Quote:
Originally Posted by
HVisone 
Not sure where to post this, but for real film lovers who love the look of film as projected through a print from the negative, and not by digital, at the local theaters, those days will all be gone by the end of summer or no later than 2013.
Seems all new films will be distributed only by digital servers, so enjoy it while you can.


Digital projectors have and will become better in resolution and contrast. The positives of digital distribution and projection far out weight any cons now.
Quote:
Originally Posted by
HVisone 
So there may no longer be much of an argument about natural grain and access to something to draw the comparsion.
While I have fussed about all this grain loving debate that others seem
so in love with grain in their digital, nevertheless, I still love real film in both photography and movies, when developed and seen through the pure process without any intervening digitalization.....
thus: Sic transit gloria

If something is shot on film and receives a quality 2K+ scan then accurate grain reproduction will continue to be of great importance, both in theatrical exhibition and home theater release. With advancements in the digital pipeline a scanned film can be for all intents and purposes be finally presented essentially transparent to the source.
Film as the primary capture medium is waning, but full onset will not be for a while, it still has some capabilities that digital capture has yet to achieve.
Quote:
Originally Posted by
dvdmike007 

end of an this and the death of CD's this year is a real let down for me
In some ways I do feel a bit despondent with the thought that projected film for the masses is going the way of the dodo, but at the same time progress is improving the experience.
In regards to CDs, I will miss them but what I adamantly grieve is the loss of stellar audio engineering, mixing, and mastering. I want distortion free and dynamic High-Fidelity to become the norm not the exception.
Best Regards
KvE