Quote:
Originally Posted by FOH 
One thing is certain,.... it's one of my all time faves. Stellar cast, I mean rarely do you get a cast with the credentials that strong,...accross the board, in a violent, "shoot 'em up" heist type flick. With no reliance on computer generated effects, there are some killer scenes, superbly filmed.
Produced essentially twenty years ago, even as well done as it was,...I'd love to see this released with contemporary bottom octave extension/resolution, and a 7.1 surround effort.
If you've not had the pleasure, highly recommended.

One thing is certain,.... it's one of my all time faves. Stellar cast, I mean rarely do you get a cast with the credentials that strong,...accross the board, in a violent, "shoot 'em up" heist type flick. With no reliance on computer generated effects, there are some killer scenes, superbly filmed.
Produced essentially twenty years ago, even as well done as it was,...I'd love to see this released with contemporary bottom octave extension/resolution, and a 7.1 surround effort.
If you've not had the pleasure, highly recommended.
I’m rigged for Dolby/dts 7.1.
I’d rather Dolby invent some format codes like they do for Dolby cinema processors for 70mm and 35mm so that this, 7.1 can be used in several ways to present the original film back into the home as exhibited by the Dolby listeners for the past 40 years!
Why not encoded the rear back to be channelled to mono overhead and mono below surround as that is all there is at present? At least it would be discrete.
The decoder can then take the centre phantom from the side wall stereo surrounds and place at the back and it would still work out great. Then we can have true like overhead pans and below surrounds panning from underneath us and up along the sidewall if it was Ti-Fighter or X-Wing in Death Star dogfight before the image is on screen as that is what some scenes do only we hear it along the sidewalls, only.
The encoding called also put back 5 screen fronts of classic 70mm releases as I have only heard maybe a few 5 screen 70mm releases the rest being regular 70mm LCR mono/stereo surrounds. Never mind this wide width stuff Dolby and dts are trying to delude us with, their tricking us away from it.
Anyone of can put in matrix five-screen I’ve got the decoders for it all In need is two more of the same amps crossover and matching speakers for 5 matched fronts.
HEAT had and SDDS release but only in SDDS6 not SDDS8 and that would be cool, five screen front discrete.
Also Dolby 7.1 is the reverse of SDDS8 like its anything new? This Barco 11.1 well I'm not a Barco fan I'm a Dolby fan and I'm sure Dolby have something working around the table to compete with it. I'm still waiting for Dolby 16channels I'm only getting older, not younger.












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. Recently got two Outlaw EX and wanted to see if subwoofer can hold up to the challenge
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