Quote:
Originally Posted by
PRBR 
but what happend if i turn off the 24p on the player? would it send 60fps?
It will output 60Hz. One way or another, film will get converted to 60Hz on the ST50, whether you output 24p or 60Hz.. you either allow the player or the ST50 to do the conversion. Unless you choose to use 48Hz (too much flicker for me), in which case your player will output 24p and the frames will be doubled to 48Hz with no conversion.
Quote:
Originally Posted by
PRBR 
plus,i dont like warm2 setting,it looks strange,the whites are not white on this setting,that could be my player? i use normal and im happy but curious why everybody or almost every knowledge people use warm2.
Warm2 is closer to D65, which is the standard reference white point used for video on the CIE chart. Below is a CIE diagram and the triangle inside is the color gamut used for rec.709 (which is the standard for HDTV). The points on the triangle are the primary colors (red, green and blue); between those points are the secondary colors (yellow, cyan and magenta); and the point in the middle of the rec.709 triangle is the reference white point (D65). The color temperature presets (Normal, Warm1, Warm2 etc.,) sets the color temperature of all of the shades of white, from the blackest black to the whitest white (aka grayscale). Having your grayscale calibrated to D65 allows your colors to be displayed on a neutral canvas (so to speak). If your grayscale is off, all of your colors will look off. Setting your color temperature to the warmest color temperature usually gets you the closest to D65. From there, further tweaking is usually needed to get all shades of white as close to D65 as possible using the White Balance controls in the Pro Settings menu.
Edited by rahzel - 1/18/13 at 9:26pm