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The physics and understanding of low frequencies - Page 3

post #61 of 345
Thread Starter 
[/quote]I'm not sure what the measurable audible difference would be. But you could do some interesting things with an oscilloscope setup to measure sound (there probably is a more appropriate tool than an oscilloscope) waves and compare them. You would find, depending on the quality of your tool, slight or even large differences, probably dependent on speaker quality.[/quote]

Im saying if you play a 200hz sinewave on two different speakers the only difference possible would be volume. If you put them in one room or another or stand in different areas the only difference would volume what other diferences could there be the room. I get that the energy from the sound could be making other sounds from objects in the room or that the speaker cone itself from the vibration could be making its own natural sounds.

Also I would like to know if we agree on this all speakers do is vibrate back and forth. For example if you took a 20 second clip of a sound wave from a piece of music and flip it on its side and had it play the speaker would be moving back and forth according to the changes in the shape of the wave?
I dont see how it cant do this without serioulsy altering the sound and last time I checked if it moves any slower or faster you would be changing the frequency or in other words the key of the song but Ive never had to change the tuning of my guitar to play along with a recording because I was listeing on different speakers. That problem only existed with tapes right?

Can you also tell me what im doing wrong with the quote function?
post #62 of 345
I'm not sure what the measurable audible difference would be. But you could do some interesting things with an oscilloscope setup to measure sound (there probably is a more appropriate tool than an oscilloscope) waves and compare them. You would find, depending on the quality of your tool, slight or even large differences, probably dependent on speaker quality.[/quote]

Im saying if you play a 200hz sinewave on two different speakers the only difference possible would be volume. [/quote]

Wtong. The speaker will have intrinsic sound - - at least above very low volumes, you will get the speaker cone itself adding harmonics, and they will indeed sound different. Which is why I suggested you look at the guitar speakers at Eminence and listen to the clips to see for yourself instead of continuing to be stuck in your rut.

Depending on the frequency, you can with appropriate equipment see that no speaker just moves back and forth. The sound causes the cone itself to develop radiation patterns that can go from sort of four sections up to many many individual semiround sections that are vibrating themselves. Which I have said before. If you don't pay attention to anything anybody says, you will not advance. If you prefer to bask in your current state of knowledge assumption ant personal theory, there's no reason to continue to fish here for somebody to agree with you. Nobody will.
post #63 of 345
Quote:
Originally Posted by ymalmsteen887 View Post

Im saying if you play a 200hz sinewave on two different speakers the only difference possible would be volume. If you put them in one room or another or stand in different areas the only difference would volume what other diferences could there be the room. I get that the energy from the sound could be making other sounds from objects in the room or that the speaker cone itself from the vibration could be making its own natural sounds.

If the speakers reproduce an identical sound waveform, then yes it would sound the same. I have addressed this before - they do not do this (see my previous post).

[quote]Also I would like to know if we agree on this all speakers do is vibrate back and forth. For example if you took a 20 second clip of a sound wave from a piece of music and flip it on its side and had it play the speaker would be moving back and forth according to the changes in the shape of the wave?

http://electronics.howstuffworks.com/speaker6.htm

I'm not sure what you are asking. The speaker moves physically, yes.

Quote:


Can you also tell me what im doing wrong with the quote function?

You need to use it like

[quo te]STuff to be quoted [/quo te]

(minuts the spaces)
post #64 of 345
Quote:
Originally Posted by enderland View Post

You need to use it like

[quo te]STuff to be quoted [/quo te]

(minuts the spaces)

you were looking for the "noparse" tags:

[noparse][quote]STuff to be quoted [/quote][/noparse]


OH - and greatest weird thread evar.
post #65 of 345
Thread Starter 
Quote:
Originally Posted by JHAz View Post

I'm not sure what the measurable audible difference would be. But you could do some interesting things with an oscilloscope setup to measure sound (there probably is a more appropriate tool than an oscilloscope) waves and compare them. You would find, depending on the quality of your tool, slight or even large differences, probably dependent on speaker quality.

Im saying if you play a 200hz sinewave on two different speakers the only difference possible would be volume. [/quote]

Wtong. The speaker will have intrinsic sound - - at least above very low volumes, you will get the speaker cone itself adding harmonics, and they will indeed sound different. Which is why I suggested you look at the guitar speakers at Eminence and listen to the clips to see for yourself instead of continuing to be stuck in your rut.

Depending on the frequency, you can with appropriate equipment see that no speaker just moves back and forth. The sound causes the cone itself to develop radiation patterns that can go from sort of four sections up to many many individual semiround sections that are vibrating themselves. Which I have said before. If you don't pay attention to anything anybody says, you will not advance. If you prefer to bask in your current state of knowledge assumption ant personal theory, there's no reason to continue to fish here for somebody to agree with you. Nobody will.[/quote]

Your claiming speakers have thier own you unique sound yet your tellling me to go to a website to listen to speakers using the speakers I already have. Whats the point of listening to other speakers if your speakers can already produce that intrinsic sound?

Also speakers dont function like drums they just move back and forth if they do anything else this would the material will of course probable behave in radical ways but this has nothing to do with the basic idea behind what a speaker does which is vibrate back and forth to the signal.This is all your eardrum does increase and decrease of pressure at different rates.

Im not trying to keep posting until people agree with me im trying to understand thats all no one is really explaining anythingin a way that I can understand besides you wouldnt want me to just take anybodys word for it I want to have accurate information based on reality. I know this stuff is easy to understand but everyone just keeps putting forth the same jargon I read on websites which isnt helpful I really want to understand whats going on. I dont care if you judge me because of my bad writing skills that has nothing to do with what im capable of understanding (not saying you were judging me just wanting to throw that out there.) . Im a fairly smart person and can pick up on things fast but reading stuff is difficult when I cant ask questions to details Im not grasping thats why I got on this forum It would probably be better if I could be on someone kind of back and forth chat would be more appropriate but I wouldnt know howor where to do.that.
post #66 of 345
Quote:
Originally Posted by ymalmsteen887 View Post

Also speakers dont function like drums they just move back and forth if they do anything else this would the material will of course probable behave in radical ways but this has nothing to do with the basic idea behind what a speaker does which is vibrate back and forth to the signal.This is all your eardrum does increase and decrease of pressure at different rates.

No mechanical device (like a speaker, where something physically moves) can EVER exactly match an input signal.

This is simply impossible. It just is.

Stuff like easily will cause speaker differences. Not to mention resonance, harmonics, speaker cabinet construction, etc.
post #67 of 345
Thread Starter 
Quote:
Originally Posted by enderland View Post
No mechanical device (like a speaker, where something physically moves) can EVER exactly match an input signal.

This is simply impossible. It just is.

Stuff like easily will cause speaker differences. Not to mention resonance, harmonics, speaker cabinet construction, etc.
Do you think that at sometime far in the future we can overcome these problems, surely?
post #68 of 345
Quote:
Originally Posted by ymalmsteen887 View Post
Do you think that at sometime far in the future we can overcome these problems, surely?
Not while we are using physical devices to shake the air. when somebody figures out how to control things at the subatomic level (or whatever it would take) so that your music reproduction device basically somehow makes the air "want to" vibrate in accordance with the dictates of the device . . . . Which likely will occur around the same time we figure out how to walk through walls (should be possible since we are mostly empty space and the wall is mostly empty space, at an atomic level - - just align the spaces in your body with the spaces in the wall and bingo).
post #69 of 345
Quote:
Originally Posted by JHAz View Post

Not while we are using physical devices to shake the air. when somebody figures out how to control things at the subatomic level (or whatever it would take) so that your music reproduction device basically somehow makes the air "want to" vibrate in accordance with the dictates of the device . . . . Which likely will occur around the same time we figure out how to walk through walls (should be possible since we are mostly empty space and the wall is mostly empty space, at an atomic level - - just align the spaces in your body with the spaces in the wall and bingo).

Old tech, check Ion / Plasma tweeters. No moving parts, no distortion, but it's kind of dangerous: hot flame, high voltage, produces ozone which is poisonous
post #70 of 345
So did the question get answered? If not could you reiterate what exactly the question is?
post #71 of 345
Quote:
Originally Posted by ymalmsteen887 View Post

Do you think that at sometime far in the future we can overcome these problems, surely?

I'd be pretty surprised if we ever see it in our lifetime.

Things do get better, so I would expect speaker quality/price to continue to go up indefinitely.
post #72 of 345
Thread Starter 
Quote:
Originally Posted by lennon_68 View Post

So did the question get answered? If not could you reiterate what exactly the question is?

Are you replying to me?
post #73 of 345
Thread Starter 
I want to know why on windows media player when you turn the bass frequencies up on the equilizer(or any frequency for that matter) if the sound file is loud enough it will start to clip even if you have the main volum turned down this doesnt make sense? It shouldnt clip cause its not like its its own amp its just an interface so this is really weird.
post #74 of 345
Because it's probably digital, so it is limited to a certain range of values, above that it will clip. For example if the vloume is coded from 0 to 100, and you apply +10 on the bass, if all values above 90 will be limited to 100.
post #75 of 345
Quote:
Originally Posted by ymalmsteen887 View Post

Do you think that at sometime far in the future we can overcome these problems, surely?


Google Linkwitz and his Orion designs. He has spent years and years trying to duplicated live sound. He has micrphones attached to glasses and he goes to live events, recording live music/sounds all the time trying to match that recording with his speaker designs. Linkwitz is famous in the audio world!! He gaves us (him and Riley) gave us popular XO slopes (1st through 4th order Linkwitz/Riley slopes).

here is his website
http://www.linkwitzlab.com/

Short answer is No! Speakers/drivers will never EXACTLY match live music/live sound. Its not just the speaker that is the problem is the room. The room has a HUGE impact on sound.
post #76 of 345
Quote:
Originally Posted by ymalmsteen887 View Post

I want to know why on windows media player when you turn the bass frequencies up on the equilizer(or any frequency for that matter) if the sound file is loud enough it will start to clip even if you have the main volum turned down this doesnt make sense? It shouldnt clip cause its not like its its own amp its just an interface so this is really weird.

because you are clipping the input signal at that point... it's already clipped by the time it gets to the amplifier, what volume the amplifier is at has no relevance...

having read through the thread... is someone really trying to tell us that all drivers/speakers sound the same?
post #77 of 345
Thread Starter 
Quote:
Originally Posted by ccotenj View Post

because you are clipping the input signal at that point... it's already clipped by the time it gets to the amplifier, what volume the amplifier is at has no relevance...

having read through the thread... is someone really trying to tell us that all drivers/speakers sound the same?

I am not saying they sound the same but the differences aren't the same as drinking a coke than trying a pepsi. Maybe you can help me out go on itunes and mess with the presets and listen to the changes in the music thats the same thing I hear when I listen to differnt speakers so if you just messed with an equilzer you could make one speaker sound like another. I am not saying thats true just seems to be the case.

I've listened to cheap headphones or a cars stock speakers of my favorite kind of music and get still get all emotion filled.

So if you could prove me wrong that there are some speakers out there that will blow me away that would be awesome?
post #78 of 345
Thread Starter 
Quote:
Originally Posted by penngray View Post

Google Linkwitz and his Orion designs. He has spent years and years trying to duplicated live sound. He has micrphones attached to glasses and he goes to live events, recording live music/sounds all the time trying to match that recording with his speaker designs. Linkwitz is famous in the audio world!! He gaves us (him and Riley) gave us popular XO slopes (1st through 4th order Linkwitz/Riley slopes).

here is his website
http://www.linkwitzlab.com/

Short answer is No! Speakers/drivers will never EXACTLY match live music/live sound. Its not just the speaker that is the problem is the room. The room has a HUGE impact on sound.

Did he ever think to examine the speakers they use at concerts. See this is the stuff I don't get the only thing live means is happening now.

Unless you meant like an non amplified performance but when Im far away from a group of people listening to their sound system of any kind lilke my neighbors who are 200 feet away I thought they were having an actually band play but it was just a loud stereo system playing at a barbeque.

What do you mean live?
post #79 of 345
Thread Starter 
Ok I guess should just go to school and study this stuff. I thought if I asked questions to people who were familiar with this stuff it would be easier to understand..

I would like to ask a different question my room is 13x11x8with a closet that is 3x5x8 so how do i figure out the bass nodes and stuff like that basically where are certain notes stronger?
post #80 of 345
Quote:
Originally Posted by ymalmsteen887 View Post

Ok I guess should just go to school and study this stuff. I thought if I asked questions to people who were familiar with this stuff it would be easier to understand..

The problem is the questions you have asked touch on concepts that are extremely complicated with a very very large number of variables affecting things way outside of your current understanding. That's why you're getting lots of suggestions to start reading as to get from where you are now to where you want to be we'd basically have to write a book... Why go through the trouble of writing a book on this forum when others have already taken the time to do so and have done a much better job than we could

Hopefully you're not offended by this, that was not my intention.
post #81 of 345
Thread Starter 
Quote:
Originally Posted by lennon_68 View Post
The problem is the questions you have asked touch on concepts that are extremely complicated with a very very large number of variables affecting things way outside of your current understanding. That's why you're getting lots of suggestions to start reading as to get from where you are now to where you want to be we'd basically have to write a book... Why go through the trouble of writing a book on this forum when others have already taken the time to do so and have done a much better job than we could

Hopefully you're not offended by this, that was not my intention.
No I understand what you're saying clearly I dont have a grasp of the bascis to comprehend this stuff.

Also what about the room question though?
post #82 of 345
Quote:


I am not saying they sound the same but the differences aren't the same as drinking a coke than trying a pepsi. Maybe you can help me out go on itunes and mess with the presets and listen to the changes in the music thats the same thing I hear when I listen to differnt speakers so if you just messed with an equilzer you could make one speaker sound like another. I am not saying thats true just seems to be the case.

Coke and pepsi I think are even harder to tell apart than a decent set of speakers. Then again, of course, it is people with skill and experience who will do better.

But, I would be VERY surprised to find that people were better at telling coke/pepsi differences in a 2/3 situation as compared with a speaker difference in a similar 2/3 situation (where instead of one of each, there is two of one and one of the other).


Quote:
Originally Posted by ymalmsteen887 View Post

Ok I guess should just go to school and study this stuff. I thought if I asked questions to people who were familiar with this stuff it would be easier to understand..

I had 7 credits (roughly 1/2 a semester) worth of coursework directly related to instrumentation and signal control. It's hard for me to explain things which are fundamental to that field, such as the inability of any mechanical device to exactly replicate an input driving signal, to someone who does not want to accept those things.

I cannot prove those sorts of things to you. I know it experientially to be true but I am never going to be able to prove that to you - if you want to be skeptical you are going to have to take courses and labs which show you what is a fundamental truth in that field. As a result of this background knowledge it is blatantly obvious to me how two different drivers will produce different sounding music/etc.

Perhaps someone with more focus on signals/controls could do this better than I. Maybe an electrical engineer, as they focus a bit more on that sort of thing I think.

Quote:


I would like to ask a different question my room is 13x11x8with a closet that is 3x5x8 so how do i figure out the bass nodes and stuff like that basically where are certain notes stronger?

People do something called the "sub crawl" which is basically, more or less, moving the sub around the room slowly until you get the best sounding response. You could probably try to do this mathematically, but I guarantee what would happen is you spend hours trying to optimize sub placement, only to find some weird acoustic properties of the room affect your resulting sound more than you realized. Such as floor, carpet, etc.
post #83 of 345
Yamasteen, read this article:

http://www.audioholics.com/reviews/s...-shootout-2009

They compared four sets of speakers and went through great pains to assure everything was even. They all sounded different.

Here is the education section of the Audioholics site. There is tons and tons of incredibly value information there:

http://www.audioholics.com/education

And here is their section specifically on loudspeakers:

http://www.audioholics.com/education/loudspeaker-basics
post #84 of 345
Quote:
Originally Posted by ymalmsteen887 View Post

I would like to ask a different question my room is 13x11x8with a closet that is 3x5x8 so how do i figure out the bass nodes and stuff like that basically where are certain notes stronger?

IDK, mebbe google room mode calculator and input your numbers into one of the sites that pops up?
post #85 of 345
Quote:
Originally Posted by JHAz View Post

Which I have said before. If you don't pay attention to anything anybody says, you will not advance. If you prefer to bask in your current state of knowledge assumption ant personal theory, there's no reason to continue to fish here for somebody to agree with you. Nobody will.

Is your real name Mr Hand?
post #86 of 345
Thread Starter 
Quote:
Originally Posted by enderland View Post

Coke and pepsi I think are even harder to tell apart than a decent set of speakers. Then again, of course, it is people with skill and experience who will do better.

But, I would be VERY surprised to find that people were better at telling coke/pepsi differences in a 2/3 situation as compared with a speaker difference in a similar 2/3 situation (where instead of one of each, there is two of one and one of the other).




I had 7 credits (roughly 1/2 a semester) worth of coursework directly related to instrumentation and signal control. It's hard for me to explain things which are fundamental to that field, such as the inability of any mechanical device to exactly replicate an input driving signal, to someone who does not want to accept those things.

I cannot prove those sorts of things to you. I know it experientially to be true but I am never going to be able to prove that to you - if you want to be skeptical you are going to have to take courses and labs which show you what is a fundamental truth in that field. As a result of this background knowledge it is blatantly obvious to me how two different drivers will produce different sounding music/etc.

Perhaps someone with more focus on signals/controls could do this better than I. Maybe an electrical engineer, as they focus a bit more on that sort of thing I think.



People do something called the "sub crawl" which is basically, more or less, moving the sub around the room slowly until you get the best sounding response. You could probably try to do this mathematically, but I guarantee what would happen is you spend hours trying to optimize sub placement, only to find some weird acoustic properties of the room affect your resulting sound more than you realized. Such as floor, carpet, etc.


to someone who does not want to accept those things. This part right here sounds offensive I am not being stubborn or anything or saying you dont know what youre talking about. I dont even want to be an audiophile I just want to understand this stuff I am obessed with sound more than anything else in physics and I just want to understand whats going on with the sound around me since I cant see it. Like how a tweeter can produce a loud sound but its not moving at all but a woofer that is moving alot might not be as loud. It makes me wonder is the tweeter moving alot but so fast my eye doesnt register it or just not moving far at all and thats why I dont see it moving.
post #87 of 345
Thread Starter 
Quote:
Originally Posted by JHAz View Post

IDK, mebbe google room mode calculator and input your numbers into one of the sites that pops up?

It doesnt tell me where the notes are stronger it just tells me the nodes. It doesnt tell me if I stand in postion x 20hz will be this much louder than postion y.

Also I am not going to just listen to other peoples ideas just because they have them and say they are fact the audio world seems to be one of great confusion because there is so much manipulation to trick people into buying there products. Like when I saw those bose 2 wy speakers infomercials before I really got into sound I thought they seemed cool but when I heard them It was underwhelming and then I listened to some defenitive speakers that were 2000 dollars and they were underwhelming as well so I told myself maybe they arent setup properly at the store so I went to an imax thinking as was in for a treat(I say this cause I was isolated from things like high fedelity speakers, chest pounding bass, aand concerts in fact it wasnt until I was 19 that I learned you could feel low frequencies when I got into blu ray and this guy wanted to show me waht a surround system sounded like, also the theater where I live sucks and has no bass.) and the experience was also underwhelming and the surround expeireince was no different than the regular viewing. So ive come to realize that given how the mind works most of this stuff is just placebo and depending on how your emotions are that day sometimes I can listen to a 20 dollar pair of headphones and get an amazing expeirence out of it and others days just have no interest.

I'll bring up the coke and pepsi difference no one had to tell me they were different, so I wanted to know what made them taste different first this would take an uinderstanding of how the tastes buds work and then what the products themselves are made of. So to compare that to sound is like this coke is made up similiar ingrediendts but a few differnt ones and different amounts of certain minerals, a guitar sounds fifferent than a flute for reasons of the build and function of how they vibrate. A speaker is not a function of a paticular design it only plays what is feed to it so any differences in the way it plays is its flaws not where its trying to be unique. Also its funny when you say that its up to the person to decide what they like best so when people go to concerts they have to get lucky if the sound matches what they like or say youre wife or girlfriend was a really good singer but you didnt like hear voive the way it was naturally so you always recorded her voice so you could play them back on your favorte speakers.

I cant believe that I brought up a girls vioce being different than males vioce yet individual males and females sound different than each other and no one adressed this. If you took an oscilloscope and measured the different persons voice and then compared them when they are played through speakers would could see what the differences is are I dont understand why you refuse to acknowledge thisif someone hums a note there are only so many frequencies present so get the speaker to match them and there you have it same exact sound and dont say the microphone changes the sound because thats already implied in what im saying all speakers play through a recording device.
post #88 of 345
ymalmsteen887

How old are you?
post #89 of 345
Thread Starter 
Quote:
Originally Posted by Bone215 View Post

ymalmsteen887

How old are you?

Why? Are you assuming im young well im 22 and the only reason everything I write seems unstructured is because im not good at articulating my thoughts. I realize this forum probably isnt the right place to discuss this stuff but I couldnt think of anything else. I really want to understand how waves, light water, sound etc. I bought a book called physics of waves by william C. Elmore and Mark A. Heald and cant even get past the first page where it talks about transverse waves, so I was hoping to get some help with my questions. What math do I need to know to understand fluid dynamics,pressure, attenuation etc.

What kind of math do you have to know to understand this.

http://en.wikipedia.org/wiki/Wave_equation

Also I realize my grammar and writing sruture is horrible I am reading up on my english to fix this.
post #90 of 345
Hug, I don't think understanding the wave equation will give you much in the spirit of your first questions. I did use this a few years ago to simulate a guitar and piano string, but i don't believe this gives you much more than what you can get by just listening to a real string.
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