here in lies the issue...
the only way to get a fairer assessment of the situation to 'reverse' the sample with the larger sintra sheet...
otherwise for the most part all the medium to light colors of the spectrum will appear lighter on the white sintra as opposed to the smaller grey sample.
and we often equate lighter with brighter... and the same can be said of flesh tones.
take a second look at your mouth area of the girl in your sample above... and you see that what appears 'brighter' is really an unatural warm spotting...
so unless you reverse and recalibrate for the grey screen the situation 'may' never change.
understand this... more saturated colors by its very definition means that color is deepened. and in a comparison as you've done where the sintra is the predominate focus... the grey sample will always appear to have a greyer/blue tint...
but to make you feel much better about the what you are seeing...
my advice to you would be the use the entire 6oz of pearl you have and add it to the mix along with 3oz of UPW...
then you'll see a difference you can more appreciate... and wrap you mind around.

while it's not scientific... i wanted to get a better sense of where your mix was headed... without the blue tape line influencing my eyes.
so i did a little cropping and found that mm's initial suggestion is working in the right direction.
if you consider the skins tones of the 1st sample vs the sintra and the 2nd sample vs the sintra...
the skin tones on the sintra on top is lighter than the skin tones of the sintra of the bottom.
and yet the there is less greyish in the top sample vs the lighter skin tones on the top sintra then...
the more greyish on the bottom sample vs the slightly darker skin tones on the bottom sintra...
that would tell me that your mix is less grey/blue tint.
follow through with my mix suggestion... then spray away.
Edited by pb_maxxx - 3/13/13 at 11:32pm