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Set it and forget it..... Can anyone help with settings?

post #1 of 43
Thread Starter 
I am trying to find a happy medium between movies and music. It seems I am on and endless journey of adjusting or tweaking ( much to my wifes dismay). I have finally decided my movies sound better with my fronts crossover set at 40Hz (always seemed to listen with them set at Full band) and the LPF of the LFE on the sub set at 120Hz ( as audyssey recommends). MY rears are also at 40Hz and center is at 60Hz. My issue seems to be that I like my music with the fronts set as full band. The sound to me is much warmer and fuller with my setup. I listen to music about all the time with the DLPII music setting on my onkyo. With regard to the speaker settings is there any setting anyone could recommend something so I am not constantly toggling back and forth or endlessly messing with the settings ( or is this part of the audio video enthusiast disease) My music is streaming on MOG.

Mains- Cerwin Vega VS-100
Center- Cerwin Vega CMX25C
Rears- Cerwin Vega XLS6
Subs Polk PSW505 and PSW10
AVR Onkyo TX-NR609
post #2 of 43
Quote:
Originally Posted by david0406 View Post

With regard to the speaker settings is there any setting anyone could recommend something so I am not constantly toggling back and forth or endlessly messing with the settings

Get an AVR or processor that facilitates different settings for music and movies. Then you can assign which mode you want to the different inputs. I don't know what's out there that does this now, quite a few I'd guess, but my older Anthem AVM 20 had this feature.
post #3 of 43
Thread Starter 
Lol. That would go over like a lead weight. I just bought my 609 about 4 months ago. Always it seems just after a purchase you think, if i would have only did more research or if i would have put out 100 dollars more or waited for the new model to get a feature you dont have. Ugh!
post #4 of 43
Do many receivers allow for two separate speaker configurations, using small for one and large for another, or different bass management crossovers?
post #5 of 43
Thread Starter 
Quote:
Originally Posted by BIslander View Post

Do many receivers allow for two separate speaker configurations, using small for one and large for another, or different bass management crossovers?

Probably ones outside of my budget
post #6 of 43
Quote:
Originally Posted by BIslander View Post

Do many receivers allow for two separate speaker configurations, using small for one and large for another, or different bass management crossovers?

Don't know. Actually never looked into it. It's possible I assumed too much that such a feature would be more commonplace today than 7 - 8 years ago.
post #7 of 43
Lots of processors allow for different levels and DSPs for each input. But, I don't recall seeing options for different bass management configurations.
post #8 of 43
Thats interesting as that speaker's f3 (point where response is -3db's from it's average) is at 37hz. There is not a whole lot of musical content that lies below this in most types of music, save dubstep, and pipe organ music. Just looking at the speaker, it isnt meant to produce any less than 37hz and could inevitable be detrimental to do so. full band is going to give you a slight bump in the lower octaves, but having that much overlap (virtually full overlap) between the CV's and your sub might be part of the issue. audyssey recommends the sub be crossed at 120hz mainly due to the fact that many people dont have speakers that can properly play the lower frequencies. It seems yours can. try playing around with your crossover points. Try putting the sub down to 80 and start your mains there and let them go. see if they integrate a little better. Speakers all integrate differently around the crossover points, you just have to find the sweetspot
post #9 of 43
The OP was talking about the LPF of the LFE not the Xover. The LPF of the LFE should usually be set at 120 db. He stated that his fronts and rears are Xover to the sub at 40hz and the center is Xover to the sub at 60 hz.

Honestly I don't like Xovers any lower than 60 hz. thats what the sub is for.
post #10 of 43
Quote:
Originally Posted by flickhtguru View Post

The OP was talking about the LPF of the LFE not the Xover. The LPF of the LFE should usually be set at 120 db. He stated that his fronts and rears are Xover to the sub at 40hz and the center is Xover to the sub at 60 hz.

Honestly I don't like Xovers any lower than 60 hz. thats what the sub is for.

Low Pass Filter IS The xover FOR the sub. At the moment his mains are playing down the 40hz while his sub is playing from (well if it could) DC up to 120hz where the LPF cuts it off. that means there is 80hz of overlap between his mains and subs. the LPF should be set where the mains leave off, be that at 40, 60, 80, 120 whatever. a low pass filter is a crossover.
post #11 of 43
Thread Starter 
Quote:
Originally Posted by beastaudio View Post

Low Pass Filter IS The xover FOR the sub. At the moment his mains are playing down the 40hz while his sub is playing from (well if it could) DC up to 120hz where the LPF cuts it off. that means there is 80hz of overlap between his mains and subs. the LPF should be set where the mains leave off, be that at 40, 60, 80, 120 whatever. a low pass filter is a crossover.

Thanks guys! Great info as always. I will continue to experiment. SO you are saying my subs xover should be set the same as my mains crossover to avoid overlap of frequencies? Is that what I am understanding? Bring the mains up to 60hz and the sub down to 60hz or 80 and 80?
post #12 of 43
Quote:
Originally Posted by beastaudio View Post

Low Pass Filter IS The xover FOR the sub. At the moment his mains are playing down the 40hz while his sub is playing from (well if it could) DC up to 120hz where the LPF cuts it off. that means there is 80hz of overlap between his mains and subs. the LPF should be set where the mains leave off, be that at 40, 60, 80, 120 whatever. a low pass filter is a crossover.

LPF for LFE and Xover for speakers to sub are two different things. Some AVRs allow setting the LPF for LFE others don't.
Until OP clarifies settings this "argument" is going nowhere.
post #13 of 43
Quote:
Originally Posted by david0406 View Post

Thanks guys! Great info as always. I will continue to experiment. SO you are saying my subs xover should be set the same as my mains crossover to avoid overlap of frequencies? Is that what I am understanding? Bring the mains up to 60hz and the sub down to 60hz or 80 and 80?

Xover on sub itself should be bypassed or turned all the way up , let AVR control Xover.
post #14 of 43
Quote:
Originally Posted by david0406 View Post

Thanks guys! Great info as always. I will continue to experiment. SO you are saying my subs xover should be set the same as my mains crossover to avoid overlap of frequencies? Is that what I am understanding? Bring the mains up to 60hz and the sub down to 60hz or 80 and 80?

Yes that is exactly what im saying! give it a shot, see what type of sound you get out of each. I ran a freq response once in my old truck and learned that a small gap between the sub and the mids actually yielded the best results ( IIRC i ran the sub to 60 and mids picked up at 80, otherwise I had a huge peak in the response) This isnt as common in home settings, but it could still happen.

Quote:
Originally Posted by jackbuzz View Post

LPF for LFE and Xover for speakers to sub are two different things. Some AVRs allow setting the LPF for LFE others don't.
Until OP clarifies settings this "argument" is going nowhere.

Not really actually. I know they are under two different menus on your AVR, but what do you think the xover is for your mains? Well I'll tell you, it is a HIGH PASS FILTER. what does this mean? it means the AVR will send the full bandwidth signal to your mains ABOVE where the xover (or high pass filter) is set. so just for an example, you set your mains at a 40hz xover. Below this point, the avr will begin to attenuate the speakers response, probably at around a 12db/octave slope. Why? to protect your speakers from playing frequencies they arent meant to play. Next question, what does this crossover do to your sub? absolutely NOTHING, this setting is purely for where you want your main speakers response to start sloping off to your sub's response.

So where is your sub's response set to play to now? 120hz, that means from 40hz to 120hz, your mains AND your sub is playing the same content. What does this do? usually creates a peak in the midbass response, sometimes muddies the clarity of quick bass hits or kickdrum beats, and overall is something you DONT want to do (unless you decide you prefer the hightened midbass response, to each his own)

So why do you set the LPF for the sub at the same spot as the xover of the mains? to prevent them from playing the same material, and almost always yield a smoother response overall.


Quote:
Originally Posted by jackbuzz View Post

Xover on sub itself should be bypassed or turned all the way up , let AVR control Xover.


that is not true, unless you are talking about bypassing it outside the AVR or at an external xover or something of that nature otherwise you couldnt be more wrong. Yes, the avr does need to control the sub's xover, but choosing the 40 or 60 or 80hz xover for your mains, does absolutely nothing to the sub. that is why they let you select the LPF of the LFE seperate, so you may adjust accordingly. My mains play to 80hz while my surrounds can only get down to about 80 or 100, so should i choose an 80 or 100hz LPF for the SUB? its up to me, but that is why AVR's give you the choice. when I have a full 7 channels that can play down to 40hz, then maybe ill only let the sub handle 40hz and down! thats the whole point of tweaking and seeing what sounds best
post #15 of 43
Quote:
Originally Posted by beastaudio View Post

Yes that is exactly what im saying! give it a shot, see what type of sound you get out of each. I ran a freq response once in my old truck and learned that a small gap between the sub and the mids actually yielded the best results ( IIRC i ran the sub to 60 and mids picked up at 80, otherwise I had a huge peak in the response) This isnt as common in home settings, but it could still happen.



Not really actually. I know they are under two different menus on your AVR, but what do you think the xover is for your mains? Well I'll tell you, it is a HIGH PASS FILTER. what does this mean? it means the AVR will send the full bandwidth signal to your mains ABOVE where the xover (or high pass filter) is set. so just for an example, you set your mains at a 40hz xover. Below this point, the avr will begin to attenuate the speakers response, probably at around a 12db/octave slope. Why? to protect your speakers from playing frequencies they arent meant to play. Next question, what does this crossover do to your sub? absolutely NOTHING, this setting is purely for where you want your main speakers response to start sloping off to your sub's response.

So where is your sub's response set to play to now? 120hz, that means from 40hz to 120hz, your mains AND your sub is playing the same content. What does this do? usually creates a peak in the midbass response, sometimes muddies the clarity of quick bass hits or kickdrum beats, and overall is something you DONT want to do (unless you decide you prefer the hightened midbass response, to each his own)

So why do you set the LPF for the sub at the same spot as the xover of the mains? to prevent them from playing the same material, and almost always yield a smoother response overall.





that is not true, unless you are talking about bypassing it outside the AVR or at an external xover or something of that nature otherwise you couldnt be more wrong. Yes, the avr does need to control the sub's xover, but choosing the 40 or 60 or 80hz xover for your mains, does absolutely nothing to the sub. that is why they let you select the LPF of the LFE seperate, so you may adjust accordingly. My mains play to 80hz while my surrounds can only get down to about 80 or 100, so should i choose an 80 or 100hz LPF for the SUB? its up to me, but that is why AVR's give you the choice. when I have a full 7 channels that can play down to 40hz, then maybe ill only let the sub handle 40hz and down! thats the whole point of tweaking and seeing what sounds best

Interesting.... I knew most of this. I was just always told that you want a 20 - 40 hz overlap from mains to sub to avoid a hole in FR. I have all 7 of my speakers Xover to the sub at 80hz(THX) and the LPF of LFE at 120 hz. Maybe I'll play around with 100 or even 80 hz.

I think jackbuzz meant the external Xover which is on the amp of some subs.
post #16 of 43
Thread Starter 
Currently i have the lpf of the lfe set in the avr at 120hz and crossover knob turned all the way up on the sub. The mains i currently have set at 40hz. So turn down the lpf in the avr to 60 or 80 and bring up xover of mains in avr to 60 to 80 to closer match. Hope this clarifies.
post #17 of 43
beastaudio, I'm sorry but you are providing some misinformation, here.

The 'LPF of LFE' setting is a low-pass filter that is applied to the LFE channel information and the LFE channel information ONLY. It is completely independent of and has nothing to do with the crossover that is being applied to any of the speaker channels by the AVR.

And, no, the AVR's crossover does NOT simply function as a high-pass filter. The AVR's digital crossover provides both a high and low-pass filter component. So, for example, with a channel's crossover set to 60Hz and the LPF of LFE set to 120Hz, the subwoofer IS sent any signal below 60Hz from that particular channel as well as all the LFE channel info below 120Hz.

The LFE channel can contain information as high as 120Hz and in almost all cases where a sub is being conventionally utilized the 'LPF of LFE', in so-equipped AVRs, should be set to 120Hz (or higher, if possible). Setting it lower truncates the LFE channel information that is being sent to the sub and that information is discarded completely.

And, yes, when using an AVR, the subwoofer's own internal low-pass filter (often mistakenly called its crossover) should be bypassed completely if the sub is equipped with that capability and if that is not possible it should be adjusted to the highest setting possible. This is because you want the AVR's digital crossover to provide the low-pass function, not the subwoofer's own internal low-pass filter.
post #18 of 43
Quote:
Originally Posted by david0406 View Post

Currently i have the lpf of the lfe set in the avr at 120hz and crossover knob turned all the way up on the sub. The mains i currently have set at 40hz. So turn down the lpf in the avr to 60 or 80 and bring up xover of mains in avr to 60 to 80 to closer match. Hope this clarifies.

No, leave the 'LPF of LFE' set to 120Hz.

Raising the crossover setting for the individual speaker channels is your decision. Probably not a bad idea, here, though. But these settings are completely independent of the 'LPF of LFE' setting. Changing them only affects what happens to the information encoded in that particular speaker channel.
post #19 of 43
Quote:
Originally Posted by flickhtguru View Post

Interesting.... I knew most of this. I was just always told that you want a 20 - 40 hz overlap from mains to sub to avoid a hole in FR. I have all 7 of my speakers Xover to the sub at 80hz(THX) and the LPF of LFE at 120 hz. Maybe I'll play around with 100 or even 80 hz.

I think jackbuzz meant the external Xover which is on the amp of some subs.

All depends on the speakers, just play with it and see what sounds best to you. that is the most important part.

Quote:
Originally Posted by david0406 View Post

Currently i have the lpf of the lfe set in the avr at 120hz and crossover knob turned all the way up on the sub. The mains i currently have set at 40hz. So turn down the lpf in the avr to 60 or 80 and bring up xover of mains in avr to 60 to 80 to closer match. Hope this clarifies.

Yep, against sivadselim's point, but only some cases. point one, a lot of subs have trouble operating smoothly up to 120hz, distortion and response peaks and nulls often take place above 100hz. point 2: the OP said he is listening to music a lot, and it sounds more full with it full band, which may mean where he is crossing his mains over to the sub or the overlap is causing some sort of cancellation in his sound.

With his main set that low, even if the coding is for the LFE channel, the mains will have the content as well. it is not a brickwall line between the mixing. if the avr is setting the mains as capable of handling those particular frequencies, then its going to let them play it.

Next thing to look at, with your crossover set to full band, does the sub still play? with the cross at 40hz is your sub turned on? I know in my case if i set the mains to full band, it bypasses the subs completely (listening in stereo for music)

Quote:
Originally Posted by sivadselim View Post

No, leave the 'LPF of LFE' set to 120Hz.

Raising the crossover setting for the individual speaker channels is your decision. Probably not a bad idea, here, though. But these settings are completely independent of the 'LPF of LFE' setting. Changing them only affects what happens to the information encoded in that particular speaker channel.


Gotcha on that, but with music in the OP's case, this will not be the case, movie watching, yes. The point of this thread is to find a happy medium. Im just trying to give him ideas going each way.
post #20 of 43
Quote:
Originally Posted by beastaudio View Post

With his main set that low, even if the coding is for the LFE channel, the mains will have the content as well. it is not a brickwall line between the mixing. if the avr is setting the mains as capable of handling those particular frequencies, then its going to let them play it.

No, they won't. The LFE channel info, at no frequencies, is never sent to the mains if the AVR is configured as having a subwoofer. And the crossover that is applied to the speaker channels only applies to the information encoded in those particular channels. The LFE channel information is treated and routed to the subwoofer completely separately from the way that the speaker channels' information is treated. Completely separately.

This is all very basic info as to how bass management works in modern AVRs. It's simple, too. Please do some reading up.
post #21 of 43
Quote:
Originally Posted by sivadselim View Post

No, they won't. The LFE channel info, at no frequencies, is never sent to the mains if the AVR is configured as having a subwoofer. And the crossover that is applied to the speaker channels only applies to the information encoded in those particular channels. The LFE channel information is treated and routed to the subwoofer completely separately from the way that the speaker channels' information is treated. Completely separately.

This is all very basic info as to how bass management works in modern AVRs. It's simple, too. Please do some reading up.


Perhaps you are misunderstanding me. My point here is there is going to be content on the main speakers that will also be present on the LFE track. While the LFE track has its very own encoding, there is going to be some similar low frequency information that was always encoded to the main speakers. maybe you should do the reading up, an excerpt from the sticky at the top of the subforum:

Quote:


Bass redirection
When Dolby Digital and DTS reached the home, there was one important difference. Cinema speakers are MUCH bigger. A normal sound mix will generally contain deep bass in all the front channels, as well as low-frequency effects in the LFE channel. Home speakers usually don't handle deep bass that well, so it is usually advantageous to redirect bass from the main speakers to the subwoofer. Home DD and DTS receivers offer a bass management function to do this.

With bass management enabled, there is now an important distinction between "LFE" and "Subwoofer" channels. LFE specifically refers to the LFE channel of the original soundtrack. But the subwoofer channel contains both the LFE channel and redirected bass from the other channels.

I see your point completely of "truncating" the LFE signal in movies. im not arguing that one bit. The op is trying to find a good mix between movies AND music, so perhaps truncating this will help to solve his problem. it helped to solve it in my case.
post #22 of 43
Quote:
Originally Posted by beastaudio View Post

Perhaps you are misunderstanding me. My point here is there is going to be content on the main speakers that will also be present on the LFE track. While the LFE track has its very own encoding, there is going to be some similar low frequency information that was always encoded to the main speakers. maybe you should do the reading up, an excerpt from the sticky at the top of the subforum:

Right, the audio mixer will have probably overlapped some of that info into the other channels. But if you apply a crossover setting that is appropriate for that channel's speaker, that info will be sent to the subwoofer and not to the speaker.


Quote:
Originally Posted by beastaudio View Post

I see your point completely of "truncating" the LFE signal in movies. im not arguing that one bit. The op is trying to find a good mix between movies AND music, so perhaps truncating this will help to solve his problem. it helped to solve it in my case.

The 'LPF of LFE' setting has absolutely no effect upon music listening. None. Unless you are listening to music that has a specifically encoded LFE (.1) channel. In which case you would most likely still want the full LFE channel info to be sent to your subwoofer.


Backpedal all you'd like. You posted some misinformation in this thread. The idea that the 'LPF of LFE' setting must be set according to the crossover setting that is being applied to any of the individual channels is very wrong. The 'LPF of LFE' setting is only applied to the LFE channel and what it does is completely independent of the crossover setting that is applied to any of the speaker channels. And an AVR's digital crossover capability is truly that. It IS a crossover. If you set a channel's crossover to 60Hz, any info encoded in that channel above 60Hz will be sent to the speaker and any info below 60 Hz that is encoded in that channel will be routed to the subwoofer. And, yes, of course the filters are not brick walls. The high and low-pass filter components will always have an associated slope, so, yes, of course they overlap around the actual crossover region.
post #23 of 43
Quote:
Originally Posted by sivadselim View Post

beastaudio, I'm sorry but you are providing some misinformation, here.

The 'LPF of LFE' setting is a low-pass filter that is applied to the LFE channel information and the LFE channel information ONLY. It is completely independent of and has nothing to do with the crossover that is being applied to any of the speaker channels by the AVR.

And, no, the AVR's crossover does NOT simply function as a high-pass filter. The AVR's digital crossover provides both a high and low-pass filter component. So, for example, with a channel's crossover set to 60Hz and the LPF of LFE set to 120Hz, the subwoofer IS sent any signal below 60Hz from that particular channel as well as all the LFE channel info below 120Hz.

The LFE channel can contain information as high as 120Hz and in almost all cases where a sub is being conventionally utilized the 'LPF of LFE', in so-equipped AVRs, should be set to 120Hz (or higher, if possible). Setting it lower truncates the LFE channel information that is being sent to the sub and that information is discarded completely.

And, yes, when using an AVR, the subwoofer's own internal low-pass filter (often mistakenly called its crossover) should be bypassed completely if the sub is equipped with that capability and if that is not possible it should be adjusted to the highest setting possible. This is because you want the AVR's digital crossover to provide the low-pass function, not the subwoofer's own internal low-pass filter.

Yes, exactly, thank you sivadselim for the explanation.
post #24 of 43
Quote:


Right, the audio mixer will have probably overlapped some of that info into the other channels. But if you apply a crossover setting that is appropriate for that channel's speaker, that info will be sent to the subwoofer and not to the speaker.

so we are good here

Quote:


The 'LPF of LFE' setting has absolutely no effect upon music listening. None. Unless you are listening to music that has a specifically encoded LFE (.1) channel. In which case you would most likely still want the full LFE channel info to be sent to your subwoofer.

so what does your subwoofer use as its Low pass in that case? whatever the mains are set to? or center or surrounds? decoding a standard analog signal to say Pllx music wont create a .1 channel? this doesnt seem right to me.


Quote:


an AVR's digital crossover capability is truly that. It IS a crossover. If you set a channel's crossover to 60Hz, any info encoded in that channel above 60Hz will be sent to the speaker and any info below 60 Hz that is encoded in that channel will be routed to the subwoofer. And, yes, of course the filters are not brick walls. The high and low-pass filter components will always have an associated slope, so, yes, of course they overlap around the actual crossover region

I never disagreed with any of this, in fact, I actually posted this exact info at some point.


Quote:


Backpedal all you'd like. You posted some misinformation in this thread. The idea that the 'LPF of LFE' setting must be set according to the crossover setting that is being applied to any of the individual channels is very wrong. The 'LPF of LFE' setting is only applied to the LFE channel and what it does is completely independent of the crossover setting that is applied to any of the speaker channels

And I stand corrected... sort of. In my case, which is what I was trying to convey to the OP was that during some playback, I noticed that content that was not only on the LFE channel but also above my xover point on the mains and playing through them at the same time, gave me a huge midbass boost that made the sound of my front stage be WAY off. when dropping the LFE cutoff to inline with my mains (which are quite capable down to 60hz I assure you), the issue was better. True I may be missing out on some of the purely LFE content, but for any other mixed content, it proved to give me a much smoother transition and response. while the crossover settings are completely independent, the sound sometimes that results is a culmination of all the speakers in play.
post #25 of 43
Im not trying to get under anyone' skin here Mr. Davis, dont pee your pants. Im just trying to give my perspective on what worked for my setup. giving up some LFE material is ok with me in order to achieve a better overall response between my speakers. Dont take a system that was designed for theaters and fall in line to assume it must be done by the book. In a lot of cases, it will work, in mine it didnt, perhaps in the OP's case it might not too. I apologize for the misinformation conveyed. I feel like this has been a good learning experience for the OP and all involved.
post #26 of 43
Quote:
Originally Posted by beastaudio View Post

so what does your subwoofer use as its Low pass in that case? whatever the mains are set to? or center or surrounds? decoding a standard analog signal to say Pllx music wont create a .1 channel? this doesnt seem right to me.

I'm not sure what you are asking. As I told you, the crossover you apply to each individual speaker channel really IS a crossover. It is not simply a high-pass as you stated. If you set a channel's crossover to 60 Hz that channel will be low-passed at 60Hz and any info in that channel below 60HZ will be sent to the subwoofer.

And you don't "create a .1 channel". A .1 or LFE channel is something that is specifically encoded at production. What you let the AVR create via bass management is info to be rerouted to the subwoofer for reproduction at the subwoofer. If you apply a crossover to any or all channel(s), whether it is non-LFE (.1) containing soundtrack or not, the info encoded in that channel below that crossover setting WILL BE SENT TO THE SUBWOOFER.

(Yes, I still know what you are trying to say by calling it "create a .1 channel".)




Quote:
Originally Posted by beastaudio View Post

In my case, which is what I was trying to convey to the OP was that during some playback, I noticed that content that was not only on the LFE channel but also above my xover point on the mains and playing through them at the same time, gave me a huge midbass boost that made the sound of my front stage be WAY off. when dropping the LFE cutoff to inline with my mains (which are quite capable down to 60hz I assure you), the issue was better. True I may be missing out on some of the purely LFE content, but for any other mixed content, it proved to give me a much smoother transition and response. while the crossover settings are completely independent, the sound sometimes that results is a culmination of all the speakers in play.

Well, what you are sort of speaking to here is why there is a 'LFP of LFE' setting in the first place. And, honestly, it's not entirely clear to anyone that I know of why it IS there. Usually, it is stated that it can be lowered to a setting below 120Hz to decrease subwoofer localization if localization is a problem when LFE channel info all the way up to 120Hz is being sent to the subwoofer. But you do this at the expense of completely dropping the LFE info above what you set the filter to.

I have also seen an explanation sort of similar to your example where the 'LPF of LFE' can be lowered below 120Hz to help reduce any undesirable interactions that might be occurring because of redundantly encoded information above the main channels' crossover setting(s) and the LFE channel. As you point out, there CAN be redundantly encoded info in the main channels and the LFE channel. But it is there for a reason. It's not a mistake. That is what the engineer intended. A properly calibrated and EQ'd system should be able to reproduce all of an LFE-containing soundtrack, correctly, as the engineer intended. Your setup may sound better to you with the 'LPF of LFE' set to a lower setting but I would suggest you are applying the wrong fix. You're tossing out LFE info. I suspect that you have some room peaks, the effects of which you are diminishing by tossing that LFE info. You're not really addressing the problem.

But this is not necessarily the OP's situation and has nothing at all to do with non-LFE containing music, anyway. The 'LPF of LFE' setting should not have any effect at all upon the reproduction of non-LFE containing material.
post #27 of 43
Quote:
Originally Posted by david0406 View Post

I am trying to find a happy medium between movies and music. It seems I am on and endless journey of adjusting or tweaking ( much to my wifes dismay). I have finally decided my movies sound better with my fronts crossover set at 40Hz (always seemed to listen with them set at Full band) and the LPF of the LFE on the sub set at 120Hz ( as audyssey recommends). MY rears are also at 40Hz and center is at 60Hz. My issue seems to be that I like my music with the fronts set as full band. The sound to me is much warmer and fuller with my setup. I listen to music about all the time with the DLPII music setting on my onkyo. With regard to the speaker settings is there any setting anyone could recommend something so I am not constantly toggling back and forth or endlessly messing with the settings ( or is this part of the audio video enthusiast disease) My music is streaming on MOG.

Your complaint is not uncommon and can be due to several factors. It could be due to inherent limitations of your system and it can also be due to the effect your room is having upon your speakers' and sub's output. Probably both. Have you properly calibrated your setup?

And leave your 'LPF of LFE' set to 120Hz no matter where you end up setting the speaker channels' crossover settings. The chance of the 'LPF of LFE' setting being relevant to your complaint is next to nil.
post #28 of 43
Quote:


I suspect that you have some room peaks, the effects of which you are diminishing by tossing that LFE info. You're not really addressing the problem

Room peaks certainly play a roll here, eq'd out I managed to get it pretty close, but I was able to get it closer with the LFE set at 80hz. ill mess around with it and see what else I can come up with.
post #29 of 43
Quote:
Originally Posted by beastaudio View Post

Room peaks certainly play a roll here, eq'd out I managed to get it pretty close, but I was able to get it closer with the LFE set at 80hz. ill mess around with it and see what else I can come up with.

It seems you MIGHT think that the 'LPF of LFE' setting is applied to everything that is sent to the subwoofer. It's not. It is only applied to the LFE (.1) channel information. If you think it is having an effect upon the reproduction of non-LFE containing material (i.e. music), then either your AVR is malfunctioning or you are imagining it.
post #30 of 43
Thread Starter 
Quote:
Originally Posted by sivadselim View Post

Your complaint is not uncommon and can be due to several factors. It could be due to inherent limitations of your system and it can also be due to the effect your room is having upon your speakers' and sub's output. Probably both. Have you properly calibrated your setup?

And leave your 'LPF of LFE' set to 120Hz no matter where you end up setting the speaker channels' crossover settings. The chance of the 'LPF of LFE' setting being relevant to your complaint is next to nihil.

WOW guys!. I am getting schooled in bass management. I just integrated a new Polk PSW505 into my system to replace one of my PSW10s. Now i know the 505 is a better sub than the PSW10 and I am just trying to get the best quality bass out of it that I can. What I can tell you is that since I changed the LPF of LFE in the avr to 120hz and set the mains to 40hz the quality of the bass with movie soundtracks has vastly improved. What I percieve with the change is a more isolated center channel and more punchy, undistorted, clear bass when called on compared to a more all around droning bass from all channels when I had the avr set to full band for movie soundtracks. Now that being said when I listen to music and percieve a more full or warm sound at low volumes when playing music with full band set for the mains I also have the " double bass " on. Maybe this is the difference in my percieved quality of the sound. What is the avr actually doing with the low frequencies when double bass in engaged? Does setting the mains to full band have any effect on the frequencies being sent to the surrounds? I have not done an audyssey calibration since integrating the 505 into my setup. Answering Jack or beasts question ( cant remember who asked it), my subs are always active with the mains set to " Full band" or 40hz. My original quest here was to just find a palatable solution with the settings that would be complimentary for both movies and music. I have found such a improvement in the bass with setting the LPF of LFE to 120 hz and mains to 40hz xover for movie soundtracks that I might just learn to live with that setting for my music listening also or just tolerate changing the settings . Thanks guys! I think I have learned more about bass management in this thread alone than all the reading of magazine articles or even the stickies about bass management in this forum. It great to know what the optimal settings should be and be able to understand why those are the best settings. It seems you guys have put the info into more understandable terms for us guys that are certainly not as knoweldgeable as some of the posters in this forum.
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AVS › AVS Forum › Audio › Audio theory, Setup and Chat › Set it and forget it..... Can anyone help with settings?