Quote:
nope.Originally Posted by Seegs108 
RBE has very little to do with motion. RBE effects mostly occur under two scenarios.
1.) The scene or shot is a "high contrast" one. This usually means things like whites on blacks. Examples would be when credits are rolling, a black and white movie or scene, star field shots.
2.) Brightness is the major reason why people see rainbows. The brighter the projector the more of a chance you're going to see separation artifacts. High brightness combined with a slower color wheel, or one that has less than 5 segments is usually RBE city. This is partly what I was talking about before about higher end DLPs. What you get typically is a 6 speed, 6 or 7 segment color wheel with the higher end models. You also get other cool things with the more expensive models like lamp modulation technologies. Osram's Unishape lamp technology has done wonders for the DLP world. You get better contrast and less RBE artifacts with the technology. Most of them are also not light cannons which is why you don't typically see a lot of complaints about higher end DLPs and RBE.
I just recently sold a JVC DLA-X3, a very current model, and motion is still a very big issue in my opinion and you'll see a lot of users on here who are on the same page as I am. I think it's one of the last major hurdles JVC needs to get over to give a practically flawless overall PQ package. Sony used to be on par with JVC in regards with motion and they have since did a complete overhaul to their LCOS chip and motion is no longer an issue for all but the pickiest. You may be one of the lucky ones who don't see the motion issues and I envy you. It's one of the only reasons I couldn't own a JVC. I won't be purchasing another unless they fix the issue like Sony did.

RBE has very little to do with motion. RBE effects mostly occur under two scenarios.
1.) The scene or shot is a "high contrast" one. This usually means things like whites on blacks. Examples would be when credits are rolling, a black and white movie or scene, star field shots.
2.) Brightness is the major reason why people see rainbows. The brighter the projector the more of a chance you're going to see separation artifacts. High brightness combined with a slower color wheel, or one that has less than 5 segments is usually RBE city. This is partly what I was talking about before about higher end DLPs. What you get typically is a 6 speed, 6 or 7 segment color wheel with the higher end models. You also get other cool things with the more expensive models like lamp modulation technologies. Osram's Unishape lamp technology has done wonders for the DLP world. You get better contrast and less RBE artifacts with the technology. Most of them are also not light cannons which is why you don't typically see a lot of complaints about higher end DLPs and RBE.
I just recently sold a JVC DLA-X3, a very current model, and motion is still a very big issue in my opinion and you'll see a lot of users on here who are on the same page as I am. I think it's one of the last major hurdles JVC needs to get over to give a practically flawless overall PQ package. Sony used to be on par with JVC in regards with motion and they have since did a complete overhaul to their LCOS chip and motion is no longer an issue for all but the pickiest. You may be one of the lucky ones who don't see the motion issues and I envy you. It's one of the only reasons I couldn't own a JVC. I won't be purchasing another unless they fix the issue like Sony did.























