Quote:
Originally Posted by milkfat 
I can't believe all the "controversy" over a single scene. It certainly has made this thread interesting if nothing else.
Has anyone considered that real-life trains are full of ear-splitting higher-than-bass frequencies? On a nearly daily basis I stand within 10ft of freight trains going ~45-50mph, and except for the locomotive there isn't really much bass to be had (or at least it is vastly overpowered by the higher frequencies). The clacking, the screeching, the rattling of sheet metal; I can imagine an epic train crash such as this being likened to an epic giant drummer tossing about his epic giant cymbals. Sad to say, but the VLF guys are going to be left out if the audio engineers are aiming for realism.

I can't believe all the "controversy" over a single scene. It certainly has made this thread interesting if nothing else.

Has anyone considered that real-life trains are full of ear-splitting higher-than-bass frequencies? On a nearly daily basis I stand within 10ft of freight trains going ~45-50mph, and except for the locomotive there isn't really much bass to be had (or at least it is vastly overpowered by the higher frequencies). The clacking, the screeching, the rattling of sheet metal; I can imagine an epic train crash such as this being likened to an epic giant drummer tossing about his epic giant cymbals. Sad to say, but the VLF guys are going to be left out if the audio engineers are aiming for realism.

As a lurker here who enjoys the thread but has little to contribute, mainly because I don't share your guys' extreme love of extreme bass, I'm intrigued by any mention of "realism" and I agree with your comments above.
No matter how big nor good our subs, no matter how powerful our amps, we will never, fortunately, achieve 'realistic' impressions of things like explosions and earthquakes, or even gun shots.
I had the misfortune to be within 50 metres of a terrorist bomb explosion some years ago. The noise was so loud that it was literally deafening. I could not hear properly for at least 48 hours and my hearing has never totally recovered to where it was before. Also, at the same time, the force of the blast literally picked me up and hurled me many metres distant. You will never get that in a home theatre, and nor would you want it, for obvious reasons! Similarly, if you achieved anything even approaching a 'realistic' earthquake, then your house would actually shake and probably fall down. That is what happens in earthquakes. And even those gun shots you hear in your HT are not realistic - if they were, then you'd have to wear ear defenders just like guys have to do on the shooting range to prevent permanent hearing loss or damage. Same with an aircraft taking off - when Bruce leaps onto the undercarriage as the 747 takes off, his hearing would be gone for all time. He would be totally, permanently deaf. So when we watch a scene like that sure it sounds absolutely great in a good HT - but no way is it even remotely 'realistic' and nor would we want it to be.











![Underworld: Awakening (+ UltraViolet Digital Copy) [Blu-ray 3D]](http://cdn.avsforum.com/4/47/50x50px-ZC-47e513a7_B00783NWB6-512BKL3k6YlL.jpeg)
![Cloverfield [Blu-ray]](http://cdn.avsforum.com/f/f3/50x50px-ZC-f34aca72_B0018QCXGY-51YpK0YYMSL.jpeg)









And when someone punches someone on the head, it does NOT have a huge deep bass component in real life! But yeah, I enjoy it even though I know it is all very far from 'realistic'. I can get realism in everyday life - when I watch a movie I want to enter a different world for a couple of hours.


Each of those three clips have a whole dimension that S8 did not.





