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Originally Posted by
amirm 
I have tremendous experience in R&D having managed development of everything from VLSI design to that of computers, analog and digital design. Ask me a question and I will answer but please don't keep putting down my knowledge and experience. I can handle it but there is no reason for it. Go after what I am posting and prove that wrong.
You've already proven that despite your initial claims you have about zero clue about what constitutes a proper listening test, and you are quick to advise people against them.
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I said nothing regarding development costs.
I never said that you did.
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I spoke of the BOM cost hit which mass market products cannot stand.
Another example of how you only tell the truth that favors your viewpoint, despite a larger picture that tells a different story.
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You are mixing topics.
I'm looking at the big picture.
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Yes, the R&D budget for a mass market product may be far, far higher. Companies like Panasonic go as far as designing their VLSI for devices such as Blu-ray player. That says nothing about how much money they put toward audiophile aspects of the device.
Given what "audiophile aspects" means today, I would heartily agree with that, especially since I personally own a Panasonic Blu Ray player. The absence of a cut off switch for the front panel display causes me not one little bit of frustration.
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As a relevant example, Berkeley Audio burns in their DACs for a week and then spend a few hours hand tuning it including listening tests.
Sigh. Equipment burn in! Yet another audiophile myth. Saying that a piece of gear requires a burn in and readjustment is a tacit admission of either poor design and/or parts quality, or simply trying to sell a product based on mythology.
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Their R&D budget is probably tens of thousand a year. Samsung would spend 100X of that for one of their products. But I bet you there is not one Samsung product that goes through that kind of burn-in and hand tuning.
Given what the need for a lengthy burn-in and resinspection says about the poor quality of their parts and design capabilities...
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Two different businesses, two different approaches.
No, one is a business and the other is a hobby-horse factory based on anti-engineering or audiophile myth.
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It is true that the old PCI Lynx audio card is still revered as being great.
Here's a news flash: the old PCI Lynx One was replaced by the LynxTWO some years back.
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I still have mine some place but have no use for it now that I can get better sound using async USB. And more and more people are starting to get convinced and go in that direction. Putting that aside, who said they do something bad to audio?
I need not fight with you over USB audio interfaces when I have caught you criticizing every Blu Ray player that Panasonic makes on the grounds that they don't get lengthy burn-ins.
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Sales pitch for what?
Sales pitch for your hobby horse - you made a sales pitch for the audiophile myth that front panel displays always hinder sound quality.
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I asked them to test their own gear.
It was a trick. You basically said that if they had a really good DAC that it would have a switch for turning off the front panel display. Since only a tiny faction of all DAC products have such a switch, you were casting seeds of doubt in the minds of maybe 99% of all readers of this thread.
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There is nothing to buy. It is very likely that most of them don't hear any difference which is fine in my book.
You basically inferred that if they couldn't hear the difference they were somehow deficient.
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Say what? The front panel switches are momentary toggle switch. You push them, they do something. You push it again, it does the reverse. There is no mechanical feel to it as it is sampled by the microprocessor and acted upon. Are you thinking of 70s hi-fi gear?
You don't push toggle switches. You push push-button switches. You're not telling a consistent story.
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But yes, if you can cheat by feeling the button, don't do that. You don't want to cheat yourself into believing something

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Your adverse comments about doing good listening tests say otherwise.
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If you know you are cheating yourself, then you are cheating yourself. But if in three independent tries, you still get the same result, then you might have some useful data. Besides, I suggested you can try it on a friend who is not looking. What is your beef with that?
You are trying to turn an equipment fault (display trashes the audio) into a desirable feature.
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Boy, you seem so defensive. I suggested someone do blind test and you are unhappy with me?
I see the bigger picture where you advise against doing proper listening tests, and have been making false claims all along about your own alleged blind tests.
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Anyway , you should not be concerned. Most people won't hear a difference and will actually support your view. For select few, they will have an interesting realization.
There you go again - you try to make heroes over people who actually spend money on placebo effects.
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As I was clear, their observation is not meant to prove anything at scientific level.
I suspect that you are highly confused about science. When you make claims about the audible performance of audio gear you are in the world of science, no matter what you may try to suggest. You are saying that this is how the real world works, when in fact the truth is something else.
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But to get meaningful data beyond reading random chatter on a forum

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...it appears that we would have to teach you a lot of science. You already admitted that you have no clue about the science of psychoacoustics. We must add experimental design to your curriculum. Etc, etc.
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Which is miles ahead of no test which is what you are offering. And let me break the news: ALL audio tests are flawed.
I just wrote that in another well-known forum a few days back, so we now can disregard your claims that you have studied who I am with any degree of thoroughness or adequacy.
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The good ones are simply less flawed than others. Period.
That is of course true of any scientific endeavor. All findings of science are provisional, in that they are most relevant only until more relevant findings are obtained.
But when it comes to the flaws that are inherent in the sighted evaluations that you are trying to sell here over the dead body of blind tests, we're not comparing things whose flaws are comparable. Sighted evaluations for subtle differences are horribly and wretchedly flawed, while blind tests are good enough to have been responsible for a lot of the advancements in audio over the past 20 or so years.
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Do we throw out everything they find as a result of it? I hope not.
No, we just throw out the well-known audiophile myths that seem to be much of your stock and trade.
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That would leave us with nothing.
No what's left is what actually works.
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What we do then is to examine the test and decide how valid it is for us and what out of it can be used.
When it comes to sighted evaluations of the kind you've been proposing recently there is very little reliable information that they can reveal. The long list of audiophile myths that you have been using to support your self-serving bias against HDMI is proof enough of that.
The real problem with mainstream audio products is that a small high end shop can't compete if they try to sell them. I think it would be fun to pick the *worst* AVR that Mr. Miller tested and do a blind test involving you as the listener. A *real* blind test, not some highly flawed sham. ;-)