Quote:
Originally Posted by
svenge 
That's certainly true. I haven't watched it recently, so I don't know why that would be (barring technical issues). Perhaps its sound design wasn't as "aggressive" as some of the other films?
The other Bond films that have similarly low audio bitrates include
For Your Eyes Only (2262 kbps),
Die Another Day (2335 kbps), and
The World Is Not Enough (2425 kbps), and the aforementioned
The Living Daylights (2707 kbps).
Theatrically TND had one of the best surround mixes I've ever heard. The UE was quite good though the volume had been raised to be a bit louder and compressed.
Quote:
Originally Posted by
dvdmike007 
I always used it as a Laserdisc sound demo
Now I've really got to get a copy just to match my
Goldeneye which is a sound demo disc for me.
Quote:
Originally Posted by
dvdmike007 
Really I thought Licence to Kill and Living Daylights were 5.1 only
Nope they have their original 2.0 surround tracks, but of course on these lossy DD tracks they are very compressed. AVTAK 2.0 on the UE was always rather loud and boomy on this which I found surprising for the Dolby Surround format. The LD is far better with everything much more natural and defined. TLD sounds incredible on LD as well.