time" both projector's and glasses' dark time. I am calling "dark time" only a dark picture shown by the projector...

Yep....

Quote:
Originally Posted by Tony359 View Post

So if I am not mistaken you mean that with JVC projectors there is a projector dark time - like in D-Cinema - while with Sony's there isn't, they just shut the eyes and change the status while they are both shut...

Yep, that is the way it is...


Quote:
Originally Posted by Tony359 View Post

About contrast, you have pointed out it twice already indeed. But I do not agree with it. The light run through the same path in both cases: projector-screen-glasses-eyes. The glasses work using the same technology (LCD) so the reduced light will be the same for both systems (Sony and JVC may have developed slightly different glasses of course). ...


Nope, because the Sony glasses shut for a longer time, they reduce the light more than the JVC glasses. The JVC goes from 500 Lumens to about aprox. 150, the Sony goes down from 900 to aprox. 130.


Quote:
Originally Posted by Tony359 View Post

In both systems the maximum light AND black level is reduced by glasses efficiency during open time. During dark time (both projector or shut lenses) you're not supposed to see any picture or the consequence would be a huge ghosting. Dark times as you say reduce the perceived light, but do nothing to the black level, IMHO. ...


Oh yes they do. You forget that the black level even of modern LCOS projectors ist not really black, but you still perceive it as dark gray. The shutter glasses do reduce light and improve Black level by the same percentage at the same time. It is like putting an ND filter in front of the lens or normal sunglasses on your nose.

You can easily check that: Just put a black screen in 3D on and look thru the glasses, you will see a much darker black level with the Sony. And not so much with the JVC, as its glasses have longer open times.

Sunglasses or Shutter glasses do not reduce the On / Off contrast much, but reducing light digitally in the projector does. This is the whole advantage of optical (filter) D65-calibration vs. digital D65-calibration also. First keeps the full contrast by improving black level, second just costs light without change in black level and therefore reduces contrast.


Quote:
Originally Posted by Tony359 View Post

Edit: I've been thinking of the Sony's method and came out with a possible explanation that you may be able to confirm.
These are the two possible scenarios:

Right lens shuts (so now both eyes are shut)
Screen changes status
Left eye opens.

or:

Right eye projected Picture blanks for xxx ms. During this time:
Glasses changes status (Right closes, Left opens).
Then: Left Picture is projected ...

First scenario is right for the Sony, it has no screen blanking at all. Second scenario ist right for the JVC.


Regards,
Ekkehart
post #1983 of 9680
Can the emitter be mounted on the projector itself for those doing ceiling mounts, or do you have to mount it separately on the ceiling as well?
post #1984 of 9680
Quote:
Originally Posted by lovingdvd View Post

Why then do you think JVC chose to implement it this way then if it is an inferior approach? Is it because they did not do 240hz panels? Do you anticipate that may be the big difference between next years models?



I did not say it is an inferior approach. The JVC seems to keep some more brightness than the Sony. The Sony on the other hand has no noise and keeps full contrast in 3D. Ghosting is about the same...

Is is just a matter of preferences...

Regards,
Ekkehart
post #1985 of 9680
Quote:
Originally Posted by Cine4Home View Post

I did not say it is an inferior approach. The JVC seems to keep some more brightness than the Sony. The Sony on the other hand has no noise and keeps full contrast in 3D. Ghosting is about the same...

Is is just a matter of preferences...

Regards,
Ekkehart

Agreed it is how you perceive it I suppose. When I read reduced contrast and increased noise, I think inferior. Then again at this stage of 3D with pj lamps being what they are, maybe it is better after all to go for the brighter image.

It seems that given a choice, I guess it would be better to have a brighter more exciting picture with some loss of contrast and some noise, than to have a higher contrast and clean image that's too dim to really enjoy...

Do you think JVC will work toward at 240hz solution next year and would such a solution benefit their design?
post #1986 of 9680
Quote:
Originally Posted by Tony359 View Post

It seems that a typical XpanD installation uses 1ms of dark time, approximately.
240Hz would be 4ms, but it does not tell anything on the actual time needed by the SXRD to change its status.

If my analysis is correct to justify Sony's approach their device should be able to change its status in less than 1ms.



SXRD response speed is 2ms. Framerate in 3D is max. 120Hz.

Regards,
Ekkehart
post #1987 of 9680
This isn't the best video, but maybe it will help some people picture what is going on at the 1/1000th of a second level, at least until one of us gets a better video. This is with someone else's RS40 (I should get to open mine later tonight) and is a video at 1000 frames per second where I tried to capture both the left and right eyes of the Xpand 103 glasses as well as a shot through the opening for the nose (so showing what the RS40 itself is putting up on the screen). This is with a Casio camera that has trouble capturing enough light at 1000 FPS.

Some things that I've seen from looking at this on the camera where I can single step the frames is that the number of frames from peak light to peak light from the projector is about 10 (so 10 msec worth) and for each lens it is about 20 (so 20 msec worth), for this case. I think this was Avatar, so 24Hz material.

http://s390.photobucket.com/albums/o...at1000fps1.mp4

--Darin
post #1988 of 9680
To the JVC guys:

The EDID/output format problem isn't limited to nVidia. Similar things happen with my new ATI 6850 - but only if I route the HDMI video through my Onkyo 507 receiver. If I do so, 1080p24 results in the JVC going out of sync and misunderstanding the video format. 1080p60 works, though. If I directly connect the HTPC to the JVC, the problem goes away.
post #1989 of 9680
Quote:
Originally Posted by Cine4Home View Post

SXRD response speed is 2ms. Framerate in 3D is max. 120Hz.

Regards,
Ekkehart

Hi Ekke

Ok, got your point on the contrast issue and I agree, even though I wouldn't have thought it was a noticeable issue.
The question is: why all cinemas in the world are using projector dark time to change status of their XpanD glasses? Is the ghosting the same within the two brands? I would think that switching status with a picture on the screen would add ghosting since glasses do not shut light completely.

What is the response speed of DILA panels? 1/120 = 8ms, can I assume 4ms?

If this is the case, the different scenarios would be

SONY
Shut time=1ms
Image swap=2ms
Shut time=1ms
TOTAL=4ms

JVC
Blank image=4ms
Glass swap=1ms
De-Blank Image=4ms
TOTAL= 9ms

If my numbers are correct Sony should be more light efficient (overall) but it is not. Where do you think the mistake is in my numbers?

Anyway, I've got your points, thanks.
post #1990 of 9680
Quote:
Originally Posted by Tony359 View Post
Hi Ekke
Ok, got your point on the contrast issue and I agree, even though I wouldn't have thought it was a noticeable issue.
The question is: why all cinemas in the world are using projector dark time to change status of their XpanD glasses? Is the ghosting the same within the two brands? I would think that switching status with a picture on the screen would add ghosting since glasses do not shut light completely..

Contrast ratio of the glasses seem to be high enough. When you set the Mistubishi HC9000 (SXRD) for example to 3D low mode (shut times longest), you can almost eliminate even bad mastering caused ghosting. Unfortunately, this loses much light.



Quote:
Originally Posted by Tony359 View Post
If this is the case, the different scenarios would be

SONY
Shut time=1ms
Image swap=2ms
Shut time=1ms
TOTAL=4ms

Yup, this seems to be about correct. The shut / open times with SXRD are about 1/240 sec - 1/240sec although the exact timing is not totally clearly documented by Sony.


Quote:
Originally Posted by Tony359 View Post
JVC
Blank image=4ms
Glass swap=1ms
De-Blank Image=4ms
TOTAL= 9ms
Unfortunately, JVC does not give out any comparable response time values.

Also, the JVC times are not that easy to calculate as JVC is using a fully digital driving of their D-ILA panels by PWM. That way they dont need any charge storage to drive the crystals, which saves time.

Also I know that they can improve response time by inserting darktimes and raising the driving voltage. So this is probably the main reason why they chose that way for 3D.

The digital D-ILA works more like DLP now and less like conventional LCD / LCOS. That is why we see the typical DMD-artefacts now all of the sudden.



Regards,
Ekkehart
post #1991 of 9680
Quote:
Originally Posted by Cine4Home View Post
Also I know that they can improve response time by inserting darktimes and raising the driving voltage. So this is probably the main reason why they chose that way for 3D.
That makes sense: if they already uses some dark time to improve response time, use 3D with projector dark time is the natural choice.

With raising driving voltage you mean the RTC (Response Time Compensation) seen in LCD displays?

Thanks
Tony
post #1992 of 9680
Quote:
Originally Posted by ay221 View Post
Can the emitter be mounted on the projector itself for those doing ceiling mounts, or do you have to mount it separately on the ceiling as well?
Yes, you can mount it on the projector if you choose.
post #1993 of 9680
Quote:
Originally Posted by Tony359 View Post
That makes sense: if they already uses some dark time to improve response time, use 3D with projector dark time is the natural choice.

With raising driving voltage you mean the RTC (Response Time Compensation) seen in LCD displays?

Thanks
Tony

Yes exactly, it is a way of Overdriving the pixels. That is by the way also one of the main reaons for noise and dithering in bright levels.

Regards,
Ekki
post #1994 of 9680
I am getting what looks like purple trailing/color bleed on my unit extending out the top of lettering just in the vertical direction (it is slightly there on the bottom as well)........this is most easy to see with white lettering such as in the menu or on the still big Oppo logo that sits above the blu ray logo (this purple trailing extends a few inches or so above the vertical white bars in the P's on the still Oppo logo) or in movie credits if I pause them. In the menu, these trails extend all the way from one menu item to another if you look close I assume this is not normal, but does anyone else see what I am talking about? Does anyone know what this is?

I tried doing a pixel shift with all 3 colors vertical and horizontal and it does not help at all. I also tried HDMI2 which does the same thing and tried out my HD-DVD player which shows the same thing, and also tried a different HDMI cable so it is definitely the RS40.

I dont have a camera or I would snap a shot.

What am I seeing here????
post #1995 of 9680
Quote:
Originally Posted by Toe View Post

I am getting what looks like purple trailing/color bleed on my unit extending out the top of lettering just in the vertical direction (it is slightly there on the bottom as well)........this is most easy to see with white lettering such as in the menu or on the still big Oppo logo that sits above the blu ray logo (this purple trailing extends a few inches or so above the vertical white bars in the P's on the still Oppo logo) or in movie credits if I pause them. In the menu, these trails extend all the way from one menu item to another if you look close I assume this is not normal, but does anyone else see what I am talking about? Does anyone know what this is?

I tried doing a pixel shift with all 3 colors vertical and horizontal and it does not help at all. I also tried HDMI2 which does the same thing and tried out my HD-DVD player which shows the same thing, and also tried a different HDMI cable so it is definitely the RS40.

I dont have a camera or I would snap a shot.

What am I seeing here????

Sounds like it could be misconvergence. Look at a white grid pattern (on the AVS Disk)...If the R, G, & B panels are perfectly aligned the grid will look white. If they're not (and very few are perfect) you'll see various colors depending on how they mis-align. Kevin posted some shots from his projector in the RS50 thread. His is nicely converged....
post #1996 of 9680
Quote:
Originally Posted by madshi View Post

To the JVC guys:

The EDID/output format problem isn't limited to nVidia. Similar things happen with my new ATI 6850 - but only if I route the HDMI video through my Onkyo 507 receiver. If I do so, 1080p24 results in the JVC going out of sync and misunderstanding the video format. 1080p60 works, though. If I directly connect the HTPC to the JVC, the problem goes away.

Are you using the 6850 for 3D bluray playback? if I recall, the 507 is a 1.3 HDMI AVR. Wouldn't you be running HDMI-> projector, DVI-> HDMI -> AVR for HD audio?

I can get the Nvidia 430GT to sync to 1080p60 going through my Pioneer SC-07, but also cannot sync to 1080p24 either, so the entire 4x and 5x Nvidia series is out of the question for now since direct connection to the projector is broken. I reported this to Gary B (JVC employee in the UK) I hope JVC support fixes this issue soon.

I am using the 5450 right now with 10.11 CC, Total Media Theater 5 and forced to run with core audio. HD audio works, but breaks up from time to time and have tried all CC drivers 10.10 through 10.12. Since this card wasn't supposed to support frame backed 3D BD playback, I am ok with this for now but thought about picking up a 6850 since another member got it working ok with 3D BD playback and HD audio via Powerdvd 10.
post #1997 of 9680
Quote:
Originally Posted by Toe View Post

I am getting what looks like purple trailing/color bleed on my unit extending out the top of lettering just in the vertical direction (it is slightly there on the bottom as well)........this is most easy to see with white lettering such as in the menu or on the still big Oppo logo that sits above the blu ray logo (this purple trailing extends a few inches or so above the vertical white bars in the P's on the still Oppo logo) or in movie credits if I pause them. In the menu, these trails extend all the way from one menu item to another if you look close I assume this is not normal, but does anyone else see what I am talking about? Does anyone know what this is?

I tried doing a pixel shift with all 3 colors vertical and horizontal and it does not help at all. I also tried HDMI2 which does the same thing and tried out my HD-DVD player which shows the same thing, and also tried a different HDMI cable so it is definitely the RS40.

I dont have a camera or I would snap a shot.

What am I seeing here????

As Geof said it could be convergence. If it isn't, it could be the lens causing chromatic aberrations. Is the trail "soft" looking ? The best way to know for sure is to play with controls that are moving the optics.

1. Try moving the focus back and forth to see if it improve or worsen the purple trail.
2. Move the lens shift to both extremes.
3. zoom to both extremes
4. Close or open the iris all the way.
post #1998 of 9680
Quote:
Originally Posted by zombie10k View Post

@ Joseph Clark - I spent a few hours with the ATI card last night. I tried catalyst drivers from 10.10 - 10.12 but still have a bug with the HD audio streaming. It will cut out every once in a while, maybe 5-6 times throughout a 2 hour movie. I tried swapping cables, but I think it's either in the drivers or an issue with TMT5. If I drop down to core audio, it works fines throughout the whole movie.

This isn't a bad solution for now with the 5450. I don't think the NVIDIA vs. JVC bug is going to be fixed anytime soon which is a shame, because the GT430 is a perfect card for size, half height and runs cool. I am going to try the Realtek HDMI audio drivers as opposed to the ATI to see if I can resolve the HD audio issue. Othwise, I might pick up the 6850 and put it in a mid-size tower case for now.

This Samsung 7900 3D BD player is growing on me a bit. This is my first BD player since my Pioneer 05FD from 2008 which was terribly slow. It's nice to see the modern BD players are pretty quick. It doesn't beat having access to 250+ movies at a remote click though. I am on a quest to get the HTPC setup working perfect with the RS40.


I am having this same issue with ati 6870 and power DVD 10. I though it was good to go till i sat down to what a whole movie.

Did you have any luck the the realtek driver?
post #1999 of 9680
Quote:
Originally Posted by Geof View Post

Sounds like it could be misconvergence. Look at a white grid pattern (on the AVS Disk)...If the R, G, & B panels are perfectly aligned the grid will look white. If they're not (and very few are perfect) you'll see various colors depending on how they mis-align. Kevin posted some shots from his projector in the RS50 thread. His is nicely converged....

My convergence is good. I have the AVS disc and have checked that pattern. Like I said, even if I purposely knock the convergence out of whack to the other extreme, this purple trail/ghost type thing is still there.
post #2000 of 9680
Quote:
Originally Posted by omicronian View Post

As Geof said it could be convergence. If it isn't, it could be the lens causing chromatic aberrations. Is the trail "soft" looking ? The best way to know for sure is to play with controls that are moving the optics.

1. Try moving the focus back and forth to see if it improve or worsen the purple trail.
2. Move the lens shift to both extremes.
3. zoom to both extremes
4. Close or open the iris all the way.

The trail is soft looking and pretty faint. I will try these things and report back.
post #2001 of 9680
Quote:
Originally Posted by jjam_20 View Post

I am having this same issue with ati 6870 and power DVD 10. I though it was good to go till i sat down to what a whole movie.

Did you have any luck the the realtek driver?

ouch - i'm glad you said something, I was getting ready to pick up a 6850 from newegg tonight. I am going to try the realtek driver later tonight, didn't get a chance yet. The HD audio cuts out 5-6 times throughout the movie, maybe a bit more. I can see the Pioneer switching from DTS-HD Master audio to 'stereo' for a brief second.

I also tried the specific ATI DVI dongle and couldn't get audio out on that channel either.

This is a bummer, the Nvidia 430GT worked perfect with HD audio in Power DVD 10 and TMT5. JVC really needs to address this problem... I have used the 430GT on a Samsung LCD, Panasonic G15 Plasma, Mitsubishi HC5500 FP and the Acer 5360 without a problem. It's definitely a bug in the JVC firmware that Petri reported when he had the pre-production X7.

I'll send you PM if I have any luck later.
post #2002 of 9680
Quote:
Originally Posted by Toe View Post


The trail is soft looking and pretty faint. I will try these things and report back.

Sounds very severe but could you be seeing motion fringing? Is CMD on mode 1 or 2? if so set it to off and see if the condition changes...
post #2003 of 9680
Quote:
Originally Posted by thrang View Post

Sounds very severe but could you be seeing motion fringing? Is CMD on mode 1 or 2? if so set it to off and see if the condition changes...

Good thought, but CMD is OFF and this is on a still screen such as the menu lettering and the BIG Oppo logo that sits above the blu ray symbol.
post #2004 of 9680
Quote:
Originally Posted by Toe View Post


Good thought, but CMD is OFF and this is on a still screen such as the menu lettering and the BIG Oppo logo that sits above the blu ray symbol.

Sorry don't have the oppo - thought the logo may have been moving...
post #2005 of 9680
Quote:
Originally Posted by omicronian View Post

As Geof said it could be convergence. If it isn't, it could be the lens causing chromatic aberrations. Is the trail "soft" looking ? The best way to know for sure is to play with controls that are moving the optics.

1. Try moving the focus back and forth to see if it improve or worsen the purple trail.
2. Move the lens shift to both extremes.
3. zoom to both extremes
4. Close or open the iris all the way.


I tried all this and it did not seem to help or hurt it. My convergence is maybe 1/4 pixel out, but even if I shift it all the way one way or the other it shows the same issues..........more on the top of the lettering, but it also shows it on the bottom.
post #2006 of 9680
Quote:
Originally Posted by zombie10k View Post

ouch - i'm glad you said something, I was getting ready to pick up a 6850 from newegg tonight. I am going to try the realtek driver later tonight, didn't get a chance yet. The HD audio cuts out 5-6 times throughout the movie, maybe a bit more. I can see the Pioneer switching from DTS-HD Master audio to 'stereo' for a brief second.

I also tried the specific ATI DVI dongle and couldn't get audio out on that channel either.

This is a bummer, the Nvidia 430GT worked perfect with HD audio in Power DVD 10 and TMT5. JVC really needs to address this problem... I have used the 430GT on a Samsung LCD, Panasonic G15 Plasma, Mitsubishi HC5500 FP and the Acer 5360 without a problem. It's definitely a bug in the JVC firmware that Petri reported when he had the pre-production X7.

I'll send you PM if I have any luck later.

I'd appreciate it if you'd post your results here. I need to know as much as I can about these issues. I was going to try a Radeon 5770 when my Yamaha RX-A3000 and the RS40 arrive. If I had to get it working right now, my best bet looks like an nVidia 430 going through the HDMI 1.4 Yamaha. I think others have reported success this way (that is, if the computer signal goes first to an HDMI 1.4 receiver and doesn't have to try to negotiate with the JVC directly). If anyone else has success with AMD or nVidia cards and the RS40, those of us with HTPCs could benefit from the information. I hope JVC works this out soon with nVidia. As of right now, I have no idea when my RS40 will arrive. By the time it does, both nVidia and AMD may have the driver situation worked out, and I might not need a new video card.
post #2007 of 9680
Quote:
Originally Posted by Toe View Post

I tried all this and it did not seem to help or hurt it. My convergence is maybe 1/4 pixel out, but even if I shift it all the way one way or the other it shows the same issues..........more on the top of the lettering, but it also shows it on the bottom.

Ok so it's not lens chromatic aberrations, nor convergence. The last thing I can think of, if it's faint (like 10% or less) it could be a bad anti-reflective coating on some optical parts, or some internal reflections. Or maybe aberrations caused by the optical block (i.e. before the lens).
Other than that, I have no more ideas
post #2008 of 9680
Quote:
Originally Posted by omicronian View Post

Ok so it's not chromatic aberrations, nor convergence. The last thing I can think of, if it's faint (like 10% or less) it could be a bad anti-reflective coating on some optical parts, or some internal reflections.
Other than that, I have no more ideas

Thanks for the help Not sure what is going on.
post #2009 of 9680
Todd, does your RS40 seem to have a better image after the unit warms up as has been mentioned here?...Because I just now noticed this seems to be the case with my unit as well...
post #2010 of 9680
Quote:
Originally Posted by dogone View Post

Todd, does your RS40 seem to have a better image after the unit warms up as has been mentioned here?...Because I just now noticed this seems to be the case with my unit as well...

Yes, I have noticed a warm up period is needed.........maybe 10 minutes or so for best quality. This issue I have now though does not go away no matter how long it is on
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