Hi,
amazing to see 4k setup's appearing in home cinema's - and I still have to live with my BG808
A shame there is not too much source material available in that resolution for you to enjoy. At work I'm involved in the selection of a 4k projector for a 6m-wide rear projection on a coated glass screen via a mirror (building layout demands this) driven by an NVIDIA Quadro Plex workstation (4 DVI channels) for simulation i.e. no cinema content. I know this is slightly OT but maybe you've some recommendations on the PJ.
What are the Pro's/Con's between the TI based 4k DLP's (Barco / Christie) and the LCOS based ones (Sony SRX-T420) in terms of:
- color accuracy to support a color calibrated workflow
- color stability, convergence drifts, etc. over longer time (which would require re-calibration)
- lamp lifetime and cost/complexity of replacement (i.e. PJ downtime)
- ease-of-use (no dedicated tech planned to run the PJ)
Thanks,
Martin
amazing to see 4k setup's appearing in home cinema's - and I still have to live with my BG808
A shame there is not too much source material available in that resolution for you to enjoy. At work I'm involved in the selection of a 4k projector for a 6m-wide rear projection on a coated glass screen via a mirror (building layout demands this) driven by an NVIDIA Quadro Plex workstation (4 DVI channels) for simulation i.e. no cinema content. I know this is slightly OT but maybe you've some recommendations on the PJ.What are the Pro's/Con's between the TI based 4k DLP's (Barco / Christie) and the LCOS based ones (Sony SRX-T420) in terms of:
- color accuracy to support a color calibrated workflow
- color stability, convergence drifts, etc. over longer time (which would require re-calibration)
- lamp lifetime and cost/complexity of replacement (i.e. PJ downtime)
- ease-of-use (no dedicated tech planned to run the PJ)
Thanks,
Martin


















