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post #121 of 132
Hi all,

My first edited video taken with the Lumix 3D1. I have another ready for upload which includes mostly outside, naturally lit footage that I'll share shortly. I've also got a Fuji W3 project in the works which I took around Europe before acquiring my newer cameras, I have some great shots but I'm wishing they were taken with my new JVC HMZ1U instead. Such is life. JVC videos's to come soon too including vision taken with Cyclopital3d's wide angle lens adapter... gear acquisitions escalates rapidly eh? smile.gif Enjoy

post #122 of 132
Bravia3D,

Very nice. I am impressed with the macro adapter and the idea of the black box background. It looked great on my setup with no eye strain!
post #123 of 132
Thank you much, that was my main goal to get rid of eyestrain while viewing macro 3D. It seems to have worked pretty good! I am working on more at the moment and plan on releasing a movie once done.
So far most my footage blows me away, shot a bee and caterpillar yesterday on some flowers that just look great!
post #124 of 132
A new day a new video smile.gif Enjoy
post #125 of 132
Hey all,

Here's my first clip edited with vision from the JVC HMZ1 with 28mm wide adapter. Its a bit different from other 3d clips I've seen in so much as its a bit faster paced. Just me and the lads doing a bit of a working bee smile.gif

There's a couple of 3d time-lapses mixed in for fun. Since I filmed this I've taken a whole heap more vision and have started to get used to the manual controls of the camera, and subsequently taken better pictures. This was taken in full auto-mode.

/whistles "working haaard..."

post #126 of 132
Panasonic Z10000 3D video of college ice hockey hockey game


This is a video taken of a college hockey game. The streaming 2D version (one lens view) is here:

https://vimeo.com/54184817

You can download the original from this site, which will play in 3D if you have 3D capability and 2D if you do not. The original is 108060i MVC.

The streaming 3D version is here:



The video was shot at 1/60th shutter for smooth motion.
post #127 of 132
Here is a 3D video I recorded of Brian May (left) being interviewed about 3D tv and movies by Ray Zone at the National Stereoscopic Association 3D-Con in Costa Mesa, California. July 28, 2012. I knew it wouldn't turn out so great because of low light and no tripod, but I thought I'd try a few clips.

I recorded it with a Fujifilm 3D W3 camera, converted and aligned it in Stereo Video Maker, and edited it in iMovie. Sorry about the shaky camera, I tried stabilizing it in YouTube, and also in iMovie, but it changed the 3D parallax too much. I guess I would have to first stabilize both left and right separately, then align and convert, etc. but I'm done with it for now.

Brian May is a guitarist from the rock band Queen, holds a Ph.D in astrophysics, is an animal rights activist and a huge 3D enthusiast. Ray Zone is a 3D artist, author, filmmaker, and 3D film historian. If you've ever read a 3D comic book, chances are he did the 3D for it. Ray Zone passed away just a few months after this conference.


post #128 of 132

This is the entrance to the LG Booth at CES2013. It is said to be the world's largest 3D video wall.

I recorded this using a single Sony TD10 and special filter I made to preserve the 3D shown on these monitors in my recording. Pretty cool, right?
post #129 of 132

This is my first actual production using a two 3D camera point of view of a performance. The points of view are extreme wide angle in 3D and mixed with a medium 3D shot. The wide angle was shot using two NEX5n cameras with a6mm Sony pancake lenses fitted with Sony's 0.62x fisheye adapters. The center camera mounted between the two NEX5n's was a single Sony HDR TD10 set for full wide. I recorded stereo sound on both the NEX5n's and 5.1 sound on the TD10. The sound on the NEX5n's was used to sync the recordings for pairing in Sony Vegas Pro v12. The final 5.1 sound in the rendering was from the TD10. The location of the rig was between two PA speakers in the center of the lake along the sidewalk. The 5.1 sound was only preserved in the BluRay rendering, not this You Tube rendering which is 2 ch stereo. The interaxial of the NEX5n camera lenses was 10 inches.
post #130 of 132
Don,

Both of those videos were typically great for me from you. I viewed both on my 32 inch passive Vizio (I downloaded the YT files and streamed through my WDTV Live Plus box) and plan to watch them on my HT setup tonite. After several minutes of viewing the Bellagio video, I changed the viewing to 4x FF and enjoyed the aqua dancing even more!

Again, nice work and thanks for your making your productions available to all.

.....what is that "special filter" used to produce the video wall video? It really pops out out.

John
post #131 of 132
John,

Thanks for the compliments.

The special filter is a modification I did to my Sony HDR TD10 by mounting a threaded ring from a 77mm UV filter to the front of the camcorder. This allows me to add any standard filter such as neutral density, UV, polarizers and others to the camcorder. When I got interested in viewing new 3D TV's I needed a way yo record not just a double image on the screen but preserve the 3D quality as I saw it with the glasses on. I took a 77mm UV standard filter and carefully cut out the left and right lenses from a pair of RealD 3D movie glasses. Alignment was critical. These were laminated to the UV filter and properly positioned the TD10 can easily record the 3D off of any passive screen using the FPR technology and you can see the 3D when played back on any 3D monitor, including active shutter glasses monitors. To record the active shutter monitors like the Sony or Samsung or Panasonic you need to do the same with the compatible active glasses. That gets expensive but the concept works just as well.

To shoot the Bellagio Fountains, I highly recommend using a protective filter, a UV on your cameras. The wind can and will blow a mist of water on your lenses during the show and having low cost UV filters will save your lenses from the optical coatings becoming scratched.

In shooting the high altitude and great distances like the Bryce Canyon project, I used high filtering UV filters and or circular polarizers on both my TD10's to assist in preventing color wash out.

I also carry gradient ND filters and orange color filters for effects.

Hot on my list to buy soon is a new filter I learned about at Tiffen which is a variable ND filter.
post #132 of 132
Hey all,

Some Fuji W3 love for you all.


As I mentioned in the Fuji W3 specific thread I finally got around to cutting up some highlights from a 3 month world trip in 2011 in which the only camera I took was the little Fuji W3.
I came home with a mountain of footage and photos but have managed to boil it down to about 7min (2 songs) - well thats the video content anyhow:)
Hope you enjoy, some shots are a little rough quality wise, and I personally have since upgraded my 3d cameras because of this, but overall its a great little camera
and a fantastic introduction to 3d for anyone interested.

Cheers,

Joe.
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