Quote:
Originally Posted by pneumatic 
2.5-2.6 is recommended for pitch dark room (as per digital cinema according to Spectracal).
2.4 for dimly lit room (this is what most studio monitors use for mastering content).
2.2 for daytime viewing to compensate for ambient light.
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[Note: I have no stake in this game, and I'm not trying to stir up the "x is better than y" debate - I honestly
do not know, which is why I'm asking.]
Let's say that someone had just purchased a new plasma that was used primarily (80%) in pitch black conditions, with the remainder of usage split between small/moderate light in an otherwise dark room (10%) and daylight (10%).
This person had gone through the break-in period (not here to debate that either, so kindly leave it off the table), and was planning on having it professionally calibrated.
Let's further say, for the sake of argument, that this person agreed with (or at least was curious about) your assertion about gammas.
Let's assume that there are 4 modes available for calibration (including 3D). Would a professional calibrator (and please, I'd like to hear from people like Chad, D-Nice, whomever) indulge a request for calibration across multiple gamma ranges? For instance:
- ISF "day" calibrated to 2.2 gamma
- ISF "night" calibrated to 2.4 gamma
- THX calibrated to 2.55 gamma
- 3D mode
What special problems would this introduce to the calibrator, if any?
Thanks!
-Bn