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The JohnBomb build - Page 2

post #31 of 82
Very nice =)
post #32 of 82
Thread Starter 
Quote:
Originally Posted by stockmonkey2000 View Post

Are those elemental designs woofers?

Yes. They are 160v.2 drivers.

http://www.edesignaudio.com/product_...products_id=36
post #33 of 82
Thread Starter 
trimmed, caulked, primed, and painted . . . VICTORY!
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post #34 of 82
Thread Starter 
A few more... and some chalk art by my daughter.
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post #35 of 82
Thread Starter 
I still have to clean up all this crap...
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post #36 of 82
Thread Starter 
But I'm feelin' good!
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post #37 of 82
Huzzah!

I'm working next weekend, but I'll be over the following weekend (4/29 - 5/1).
post #38 of 82
I really like that convex duct treatment John.

I'd be interested to see how that affects the sound diffusion within the room once its finished!
post #39 of 82
Thread Starter 
Totally unrelated to progress: I just measured the cicadas here in Nashville at 92 db!!! Can you believe that @#!$!#!
post #40 of 82
Can you get a video of it, showing the meter?

My email address is neurorad@picsoritdidnthappen.com

Or maybe post online.



Would seriously love to share that vid with others.

Saw a great youtube clip of them being attracted by a rotary saw, at a jobsite. Will look for link.

Edit

http://youtu.be/z5bDJcJQH7Q
post #41 of 82
Thread Starter 
OK, time for a work update. I've built boxes that go in between the joists of the ceiling. These boxes are made out of OSB/drywall, and probably weigh up to 80 pounds- two of them hold can lights. The boxes float on 7/8" 25 gauge hat channel, with R13 interspersed between the boxes and joists.

The point of the boxes? I can fill them with whatever acoustical treatment I need, based on how my REW sweeps turn out. I'll cover the edges of the boxes with drywall and the actual cavities with GOM panels.

As you can see, I had to use pulleys to get the things up


John
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post #42 of 82
Thread Starter 
Also, I had my HVAC lineset run down the outside of theater wall, in order to cut down on the noise. It's not the prettiest thing on earth, but no one can see it from the street. You can see one of the joist bays lined w/ rockwool- to cut the remaining internal noise down.
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post #43 of 82
Wow, John. Can't wait to see it!

I've noticed that you always update this thread on the weekends you are working.

Call me next time you need a second pair of hands.
post #44 of 82
Why are the clips and channel so close together on the ceiling? Are you doing something different in the middle of the room where there are no clips and channel?
post #45 of 82
I missed this when first posted. Interesting and fascinating build, I'll be paying attention.

Good luck and all the best.
post #46 of 82
Quote:
Originally Posted by BIGmouthinDC View Post

Thank you for bringing up that information on the DBA sub array. I definitely want to learn more about this as you progress and hopefully see the measured results when you cross the finish line!

I'm really interested in results as well. I wish I had right room for a proper DBA. If I can talk my wife into a dedicated HT in the garage space, I'll likely implement an IB/DBA.

For what it's worth, I recently posted a brief overview of a DBA, in MK's Speaker Shootout thread.


Here's a summary of my post on how a DBA works;
------
A system utilizing a DBA, is an attempt to address and eliminate all room modes, and realize the actual driver/alignment simulation response, as the end user response in room. The added rear wall driver array, doesn't sum acoustically, nor does it add to the SPL capability of the system.

Briefly, a DBA is two identical arrays of drivers,...one set in the front, one set in the back. The drivers need to be placed specifically on the wall, as to eliminate modes in that direction. A typical array is one of 4 drivers per wall. The drivers need to be at the 1/4, and 3/4 point, of the wall's width and height. The same applies to the rear wall.

Like any LF source in a room, the adjacent boundaries (walls, ceiling and floor)simulate an acoustic mirror. This simulates an the effect of another LF source. This placement theoretically eliminates all room modes between the side walls, floor and ceiling.

As the front wall array fires, it approximates a planar wave. As the energy encounters the rear wall of drivers, they fire delayed in time, and polarity inverted, as to null any reflection,....hence creating an acoustic black hole behind the LP. So, in essence all directions can't be driven into typical modal behavior.

So a DBA doubles the cost of a sub install, without any typical SPL benefits.

------


The soffit work is a tremendous effort, just a very interesting build altogether.

Good luck
post #47 of 82
Thread Starter 
"Why are the clips and channel so close together on the ceiling? Are you doing something different in the middle of the room where there are no clips and channel?"

Good question. I'm leaving space within the center of the boxes so that I can fit PVC pipe bass traps into the bins. These tubes will be either 1/4 or 1/2 wavelength of whatever the low floor to ceiling nodes measure and will be tunable. This probably seems odd at the moment, but I'll post pics, graphs, construction methods, etc whenever I finally get to that point- it'll all make sense then.

Thanks everyone,
John
post #48 of 82
Hey, I'm loving the design in your room! Thanks for sharing. I might have to copy your soffit design since it will fit in well with my ceiling plan.
post #49 of 82
Thread Starter 
Quote:
Originally Posted by Neurorad View Post

Wow, John. Can't wait to see it!

I've noticed that you always update this thread on the weekends you are working.

Call me next time you need a second pair of hands.


Yeah... how 'bout that. That's how much I love weekends at work! I may take you up on the extra set of hands offer, as I've got ceiling drywall coming up in the (hopefully) not too distant future.

Quote:
Originally Posted by jdanforth View Post

Hey, I'm loving the design in your room! Thanks for sharing. I might have to copy your soffit design since it will fit in well with my ceiling plan.

Awesome, man. You'll probably do it better than I did.

John
post #50 of 82
Still looking good, LOVE the 'speaker room'

Keep it up!
post #51 of 82
Thread Starter 
I've decided that I need to get the room sealed up so that I can start running some acoustical tests, and that means... build the door. Or, in my case, a section of wall that swings open. So, for the last couple of evenings, I've worked on the door jamb.

I didn't realize that shimming this thing would require so much effort! Take a look at the twisted and bowed 2x4 I had to work around behind the jamb and you'll see why. I took a 2x6 and cut it down to about 1x4 inches, planed and jointed nice and flat. I'm going to attach cherry pieces to the sides and top of the jamb to complete the door frame and trim the frame and door with cherry. The drywall mud is there to fill large gaps- I won't be surprised when it cracks, but as I'll probably cover the stairwell with wallpaper, hopefully I'll never know... :/

John
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post #52 of 82
Thread Starter 
Well, I know this won't be a popular move: I've decided to scrap the double bass array! Reality has set in, and I've realized that the seats need to be moved as far back as possible in order to allow for reasonable viewing angles as well as appropriate acoustical treatment. Therefore, the riser has to butt up against the rear wall and partially cover what would have been the rear speaker mounts.

The good news, I hope, is this: it won't matter. My sub response is pretty good up to about 60 hz (see post #22), and likely will will improve once I add lots of bass trapping. I think this response represents that of the entire basement, as I currently have no door and lots of open space above the rear speaker box. So, my plan is to "let the bass out" of the theater. That is, drill lots of large holes through the MDF of the (former) rear speaker box and cover them with very thin material, such as 1/8" luan or 1/4" drywall. I'll have to experiment to find out what works best.

Speaking of bass trapping, I'm probably going to stuff the entire rear speaker box with R30, creating a bass trap that's about 32" deep, 7 feet tall, and about 9 feet wide. I'll add lots of side/ceiling fiberglass and helmholtz resonators (either tuned pipes or membrane traps) where needed. My plan is to go for a very dead room and use electronics to make up for the lost ambience. I'll get into LEDE (live end dead end) theory, ISD (initial signal delay), ambience, etc. later when I finally get to acoustical analysis.

Here's my riser progress as of now. I'll mount 2 more 15" Elemental Designs 160 v2 subs in the front of the riser and leave the back hollow, to be filled with bass trapping- fiberglass and or helmholtz resonators as needed. Check out the home brew clamp jig I concocted to get my frame level- that worked out really well.

The riser will be covered with cherry wood and will support two "zero gravity" Relax the Back chairs. If any of you have back problems, these chairs are a must have. I've never fallen asleep in any other chairs but these.

John
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post #53 of 82
You have to make those on the fly choices, I think you'll still be able to work around it in an acceptable way.
post #54 of 82
Thread Starter 
A bit of progress:

1) Riser (mostly) framed and subs installed. Will still use front single bass array speaker closet w/ 4 ED subs from 10-60 hz or so, depending on modes. Will cover riser w/ cherry wood later.

2) Cutting my own cherry trim- when using hand planes and scrapers, this takes time. I spent all day on the router table and then worked from 10:30 pm to 3:00 am just scraping the header for the door jamb- and it's still not done...
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post #55 of 82
That's some nice lookin' wood.

What was the rationale for the diagonal supports in the riser?

Fred
post #56 of 82
Thread Starter 
Thanks, Fred. I used diagonal supports to (hopefully) allow more air to enter the speaker enclosure more quickly, thereby lowering the woofer's compression ratio... plus, it looks cool

John
post #57 of 82
Woodwork and Riser looks great.
post #58 of 82
Thread Starter 
Another update... Door jamb done! I would have had it done sooner if I hadn't spent about a month of sanding and re-mudding drywall to try to get the header flush with the wall. As you can see, I just tore it out and will re-mud it later.

The jamb: cherry wood from my father in law's barn, that he ripped down on his antique sawmill about 15 years ago. It's been sitting in my shop, waiting for a project

I used handplanes and scrapers for all final finishing and dimensioning. The finish from a power planer isn't uniform enough for my taste. I sealed the wood with two coats of Charles Neil's blotch control preconditioner, to minimize blotching- cherry is really bad about that.

https://charlesneilwoodworking.3dcar...trol_p_47.html

I then finished with two coats of shellac, and I'm pretty happy with the results.

John
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post #59 of 82
About time you had an update. Looking great as usual. The door jamb looks like a real winner. It makes a great first impression for the entrance to the theater.
post #60 of 82
Thread Starter 
Quote:
Originally Posted by Jon_B View Post

About time you had an update. Looking great as usual. The door jamb looks like a real winner. It makes a great first impression for the entrance to the theater.

Thanks, Jon. Yeah, I'm getting pretty good at thread necromancy. I've clicked the "I acknowledge that this thread is old" button more times than I can count
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