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I believe I answered this in my previous post.
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I totally disagree btw, if Avatar had been done using 3D conversion, it would have looked like ass, or i'll compromise, one ass cheek!
I totally disagree btw, if Avatar had been done using 3D conversion, it would have looked like ass, or i'll compromise, one ass cheek!
This isn't an issue to 'agree' or 'disagree' over. Avatar had converted sequences. They were so well done that you couldn't tell the difference. It is a very common practice for directors to shoot as much as native as possible and then convert the shots that they couldn't get with 3D cameras or the shots that they screwed up and need to be fixed with conversion. When teams are tasked with converting the whole movie, it is a little more difficult to maintain the same quality level as there is so much more footage, and they have to get it done in a certain time frame.
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Even Avatar required tiny amounts of stereo conversion, for example the opening macro eyeball shot was far too close for a stereo camera rig to film, and this first shot of the film was converted stereo from 2D.
http://www.fxguide.com/featured/art-...sion-2d-to-3d/
Even Avatar required tiny amounts of stereo conversion, for example the opening macro eyeball shot was far too close for a stereo camera rig to film, and this first shot of the film was converted stereo from 2D.
http://www.fxguide.com/featured/art-...sion-2d-to-3d/
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2D-to-3D conversion was even used in that pinnacle of 3D cinema, Avatar. Prime Focus did several shots for the movie, a fact not widely known. “A couple times the best way to incorporate the composite was to convert part of the image,” Hummel reveals. “On an occasion or two with the original photography, there was a problem, like one lens was closer than the other, so rather than resizing the image, it was easier to convert one of the images to match the stereoscopic imagery. However, it was always done in service of the visual effects and under the guidance of the Avatar creative team.”
http://www.filmjournal.com/filmjourn...7f7c73775e76bb
2D-to-3D conversion was even used in that pinnacle of 3D cinema, Avatar. Prime Focus did several shots for the movie, a fact not widely known. “A couple times the best way to incorporate the composite was to convert part of the image,” Hummel reveals. “On an occasion or two with the original photography, there was a problem, like one lens was closer than the other, so rather than resizing the image, it was easier to convert one of the images to match the stereoscopic imagery. However, it was always done in service of the visual effects and under the guidance of the Avatar creative team.”
http://www.filmjournal.com/filmjourn...7f7c73775e76bb














