Anybody try 2D to 3D conversion from a Samsung player? I just got a BD-C6800 today, it's supposed to do 2D to 3D but I'm having trouble. I set the players res to auto and set the Optoma to SBS seems the sync is off.
What do you do to get these Samsungs to work?
my 6700 worked flawlessly and I did not have to set it to SBS mode...might want to search for an AVS thread for 6800...also upgrading the BD FW may help
Anybody try 2D to 3D conversion from a Samsung player? I just got a BD-C6800 today, it's supposed to do 2D to 3D but I'm having trouble. I set the players res to auto and set the Optoma to SBS seems the sync is off.
What do you do to get these Samsungs to work?
I have BD-C6900 (2010 model) it doesn't do 2D to 3D. I thought it was only the 2011 "D" models. I might be wrong.
Thanks to Benito @ AVS, my new 3300 should be on the way and may even make it to me by the weekend (fingers crossed). Benito was great/knowledgeable and I'm always happy to support forums like these.
I'm doing an "ass backwards" theater build where I'm buying all of my equipment first (now have the AV gear, screen & PJ, seats next) and then I'll put it in the space in my basement and then get a feel for things. Mostly, this is due to this being my first theater and I'd rather screw something up BEFORE it's too late (i.e. the drywall is up).
Anyway, for my 120" screen, this PJ needs to be 9.4" above the screen when mounted on the ceiling about 14' away. Since these dimensions aren't standard across all projectors (which would obviously make for a "standard" mount), how do you handle 1/10's of an inch when it comes to mounts? I've seen vertically adjustable mounts that come with two different sized tubes, but what if neither is the right size? Spacers on the mounting screws? Or does it not have to be EXACTLY 9.6"?
My apologies for what is probably an obvious answer but I'm just not seeing it. And I can't wait to get this PJ!
my 6700 worked flawlessly and I did not have to set it to SBS mode...might want to search for an AVS thread for 6800...also upgrading the BD FW may help
Yes Wing says if the projectors seeing a 3D image it goes right to 3D. Samsung advertises the 6800 as able to take 2D and make it 3D. Guess they're wrong, when called they said to call Optoma which I did. Wing says the players not sending 3D or the projector would have picked it up.
Ok so on your 6700 all you do in setup is make the player send 3D all the time when you want to convert 2D material? Auto is for sending 2D as 2D and 3D material when it see's it.
I'm starting to think Samsung feature advertisement is off. In the Manual is says you can't make 2D content into 3D. Say one thing in their add then no in the manual, just great.
Not crazy check it out - from Samsungs site.
"Product FeaturesSee All Features
The Wonder of 3D at Home
See vivid new dimensions in picture depth and action that leaps off the screen. The Samsung 3D experience* includes:
• Watching 3D movies and shows on a Samsung 3D TV with stylish and comfortable 3D Active Glasses (sold separately).
• Connecting a Samsung 3D Blu-ray Disc® Player
immerses you in the latest Hollywood 3D hits.
• Converting 2D movies, sports and shows to 3D
"
Or does this last line mean just over wifi? If so it's a little vague.
Yes Wing says if the projectors seeing a 3D image it goes right to 3D. Samsung advertises the 6800 as able to take 2D and make it 3D. Guess they're wrong, when called they said to call Optoma which I did. Wing says the players not sending 3D or the projector would have picked it up.
Ok so on your 6700 all you do in setup is make the player send 3D all the time when you want to convert 2D material? Auto is for sending 2D as 2D and 3D material when it see's it.
I'm starting to think Samsung feature advertisement is off. In the Manual is says you can't make 2D content into 3D. Say one thing in their add then no in the manual, just great.
Not crazy check it out - from Samsungs site.
"Product FeaturesSee All Features
The Wonder of 3D at Home
See vivid new dimensions in picture depth and action that leaps off the screen. The Samsung 3D experience* includes:
Watching 3D movies and shows on a Samsung 3D TV with stylish and comfortable 3D Active Glasses (sold separately).
Connecting a Samsung 3D Blu-ray Disc® Player
immerses you in the latest Hollywood 3D hits.
Converting 2D movies, sports and shows to 3D
"
Or does this last line mean just over wifi? If so it's a little vague.
6700 converts 2D into frame sequential 3D...seems 6800 is not doing that ? do you see double image before you put on glasses ?
No it stays in 2D. Mainly I wanted the 7.1 analog out, I'll take the Sony back and keep this one. 3D looks a little better to me on the Samsung, more depth to the 3D.
Bit Cauldron's precise RF synchronization technology has enabled Optoma's engineers to precisely match the timing of the glasses to each projector to optimize brightness and contrast and to maximize the 3D image quality. The matching information also eliminated the possibility of having left and right eyes switch images during 3D viewing because of glasses synchronization signal confusion, as can happen with infrared glasses. When used with an Optoma projector, glasses from other manufacturers that also incorporate Bit Cauldron technology will change their behavior to match to the Optoma projector. Up to one thousand pairs of glasses can be simultaneously synchronized to one projector, even with another similar configuration in a nearby area.
The 3D-RF glasses also have some of the largest lenses in the industry so that they can fit over a variety of faces, even if the user is wearing them over prescription eyeglasses. The new glasses are fully rechargeable with an ordinary Micro USB cable and they can perform over 60 hours of operation with each charge.
The glasses are capable of operating at any refresh rate from 50 to 240 Hz to support potential future increases in refresh rates and international standards. The Optoma 3D-RF glasses incorporate software from Bit Cauldron Corporation which is also designed to be field upgradeable to the upcoming ZigBee 3D Sync Standard for 3D glasses.
No it stays in 2D. Mainly I wanted the 7.1 analog out, I'll take the Sony back and keep this one. 3D looks a little better to me on the Samsung, more depth to the 3D.
if you don't care about 2D->3D you may want to checkout panasonic BD310 with which you get Avatar 3D for free
That's interesting, Plus remember the shade tone of these glasses is factory tuned for 3D. I don't hear any complaints about how the colors looking for 3D, or 2D. Hope my calibration numbers helped get a better picture for your 2D viewing. That colorfacts stuff is state of the art equipment and expensive.
OK, I have both the Optoma RF glasses and the Optoma DLP-Link glasses and here is what I found experimenting with them on the HD33.
Basically, the difference is VERY minor. Both types of glasses work fine. Image quality is about the same on both with maybe a slight edge to the RF glasses but VERY slight.
If you already have invested in DLP-Link glasses and don't want to spend the money on the new RF glasses, don't worry about it. You are not missing much.
OK, I have both the Optoma RF glasses and the Optoma DLP-Link glasses and here is what I found experimenting with them on the HD33.
Basically, the difference is VERY minor. Both types of glasses work fine. Image quality is about the same on both with maybe a slight edge to the RF glasses but VERY slight.
If you already have invested in DLP-Link glasses and don't want to spend the money on the new RF glasses, don't worry about it. You are not missing much.
If any of you have nvidia or 3dtvcorp's RF glasses - can you check whether they work with Optoma's emitters ?
Quote:
When used with an Optoma projector, glasses from other manufacturers that also incorporate Bit Cauldron technology will change their behavior to match to the Optoma projector.
[quote=Stinky Pinky;20946154]Thanks to Benito @ AVS, my new 3300 should be on the way and may even make it to me by the weekend (fingers crossed). Benito was great/knowledgeable and I'm always happy to support forums like these.
I'm doing an "ass backwards" theater build where I'm buying all of my equipment first (now have the AV gear, screen & PJ, seats next) and then I'll put it in the space in my basement and then get a feel for things. Mostly, this is due to this being my first theater and I'd rather screw something up BEFORE it's too late (i.e. the drywall is up).
Anyway, for my 120" screen, this PJ needs to be 9.4" above the screen when mounted on the ceiling about 14' away. Since these dimensions aren't standard across all projectors (which would obviously make for a "standard" mount), how do you handle 1/10's of an inch when it comes to mounts? I've seen vertically adjustable mounts that come with two different sized tubes, but what if neither is the right size? Spacers on the mounting screws? Or does it not have to be EXACTLY 9.6"?
Most mounts use a 1 1/2 inch NT threaded piece of pipe (painted nicely with some adjustment capability, its called a pole). This pole screws into the projector mount and into a ceiling flange. Home depot sells the proper threaded pipe in various short lengths. Some length adjustment is available in the sockets the pipe threads into. I wouldn't worry about being a 1/4 of an inch off. Any slight geometric distortion would not be noticeable especially with a small amount iof overscan.
OK, I have both the Optoma RF glasses and the Optoma DLP-Link glasses and here is what I found experimenting with them on the HD33.
Basically, the difference is VERY minor. Both types of glasses work fine. Image quality is about the same on both with maybe a slight edge to the RF glasses but VERY slight.
If you already have invested in DLP-Link glasses and don't want to spend the money on the new RF glasses, don't worry about it. You are not missing much.
I finally got the RF glasses and was too eager to try it...only to be disappointed....here are some observations
1) RF glasses are slightly bigger than Optoma-DLP-link (which are also quite big to start with compared to the panasonic glasses, so not really a big deal)
2) They are almost the same shade as DLP-link
3) They are lighter and fold...so will be easier to store (however I concur with a very early poster about hinge life being questionable in the long run)
the bad stuff:
4) I see the RF have refractive index (lense thickness) that varies quite a bit across the lens...so what this means is if you see image quality vary as you look at the same spot on the screen while slightly moving your head...this really is not acceptable to me...Optoma-DLP-link are very flat and have same thickness so you wont remember you are wearing a glass after a while
5) believe it or not, I saw cross talk with RF glasses !!!!!! I swapped btween the two to be doubly sure, but DLP-link had no such issue...this was during the IMAX logo at the beginning of Hubble 3D...also Image looked less poppy with RF...I will compare more movies to see how prevalent this is
6) surprisingly when you set the PJ to DLP-link mode, RF glasses still work, but they dont remove the red-sync-frame so image looks slightly reddish...however I was disappointed to see that RF needed frame invert which is not the case with DLP-link, so you cant use them together in that sense
7) while the DLP-link never once swapped L/R, I saw that with RF it does.....this sucks
8) RF clearly had more flicker...with DLP-link its hardly noticeable....infact I like the fact the DLP-link will stop shuttering once you go to kitchen to get something to drink as they become brighter...they sync back to PJ the instant you return to your seat and look at the screen...this is very desirable functionality
9) all the complaints I had with DLP-link with my old HD66 are non issues with HD33 as Optoma did a fantastic job in integrating DLP-link this time around
bottom line, looks like the hype about RF has evaporated for me and I will be sticking to cheaper but extremely well working DLP-link glasses
I finally got the RF glasses and was too eager to try it...only to be disappointed....here are some observations
7) while the DLP-link never once swapped L/R, I saw that with RF it does.....this sucks
8) RF clearly had more flicker...with DLP-link its hardly noticeable....infact I like the fact the DLP-link will stop shuttering once you go to kitchen to get something to drink as they become brighter...they sync back to PJ the instant you return to your seat and look at the screen...this is very desirable functionality
9) all the complaints I had with DLP-link with my old HD66 are non issues with HD33 as Optoma did a fantastic job in integrating DLP-link this time around
bottom line, looks like the hype about RF has evaporated for me and I will be sticking to cheaper but extremely well working DLP-link glasses
Do you know how to use the tuning mode for the RF glasses?
Adjust Duty Cycle and Delay settings for best picture. There is also
a polarity reversal function built into the firmware of the RF transmitter.
See the RF glasses operation manual.
I'm only mentioning this because you didn't indicate you tried to tune or reverse polarity in your comments. Hope this helps.
What about the coloring, the tints on the glasses is different?
I did not see any difference in tinting.
Quote:
Originally Posted by falafala
4) I see the RF have refractive index (lense thickness) that varies quite a bit across the lens...so what this means is if you see image quality vary as you look at the same spot on the screen while slightly moving your head...this really is not acceptable to me...Optoma-DLP-link are very flat and have same thickness so you wont remember you are wearing a glass after a while
I did not notice this.
Quote:
5) believe it or not, I saw cross talk with RF glasses !!!!!! I swapped btween the two to be doubly sure, but DLP-link had no such issue...this was during the IMAX logo at the beginning of Hubble 3D...also Image looked less poppy with RF...I will compare more movies to see how prevalent this is
I noticed a slight amount of crosstalk as well but only if my head was tilted back and looking at the screen through the bottom portion of the glasses. Other than that, no crosstalk at all.
Quote:
6) surprisingly when you set the PJ to DLP-link mode, RF glasses still work, but they dont remove the red-sync-frame so image looks slightly reddish...however I was disappointed to see that RF needed frame invert which is not the case with DLP-link, so you cant use them together in that sense
I had that happen as well. I needed to turn on frame invert.
Quote:
7) while the DLP-link never once swapped L/R, I saw that with RF it does.....this sucks
This did not happen to me at all!
Quote:
8) RF clearly had more flicker...with DLP-link its hardly noticeable....infact I like the fact the DLP-link will stop shuttering once you go to kitchen to get something to drink as they become brighter...they sync back to PJ the instant you return to your seat and look at the screen...this is very desirable functionality
I have to disagree with this. I noticed no more flicker than DLP link.
I finally got the RF glasses and was too eager to try it...only to be disappointed....here are some observations
1) RF glasses are slightly bigger than Optoma-DLP-link (which are also quite big to start with compared to the panasonic glasses, so not really a big deal)
Which DLP Link glasses are these (3dtvcorp ?).
Now I've to seriously consider whether to buy 2 RF glasses for $180 or 2 DLP glasses for $100.
Now that my HD3300 has shipped, I need to decide in a day or two.
Still have to do some personal calibration, just plugged in guitarmans settings (good by the way!) an just tested the hell out of it.
The 2D content blew my W600+ and HD66 out of the water. Sharpness was off the hook and the blacks were very nice and better then I expected (newbie projector junkie, maybe never seeing "top-o-the-line" is a plus here)
3d was really immersive and clear. iMax ocean wonderland 3d was just plain crazy. Tron 3d and ice age 3d were really nice. Checked out killzone 3, Resistance 3, God of war Origins, Motor-storm pacific rift and MLB the show, all were stellar in 3d.
Used 3D heaven DLP link glasses and they worked quite well and only had to invert sync once (with the amount of jumping around i did I was impressed)
Red tint in 3D was not visible with the 3d heaven glasses (and the red tint is RED, not light)
The mooing wheel is now a running joke between me and my wife (although she attests that it sounds like something dying over a moo).
The only gripes I have is 3D, for me, needs to be a bit brighter (I'd chalk that up to a gain issue on my screen, not the projector) and I might have to exchange this one and in pitch black or flat white images I see what can only be described as a LCD style dust blob in the upper right hand corner.
Once I have the weekend to test her proper, I'll post more stuffs and screens.
Owners of these projectors who use DLPLink glasses, please tell whether 3D videos start with the correct eye 50% of the time as had always been the case with the HD66, or if somehow Optoma found a way to have most of the videos start with the correct eye most of the time. Could someone start a video say 10 times and note how many times the eyes were correct vs. reversed?
I would not expect that L-R would ever reverse after a video started.