Quote:
Originally Posted by Livin 
@ mthomas47
Is it as reflective as a a clear Plasma/LCD or more like the matte LCD screens?
I "tried-out" a 65" Vizio LCD with a refelctive screen (while my 65" DLP was getting fixed) and it was like having a mirror - everything reflected, even non-light sources. My 3yr old 65" DLP has zero reflections. Took the LCD back today.
@ everyone
I'm considering getting a new DLP (I like my 3yr old 65" but wondering if the 65 738/838 (chance to get a used one) or 73 640/740:738/838 would be a big improvement?
Does the DarkDetailer or PerfectColor & PerfectTint really help that much where it is worth several hundred $ more over the base 638/640 models?
thx!

@ mthomas47
Is it as reflective as a a clear Plasma/LCD or more like the matte LCD screens?
I "tried-out" a 65" Vizio LCD with a refelctive screen (while my 65" DLP was getting fixed) and it was like having a mirror - everything reflected, even non-light sources. My 3yr old 65" DLP has zero reflections. Took the LCD back today.
@ everyone
I'm considering getting a new DLP (I like my 3yr old 65" but wondering if the 65 738/838 (chance to get a used one) or 73 640/740:738/838 would be a big improvement?
Does the DarkDetailer or PerfectColor & PerfectTint really help that much where it is worth several hundred $ more over the base 638/640 models?
thx!
Perfect Color and Perfect Tint are for adjusting color in the preset modes. You would really need a meter and software to do this. In some model years it was of limited value because blue luminance could not be controlled. It is a more convenient control to use than what is in Advanced Mode for color adjust. Either method if it the controls work properly is okay. Advanced mode has a full set of grayscale controls to go along with it its color management.
I can not speak to how well these controls work on the 2010-2011 sets. The grayscale controls work well, it is the color controls that suffered from being clunky, lacking precsion, repeatability as well as in the case of the color blue a lack of a sufficient range of authority. The other bit about the color controls is that blue and red tend toward desaturation. Not having calibnrated a 2011 I can't speak to how improved these controls behave whether in advanced mode, or the Perfect Color, Perfect Tint twins in the preset mode operate.
It is not like they should not work well, the interfaces are straightforward. It is just they were basically either poorly implemented or not well debugged.
Mits sets have been been traditionally hard to calibrate to a pro level. You will see those comments when you do see Pros speak about calibrating Mits DLPs. I personally use an External Video Processor as the 2009 model was especially troublesome, especially blue. As for the underaturation, the results can be pretty weird if you try to calibrate one of the modes with the wider gamuts like Bright or Brilliant. I did a full calibration in Bright the other night with the help of my Video Processor and although it measured okay... it looked plain weird. I am not sure why. I hit the color targets at 75% but maybe it was way off at other levels of stimulus.


























