Quote:
Originally Posted by yelnatsch517 
So you're saying in a dream setup one would have a horn for the bass and a rotary sub for the ULF? How large of a room would be required for a horn to be clean to 5Hz? Also, what about the time delay of such a horn? The acoustic pressure wave would take a noticeable time to propagate through the horn and out into the room, would it not? Also, the larger the horn, the more distortion gets picked up before exiting the mouth, does it not?
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Not sure if I can answer all these, but I'll try.
Biggest thing here? Define an ideal system - one person's ideal is not the same as another's. Some are space constrained, some by appearance, some by budget, and some by skills. Some are not (or at least claim that), but there is always a limiting factor. Period.
Personally - above 20 Hz, I feel horns (tapped or otherwise) are hard to beat. In that range from 15 to 20 Hz - we're in into my personal compromise zone. Cabinets tend to get large and driver requirements tend to escalate too. Below 15 Hz? There are better ways. Bass takes displacement, and horn's don't add any to the driver. The driver's gotta bring ample displacement or the results are gonna be a disappointment.
A 5 Hz horn is a waste of effort IMO. To be honest, 15 Hz horns border on that. Primary reason? A single driver lacks the displacement to do 15 Hz properly, and multiple drivers in a horn will require enormous cabinets, so really, there is really no point going there. It simply is not practical.
Delay? Definitely an issue for some. Tapped is not as bad as a front-loaded IMO. remember, you can get away with a lot with a sub with regard to delay and phase, thing's you'd never dream of with mains.
Not sure what you mean by larger horns picking up more distortion. I'm no acoustic engineer, but that does not seem right to me.