Quote:
Originally Posted by Grandarf 
That tube pre probably also played into it, as it does also add its personal touch to the music no? Curious to see how sunday's GTG goes
Btw, Brandon, are you going to bother to bring the electronics? My guess is that the tube pre does add a flavor to the sound, and might be the most significant sound influencing device in the chain... (Your thoughts on this TJ?) We're talking pretty much top of the line audio here I think, so going from a SS pre to a tube pre might make a significant difference... Worth it to test that theory? I'm not saying the rooms aren't the main reason things might be sounding different, but tubes, eventhough pres usually does to a much lesser degree than amps, does add its touch... (edit: although maybe not that much... "Frequency response 5Hz - 50KHz +/- 1 dB")

That tube pre probably also played into it, as it does also add its personal touch to the music no? Curious to see how sunday's GTG goes

Btw, Brandon, are you going to bother to bring the electronics? My guess is that the tube pre does add a flavor to the sound, and might be the most significant sound influencing device in the chain... (Your thoughts on this TJ?) We're talking pretty much top of the line audio here I think, so going from a SS pre to a tube pre might make a significant difference... Worth it to test that theory? I'm not saying the rooms aren't the main reason things might be sounding different, but tubes, eventhough pres usually does to a much lesser degree than amps, does add its touch... (edit: although maybe not that much... "Frequency response 5Hz - 50KHz +/- 1 dB")
I got into tubes when I tried a tube DAC (my Music Hall). The sound was slightly distorted, but I got my first taste of what tubes can do: create a magical 3D sound stage and great separation with a more realistic tonality. I never sought out a "tube sound" and I don't like anything "warm" sounding. Nuance and I A/B'd his PS Audio DLIII DAC to my modified Music Hall, and they were very close. We both agreed each DAC had it's strengths and weaknesses, but they were very similar. What's funny is that I now run the solid state outputs of the Music Hall because the Burson opamps really made the solid state side sound sweet and I get a more articulate bass sound than from the tube output.
The Rogue Perseus does not sound like a tube pre. It has a very clear and transparent sound. I think it is responsible for a lot of the separation and large sound stage I get. Again, I don't believe it has a warm tube sound at all. I used to run a Parasound 2100 like the other guys. I think the only advantage the Rogue has is that it brought more layers out of the music. It's a fantastic preamp.
For me, the jump in overall sound quality came when I added the Odyssey monoblocks. They replaced a Parasound 2250 amp at the time. As soon as I fired up the Odyssey's, the sound improved drastically. I was always trying to fix a sort of harsh or distorted sounding upper midrange. The Odyssey's did it. They have a smooth, clear, full sound with improved detail. There are some tracks that you can just hear everything about the room the music was recorded in. If I'm listening just casually, I often find myself stopping to listen and thinking: "wow, that sounds amazing."
I guess I'll let the other guys make their own opinions about the sound. Nuance has heard my system many times, but he has not hear it with the Odyssey's. I'm wondering what he'll think of the sound.












Who's the "Master" now? 

) The measurements are great and all, but its not showing ringing or decay - did you guys save those full REW's that you could bring that back up...?



They are straighter than anything at your place! 
