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post #121 of 308
What part of town you in? Franks pizza is one of my favorites.
post #122 of 308
The pizza and bbq ideas sound awesome!

In the meantime here's a little tidbit to whet your appetite



I'm ordering a pair of those high tech earplugs off amazon right now. I noticed there are two sizes currently produced and multiple colors - but I don't think the colors mean anything besides a cosmetic difference.

Large
http://www.amazon.com/Etymotic-Resea...8084656&sr=1-1

Standard
http://www.amazon.com/Etymotic-Resea...8084786&sr=8-1

I think the baby blue size is now considered standard and according to the website most people will use standard.
http://www.etymotic.com/hp/er20.html
*All ears are different. It is impossible to predict the size of an ear canal by the appearance of the outer ear, or by a person’s physical size, age or gender. Two sizes of ETY•Plugs fit almost 100% of ear canals. Recent studies of both fit and seal, conducted at Etymotic Research and an independent lab, showed that the smaller of the two sizes fits the majority of ears and is now designated as standard fit.
post #123 of 308
Archaea-

Awesome video! I love at about :58 the sleeping bag looks alive!

What a beautiful looking theater, at least in the dark . Do you have any pics or a build thread?

EDIT! Opps! Just saw your sig. I'll check out the pics.

dbl
post #124 of 308
Thread Starter 
Quote:
Originally Posted by Archaea View Post

The pizza and bbq ideas sound awesome!

I'm ordering a pair of those high tech earplugs off amazon right now. I noticed there are two sizes currently produced and multiple colors - but I don't think the colors mean anything besides a cosmetic difference.

Large
http://www.amazon.com/Etymotic-Resea...8084656&sr=1-1

Standard
http://www.amazon.com/Etymotic-Resea...8084786&sr=8-1

I think the baby blue size is now considered standard and according to the website most people will use standard.
http://www.etymotic.com/hp/er20.html
*All ears are different. It is impossible to predict the size of an ear canal by the appearance of the outer ear, or by a person’s physical size, age or gender. Two sizes of ETY•Plugs fit almost 100% of ear canals. Recent studies of both fit and seal, conducted at Etymotic Research and an independent lab, showed that the smaller of the two sizes fits the majority of ears and is now designated as standard fit.

I think Michael (desertdome) is pretty excited about his local work pizza joint, so we will try and order from there.

For the BBQ I'll try and get a quote if it isn't too bad I'll go with Hog Heaven.

Just ordered 3 pairs of the ear plugs as well. Says shipping arriving 10/14-10/19 (free super saver) so get on it if anyone else is thinking of getting those.

Plugged the F20s into the Sampson today and the NR1007 in sub2. Sub1 currently has the CS18.T through the DCX. I think people are going to like the F20s. I didn't put the gain up much; I'm sure they can take a ton more but I didn't have a HPF set so I don't want to wreck them before the GTG!

Putting your head inside the mouth of the horn and having your hair stand up is kind of fun!
post #125 of 308
If you guys are listening to music at the GTG I suggest trying out a higher crossover just to see the difference. In my room a 80hz crossover just doesn't rattle my rib cage with music like a higher crossover does. It could just be my room and setup though.

The closer it gets the more unhappy I am about not being able to make it. I'm glad that someone I know is going at least. You guys are going to have a blast.

Sorry for my ignorance, but what are F20's? Sounds like some kind of fighter jet. *Homer Simpson voice* Hmmmmmm fighter jet bass.....
post #126 of 308
Thread Starter 
The Cinema F 20 is a sub developed by lilmike. The thread is in the diy subwoofer subforum. He designed it to utilize the MFW 15 driver but many others will work. It should be high passed at 20 hz.

Good news KC guys, I-29 is now open!
post #127 of 308
Thread Starter 
Desertdome and I want this to be one sweet GTG, so we thought a handout of all the subs being tested along with their specs/retail price/amp/any DIY info (approx hours required, parts costs, ID product that compares) that was important would be nice to help the attendees compare subs and the bang for buck you are getting-especially since we will have a few DIY being exhibited.

I have PM'd some of you attending, but if I missed you please send me the info or a link to it. If I don't hear from everyone by friday; I'll pull what I can for each sub from the internet or PM you again.

Thanks!
post #128 of 308
Quote:
Originally Posted by HuskerOmaha View Post

Desertdome and I want this to be one sweet GTG, so we thought a handout of all the subs being tested along with their specs/retail price/amp/any DIY info (approx hours required, parts costs, ID product that compares) that was important would be nice to help the attendees compare subs and the bang for buck you are getting-especially since we will have a few DIY being exhibited.

I have PM'd some of you attending, but if I missed you please send me the info or a link to it. If I don't hear from everyone by friday; I'll pull what I can for each sub from the internet or PM you again.

Thanks!

So the way it looks right now you have about 11 sub setups signed up and attending. Figure 75% attendance of those 11 subs -- if KC's meet was anything to use as a reference (though your meet may be different with folk bringing their subs over in advance - it sort of seals the commitment a bit more ). We are going to have a LONG FUN day! I may talk to KCNitro07 and see if he wants to take a half day or day off work on October 21st so we can drive up earlier and get to your place before 9PM.
post #129 of 308
Thread Starter 
Quote:
Originally Posted by Archaea View Post

So the way it looks right now you have about 11 sub setups signed up and attending. Figure 75% attendance of those 11 subs -- if KC's meet was anything to use as a reference (though your meet may be different with folk bringing their subs over in advance - it sort of seals the commitment a bit more ). We are going to have a LONG FUN day! I may talk to KCNitro07 and see if he wants to take a half day or day off work on October 21st so we can drive up earlier and get to your place before 9PM.

I hope everyone comes-I have heard back from almost everyone who originally was interested. That would be cool if you guys came up early-I have the day off friday as well.

It looks promising that CHT will be here as well with a pair of the new ported subs so I'll update the first post yet again.

We are working on the lineup...thinking about bringing each subs down from the garage (other than the F20s-leaving those where they are) between each listening session. We should have enough fit guys there to handle these lightweight boxes.

Also determining whether to start with the DIY and then into the ID products, or going from "expected" low to high output and wow factor.
I may try and use similar grading to the KC meet to keep things comparable; if that is even possible with the difference in rooms, setups, treatments, power, seating distance, etc.
post #130 of 308
Thread Starter 
Updated setups expected:

DIY Klipsch Sonotube (RW-12d)
HSU VTF-3 HO
DIY Rythmik (DS 1500)
eD a7s-450
Danley DTS-10/JTR Growler
Dual BIC F12s
Dual CHT CS 18.1
Dual CHT VS 18.1
Dual JTR Captivator Pro
Lilmike Designed DIY Dual Cinema F-20 (MFW-15)
DIY Quad MFW-15 Dual Opposed
Motor City Custom Audio Dual MFW-15 Turbos
post #131 of 308
Greg,

I'm heading to Europe on the morning of the 22nd, so I'm afraid me and the Hsu won't make it. Sorry about the short notice, I did not know myself until a couple of days ago. I was really looking forward to the GTG so I'm a bit bummed out.

/Anders
post #132 of 308
Thread Starter 
Quote:
Originally Posted by andersa View Post

Greg,

I'm heading to Europe on the morning of the 22nd, so I'm afraid me and the Hsu won't make it. Sorry about the short notice, I did not know myself until a couple of days ago. I was really looking forward to the GTG so I'm a bit bummed out.

/Anders

Thanks for letting me know! Hope your trip isn't all business filled-
post #133 of 308
Thread Starter 
Since andersa isn't going to make it, desertdome is going to bring a Hsu VTF-2 MK3 and a MBM-12 MK1 (MK2 current model).

So, the subs/drivers represented will consist of:

Hsu Research
JTR Speakers
Danley
Rythmik
Motor City Custom Audio/Seaton Sound
Acoustic Elegance (drivers in Turbos)
Elemental Designs
Chase Home Theater
---------------------
DIY


Is everyone interested in a scoring guide resembling that of the KC GTG?
Since comments and reflections may be more valuable to most than a simple 1-5 numerical rating; we may try and record discussions after each sub demo and post those later along with attendees comments and the graphs/numbers taken with each.

Thoughts?
post #134 of 308
Quote:
Originally Posted by HuskerOmaha View Post

Since andersa isn't going to make it, desertdome is going to bring a Hsu VTF-2 MK3 and a MBM-12 MK1 (MK2 current model).

So, the subs/drivers represented will consist of:

Hsu Research
JTR Speakers
Danley
Rythmik
Motor City Custom Audio/Seaton Sound
Acoustic Elegance (drivers in Turbos)
Elemental Designs
Chase Home Theater
---------------------
DIY


Is everyone interested in a scoring guide resembling that of the KC GTG?
Since comments and reflections may be more valuable to most than a simple 1-5 numerical rating; we may try and record discussions after each sub demo and post those later along with attendees comments and the graphs/numbers taken with each.

Thoughts?


In regards to KC's scoring system. I think it worked well overall!

With two notes for improvement - We didn't establish two things very well.

1) Some people used half scores IE 4.5, 2.5 etc - some didn't. That should have been established up front, as some people may not have wanted to put two subs identically at a 4, but they didn't think they were a 3 or a 5. I think the half scoring system is nice, but more difficult to manually add when you take into account this is all done with peoples scribbly unsupported and difficult to read handwriting, and periods you can't make out -etc. Perhaps just a system of 1-10 is best with 1 being the worst and 10 being the best. Easy numerically to add and average. Inevitably the score sheets were very difficult to read with multiple scratch outs and re-scores, and pens that were failing from writing half upside down and such.
2) This was stated, and agreed upon but I don't think everybody who scored at the KC meet either heard the note or perhaps just didnt take it to heart. The subs shouldn't really be evaluated against each other in the scoring system --- because you aren't hearing them at once and it becomes a grading nightmare - that final comparative analysis can be reserved for subjective written analysis (at which time let loose the dogs of war). What I mean is that it was most of our opinions in KC that each sub should be graded in a silo, at least as much as possible, with the subjective 1-5 rankings -- only graded against your opinion of ideal in the scoring section -- not graded against subs you anticipate to be better, but haven't heard yet. We should make it a point to try very hard to just listen to each sub individually out of context of the overall meet and not be afraid to give a lower priced sub a good score on x demo material if it sounded good on x demo material. So if a sub sounded really smooth - it didn't matter if it was a $500 sub. You could still give it a 5 on smoothness -- even if it was a cheaper sub. Basically --- you didn't have to rate it a 2 or 3 simply because you KNEW there would be better later. Heck if sounds good on x demo material give it a good score for that particular score. It'll all fall out in the wash because the lower quality subs will REALLY manifest that they are lower quality on some demo material - be it movies or test tone sweeps or whatever -- give them credit where credit is due and hit em hard where they deserve reprimand. I heard one comment that made me feel all parties were not onboard to this in KC when I heard a someone say aloud during the Jamo audition that - this sounds REALLY good, but I can't give it a five because I know there will be better coming up.

Well let the pieces fall where they may and then the subjective analysis can really point out any differences that the scoring doesn't pick up. I think the scoring will basically take care of itself in that you will see some people with less sub experience rate some of the cheaper subs higher, and some with more selective preferences may rate it lower --- but yet the scoring remains, when averaged, a valid indicator of quality.

This isn't perfect, but I think the alternative is worse.

For instance in the alternate rating system ---You label each sub 1-10 - 10 being best. Let's just say the subs happen to fall out in order of price --- just for ease of displaying this problem. Then your final score reveals you have collectively ranked the cheapest sub and average of 1 and the best sub an average of 10. Well that tells the reader nothing, about how the sub actually preforms in each category. The alternate ranking collectively system fails to point out that while the $500 DIY option wasn't that great at the single WOTW movie scene, it really did amazing for music, and was quite commendable on several of the other action movies ---- or whatever the case may be?!?!. It also fails to point out that the average Joe may be happy with that type of setup he realizes he can get 85% of the preformance at 30% of the cost --- and is willing to accept noted limitations.

I hope I didn't ramble to the point this discussion topic doesn't make sense...This is just my opinion. I default to Omaha's choice on the final ranking rules. It's his meet - I'm just happy I can attend!
post #135 of 308
Quote:
Originally Posted by HuskerOmaha View Post

Since andersa isn't going to make it, desertdome is going to bring a Hsu VTF-2 MK3 and a MBM-12 MK1 (MK2 current model).

So, the subs/drivers represented will consist of:

Hsu Research
JTR Speakers
Danley
Rythmik
Motor City Custom Audio/Seaton Sound
Acoustic Elegance (drivers in Turbos)
Elemental Designs
Chase Home Theater
---------------------
DIY


Is everyone interested in a scoring guide resembling that of the KC GTG?
Since comments and reflections may be more valuable to most than a simple 1-5 numerical rating; we may try and record discussions after each sub demo and post those later along with attendees comments and the graphs/numbers taken with each.

Thoughts?

Referring to the order of the subs, I like the idea of starting with the lowest displacement subs first and then moving up to the largest if the majority of the content is movies.

It will be hard to judge first sub since there is nothing to compare it to from before though. I think subjective comments are useful since I assume most of us are not trained listeners as in what would measure better objectively. Someone may enjoy warmer bass which I believe relates to frequency response rise and/or higher distortion. Maybe we should all write down our personal biases before the test or our biggest priority of what we are looking for that way others can relate to our comments easier.

I think it would be fun to keep our favorite sealed set-up and compare it to the top ported subs for music and theater if there is time.
post #136 of 308
Thread Starter 
Quote:
Originally Posted by kwarny View Post

Referring to the order of the subs, I like the idea of starting with the lowest displacement subs first and then moving up to the largest if the majority of the content is movies.

It will be hard to judge first sub since there is nothing to compare it to from before though. I think subjective comments are useful since I assume most of us are not trained listeners as in what would measure better objectively. Someone may enjoy warmer bass which I believe relates to frequency response rise and/or higher distortion. Maybe we should all write down our personal biases before the test or our biggest priority of what we are looking for that way others can relate to our comments easier.

I think it would be fun to keep our favorite sealed set-up and compare it to the top ported subs for music and theater if there is time.

Quote:
Originally Posted by Archaea View Post

In regards to KC's scoring system. I think it worked well overall!

With two notes for improvement - We didn't establish two things very well.

1) Some people used half scores IE 4.5, 2.5 etc - some didn't. That should have been established up front, as some people may not have wanted to put two subs identically at a 4, but they didn't think they were a 3 or a 5. I think the half scoring system is nice, but more difficult to manually add when you take into account this is all done with peoples scribbly unsupported and difficult to read handwriting, and periods you can't make out -etc. Perhaps just a system of 1-10 is best with 1 being the worst and 10 being the best. Easy numerically to add and average. Inevitably the score sheets were very difficult to read with multiple scratch outs and re-scores, and pens that were failing from writing half upside down and such.
2) This was stated, and agreed upon but I don't think everybody who scored at the KC meet either heard the note or perhaps just didnt take it to heart. The subs shouldn't really be evaluated against each other in the scoring system --- because you aren't hearing them at once and it becomes a grading nightmare - that final comparative analysis can be reserved for subjective written analysis (at which time let loose the dogs of war). What I mean is that it was most of our opinions in KC that each sub should be graded in a silo, at least as much as possible, with the subjective 1-5 rankings -- only graded against your opinion of ideal in the scoring section -- not graded against subs you anticipate to be better, but haven't heard yet. We should make it a point to try very hard to just listen to each sub individually out of context of the overall meet and not be afraid to give a lower priced sub a good score on x demo material if it sounded good on x demo material. So if a sub sounded really smooth - it didn't matter if it was a $500 sub. You could still give it a 5 on smoothness -- even if it was a cheaper sub. Basically --- you didn't have to rate it a 2 or 3 simply because you KNEW there would be better later. Heck if sounds good on x demo material give it a good score for that particular score. It'll all fall out in the wash because the lower quality subs will REALLY manifest that they are lower quality on some demo material - be it movies or test tone sweeps or whatever -- give them credit where credit is due and hit em hard where they deserve reprimand. I heard one comment that made me feel all parties were not onboard to this in KC when I heard a someone say aloud during the Jamo audition that - this sounds REALLY good, but I can't give it a five because I know there will be better coming up.

Well let the pieces fall where they may and then the subjective analysis can really point out any differences that the scoring doesn't pick up. I think the scoring will basically take care of itself in that you will see some people with less sub experience rate some of the cheaper subs higher, and some with more selective preferences may rate it lower --- but yet the scoring remains, when averaged, a valid indicator of quality.

This isn't perfect, but I think the alternative is worse.

For instance in the alternate rating system ---You label each sub 1-10 - 10 being best. Let's just say the subs happen to fall out in order of price --- just for ease of displaying this problem. Then your final score reveals you have collectively ranked the cheapest sub and average of 1 and the best sub an average of 10. Well that tells the reader nothing, about how the sub actually preforms in each category. The alternate ranking collectively system fails to point out that while the $500 DIY option wasn't that great at the single WOTW movie scene, it really did amazing for music, and was quite commendable on several of the other action movies ---- or whatever the case may be?!?!. It also fails to point out that the average Joe may be happy with that type of setup he realizes he can get 85% of the preformance at 30% of the cost --- and is willing to accept noted limitations.

I hope I didn't ramble to the point this discussion topic doesn't make sense...This is just my opinion. I default to Omaha's choice on the final ranking rules. It's his meet - I'm just happy I can attend!


Good points kwarny/Archaea.

desertdome and I have been emailing each other on a lineup and scoring system. After reading all I think:

Do a 1-10 grading on each sub in various categories similar to the KC GTG and then an OVERALL point grade.
Hand out a sheet of the sub specs/scoring points/notes area.
After each sub, collect scoring sheets and hand out the ones for the next sub in line.
I was envisioning a 8x11 sheet with divisions of sub/amp info, scoring bullets/numbers similar to Archaea's, and then a third and last division of lines. This would appear similar to a powerpoint notes page, if you have seen those.

Our ideas for lineups:
1) staggered with DIY and production models
2) DIY in a group before lunch, then production models after
3) DIY and production in an increasing anticipated output.
4) Ported/Horns and Sealed setups in different groups, increasing outputs.

#3 was my preferred choice. But after Archaea's thoughts on bias and thinking "the next sub will be cleaner/louder/punchier/etc" than the last, I do like the more of a staggered lineup. I'd like to hear more thoughts from those attending and anyone in general that has attended one or read what people ended up thinking would be the best.

Either way it would be EASIEST to start with the Cinema F-20s since they are already set up, then we could cycle each set of sub(s) down to the basement. The garage can be our staging area. Then we won't have any interference by activating drivers in other subs with bass waves, etc like desertdome has mentioned could happen. We would only have the subs tested in the basement at each time for measurements and listening.

Here are some lineup ideas:

9:00 – Introductions/Explanation of proceedings. Name Tags.
9:20 – Explanation of listening and scoring procedure. Pass out sheets.
9:30 – Dual LilMike Cinema F20s
10:15 – Rythmik DIY
11:00 – Dual MFW Turbo’s
11:45 – Klipsch Sonosub DIY
12:30 – Pizza
1:00 – Dual JTR Captivator Pros
1:45 – Dual BIC F12’s
2:30 – Hsu VTF-2 MK3 + MBM-12 MK1
3:15 – Dual CHT VS 18.1
4:00 – Dual CHT 18.1 We could do CHT sealed/ported combo here too
4:45 – eD a7s-450
5:30 – DTS-10/Growler
6:00 – Quad sealed MFW-15’s
6:45 – BBQ
7:15 – Quad sealed MFW-15’s and Dual CHT 18.1/eD a7s-450
7:45 – 10:00 Discussion, relisten to subs, tally scores, watch football

Alternative lineup:

9:30 LilMike Dual Cinema F-20s
10:15 Klipsch Sonosub DIY
11:00 HSU VTF-2 MK3 + MBM-12 MK1
11:45 Dual BIC F12s
12:30 Pizza
1:00 Rythmik DIY
1:45 eD a7s-450
2:30 Dual CHT 18.1
3:15 Dual Turbos
4:00 DTS-10/Growler
4:45 Dual CHT VS 18.1
5:30 Dual Captivators
6:15 Quad Sealed MFWs Dual Opp
7:00 BBQ
7:45 Quad Sealed MFWs plus CHT 18.1s

(This is pretty much in anticipated increasing output, though I'm unsure on the DTS10 vs Caps vs VS 18.1s). The Quad Sealed will be the biggest pain to move so would do those last in any setup-regardless of expected output.

9:30 - Dual LilMike Cinema F20s
10:15 – DTS-10/Growler
11:00 – Dual MFW Turbo’s
11:45 – Klipsch Sonosub DIY
12:30 – Pizza
1:00 – Dual JTR Captivator Pros
1:45 – Dual BIC F12’s
2:30 – Hsu VTF-2 MK3 + MBM-12 MK1
3:15 – Dual CHT VS 18.1
4:00 – Dual CHT 18.1 We could do CHT sealed/ported combo here too
4:45 – eD a7s-450
5:30 – Rythmik DIY
6:00 – Quad sealed MFW-15’s
6:45 – BBQ
7:15 – Quad sealed MFW-15’s and Dual CHT 18.1/eD a7s-450

This last one is a bit modded so that we could hear the DTS10 and F-20s right next together, then all of the sealed setups at the end.

What do you guys think?

EDIT: If we actually stick to the schedule, say get done around 8pm with the rundown, we could then compare say the VS 18.1s directly to the Cap Pros, etc.
Or $$$ vs $$$ with any setups that are approx the same costs...etc....Totally whatever people want to do if they are sticking around all night.
post #137 of 308
Quote:
Originally Posted by HuskerOmaha View Post

Good points kwarny/Archaea.

desertdome and I have been emailing each other on a lineup and scoring system. After reading all I think:

Do a 1-10 grading on each sub in various categories similar to the KC GTG and then an OVERALL point grade.
Hand out a sheet of the sub specs/scoring points/notes area.
After each sub, collect scoring sheets and hand out the ones for the next sub in line.
I was envisioning a 8x11 sheet with divisions of sub/amp info, scoring bullets/numbers similar to Archaea's, and then a third and last division of lines. This would appear similar to a powerpoint notes page, if you have seen those.

Our ideas for lineups:
1) staggered with DIY and production models
2) DIY in a group before lunch, then production models after
3) DIY and production in an increasing anticipated output.
4) Ported/Horns and Sealed setups in different groups, increasing outputs.

#3 was my preferred choice. But after Archaea's thoughts on bias and thinking "the next sub will be cleaner/louder/punchier/etc" than the last, I do like the more of a staggered lineup. I'd like to hear more thoughts from those attending and anyone in general that has attended one or read what people ended up thinking would be the best.

Either way it would be EASIEST to start with the Cinema F-20s since they are already set up, then we could cycle each set of sub(s) down to the basement. The garage can be our staging area. Then we won't have any interference by activating drivers in other subs with bass waves, etc like desertdome has mentioned could happen. We would only have the subs tested in the basement at each time for measurements and listening.

Here are some lineup ideas:

9:00 – Introductions/Explanation of proceedings. Name Tags.
9:20 – Explanation of listening and scoring procedure. Pass out sheets.
9:30 – Dual LilMike Cinema F20s
10:15 – Rythmik DIY
11:00 – Dual MFW Turbo’s
11:45 – Klipsch Sonosub DIY
12:30 – Pizza
1:00 – Dual JTR Captivator Pros
1:45 – Dual BIC F12’s
2:30 – Hsu VTF-2 MK3 + MBM-12 MK1
3:15 – Dual CHT VS 18.1
4:00 – Dual CHT 18.1 We could do CHT sealed/ported combo here too
4:45 – eD a7s-450
5:30 – DTS-10/Growler
6:00 – Quad sealed MFW-15’s
6:45 – BBQ
7:15 – Quad sealed MFW-15’s and Dual CHT 18.1/eD a7s-450
7:45 – 10:00 Discussion, relisten to subs, tally scores, watch football

Alternative lineup:

9:30 LilMike Dual Cinema F-20s
10:15 Klipsch Sonosub DIY
11:00 HSU VTF-2 MK3 + MBM-12 MK1
11:45 Dual BIC F12s
12:30 Pizza
1:00 Rythmik DIY
1:45 eD a7s-450
2:30 Dual CHT 18.1
3:15 Dual Turbos
4:00 DTS-10/Growler
4:45 Dual CHT VS 18.1
5:30 Dual Captivators
6:15 Quad Sealed MFWs Dual Opp
7:00 BBQ
7:45 Quad Sealed MFWs plus CHT 18.1s

(This is pretty much in anticipated increasing output, though I'm unsure on the DTS10 vs Caps vs VS 18.1s). The Quad Sealed will be the biggest pain to move so would do those last in any setup-regardless of expected output.

9:30 - Dual LilMike Cinema F20s
10:15 – DTS-10/Growler
11:00 – Dual MFW Turbo’s
11:45 – Klipsch Sonosub DIY
12:30 – Pizza
1:00 – Dual JTR Captivator Pros
1:45 – Dual BIC F12’s
2:30 – Hsu VTF-2 MK3 + MBM-12 MK1
3:15 – Dual CHT VS 18.1
4:00 – Dual CHT 18.1 We could do CHT sealed/ported combo here too
4:45 – eD a7s-450
5:30 – Rythmik DIY
6:00 – Quad sealed MFW-15’s
6:45 – BBQ
7:15 – Quad sealed MFW-15’s and Dual CHT 18.1/eD a7s-450

This last one is a bit modded so that we could hear the DTS10 and F-20s right next together, then all of the sealed setups at the end.

What do you guys think?


Man I think you almost have to do it in order of expected output levels/quality. If you don't then you screw the scoring the other direction. For instance while I'm a fan of the BIC F12s and do in fact recommend them for the budget conscious enthusiast --- Hearing them after hearing my JTR Captivator Pros is absoutely laughable. They won't fare well at all in that order - they will fail on every level and be perceived so terribly that it would be unfair against them. HOWEVER --- taken on their own merit -- and heard in the proper context they would generally be viewed as a decent, almost amazing sub -- for the price!!! Luke felt this happened a bit at the KC meet with the Yamaha CW218V immediately before his HSU VTF-15H... The Yamaha touted some of the highest SPL numbers at our meet, and he was pushing the HSU beyond what it really should have been pushed in order to try to keep up. There's that old problem that given two subs at different SPLs -- people will almost universally pick the sub with the higher sound levels as the victor even if the other sub actually is more sonically proven. So --- how do you beat that issue except be mindful of it and try to keep subs more or less running together in similar class bunches?

That's my vote cast...Just one vote of hopefully many! -- and as I said I'm absolutely willing to go with the majority - or even just Greg's choice here, serving as the host. My full hope is that we can provide an accurate assessment of the unique and individual worth of a subwoofer setup that may appeal to the reader...oh...and have a lot of fun while doing it! But I don't know how to make it fair to the lesser subs to be put immediately behind the more expensive other options? If I just took a drive in a Ferrari Enzo, and then walked over to a v6 Ford Mustang I might not think anything of the V6 Ford mustang, but had I started with the Ford Mustang I might think it a awesome car, surprisingly so in fact, considering 305hp on a v6 for only $22,000 MSRP. Or, as another example: if you went to a race and they had top fuel Harleys running, and then the next race were a pair of Ninja 250cc bikes. You'd watch and enjoy the 250CC race if it happened first, but if after the Top Fuel Racers --- you'd just walk away to hit the restroom or buy a soda.

If you can't tell - I'm also a motorhead. I've got a 2000 grand prix gtp that I've swapped cams twice, upgraded rockers, fuel systems, exhaust, PCM, etc to now have 480 ft/lbs of torque according to my dyno session, and I've got a project 1990 corvette with a 383, accell superam, and all the fixings dropped in -- just itching to be finished.

Again just one man's vote.
post #138 of 308
Thread Starter 
For the locals that want to drop their subs off prior to next Saturday or if I need to pick them up, PM me.

And with as many people as are coming, I'm totally going cheap pizza, Dominos or Pizza Hut! Preferences? Evening food will be BBQ....thinking pork shoulder, ribs, etc...Will pick up some water/soda as well.


We may have a driver serving as a donation bucket...!
post #139 of 308
Thread Starter 
Quote:
Originally Posted by Archaea View Post

Man I think you almost have to do it in order of expected output levels/quality. If you don't then you screw the scoring the other direction.

That's my vote cast...Just one vote of hopefully many! -- and as I said I'm absolutely willing to go with the majority - or even just Greg's choice here, serving as the host. If I just took a drive in a Ferrari Enzo, and then walked over to my v6 Ford Mustang I might not think anything of the V6 Ford mustang, but had I started with the Ford mustang I might think it a decent car, surprisingly decent in fact, considering 305hp on a v6 for only $22,000 MSRP. Again just one man's vote.

I'm all ears man. Majority rules.

I'll be enlisting you guys to help get those F20s back to the garage Friday night/Sat am then if we go by output, because these suckers are beasts in size and seat shaking. I still prefer the sealed sound, but I think you guys will like what these offer for the price! We can play with them a bit friday night if you guys get here early enough.

So you have an Enzo?
post #140 of 308
Quote:
Originally Posted by HuskerOmaha View Post


So you have an Enzo?

hahaha,

No --- purely illustration...

A donation driver filled with food money sounds like a keen idea!
post #141 of 308
Thread Starter 
Quote:
Originally Posted by Archaea View Post

If you can't tell - I'm also a motorhead. I've got a 2000 grand prix gtp that I've swapped cams twice, upgraded rockers, fuel systems, exhaust, PCM, etc to now have 480 ft/lbs of torque according to my dyno session, and I've got a project 1990 corvette with a 383, accell superam, and all the fixings dropped in -- just itching to be finished.

Oh man, it might be hard to stay on topic, maybe we can talk cars later in the night too. YamahaSHO has his namesake in his humidity controlled garage. I only know 60's muscle, not this new turbos you guys do. His car wastes Euro models on the track. Post SHO!

I know Craig has driven a Ford GT etc from his options at his dealerships.

I have a '66 Ford Fairlane I'm trying to find someone to do a body up restore on and drop a 427 in and a '65 Fastback 2+2 Mustang that I may have in town. It is starting to need a new paint job though and is mostly original.

Seems to be a pattern that speaker/sub people like fast cars too.

Maybe we could take YamahaSHO on and you drive your GTP up and run them down to Offutt and do a 1/4 mile.
post #142 of 308
can you compare the Danley DTS-10 to the JTR Captivator please? Thats each ones competition. I own 3 DTS-10'S and wonder how they compare to the Cap. I wish you guys were closer. Enjoy and I cant wait to hear.
post #143 of 308
You guys are going to level match each sub system correct? How about placement will it be atleast roughly similar in the room? Are you going to set a listening volume for the evaluations? Id like to see you guys do all three and at the end of each subs listening eval have a "Let's see what it'll do" section.
post #144 of 308
Are there any plans to frequency match the subs? If an sms-1 is available that could get it closer...
post #145 of 308
Quote:
Originally Posted by dominguez1 View Post

Are there any plans to frequency match the subs? If an sms-1 is available that could get it closer...

I believe we are all lying prone in a semi-circle so our heads are a minimal distance from the driver to negate the rooms interactions .
post #146 of 308
Quote:
Originally Posted by Ricci View Post

You guys are going to level match each sub system correct? How about placement will it be atleast roughly similar in the room? Are you going to set a listening volume for the evaluations? Id like to see you guys do all three and at the end of each subs listening eval have a "Let's see what it'll do" section.

Quote:
Originally Posted by dominguez1 View Post

Are there any plans to frequency match the subs? If an sms-1 is available that could get it closer...

Our plan is to EQ each sub as smooth as possible in the room for the main seating location. The other seats should then be the same from sub to sub since the room will dictate the response. They won't always be the same if the native response of the sub isn't very flat, but I think it is the best we can do.

Once EQ'd, we will set the level using the RTA function of REW so we can adjust up/down and get each sub close across the entire frequency range. This way we aren't just matching using a few test tones.

We will then listen to the playlist using the same volume for each sub setup. I don't think we will do any measuring during the playlist playback.

Finally we will do a "Let's see what it'll do." I will choose a clip with a wide bandwidth of high output (3 Hz to 100 Hz) and turn up the volume to what we all feel is the maximum. We will then listen to the clip and measure the max output with REW's RTA.

Since all the EQ will be done digitally, I can make adjustments ahead of time to make sure that there is no clipping due to EQ. Since we are trying to EQ all subs flat, some subs will obviously lose headroom due to EQ. I will try to make the peaks as close to 0 dB as possible without clipping to maintain maximum headroom through the playback chain.

We should be able to show the following measurements:
Sub at listening position before EQ
Sub at listening position after EQ
Sub's max output during a 1-2 minute clip
post #147 of 308
Quote:
Originally Posted by HuskerOmaha View Post

Oh man, it might be hard to stay on topic, maybe we can talk cars later in the night too. YamahaSHO has his namesake in his humidity controlled garage. I only know 60's muscle, not this new turbos you guys do. His car wastes Euro models on the track. Post SHO!

I know Craig has driven a Ford GT etc from his options at his dealerships.

I have a '66 Ford Fairlane I'm trying to find someone to do a body up restore on and drop a 427 in and a '65 Fastback 2+2 Mustang that I may have in town. It is starting to need a new paint job though and is mostly original.

Seems to be a pattern that speaker/sub people like fast cars too.

Maybe we could take YamahaSHO on and you drive your GTP up and run them down to Offutt and do a 1/4 mile.

Greg,

I just saw you PM'd a few times. Sorry, I am not on the forum much these days due to other interests in the warmer weather. There is a chance I may not make it as I've been out of town the past few weekends racing and a dyno day. I am looking at possibly dropping it off to be used... Still thinking about that one.

As for my SHO, it's not really any good at anything under a 1/2 mile run or a 75mph rolling start. My STi would be more fun in the 1/4 (or 1/8th we have here). I will be curious to see which is faster from a roll once I get my intercooler in today and retune it for E85. I hear there is a possibility that MAM may be open soon!

I have also driven a Ford GT . I have a buddy in Denver that has a few garages full of high end cars and he's generous enough to let me take them out when I wanted. That worked better for me when I lived in Denver.

I think my dad's car would appeal to you more, Greg.
post #148 of 308
Quote:
Originally Posted by HuskerOmaha View Post

Maybe we could take YamahaSHO on and you drive your GTP up and run them down to Offutt and do a 1/4 mile.

My 2000 Grand Prix GTP wasn't ever much for the track times. Having that much torque (480ft/lbs) and being front wheel drive with stock sized tires just lights up the tires off the green light. Instead of the weight shifting to the back of the car and gaining traction like a typical rear wheel drive, the weight shifts to the back of the car and it just loses more traction. It is a fun four door grocery getter though! :P

Quote:
Originally Posted by kwarny View Post

I believe we are all lying prone in a semi-circle so our heads are a minimal distance from the driver to negate the rooms interactions .

i saw this and i laughed.
post #149 of 308
Thread Starter 
Quote:
Originally Posted by kwarny View Post

I believe we are all lying prone in a semi-circle so our heads are a minimal distance from the driver to negate the rooms interactions .

Well, we do want to have everyone stick their head in the mouth of the F-20s and snap some pictures.
post #150 of 308
Thread Starter 
If you have multiple subs in a room, but are only running one of them or a small fraction of the drivers are active, does that lower output?

Has this been tested by any groups or anyone yet?

Currently we have the CHT 18s, the Quad MFWs, and the F20s in the basement. When running just one of sealed setups, or the F20s, all of the other drivers are moving, the higher the volume, the more they are moving.

Does this kill overall SPL? Did this happen at the KC GTG?

Maybe if we have time we could test this towards the end of the GTG.


I think we will have the following:

Between each sub test, after we have swapped out subs from the garage for the next one(s) up, anyone who wants to help EQ or watch EQ can be in the basement, the rest of us can go up a floor. Will have food sitting around and football on. Then it can be silent like it needs to be to get the EQ done as quickly and efficiently as possible.

We have 8 seats-4 primary theater, 4 at the bar in the 2nd row.

For the people that are attending all day, those will be reserved for them-and I'll have folding chairs for those coming and going.

This should work out pretty well.
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