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Originally Posted by Kilgore 
Today's young generation is only concerned with what is out this week. They have zero appreciation of history. If is not related to them, it is disposed of.
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Agreed.
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| If you can't watch The Maltese Falcon, a 67 year old film, because the dialog is archaic (with people "cracking foxy" and all), and the acting is melodramatic, and you feel that the film should be remade so a contemporary audience can appreciate it, well I say contemporary audiences need to step out of their myopic little boxes and learn to appreciate the past. |
Those are two different concepts though, which is the point I'm trying to get across. I can (and consistently do) step out of my own "myopic little box" and absolutely do appreciate the past, but that doesn't make The Maltese Falcon (your example) feel any less dated or archaic. It doesn't make the acting any less wooden or melodramatic, or the dialogue any less cheesy.
I'm not arguing whether these older films
should be remade for contemporary audiences though, so I won't address that aspect.
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Originally Posted by Kilgore 
The effect of the film deteriorated because of your inability to step out of your "contemporary" mindset and truly appreciate history.
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One can "truly appreciate history" without pretending that something isn't dated.
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| MTV has killed movie appreciation. If there isn't a cut every 3 seconds, modern audiences get bored. They call older films boring. I call their attention spans nonexistent. |
I agree with this, but I am not one of those people.
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Originally Posted by FendersRule 
Especially movies like "Blade Runner," "The Shining," or "A Clockwork Orange." That's just skimming the pile of "all time classics" that I've heard him rank on. I'm sure there's more that are poor in his "current evaluation" mindset, too. 
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There are, sure. And there are others that are quite excellent in my same mindset as well.

And again, with those two examples, I gave clear, thoughtful reasons why I felt the way I felt about those films. Hardly just "ranking" on them. But you don't seem to pay opposing opinions the respect you demand of your own.
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| I disagree with you lwright in every single point that you quoted. The fact alone that you said that newer movies, of the same concept, made "10 years later", are usually "better" is just mind blowingly wrong. |
Well, it is a subjective statement for a reason.

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| I didn't find one damn bit of "The Exorcist" "laughable." |
Neat.
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| You're spewing **** out that's going to make people simply not respond to you, which is what I've done. I've only chose to respond because Josh Z made a comment that I agree with. |
The irony of this statement coming from you is wonderful. However, I am not "spewing ****" about anything, or to anyone. I am simply stating my opinions in forum designed specifically for that purpose.
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| I agree with Kilgore. A good movie has absolutely nothing to do with the "medium" or "technology" that was used. |
My point was a bit broader than that, but a good movie from a prior time can certainly feel like less of a good movie based those (and other) aspects. Perhaps though I am not wording it in a way that full realizes the point I'm trying to make, so at this point I'd like to just agree to disagree on that particular topic, however...
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| I think there's some correlation with this, because movies for the most part have became "commodity" items, which makes them LESS of a work of art, and more of a "cheap" product to get people into a theater. It takes less money to compose a software track, rather then to hire a professional composer with an orchestra. It takes less money to plan and build practical effects; therefor CGI is used. It takes less time and money to think of something new; therefore, remakes are done. Just watch A Nightmare on Elm Street, and then watch the remake. Note the differences with every damn thing you can think of. The old movie being a work of art. The new movie being a soulless commodity item. |
I agree with everything you said initially, until that last part. You don't think the original Nightmare on Elm Street was a commodity item of the 80s? Furthermore, you think it was a work of art? It was a cheesy, campy teen slasher flick, and in fact serves to prove my point. The remake certainly sucked, but it was at least a more enjoyable experience than the original (when compared side-by-side today). While I can appreciate it's history and what it meant for it's era, there is no way anyone should prefer it over a modern rendition unless it was for nostalgic reasons (or because they themselves are jaded towards "modernized" remakes and such). Again, this is my (simplified) point.