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I think the why is ratings. It adds importance to each show and gives them a reason to have an elimination show the next night.


The value in this is, of course, not having one singled out unfairly early on as you said, but also giving each and every dancer at least a chance to get something "good," and thus giving way to a more balanced and true vote later as well.
) or more guest dancers (not craptacular tween singers with equally untalented backup dancers!) to fill in the extra 4-5 nights.

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As talented as Karen Mullally is and as legendary as Debble Reynolds is, neither added much to the show. Does anyone know what's going with the third judge's chair? I know that Adam Shankman had a leg injury but I've been surprised that they've let the guest judge bit go on for two weeks. Nigel is letting the critique hyperbole flow a bit early this season. I also wish that he would stop comparing the current group to past contestants. Comparing the Bollywood routine to Katee and Joshua's was a bit much.
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Wow. ZERO comments about last night? Interesting.
![]() Oh well. I think it's now safe to say that this is NOT the best Top 20 ever. Not even close. So many of the dancers looked so out of their comfort zone last night, with not a single performance really taking hold. Sure, the "jidges" are still going out of their way to pimp this latest crew to us, but even their never-ending praise was highly subdued last night. |

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One could argue that Mitchell and Caitlynn turned in a nice routine (and they did) but it was the choreography that absolutely stole the show. The brilliant use of space involving the chairs, paired with the static camera angle and superb lighting was beautiful.
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Sasha and Alexander's "military" set was a disjointed and emotionally void shadow of the similarly-themed ones we've seen in years past. The Bollywood number was even worse. Sorry, Nick, but you couldn't even carry Joshua's luggage. (That's not as harsh as it sounds, however, since we all know that Joshua could make even the most wanting of partners seem somehow "good."
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The only truly nice surprize was Tadd, who positively owned the Viennese Waltz. One can only imagine if he were paired with Iveta on that one! Stunningly fluid, graceful, and damn-near perfect in every aspect. Will Nigel ever get it over his shock that B-Boys kick ass on this show?
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Like the previous poster, I also have an issue with Jean-Marc - my wife and I last night think we figured out why: most choreographers work with their dancers, cater to their strengths, and try to make them look as good as they can within the assigned style. Jean-Marc, on the other hand, choreographs to show the moves/steps that the dance has - or even to show off his own ability choreographing. He summed it up pretty well last night stating, in effect "the show is called 'sytycd' and I'm going to let you see if they really can or not". Most others seem to take the approach of "I know they can dance, and I'm going to let my choreography help you see how good they can be".
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I'm kind of getting to like...Melanie.
She's got "thunder thighs" (dancer's legs) and a relatively small head with pixie hair that makes her look a bit oddly shaped, but she's a very talented dancer indeed... |

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Bottom 3 just revealed. This is EXACTLY why what happened last week is not fair. Someone is getting screwed in 30 min. Two people safe tonight weren't last week. And a couple who put in strong performances both weeks will be cut. Can't wait to see how Nigel manipulates this and he didn't look happy. Of course is hands are tied now!
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. At least Clarice is safe for another week, though that meant another week of Jess
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