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Datasat RS20i BETA test and comparison with ADA Rhapsody/Trinnov TEQ-12!!!! - Page 39

post #1141 of 1353
Quote:
Originally Posted by djnickuk View Post

Any chance of trinnov adding dlna rendering to the trinnov mc or magnitude? That way I could replace the linn akds/1 and crm4 for very little cost.

Implementing this probably requires some electronics on an input board. I doubt this can be done just through firmware/software upgrade. Like you, if they can do it and it sounds good, I can take a couple of grand worht of hardware out of my system.....

Curt, here is some more questions:

Does it have a USB input
Does it have have digital outs?
Will a trade-in / upgrade program for ST2-Pro or ST2 owners be offered?
Does it have the exact same DRC and input/output routing features as the ST2 Pro, accesible through VNC?
Edited by edorr - 10/11/12 at 12:13pm
post #1142 of 1353
Guys, I have some news about the Unity. The answer came direct from the Head Office of Trinnov:

"Unity is not going to replace the MC, nor the Magnitude32. The Unity is positionned as a 4 channels
HiFi preamp, not as a multichannel Home Cinema processor. So this is quite a different product for quite a different market".
post #1143 of 1353
Quote:
Originally Posted by kamenoff View Post

Guys, I have some news about the Unity. The answer came direct from the Head Office of Trinnov:
"Unity is not going to replace the MC, nor the Magnitude32. The Unity is positionned as a 4 channels
HiFi preamp, not as a multichannel Home Cinema processor. So this is quite a different product for quite a different market".

That preamp clearly caters to the 2 channel market, and offers 4 channel processing for bi amping or active cross-over in a 2.2 system.

However, the question is does it make the 4 channel ST2 (pro) obsolete. If it has all the same flexibility / features, and a bunch of additional digital inputs and a display and better user interface this would solve a lot of problems for me and I would trade up/in in a heartbeat. This is what I am trying to find out.
Edited by edorr - 10/11/12 at 1:31pm
post #1144 of 1353
What's the problem with doing this for an SSP?
post #1145 of 1353
Quote:
Originally Posted by thebland View Post

What's the problem with doing this for an SSP?

In a 2/4 channel system all you have to deal with are plain vanilla 2 channel digital inputs. If this DAC/preamp has USB input, they have probably licensed the technology for the asynchronous USB interface. Behind these inputs comes the Trinnov secret sauce (DRC) which sets this machine apart.

For multi channel, you need to implement HDMI, post processing and get it to sound right. It took Theta a few years to figure this out, and others have choked on it. This is why Trinnov partnered with ADA to build the ADA reference. Even if Trinnov could pull off a full blown SSP technically on their own (not a chance in hell in my estimation), doing so this would royally piss of ADA, because it would be a direct competitor to the ADA reference, which they spend lots of R&D money on jointly developing.

This device is catering to a completely different audience than the SSP corwd, competing against TACT, Lyndorf and the like. An also against new 2 channel digital preamp / DACS like the classe CP-800.
Edited by edorr - 10/11/12 at 2:28pm
post #1146 of 1353
Quote:
Originally Posted by edorr View Post

TEQ and MC use the exact same same engine for DRC and bass management. However, the ADA reference does not need the A/D converters that are in the TEQ units, so the list of components inside is more like the MC16 than the TEQ. Thenagain, the ADA / Trinnov integration for controlling the Trinnov over the ADA bus it is probably inherited from the TEQ projects.

i know for sure that teq and mc are different :

The Trinnov achieves 24/96k operation, while the TEQ doesn't go beyond 24bit/48k,
- MC (Multi Channel) motherboard and processor are more powerful

That's why I wonder if inside the reference there is a teq, an mc..... Or a magnitude ...
After all reflections about an alternative to Reference to connect digitally a trinnov without downsampling etc etc I want now evaluate if Reference, at the end, can worth...
post #1147 of 1353
Thread Starter 
The procesors inside the Reference are Intel i5s vs Atom processors for the TEQ.
The Reference has 8 analog inputs; so it DOES have the A/D converters that the TEQ does.
Internal to the Cinema Reference is a full-blown 16 channel Trinnov -commercial unit.

TEQs are the same as what edorr uses, basically; the difference is in the input/output connectivity.
beyond the input/outputs the same 4-channel Trinnov cards exist. TEQ should not be considered anything
less than proper Trinnov processing: the software performs exactly the same in all devices- response time to
changes and response to VNC input is the major difference between Atom and i5 processors.

Dan
post #1148 of 1353
Quote:
Originally Posted by edorr View Post

That preamp clearly caters to the 2 channel market, and offers 4 channel processing for bi amping or active cross-over in a 2.2 system.

However, the question is does it make the 4 channel ST2 (pro) obsolete. If it has all the same flexibility / features, and a bunch of additional digital inputs and a display and better user interface this would solve a lot of problems for me and I would trade up/in in a heartbeat. This is what I am trying to find out.

With a 4 chanels Trinnov unit, you can deal with several configurations like 4.0, 2.1, 3.1,...
You could manage center, FR, FL speakers + sub.. So at least 95% of any audio tracks.

I know guys who have a ST2 HiFi or ST2 Pro for both HT and HiFi use.
Edited by Sound&Life - 10/12/12 at 4:27am
post #1149 of 1353
Quote:
Originally Posted by Sound&Life View Post

With a 4 chanels Trinnov unit, you can deal with several configurations like 4.0, 2.1, 3.1,...
You could manage center, FR, FL speakers + sub.. So at least 95% of any audio tracks.
I know guys who have a ST2 HiFi or ST2 Pro for both HT and HiFi use.

That is precisely what I am doing.
post #1150 of 1353
Quote:
Originally Posted by DanFrancis View Post

The procesors inside the Reference are Intel i5s vs Atom processors for the TEQ.
The Reference has 8 analog inputs; so it DOES have the A/D converters that the TEQ does.
Internal to the Cinema Reference is a full-blown 16 channel Trinnov -commercial unit.
TEQs are the same as what edorr uses, basically; the difference is in the input/output connectivity.
beyond the input/outputs the same 4-channel Trinnov cards exist. TEQ should not be considered anything
less than proper Trinnov processing: the software performs exactly the same in all devices- response time to
changes and response to VNC input is the major difference between Atom and i5 processors.
Dan

intel i5s is the same processor of trinnov mc?
the A/D converters of the teq are used only with analog inputs?
In case of hdmi, dacs used are the ones of trinnov mc?
when you say 16 channel trinnov commercial unit you mean that there is a magnitude inside the reference, being the mc a pro unit?
that's important for me because the goal is to go full digital into a trinnov mc and benefit of its dacs.

on the other side if I decided to go with Ada reference I would take into consideration
the upgradeability. even paying like with theta or Datasat
I remember you wrote that the Reference has a modular design..
Does it mean that you could upgrade hardware like new hdmi or new codecs (datasat will upgrade to auro 3d I hope but also Dolby athmos)
or dts neo x to say more?
CB3 has been upgrated to CBIIIhd...
given the very very high price of the Reference I think that to know that in the future you don't have to change everything to be upgreaded
but, to say, 5/6 k to make single steps, would be decisive. (if I bought a trinnov stand alone I'd like to keep it forever.. in this case being the drc inside the SSP I would need to upgrade the rest...)
post #1151 of 1353
Quote:
Originally Posted by edorr View Post

For multi channel, you need to implement HDMI, post processing and get it to sound right. It took Theta a few years to figure this out, and others have choked on it.
I'm sorry, what do you mean when you state that unlike Theta, others chocked on their implementation of HDMI?
post #1152 of 1353
Quote:
Originally Posted by Raul GS View Post

I'm sorry, what do you mean when you state that unlike Theta, others chocked on their implementation of HDMI?

I remember one specific instance of a company throwing in the towel of their HDMI project, but I cannot recall the company name. May be others more current on the HT industry can. More broadly, there are companies that tried to compete with a high end HDMI processor and failed like Halcro, and then there are high-end companies that did not make it as the competitive landscape changed during the transition to HDMI as the de facto industry standard.

However, I admit I made the comment rather casually and would be happy to retract if it causes anyone any heartache. I simply tried to make the point that for Trinnov to try to develope their own high end HDMI SSP processor would be a very high risk proposition in my estimation.

I could be off base here, but it appears to me the problem with HDMI is one the low end of the market you can build a cheap reasonably good SSP using standard HDMI chips / components. On the high end of the market you need significant amount of engineering (time and cost) to do it right like Theta and Meridian. You never know how many units you are going to sell so it is a risky investment. I remember Charles Hansen telling me he could build a high end SSP, but it was way too much risk and he would stay away from it. Then to add insult to injury, there is always the probability once you have invested signifiant R&D in HDMI SSP done right, someone comes along and commoditizes the market like Oppo did for Universal players.
Edited by edorr - 10/12/12 at 2:29pm
post #1153 of 1353
Thread Starter 
Grifo,

In response to your questions:

Yes, the TEQ systems use Atom processors as opposed to the commercial Trinnov units that use i5 processors from Intel- faster computing, faster response to changes, faster use through the UI. NO AUDIBLE DIFFERENCE.

TEQ has only analog inputs so all input signals are run through the A/D converters (which are very good!) Since the Cinema Reference has the direct-digital connection internal to the chassis- there is zero down-rez of DTS and Dolby advance codecs. (advantage Reference- even over modded
devices).

When I say 16 channel commercial unit, I mean exactly that- the Magnitude did not exist when the Reference was developed- so it IS a 16 channel Trinnov; no special name.

Upgradeability:
The Cinema Reference is modular, in a manner of speaking- any upgrades however will have to happen at ADA in NY, so your device would have to be shipped by your dealer back to them. 11.1 surround, etc are going to be chip-level changes to the Rhapsody half of the Reference- the 16 channel Trinnov half works as it does normally- and since it must be connected to the internet- Trinnov can update the software license when they need to.

No ADA surround processor is a card-frame like the Theta or Datasat designs (since the same guy was involved in both, I'm not suprised). Considering we are seeing the first 11.1 Blu-ray release in Nov. it will probably be another 12-18 months before 11.1 decoding hits surround processors- and those pieces will be the bleeding edge. Expect companies like Denon, Yamaha, Sony, Onkyo, etc to implement 11.1 before the boutique brands adopt those codecs. Remember, smaller resources means more conservative choices.

A stand-alone Trinnov is going to be integrated into a system like a commercial DSP: between the surround processor and the amplification- for all common situations this will mean the added A/D, D/A conversions- HOWEVER, one must ask themselves, which is the greater evil; added conversions, or the acoustic issues of the room that Trinnov mitigates? I know my answer to that question from this experiment. Trinnov > no Trinnov in any implementation regardless of conversions.

Erik,

Though it may seem on the surface that HDMI was the cause of the financial ruin of Halcro, that is not the case- there were issues in the backstory. Both Halco and Parasound used the same OEM for their processors: Vinci labs. Parasound had more capital to purchase in bulk than Halcro did, and therefore was in a better position with the OEM. Halcro eventually lost that OEM, and since the money had been invested in that design, they were forced to continue with it utilizing other resources. When a manufacturer is high dollar, low volume, there are always these types of issues; each product sold carries a higher percentage of overall revenue to the company, and if you lose market share in one product category (like Halcro did when they were having hardware issues) it has a greater effect on the bottom line to the company. We must also realize that the decisions of those at the helm of said companies bear a greater result to the survivability of any company than the specific market conditions that exist at any given time.

Overall, there are very few sources for HDMI hardware- the licensing is the same cost for all- so the cost to implement HDMI designs is generally dictated by the existing processor design and the ability to change it, rather than dreaming up new hardware. That was the issue with Theta and Meridian- how do we change our design without starting with a blank page? I'm sure there was talk of scrapping both processors and starting over inside both companies- the decisions of the past constrict you in the future; and these products don't have a life cycle like a cell phone where you'll have a new one in 18 months- consumers expect these products to not be obsoleted for many, many years.

I don't think there is a danger of a company commoditizing the surround processor- the market for surround processors is so small that it is relatively insignificant in the consumer electronics industry. From a business standpoint; it's more lucrative to have a company that makes docking stations for phones/ipods that it is to have one that makes multi-thousand dollar surround processors. Ask yourselves this question; why are so many manufacturers making headphones and ear-buds now? Profit. Kevin Lee saw that market opportunity very early-on and Monster is much the better for it, and others are following suit.

Dan
post #1154 of 1353
Quote:
Originally Posted by DanFrancis View Post

Grifo,
Though it may seem on the surface that HDMI was the cause of the financial ruin of Halcro, that is not the case- there were issues in the backstory. Both Halco and Parasound used the same OEM for their processors: Vinci labs. Parasound had more capital to purchase in bulk than Halcro did, and therefore was in a better position with the OEM. Halcro eventually lost that OEM, and since the money had been invested in that design, they were forced to continue with it utilizing other resources. When a manufacturer is high dollar, low volume, there are always these types of issues; each product sold carries a higher percentage of overall revenue to the company, and if you lose market share in one product category (like Halcro did when they were having hardware issues) it has a greater effect on the bottom line to the company. We must also realize that the decisions of those at the helm of said companies bear a greater result to the survivability of any company than the specific market conditions that exist at any given time.
Overall, there are very few sources for HDMI hardware- the licensing is the same cost for all- so the cost to implement HDMI designs is generally dictated by the existing processor design and the ability to change it, rather than dreaming up new hardware. That was the issue with Theta and Meridian- how do we change our design without starting with a blank page? I'm sure there was talk of scrapping both processors and starting over inside both companies- the decisions of the past constrict you in the future; and these products don't have a life cycle like a cell phone where you'll have a new one in 18 months- consumers expect these products to not be obsoleted for many, many years.
I don't think there is a danger of a company commoditizing the surround processor- the market for surround processors is so small that it is relatively insignificant in the consumer electronics industry. From a business standpoint; it's more lucrative to have a company that makes docking stations for phones/ipods that it is to have one that makes multi-thousand dollar surround processors. Ask yourselves this question; why are so many manufacturers making headphones and ear-buds now? Profit. Kevin Lee saw that market opportunity very early-on and Monster is much the better for it, and others are following suit.
Dan

Dan, thanks for setting the record straight. Obviously your understanding of the industry is multiple times deeper than mine. Nonetheless, I hope you agree with my premise that for Trinnov to try develop its own high end SSP would be a high risk proposition. I just had an interesting thought. There are probably more >$20K speaker cables on the market than >$20K SSPs. This years' TAS recommedened component list alone had 4 (there are many more), with the most expensive one costing as much as the ADA reference. That should tell you something about the relative risk of designing, building and marketing of a high end SSP.
post #1155 of 1353
I can;t think of a surround processor I'd pay $20K for, but an integrated Trinnov SSP would likely do it for me and many others here. The ADA Reference is simply way over priced but is certainly a first step into the future as to what is coming...
post #1156 of 1353
Thread Starter 
value is a matter of perspective; to some a Royal Oak offshore is a value, to others it's a Submariner, and to yet others it's a G-Shock.

or to drive the point home: to some the 911 TurboS is a value, to others the E63 AMG is a value, and to others a Focus ST is a value.

where people put dollars and what they think is "overpriced" or not is personal.

Dan
post #1157 of 1353
Good point, Dan. Totally agree....Just for me, I still feel that seperate SSP and Trinnov units is a better option..but as you said some people may like the Reference and the option is there.
post #1158 of 1353
Quote:
Originally Posted by edorr View Post

This years' TAS recommedened component list alone had 4 (there are many more), with the most expensive one costing as much as the ADA reference. That should tell you something about the relative risk of designing, building and marketing of a high end SSP.
Or, it reflects the role of "high-end" magazines and science in the high-end marketplace.
post #1159 of 1353
Quote:
Considering we are seeing the first 11.1 Blu-ray release in Nov. it will probably be another 12-18 months before 11.1 decoding hits surround processors

95% of end users are listening audio in their living room.
I don't think we can easily have 11 speakers at this place.

Really not WAF biggrin.gif
post #1160 of 1353
Quote:
Originally Posted by Sound&Life View Post

95% of end users are listening audio in their living room. I don't think we can easily have 11 speakers at this place. Really not WAF biggrin.gif

Perhaps less of an issue than you might think...

The NHK-JEITA 8K4K TV exhibit at CEATEC Japan 2012 last week appears intended to show the room geometry feasibility of including an SHV display plus 22.x speakers in an "average family living room" circa 2020. biggrin.gif



Note that the 22.x(?) speaker config at the show is apparently a "DSP processing" variation from the nominal Hamasaki 22.x layout occasioned by the need to apply "Dialogue Lift" compensation consequent to use of a direct view display . . . and the missing ceiling!

And for those homes with NO space for speakers...

The 85" prototype|proof-of-concept|"roadshow" 8K4K UHDTV from NHK pictured at this 2011 EBU demo (link) includes an experimental integrated audio system. This set is designed to provide full 22.2 channel surround sound playback in rooms where installing 22 separate satellite speakers is impractical; instead, it uses 100+ "small" speaker units in a frame around all four sides of the display, plus some proprietary active-DSP|soundbar-style technology, to deliver "the same" playback soundfield to the audience from the 22.2 source material.


_
Edited by SoundChex - 10/16/12 at 2:35pm
post #1161 of 1353
Couple of questions come to mind after some percolation:

1. If a 9- or 11-ch soundtrack is available, you could just turn off remapping and use Trinnov as a "regular" RC system, right?

2. Is remapping all or nothing, or can it be applied on a per-channel basis?

For example, let's say you were running DPL IIz, which would output nine channels.

Could you apply remapping to just the standard 7 ITU channels, and RC alone to the height channels?
Quote:
Originally Posted by Curt_Trinnov View Post

the 8 and 12 channel formats assume an equilateral layout for professional use- planetariums and the like; not intended to support a consumer playback standard.
Cheers,
post #1162 of 1353
Thread Starter 
1.) yes, the remapping can be turned off and the system utilized for room optimization

2.) remapping is on or off - all channels or none, but you have the ability to preset various channel setups inside the Trinnov- so technically the answer is yes, and no.

Curt can correct me on any specifics.

Dan
post #1163 of 1353
Quote:
Originally Posted by noah katz View Post

Couple of questions come to mind after some percolation:
1. If a 9- or 11-ch soundtrack is available, you could just turn off remapping and use Trinnov as a "regular" RC system, right?
2. Is remapping all or nothing, or can it be applied on a per-channel basis?
For example, let's say you were running DPL IIz, which would output nine channels.
Could you apply remapping to just the standard 7 ITU channels, and RC alone to the height channels?

One can separately engage Remapping and/or RC..

A couple of comments regarding remapping

1. Updating the Remapping choices any existing Trinnov system (excluding the R972) is a trivial proposition done through the Internet

2. Any existing or newly developed format assumption (source is spatially formatted in a particular standard or way) can be added.

3. Within any current Trinnov is the provision for "custom format" programming resulting in a "custom remapping.". This is non-trivial; I've done it in specific installations where there are lots of loudspeakers combined with unusual room attributes. Within this context, remapping may be applied on a per channel basis, such as your example of applying "remapping to just the standard 7 ITU channels, and RC alone to the height channels."

Cheers,
post #1164 of 1353
I finished to tweak my Oppo 93 player.

- Bybee X 4 (2 big, 1 Music Rail + 1 small gold).
- Linear power supply
- NewClassD Neutron clock (+- 0.2 ppm, ultra low jitter) + it's own PSU
- spdif card (instead of analogic card)
- ...

I received today my AES card from Trinnov.
Just missing my custom cable from Vovox (8 spdif to DB25)... I should I receive it next week.


post #1165 of 1353
Quote:
Originally Posted by Sound&Life View Post

I finished to tweak my Oppo 93 player.
- Bybee X 4 (2 big, 1 Music Rail + 1 small gold).
- Linear power supply
- NewClassD Neutron clock (+- 0.2 ppm, ultra low jitter) + it's own PSU
- spdif card (instead of analogic card)
- ...
I received today my AES card from Trinnov.
Just missing my custom cable from Vovox (8 spdif to DB25)... I should I receive it next week.

Very nice. The powersupply looks strikingly like Dr. Lee's self installed kit. For Blu Ray your upgraded clock and the Vanity Lite board (which is what I assume you have), should work as good or better as the Vanity93 board with its own clock. Do you think the Bybee's are helpful? I considered this myself, but asked Pavel and he advised against it.
post #1166 of 1353
Seems like option 3 would be a nice "one size fits all" approach for people who want to add additional channels but keep Remapping for the standard 5/7.
Quote:
Originally Posted by Curt_Trinnov View Post

3. Within any current Trinnov is the provision for "custom format" programming resulting in a "custom remapping.". This is non-trivial; I've done it in specific installations where there are lots of loudspeakers combined with unusual room attributes. Within this context, remapping may be applied on a per channel basis, such as your example of applying "remapping to just the standard 7 ITU channels, and RC alone to the height channels."
post #1167 of 1353
Quote:
Originally Posted by edorr View Post

Very nice. The powersupply looks strikingly like Dr. Lee's self installed kit. For Blu Ray your upgraded clock and the Vanity Lite board (which is what I assume you have), should work as good or better as the Vanity93 board with its own clock. Do you think the Bybee's are helpful? I considered this myself, but asked Pavel and he advised against it.

Bybee is useful for noise suppression
I didn't do an AB test to make sure of its interest.

But guys in the DIY world are kind of it !! http://www.bybeelabs.com/

PS: PSU is the one manufactured by Dr Lee cool.gif
I heard he signed up an exclusive contract with Audiocom, so not sure we can still order the psu ...

http://pcaudio.tistory.com/category/OPPO%2093/95%20Mod.
post #1168 of 1353
Quote:
Originally Posted by Curt_Trinnov View Post

3. Within any current Trinnov is the provision for "custom format" programming resulting in a "custom remapping.". This is non-trivial; I've done it in specific installations where there are lots of loudspeakers combined with unusual room attributes. Within this context, remapping may be applied on a per channel basis, such as your example of applying "remapping to just the standard 7 ITU channels, and RC alone to the height channels."
Cheers,
Quote:
Originally Posted by noah katz View Post

Seems like option 3 would be a nice "one size fits all" approach for people who want to add additional channels but keep Remapping for the standard 5/7.


Noah- Yes, while option 3 would give those who want it added flexibility- the approach is too complicated for the average user. I don't anticipate that we'll have a user interface where the user can easily input the source spatial assumptions and create their own remapping. While theoretically possible, it won't happen in the near term, as there is just too much involved. I do see the possibility at some point of providing an advanced class on the techniques I use to accomplish this and other outside the box solutions.

Cheers,
post #1169 of 1353
Can anyone who uses Trinnov be considered average? smile.gif

Doesn't really seem that complicated; select the speakers that are to be remapped to ITU5/7, and the "extra" ones that won't be remapped.

I'd think the a user who found this over their head wouldn't be doing the setup themselves anyway, and would give the installer more billable hours.
post #1170 of 1353
Quote:
Originally Posted by noah katz View Post

Can anyone who uses Trinnov be considered average? smile.gif
Doesn't really seem that complicated; select the speakers that are to be remapped to ITU5/7, and the "extra" ones that won't be remapped.
I'd think the a user who found this over their head wouldn't be doing the setup themselves anyway, and would give the installer more billable hours.

I think what Curt is alluding to is the average Trinnov user, which is obviously way above the average of the general population, yet in his estimation not knowledgeable enough to execute "option 3".
Edited by edorr - 10/18/12 at 6:25am
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