AVS › AVS Forum › Audio › Receivers, Amps, and Processors › The Audyssey Pro Installer Kit Thread (FAQ in post #1)
New Posts  All Forums:Forum Nav:

The Audyssey Pro Installer Kit Thread (FAQ in post #1) - Page 30

post #871 of 4237
Quote:
Originally Posted by spike9876 View Post

OK, So I have attached my frequency response using REW.

Is this just the two subs? After MultEQ or before?
post #872 of 4237
Quote:
Originally Posted by markus767 View Post

Is this just the two subs? After MultEQ or before?

Yes, this is for the 2 subs and after running XT32
post #873 of 4237
Quote:
Originally Posted by spike9876 View Post

Yes, this is for the 2 subs and after running XT32

Do they run beyond 200Hz?
post #874 of 4237
Quote:
Originally Posted by markus767 View Post

Do they run beyond 200Hz?

Not sure what you are asking... but I've been mainly testing up to 200Hz, beyond the 200Hz, graph goes pretty crazy... Maybe I need more treatment to treat high frequencies...

I was thinking of placing some ceiling treatments but don't know how much difference that would do...
post #875 of 4237
Quote:
Originally Posted by spike9876 View Post

Not sure what you are asking... but I've been mainly testing up to 200Hz, beyond the 200Hz, graph goes pretty crazy... Maybe I need more treatment to treat high frequencies...

I was thinking of placing some ceiling treatments but don't know how much difference that would do...

I'm asking where the higher frequency sound is coming from when you measured the subs only.

Other than that the response looks good for such a suboptimal setup. Did you also measure other locations around the main listening position?
post #876 of 4237
Thread Starter 
Quote:
Originally Posted by spike9876 View Post

Not sure what you are asking... but I've been mainly testing up to 200Hz, beyond the 200Hz, graph goes pretty crazy... Maybe I need more treatment to treat high frequencies...

I was thinking of placing some ceiling treatments but don't know how much difference that would do...

Markus is asking if the measurements were taken with all the other speakers off, as the HF extension of the subs seems remarkable. But in any case, this actually looks pretty good. It should sound pretty good, too. If the bass is tight, punchy, and well imaged/localized (well-mixed kick drum, toms, bass guitar, acoustic bass, etc sound pretty realistic and seem like they're right there in specific spots across the front soundstage in front of you, not muddled, boomy and diffuse), then you're good to go!

As to improving the graph, if you're willing to move the subs around a bit you might well be able to improve those dips from 65-85. It's trial and error and quite a bit of work. Bass traps in tricorners might well help as well. I'm no expert on treatments but seems to me those acoustic panels may be a good idea but are probably not effective bass traps. Dips are "black holes" when it comes to sucking up precious speaker and amp resources to try to fill them so generally we modify the room/placement but don't try to endlessly boost those freqs to get a smoother graph.

As to Pro, because of the nature of your "problem", I'd say Pro could indeed help this issue. One of the features it adds over XT32 is that it will compare the FR of the subs to the mains and calculate the best xover for the best "splice". It will then actually optimize the XT32 filters for that particular xover. I would not at all be surprised if your Pro "After" graphs were better than what you have now. It will almost certainly sound better across the whole spectrum because of it's many advantages I listed above.

As to acoustic treatments, you could post the full FR curves, and all this info, on the acoustic treatments master thread for advice.
post #877 of 4237
I agree, the sub response is not that bad. One minor recommendation: the L and R speakers should be moved slightly forward so that the front baffles are forward of the equipment cabinet. And then re-run Audyssey, of course.
post #878 of 4237
Quote:
Originally Posted by markus767 View Post

I'm asking where the higher frequency sound is coming from when you measured the subs only.

Other than that the response looks good for such a suboptimal setup. Did you also measure other locations around the main listening position?

This graph shows the sub & mains at the same time (cross over at 80Hz)

I measured 3 positions(left/mid/right) on sofa. Left & mid were similar graph but right was not ideal.
post #879 of 4237
Quote:
Originally Posted by SoundofMind View Post


As to improving the graph, if you're willing to move the subs around a bit you might well be able to improve those dips from 65-85. It's trial and error and quite a bit of work. Bass traps in tricorners might well help as well. I'm no expert on treatments but seems to me those acoustic panels may be a good idea but are probably not effective bass traps. Dips are "black holes" when it comes to sucking up precious speaker and amp resources to try to fill them so generally we modify the room/placement but don't try to endlessly boost those freqs to get a smoother graph.

As to Pro, because of the nature of your "problem", I'd say Pro could indeed help this issue. One of the features it adds over XT32 is that it will compare the FR of the subs to the mains and calculate the best xover for the best "splice". It will then actually optimize the XT32 filters for that particular xover. I would not at all be surprised if your Pro "After" graphs were better than what you have now. It will almost certainly sound better across the whole spectrum because of it's many advantages I listed above.

As to acoustic treatments, you could post the full FR curves, and all this info, on the acoustic treatments master thread for advice.

As to sub placement... I really don't have that many options due to size limitations.

OK.... I'll probably plan on getting the pro kit but need to wait until it's available in my pre pro. I believe I've seen other members with 80.3 think that it may be available this month... Let's see.
post #880 of 4237
I agree with everyone else, your graph is good. Looks like you might be able to improve it a bit by trying different crossover points and playing with the sub phase. Ruler flat is just not possible in some cases but that doesn't mean it won't sound good.

I would say try some different crossover points like 70, 90, 100 then go back and measure to see if the crossover point improves. You can also leave the crossover at 80hz and try different polarity and phase settings but do this one sub at a time. First try and get a better blend at the crossover with one sub then leave that sub on and do the same with the second sub.
post #881 of 4237
I did notice you have a pretty big dip at about 22hz. This is probably a result of the room but I would try reversing polarity on one sub and take a second look. I have a similar set-up with 1 sub on the front and 1 on the back wall, the polarity needs to be reversed on one sub for them to work together nicely. They cancel each other out at certain frequency's when the polarity is both positive and they both have a smoother transition to the crossover at a 90 degree phase setting.
post #882 of 4237
Thread Starter 
Quote:
Originally Posted by AustinJerry View Post

I agree, the sub response is not that bad. One minor recommendation: the L and R speakers should be moved slightly forward so that the front baffles are forward of the equipment cabinet. And then re-run Audyssey, of course.

AJ, good point. Spike, a few other tips (of course, your implementation depends on other factors such as appearance etc). The CC should be edged forward so it is slightly out front of the cabinet edge and it should be tilted slightly upward so it aims at seated head level of MLP. A carpet or area rug would be nice acoustically. The big coffee table is not a good thing acoustically. I'd consider a smaller, preferably even an acoustically transparent one (wire constructed like Markus'). I'd tilt the surrounds up a bit so they shoot slightly over my head, not into my ear. I imagine you close the curtains when you run Audyssey and when listening. You've done well given the limitations of your space. Your dog is wagging his approval of the SQ in MLP.

Ahhh.. I was wondering what that GIK Pillar bass trap was in the pic-I completely missed your mention of it. That looks good there, but would probably be more effective if put in a real corner.
post #883 of 4237
Quote:
Originally Posted by spike9876 View Post

As to sub placement... I really don't have that many options due to size limitations.

OK.... I'll probably plan on getting the pro kit but need to wait until it's available in my pre pro. I believe I've seen other members with 80.3 think that it may be available this month... Let's see.

Audyssey say January 2012. Onkyo have said nothing. Hopefully Audyssey is right - I'm waiting on it too.
post #884 of 4237
Quote:
Originally Posted by mjaudio View Post

I did notice you have a pretty big dip at about 22hz. This is probably a result of the room but I would try reversing polarity on one sub and take a second look. I have a similar set-up with 1 sub on the front and 1 on the back wall, the polarity needs to be reversed on one sub for them to work together nicely. They cancel each other out at certain frequency's when the polarity is both positive and they both have a smoother transition to the crossover at a 90 degree phase setting.

Yes, they are probably cancelling out below 22hz, I remember testing one sub and it was a smooth rollover below 22hz.

When I run audyssey... most times it doesn't look right... It's only when I switch polarity of one sub is that I get a better graph.
post #885 of 4237
Quote:
Originally Posted by mjaudio View Post

I agree with everyone else, your graph is good. Looks like you might be able to improve it a bit by trying different crossover points and playing with the sub phase. Ruler flat is just not possible in some cases but that doesn't mean it won't sound good.

I would say try some different crossover points like 70, 90, 100 then go back and measure to see if the crossover point improves. You can also leave the crossover at 80hz and try different polarity and phase settings but do this one sub at a time. First try and get a better blend at the crossover with one sub then leave that sub on and do the same with the second sub.

After I receive my foam plugs for B&W speakers I'll be retesting. I'll be trying out different crossover points and also I'll be adjusting phase... My understanding is that you need to get the phase correct first.... So I'll be trying to adjust this first and then check the results.
post #886 of 4237
Quote:
Originally Posted by spike9876 View Post

As to sub placement... I really don't have that many options due to size limitations.

Even 1 ft can change things considerably.
post #887 of 4237
Quote:
Originally Posted by SoundofMind View Post

AJ, good point. Spike, a few other tips (of course, your implementation depends on other factors such as appearance etc). The CC should be edged forward so it is slightly out front of the cabinet edge and it should be tilted slightly upward so it aims at seated head level of MLP. A carpet or area rug would be nice acoustically. The big coffee table is not a good thing acoustically. I'd consider a smaller, preferably even an acoustically transparent one (wire constructed like Markus'). I'd tilt the surrounds up a bit so they shoot slightly over my head, not into my ear. I imagine you close the curtains when you run Audyssey and when listening. You've done well given the limitations of your space. Your dog is wagging his approval of the SQ in MLP.

Ahhh.. I was wondering what that GIK Pillar bass trap was in the pic-I completely missed your mention of it. That looks good there, but would probably be more effective if put in a real corner.

Initially there was a drawer where the Center is located but found that having center in drawer it affected the sound... So after removing drawer, center sounded much better. When running REW, I set receiver to stereo where only Left, Right & Sub are sending audio so its not affecting the graph.... but I can try placing center a bit more out from cabinet.

Yes, I wanted to remove coffee table but wife was not having it If would have removed coffee table I would have placed a rug there... but this is not an option at this time

Yes, when watching movies, I do close the curtains...

Previously, not having the GIK pillar bass trap, that particular corner... Sound was resonatting... after placing pillar in that location, problem solved.
post #888 of 4237
Quote:
Originally Posted by markus767 View Post

Even 1 ft can change things considerably.

Running REW, I found that I got better results with moving the front sub forward... but it was just more convenient to place it where it is... From memory, when I placed front sub forward I remember getting similar graph results. I also thought about placing front sub in front of end table then I would have both subs on each side on the same side... but thought that having a sub in front would be best.... I will also experiment this scenario.
post #889 of 4237
That looks to be a pretty challenging room, from a lot of fronts; reflective surfaces, dimensions, openings to other areas, and proximity of your couch to the rear wall.

I know it's an Audyssey faux-pas to have your mic positioning close to a wall but I don't know what effect the bass traps have on that, or for that matter how they affect boundary gain which is another potential issue.
As to if the pro kit would help over the on-board, it might. It would certainly give you the ability to create custom target curves, and since you have REW as a reference you could set your curve to boost the weak areas. Normally I wouldn't want to boost too much, but I think those dual F112's should be able to easily handle it.
Now that I think of it, they also have a room EQ in them as well. The trick there is to use it to gang up on the weak spots and then run Audyssey over top if you haven't already done so.
post #890 of 4237
Quote:
Originally Posted by rnrgagne View Post

Now that I think of it, they also have a room EQ in them as well. The trick there is to use it to gang up on the weak spots and then run Audyssey over top if you haven't already done so.

Yes, JL Audio has EQ (ARO) but found results not as flat as Audyssey...

I ran many permutations including adjusting sub distance but the steps that I found gave me the best graph were as follows:
1. Adjust phase
2. Run ARO
3. Run Audyssey.
post #891 of 4237
BTW, previously I was planning on getting XTZ, and since I'm now planning on getting the pro kit when it's available wanted to check if it still made sense in getting XTZ.
post #892 of 4237
It's still good to be able to measure independently of the graphs produced by Pro.
post #893 of 4237
Quote:
Originally Posted by spike9876 View Post

BTW, previously I was planning on getting XTZ, and since I'm now planning on getting the pro kit when it's available wanted to check if it still made sense in getting XTZ.

Why get XTZ when you already have REW?
post #894 of 4237
Quote:
Originally Posted by markus767 View Post

Why get XTZ when you already have REW?

I don't believe the sound card my laptop has is very good... I get a very annoying noise when I connet to AVR... Basically, if I stay with REW, I need to buy an external USB sound card.
post #895 of 4237
Quote:
Originally Posted by spike9876 View Post

Yes, JL Audio has EQ (ARO) but found results not as flat as Audyssey...

I ran many permutations including adjusting sub distance but the steps that I found gave me the best graph were as follows:
1. Adjust phase
2. Run ARO
3. Run Audyssey.

That's the right way to do it, but can you manually adjust ARO? As I alluded to above, if you can gang up the filters it has on just the valleys then run Audyssey over top you might get an appreciable benefit. I used to do that with SMS-1's with good success.

If that's possible I'd do each sub individually (manually with ARO), then run Audyssey, and if Audyssey isn't aggressive enough in certain areas you could design a custom curve with Pro that further addresses peaks or valleys.

In any scenario, you've got a lot of good tools to work with, and this is the fun part of this hobby. Enjoy your quest!
post #896 of 4237
Quote:
Originally Posted by spike9876 View Post

I don't believe the sound card my laptop has is very good... I get a very annoying noise when I connet to AVR... Basically, if I stay with REW, I need to buy an external USB sound card.

Rarely is onboard audio suitable for using with software like REW. Not because they are usually cheep, but because they are not duplex, i.e. can output the test signals and input the mic signal at the same time. OK, well I guess it *is* because they are cheep.

High end gaming laptops are more likely to have duplex onboard audio.
post #897 of 4237
Thread Starter 
Quote:
Originally Posted by spike9876 View Post

BTW, previously I was planning on getting XTZ, and since I'm now planning on getting the pro kit when it's available wanted to check if it still made sense in getting XTZ.

The Pro before graphs can be quite useful as a measuring tool but has limitations. here's how I see it:

The cons of Pro as your measuring system:
1. It has no real-time capability and is much slower displaying results (measure min 3 mic pos, calc, upload data, download graph, etc). A sub placement exercise ("a measured sub haul" ) could be quite tedious.
2. It only measures FR and displays a simple graph. No waterfalls, decay, etc., etc.

The pros of Pro as your measuring system:
1. You are seeing the summed response from at least 3 spots in a way far more reflective of the data Pro will actually be processing.
2. No additional cost.
3. The measurements are already part of running Pro so no additional connections are required.

Spike, you seem like the kind of hobbyist (doing lots of measuring including placing room treatments, plugging ports, etc.) where spending a couple hundred on having a quicker and more comprehensive measuring system would be well worth it to you. And that probably applies to most folks on this thread.
post #898 of 4237
Honestly, my $.02 is that I can't think of any "pros" to using MultEQ Pro as a tool to measure HT audio.

Jeff
post #899 of 4237
I agree.
post #900 of 4237
Quote:
Originally Posted by pepar View Post

Honestly, my $.02 is that I can't think of any "pros" to using MultEQ Pro as a tool to measure HT audio.

Jeff

Well no, it's never been that. The whole purpose of the graphs is to show the installers' customer some results in a visual format, it isn't about accuracy.
That being said, with enough patience you could use it as a crude tool to see if you can do better placement before running a full set of measurements. Might be better than nothing.
New Posts  All Forums:Forum Nav:
  Return Home
  Back to Forum: Receivers, Amps, and Processors
AVS › AVS Forum › Audio › Receivers, Amps, and Processors › The Audyssey Pro Installer Kit Thread (FAQ in post #1)