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Mission: Impossible - Ghost Protocol - Page 11

post #301 of 419
Quote:
Originally Posted by Toe View Post

I did not notice any issues with my Netflix rental, but I was pretty distracted with the movie/audio so I might have missed it This was one of the best action movies I have seen in a while. My stomach actually dropped a bit when he stepped out on the skyscraper!

You should have seen that shot in the theater where he steps out the window. Whoa. It must have been truly amazing in IMAX.
post #302 of 419
Quote:
Originally Posted by Scott Simonian View Post

Yeah... I wasn't either but there it was. Which version did you get, Brad? Wish I could have made it out to meet this past week. Would have been nice to meet you and check out your system.

My brother in law brought it over, I think it was from Target, not sure - single disc. Yeah, hopefully we'll get the opportunity to meet up at an upcoming meet, maybe RayJr will open his up again, kind of midway between us. Or if you're ever down in the LA area, let me know so we can get together.

Quote:
Originally Posted by Cam Man View Post

But what Cruise was doing was freakin' amazing.

Wow, I just assumed this was all gone with green screens and CGI - I might just have to pop for the 3 disc set with the extras just to check that out (I hardly ever watch "extra" content, and just skip to the movie).
post #303 of 419
Quote:
Originally Posted by Morpheo View Post

I watched the Dubai featurette and I still wonder how he was able to do this and smile at the same time. Like you said, regardless of what he's doing in private, I admire him for what he did for this film. Of course people will say they used harnesses, protection and stuff, it's still a life-threatening experience to say the least. It wouldn't have been the same with cgi that's for sure. Hats off to mr. Cruise.

+1
I have never understood why so many dislike him because of his religion.
AFAIK, he isn't an axe murderer...

The guy can act and entertain...that's all I care about.
post #304 of 419
Quote:
Originally Posted by oink View Post

I have never understood why so many dislike him because of his religion.
AFAIK, he isn't an axe murderer...

It's not his religion that's the problem. Other famous Scientologists such as John Travolta, Kirstie Alley, Will Smith, etc. don't have the PR image problems that Cruise does. His smug (and entirely wrong-headed) behavior during the Today Show interview really rubbed people the wrong way.

Quote:


The guy can act and entertain...that's all I care about.

At the end of the day, that's what's important to me as well.
post #305 of 419
Quote:
Originally Posted by Superman2 View Post

I bought this for many reasons, but no shaky cam is a huge one. I hate it, hate it hate it... its ruined many good films for me.

I agree with you. I hate shaky cam films. The Bourne series were totally ruined for me because of the hand held cameras. I know it's to give the effect that you are in the middle of the action. But it shouldn't be used in place of properly positioned cameras to get a great shot.
post #306 of 419
Quote:
Originally Posted by QuiGonJosh View Post

You should have seen that shot in the theater where he steps out the window. Whoa. It must have been truly amazing in IMAX.

Man, I bet! This would have been a great movie to see at the IMAX.

Franin, I agree. It was a fantastic track all around.
post #307 of 419
Quote:
Originally Posted by Superman2 View Post

I bought this for many reasons, but no shaky cam is a huge one. I hate it, hate it hate it... its ruined many good films for me.

I am sooo happy to see you guys comment on this. I agree with you guys totally. I am appearing via Skype tomorrow with the film department of a college about the role of cinematography in narrative film. For discussion, I'm using one of my films, Frailty (speaking of axe murderers ), because it is shot in a rather classic manner despite it's non-linear story structure. I certainly use it juxtiposed against the current trends of chaotic cutting and kinetic camera technique (which I call "the epileptic camera operator technique"). Hopefully, it's going out of style. In the mean time we have to endure the current rage to flare anamorphic lenses into oblivion. I noticed there is not much of that, if any, in Ghost Protocol...despite JJ's presence.
post #308 of 419
Quote:
Originally Posted by Toe View Post

Man, I bet! This would have been a great movie to see at the IMAX.

Even a shifting AR Blu-ray (which I would have liked nonetheless) couldn't top that. That was really something, the frame opened, and bang, we were 'up in the air' I saw it at the Montreal IMAX, it was amazing, and the sound was earth-shaking too
post #309 of 419
Quote:
Originally Posted by Cam Man View Post

I am sooo happy to see you guys comment on this. I agree with you guys totally. I am appearing via Skype tomorrow with the film department of a college about the role of cinematography in narrative film. For discussion, I'm using one of my films, Frailty (speaking of axe murderers ), because it is shot in a rather classic manner despite it's non-linear story structure. I certainly use it juxtiposed against the current trends of chaotic cutting and kinetic camera technique (which I call "the epileptic camera operator technique"). Hopefully, it's going out of style. In the mean time we have to endure the current rage to flare anamorphic lenses into oblivion. I noticed there is not much of that, if any, in Ghost Protocol...despite JJ's presence.

Not to go completely off-topic here, but I absolutely loved Frailty. Frailty was actually the film I chose to write about for my final paper in one of my cinematography classes when I was in college. I thought it was beautifully shot. Hats off to you, good sir!
post #310 of 419
Quote:
Originally Posted by Morpheo View Post

Even a shifting AR Blu-ray (which I would have liked nonetheless) couldn't top that. That was really something, the frame opened, and bang, we were 'up in the air' I saw it at the Montreal IMAX, it was amazing, and the sound was earth-shaking too

Awesome.
post #311 of 419
I can take screenshots of the regular edition, but I'm going to need some actual timecodes. The closest thing I see to "artifacts" are what I would describe as discolored blotches.



Comparison to High Def Disc News' PNGs of the 3-disc release. Honestly, they're so close they aren't even worth looking at. The biggest difference is caused by the chroma resampler they used, not the encode.








post #312 of 419
Thanks for the screenshots. The main part I'm seeing the issue with, or what stood out to me at first was the scene where Jeremy Renner is telling his back story to Simon Pegg and Paula Patton. If you could provide a screenshot of the 1:26:56 mark, I would be able to compare it to what I'm seeing. If you have time for a second screenshot, then I would like to see it from the 1:27:06 mark. If possible.

Seeing it in motion from the 1:26:24 mark the grain pattern seems a bit odd to me as well. It isn't fine looking grain but rather more clunky or grouped together, with some strange little blocks appearing randomly. Excuse the lack of correct terminology, I just called it how I saw it
post #313 of 419
How do I take screenshots? I have an external BD player/recorder but no software.
post #314 of 419
I don't see anything wrong with the Renner closeups personally, but the cutaways are hazy.



For screenshots: you need a Windows PC. Download the AnyDVD HD trial (to decrypt on-the-fly) and also install MPC-HC (to playback and use the Save Image function). Open 00800.m2ts from the BDMV\\STREAM folder, save images as PNG, upload to ImageShack or another host that doesn't recompress large files.
post #315 of 419
I think that haziness of the cutaways was intentional. Considering how it was lit (strong edge/backlighting and very little fill in front) and how smoky the room is, I don't see anything wrong with it.
post #316 of 419
Quote:
Originally Posted by msgohan View Post

I don't see anything wrong with the Renner closeups personally, but the cutaways are hazy.



For screenshots: you need a Windows PC. Download the AnyDVD HD trial (to decrypt on-the-fly) and also install MPC-HC (to playback and use the Save Image function). Open 00800.m2ts from the BDMV\\STREAM folder, save images as PNG, upload to ImageShack or another host that doesn't recompress large files.

Thanks. I was able to switch between the shots you posted and my BD copy on the same HD monitor. Admittedly so they look pretty similar, in fact i would say that my BD freeze frame looks slightly ever more stable, if I stopped it at the exact same frame. But when in motion, I just see it unstable and it's something I haven't seen in other new theatrical Paramount Blu-ray movies. Now I'm wondering if what I'm seeing is what you referred to as discolored blotches? I'm not 100% familiar with that term though. As to the Jeremy Renner scene, the problem I see it's with his close up but with the grain pattern to his left. Also, someone else noted another scene at BD.com that has a similar grain patter. It's around the 3:18 mark. No screenshot needed, just look to the grain pattern on the wall directly to the right side of the prisoners head as he is walking towards the camera. To me it appears very blocky instead of natural looking grain.

Either way, thank you for your time and help. It just continues to look odd to me for a new release. I really haven't seen it look like this in other new theatrical releases I've purchased.
post #317 of 419
Quote:
Originally Posted by msgohan View Post

For screenshots: you need a Windows PC. Download the AnyDVD HD trial (to decrypt on-the-fly) and also install MPC-HC (to playback and use the Save Image function). Open 00800.m2ts from the BDMV\\STREAM folder, save images as PNG, upload to ImageShack or another host that doesn't recompress large files.

A different question for the screenshots. When ever I play a BD on my computer, it seems that the video card, I guess, softens the image quite a bit and it ends up looking much softer than what it actually is. Is there a way to disable this noise reduction feature for future reference? If that is what is occuring on my pc.
post #318 of 419
One more thing lol. In that first screenshot of with Paula Patton, her neckline is smooth. So when that scene is playing for me, the colors seem to be jumping back and fourth. I guess that would be a bit more detailed discription of what I'm seeing. I thought the colors should have stayed more stable and her neckline would have been linear. Just to point out one of the things I saw.
post #319 of 419
The grain looks fine to me in both cases. The back wall in that prison shot is sort of posterized.

You didn't say whether your video card is AMD, Nvidia, or Intel. I only know AMD: in AMD Vision Engine Control Center, Video tab -> Video Settings and turn off basically anything that isn't deinterlacing. I don't know if the others enable that crap by default like AMD does.
post #320 of 419
Quote:
Originally Posted by msgohan View Post

The grain looks fine to me in both cases. The back wall in that prison shot is sort of posterized.

You didn't say whether your video card is AMD, Nvidia, or Intel. I only know AMD: in AMD Vision Engine Control Center, Video tab -> Video Settings and turn off basically anything that isn't deinterlacing. I don't know if the others enable that crap by default like AMD does.

Ok thanks for that. I'll give the disc another view soon enough to see how I take in those things.

As for my video card, it is a very old ATI Radeon Xpress 200. I'm not sure if there is much hope in it. I purchased a new Nvidia video card but my motherboard didn't accept it. It's time for an upgrade on that too. Thanks.
post #321 of 419
Guys doing screenshots.... if you have the 3-disk version.... load up the end where Cruise and Renner are talking about Hunt's wife. Or load up the part where Hunt is tied to the chair and talking to the arms dealer. All the shadow and dark areas are loaded with chunky blocks of crap.
post #322 of 419
Just a heads up, the 3-disc set at Best Buy is currently 14.99 with their whole trade and save deal.
post #323 of 419
Quote:
Originally Posted by Justin Hammer View Post

Just a heads up, the 3-disc set at Best Buy is currently 14.99 with their whole trade and save deal.

Dannng
post #324 of 419
Quote:
Originally Posted by pokekevin View Post

Dannng

Yep. I picked it up today along with Conan the Barbarian and Psycho for 4.99. I know Psycho has a crappy transfer but I couldn't resist the price and I highly doubt Universal is going to fix anytime soon. Same with Ghost Protocol, I usually would hold-out until the IMAX release or something but again I think Paramount won't release that for a time and that's even if they do.
post #325 of 419
Not to throw this thread even further off topic, but can you trade in any eligible DVD towards this and say, Psycho?
post #326 of 419
Yeah, I think there's a thread elsewhere on these forums. Best Buy does this whole Trade & Save deal about every few months or so. I also picked up the blu set of Justified Season 2 for 14.99. Basically any dvd works as long as it has its original case. So, you could even trade in promo dvds. I think it's actually intended to rip-off "regular" customers but people who are savvy and know how to pay attention walk away with some pretty decent deals. Basically any blu-ray at BB priced at 9.99 is 4.99 with the trade-in.
post #327 of 419
Quote:
Originally Posted by Scott Simonian View Post

Guys doing screenshots.... if you have the 3-disk version.... load up the end where Cruise and Renner are talking about Hunt's wife. Or load up the part where Hunt is tied to the chair and talking to the arms dealer. All the shadow and dark areas are loaded with chunky blocks of crap.

I went though the whole film again last night, and looked in the all the sections that have been questioned. The closest I came to seeing any blockiness was in the train yard, but I think it was really a blue lens flare. I saw no artifacts in any other scene, including the end, which I paid careful attention to.

3-disk BB exclusive
Room: Dedicated black velvet lined theatre room.
Display: AE7000 480hz 3D PJ
Screen: High Power 2.4 gain 106"
FI set to 2 (out of 3)
Digital Clarity set to 5 (very aggressive)
Viewing distance: 9 feet

As you can see above, I sit close to a fairly large, bright, screen. I also have very aggressive picture settings that could amplify any artifacts - certainly not remove them. Unless there are some bad disks out there, I have to believe this is equipment related.
post #328 of 419
Quote:
Originally Posted by adpayne View Post


I went though the whole film again last night, and looked in the all the sections that have been questioned. The closest I came to seeing any blockiness was in the train yard, but I think it was really a blue lens flare. I saw no artifacts in any other scene, including the end, which I paid careful attention to.

3-disk BB exclusive
Room: Dedicated black velvet lined theatre room.
Display: AE7000 480hz 3D PJ
Screen: High Power 2.4 gain 106"
FI set to 2 (out of 3)
Digital Clarity set to 5 (very aggressive)
Viewing distance: 9 feet

As you can see above, I sit close to a fairly large, bright, screen. I also have very aggressive picture settings that could amplify any artifacts - certainly not remove them. Unless there are some bad disks out there, I have to believe this is equipment related.

I have to agree. I have a cheapo, 55" Sony, and I can't spot any artifacting. I have enjoyed watching the flick multiple times trying to find problems though. :-)
post #329 of 419
Hmmmppphhh!

Well then.... maybe I'll test this with another BD player and see if that does anything.
post #330 of 419
Which scenes are filmed in IMAX? The only scenes i noticed an increase in detail was the scenes in dubai.

It's crazy how shooting in 70mm gives that much of jump in clairity. Same resolution on bluray, but the 70mm shots are night and day from the 35mm shots. Source, source, source, source, source!
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