I think the disconnect here is that the term "dynamics" when it comes to audio is not a feeling or subjective judgement. It's a measurable, verifiable metric. Most of the people disagreeing with you (myself included) agree that Oblivion is a great, great audio track from top to bottom. But when you say it has the best dynamics of any film you've ever heard, that means something specific. All the adjectives are great and clearly describe what your subjective opinion is, but by the data, the measurable metric of dynamics indicate Oblivion is not even a 5 star track, let alone the best of all time.
post #10501 of 15359
9/20/13 at 1:37pm