I got my es8000 55". To my eye I noticed horizontal banding straight away. Otherwise the set is perfect as silly as that sounds. Zero flashlighting, clouding or vertical banding. As for the horizontal bands I am noticing them all the time during regular viewing, especially at night. I've tried to take photos of it but can't take one that does it any justice. They basically run from top to bottom horizontally in varying widths. Wanted to get your guys opinion on whether this is pretty standard or whether I should try and get a replacement and try again. My retailer has basically told me I'm on my own on this set which I though was fair enough after returning two HX850s before swapping to this set. So anything I do from here will have to be with Samsung Australia.
That might actually be one of the worst banding cases I've seen yet on these Samsungs. Horizontal banding from top to bottom with a nice wide vertical band smack dab in the middle. That one needs to go back ASAP.
That's exactly what I needed to know! I will mess with getting color space readings set up correctly after work today. Thanks!!!
i basically used prsut's method, just looking at the CIE field and adjusting the color controls to "drag" the arrow into the center. This grayscale stuff is driving me crazy trying to reach perfection.
That might actually be one of the worst banding cases I've seen yet on these Samsungs. Horizontal banding from top to bottom with a nice wide vertical band smack dab in the middle. That one needs to go back ASAP.
I thought my eyes were playing tricks,cause i don't see horizontal but that blob in the middle is a NO questions asked refund /exchange IMHO.
Please i beg some1 to make a "Gaming Mode" calibration PLEASE & or "Entertainment" for use in PC/DVI PC.
tha default is OK, just not great & i really need the gaming mode & PC entertainment mode for gaming fast paced games that require low input lag.
THX in advance.................i can't afford even that 170$ till summer & i do most of my gaming in winter.....thx again
i basically used prsut's method, just looking at the CIE field and adjusting the color controls to "drag" the arrow into the center. This grayscale stuff is driving me crazy trying to reach perfection.
Good luck!
So why do you think that some of your 10p White balance numbers are so far from Zero? Are you happy with your picture now?
i basically used prsut's method, just looking at the CIE field and adjusting the color controls to "drag" the arrow into the center. This grayscale stuff is driving me crazy trying to reach perfection.
Good luck!
Yeah that makes sense now that I know how changing those three settings in unison with eachother is what needs to be done. I had a hell of a time getting them as close as I did. I know the continuous reading works for the three color bars on the first page, but haven't checked the CIE chart during the continuous reading. Does the continous reading work there too? Changing the RGB settings for a color actually move the stuff around on the CIE chart in real time? If so, that is going to be so much easier than how I was doing it before. I might have to leave the office early today. It is Friday after all!
The greyscale stuff has me stumped on your readings. That was the easiest on mine. Once I set my 2P white balance and ran the meter readings, it was nearly perfect right there. I don't have enough experience with this to know why you're having that problem.
lbass - that banding is unacceptable. I would return it ASAP.
I know there is another forum dedicated, but any thoughts from the banding plagued owners here about the 65" F8000 and whether or not it will be similarly plagued? Is it in fact the exact same panel or new?
I've actually got a 60ES7500 but that thread is dead and these TV's are close so I thought I'd try asking this here...
I've only had my TV for 2 weeks and I was away for work 1 of those weeks so I haven't watched it a ton or dialed in many of the settings yet. I notice something strange that I never saw on my A750 that seems to happen when watching commercials mostly. Certain text/logos/textures seem to dance or vibrate on the screen, I'm not sure how to describe it beyond that.
There's a Domino's commercial where a guy is folding pizza boxes really fast. The Domino's text on each pizza box in the stacks and stacks of boxes around him all shift up and down constantly, even when he's standing still talking and the camera angle isn't moving.
There was a commercial for some furniture company and the curtains of the display house looked like they had waves moving through them.
There's a series of commercials that run with black bars across the top/bottom and sides of the screen and it looks as though the frame in the middle with the image is shaking up and down. At first I thought my TV was shaking it was so obvious.
There's also others that have plain white text on dark backgrounds and it looks like the text is wiggling.
Is all of this a MotionPlus setting? Is it a calibration issue? Or does it sound like a defective TV? Any help or suggestions on how to get rid of this is appreciated.
I've actually got a 60ES7500 but that thread is dead and these TV's are close so I thought I'd try asking this here...
I've only had my TV for 2 weeks and I was away for work 1 of those weeks so I haven't watched it a ton or dialed in many of the settings yet. I notice something strange that I never saw on my A750 that seems to happen when watching commercials mostly. Certain text/logos/textures seem to dance or vibrate on the screen, I'm not sure how to describe it beyond that.
There's a Domino's commercial where a guy is folding pizza boxes really fast. The Domino's text on each pizza box in the stacks and stacks of boxes around him all shift up and down constantly, even when he's standing still talking and the camera angle isn't moving.
There was a commercial for some furniture company and the curtains of the display house looked like they had waves moving through them.
There's a series of commercials that run with black bars across the top/bottom and sides of the screen and it looks as though the frame in the middle with the image is shaking up and down. At first I thought my TV was shaking it was so obvious.
There's also others that have plain white text on dark backgrounds and it looks like the text is wiggling.
Is all of this a MotionPlus setting? Is it a calibration issue? Or does it sound like a defective TV? Any help or suggestions on how to get rid of this is appreciated.
Make sure Film Mode is set to Auto 1, and try setting AMP to Clear.
lbass - that banding is unacceptable. I would return it ASAP.
I know there is another forum dedicated, but any thoughts from the banding plagued owners here about the 65" F8000 and whether or not it will be similarly plagued? Is it in fact the exact same panel or new?
I just read this info on another forum. here ..
It was mentioned that the new REC2020 color standard (double the area of the current rec709 color space and increased bitlength) is the cure for banding. It appears that, as long as the new standard color space is not yet implemented, banding will still be inherent on the F8000 specially on larger panels... Just my guess..
If using 30-80%, you cannot have 8pt -1,6,7. If using 20-90% patterns, then 2 and 9pt seens to be OK, but look on blue at 7-8-9. Something is wrong.
If you have green 31 in RGB offset/gain i believe your picture is on bright side. Did you check color clipping pattern ?
The objective is to set black as low as possible and white as high as no color clips.
My tips:
- I believe you are using field patterns
- eco sensor off
-run 10% white and look if you have banding. Move meter to most average position (not on dark line)
- move meter up a bit verticaly as blue color menu can affect measuring
- wait until play info disapears from screen when measuring
- reset 2pt, 10pt
- using colr plipping and black clipping patterns set brightness and contrast. Do i iterative.
- set grayscale using 2pt. Do not move green. Once you move green, you have to set brightness and contrast again. Note, you cannot alter gamma with 2pt. First set gains, then offsets. If changed one end, you have to check other side.
-If 2pt is OK, again check brightnes/contrast
- 10pt : go from 10%. At this small level of luminance each small change in 1. causes huge change in measurement. If you move picture control, wait a bit as TV accepts new settings bit later.
- go 20%. If you change some value, go back to10% and check
- this way go up.
- do changes in small steps.
Also yo may want to read this article. Must register, but then read DrMark's post. It is outstandig...
I've actually got a 60ES7500 but that thread is dead and these TV's are close so I thought I'd try asking this here...
I've only had my TV for 2 weeks and I was away for work 1 of those weeks so I haven't watched it a ton or dialed in many of the settings yet. I notice something strange that I never saw on my A750 that seems to happen when watching commercials mostly. Certain text/logos/textures seem to dance or vibrate on the screen, I'm not sure how to describe it beyond that.
There's a Domino's commercial where a guy is folding pizza boxes really fast. The Domino's text on each pizza box in the stacks and stacks of boxes around him all shift up and down constantly, even when he's standing still talking and the camera angle isn't moving.
There was a commercial for some furniture company and the curtains of the display house looked like they had waves moving through them.
There's a series of commercials that run with black bars across the top/bottom and sides of the screen and it looks as though the frame in the middle with the image is shaking up and down. At first I thought my TV was shaking it was so obvious.
There's also others that have plain white text on dark backgrounds and it looks like the text is wiggling.
Is all of this a MotionPlus setting? Is it a calibration issue? Or does it sound like a defective TV? Any help or suggestions on how to get rid of this is appreciated.
I am not sure if what u mention is what i experience when in PC mode, 1 thing that REALLY pisses me off is the AMP "auto motion plus", i originally thought the smooth would be OK but NO SIR _E, that AMP for me NO matter what content is ALWAAYS OFF.when using a PC that AMP causes what i call "nervous breakdown", **** is moving around when highlighted or mouse over or near, mainly over dark stuff where it seems like it's worms.
Hope this helps, i turn all that stuff off when gaming, not sure how it is for TV/movies.
AMP/LMP i leave ALWAYS OFF, maybe i might try LMP in some racing games, i dunno yet.
Hope this helps.
CYA:)
If using 30-80%, you cannot have 8pt -1,6,7. If using 20-90% patterns, then 2 and 9pt seens to be OK, but look on blue at 7-8-9. Something is wrong.
If you have green 31 in RGB offset/gain i believe your picture is on bright side. Did you check color clipping pattern ?
The objective is to set black as low as possible and white as high as no color clips.
My tips:
- I believe you are using field patterns
- eco sensor off
-run 10% white and look if you have banding. Move meter to most average position (not on dark line)
- move meter up a bit verticaly as blue color menu can affect measuring
- wait until play info disapears from screen when measuring
- reset 2pt, 10pt
- using colr plipping and black clipping patterns set brightness and contrast. Do i iterative.
- set grayscale using 2pt. Do not move green. Once you move green, you have to set brightness and contrast again. Note, you cannot alter gamma with 2pt. First set gains, then offsets. If changed one end, you have to check other side.
-If 2pt is OK, again check brightnes/contrast
- 10pt : go from 10%. At this small level of luminance each small change in 1. causes huge change in measurement. If you move picture control, wait a bit as TV accepts new settings bit later.
- go 20%. If you change some value, go back to10% and check
- this way go up.
- do changes in small steps.
Also yo may want to read this article. Must register, but then read DrMark's post. It is outstandig...
That's what I was wondering/thinking too. I thought the 10p settings were way to "active" for the 2p settings to be correct. I also thought it was weird that the 2P settings for G were not 25. As you mentioned, you should not touch the G settings in 2P because that's your reference and you're simply adjusting R and B to match G (or something like that). Anyway, when I set my 2P balance, my 10P didn't really need any adjustments at all, so I was curious why 10k had so many adjustments in his 10P settings. I'm assuming the bad 2P settings is causing all the 10P adjustments and also screwing up the grayscale, which is throwing off the gamma???
Hey guys, an update on my TV. Called Samsung and that's one terrible call centre. I have the number for a technician who is going to come and have a look at the TV. As I have just bought the TV, if the technician notes any problem shouldn't it be DOA?
I'd like a notice or something so that I could just get a refund from where I purchased it and then go to a new store where I wouldn't feel bad to try a couple of units if I had issue.
my better half: what is the size of our TV?
me: it is 55inch my dear.
my better half: it looks quite small. A bigger one would look better.
me: yes you are right my dear. You are always right! (thinking: at the time we bought it in the shop, you said it was big enough. Which shows, we men always get our way in the end. Or so we think or hope.)
10% - 13.5 dE, 2.3 Gamma
20% - 8.3 dE, 2.32 Gamma
30% - 9.7 dE, 2.34 Gamma
40% - 10.3 dE, 2.35 Gamma
50% - 10.4 dE, 2.35 Gamma
60% - 10.4 dE, 2.35 Gamma
70% - 10.6 dE, 2.36 Gamma
80% - 11.0 dE, 2.36 Gamma
90% - 11.3 dE, 2.32 Gamma
100% - 12.1 dE
All Grayscales were off with too much Blue.
White - 12.2 dE
Red - 1.3 dE
Green - 2.6 dE
Blue - 4.6 dE
Yellow - 1.6 dE
Cyan - 6.3 dE
Magenta - 3.4 dE
FW 1046 Movie Mode all settings Default
10% - 12.5 dE, 2.3 Gamma
20% - 7.8 dE, 2.31 Gamma
30% - 9.3 dE, 2.32 Gamma
40% - 10.1 dE, 2.34 Gamma
50% - 10.2 dE, 2.34 Gamma
60% - 10.5 dE, 2.35 Gamma
70% - 10.6 dE, 2.35 Gamma
80% - 11.0 dE, 2.33 Gamma
90% - 11.4 dE, 2.31 Gamma
100% - 12.1 dE
All Grayscales were off with too much Blue.
White - 12.2 dE
Red - 1.3 dE
Green - 2.6 dE
Blue - 4.6 dE
Yellow - 1.6 dE
Cyan - 6.2 dE
Magenta - 3.4 dE
This looks like not very much changed from one firmware to the next in terms of measurable static screens.
I do believe that the update has resulted in less flash lighting which leads me to speculate that the update is mostly in the MicroDimming and Dynamic actions of the set behind the scenes.
I played the calibration mp4 files on my tv through DLNA sharing from PC. This should have the benefit of removing any interference/processing from other devices such as bd player or htpc.
Here are the settings. I am still working on the colorspace settings as of 2/7 as I am having difficulty getting 75% saturation and 100% saturation to calibrate correctly at the same time without clipping.
Mode: Movie
Backlight 7
Contrast 98
Brightness 48
Sharp 0 (not based on meter, use your preference)
Color 50
TInt 50/50
Screen Adjust - Fit
Advanced Settings
Dynamic Contrast Off (impossible/frustrating to calibrate with this on. Maybe turn on if you like it)
Black Tone Off (same as above)
Flesh Tone 0
Color Space
Red 79 0 3
Green 3 50 2
Blue 0 7 50
Yellow 48 43 5
Cyan 3 46 56
Magenta 50 9 46
Picture Options
Color Tone Warm2
Filters off
HDMI Black Level Normal (my htpc is configured for this)
Auto Motion plus Clear (personal preference)
LED Motion Plus Off
hello 10k
Some comments on this. Your original calibration was better. Problems I see here is the following:
black level: your black level is a bit high, and therefore contrast ratio a bit low. Lower brightness setting one step at a time, until black level stops decreasing. Do not decrease brightness further, because that will crush blacks.
Contrary to prsut, I would not use clipping patterns for brightness and contrast settings and use visual observation, because it is very subjective. For brightness, see above. For contrast, you can max as long as there is no clipping (greyscale dE at 100% not too high).
10p white balance: corrections should be at most +-2. Also, do not use the 10p white balance to make large corrections to the gamma curve. I would not even make small corrections to the gamma curve, only correct greyscale.
custom color space: red 79, 0, 3. The base setting is 50, 0, 0. So it seems you make a large correction to red, probably with the aim to get the red dot aligned properly on the graph. But native red gamut of the panel is limited. You might not get a perfect dot on the graph by increasing red. If you do that, you increase red luminance, and dE error increases. So in short: make your custom color space corrections to get a minimum dE, independent of where the dot is on the graph.
Before , I made the recommendation to calibrate custom color space at 100% saturation, 75% luminance. Which is better than 100% luminance. The problem is that with 100% saturation, you are close to clipping. If the native gamut is red undersaturated, you can never achieve perfect 100% saturation, even if you increase red value. Red is clipping. And if you only look at the saturation triangle, you do not notice that you are making a mistake by increasing red.
Better would be to use 75% saturation, but I am not sure if HCFR has that capability. Chromapure and Calman have. This is actually what I prefer: custom color calibration at 75%luminance, 75% saturation. Because it is closer to real content, and avoids the clipping problems.
What I would suggest is to go back to your original settings, and see if gamma gets better when you play the patterns through DNLA or from USB thumb drive.
I know that buying the Colormunki and using HCFR is lowest cost, but HCFR is tricky and more difficult.
Which HCFR are you using? The standard one? Have a look here: http://www.avsforum.com/t/1393853/fork-of-hcfr-started-whats-needed/1380#post_22940353
This is a variation of HCFR where knowledgable guys like zoyd developed it further, and the last post showed that they should be able to do 75%saturation/75%luminance.
I have not looked at this HCFR version yet, and it was 2 years ago since I used the standard HCFR, but have a look at this special version and see what it can do for you. Edited by turboman123 - 2/8/13 at 7:08pm
This looks like not very much changed from one firmware to the next in terms of measurable static screens.
I do believe that the update has resulted in less flash lighting which leads me to speculate that the update is mostly in the MicroDimming and Dynamic actions of the set behind the scenes.
hello Marco
That is interesting. I know that others have reported seeing an improvement, but I was always wondering.
Question: can you switch back and forward between different firmwares? I thought this is not possible.
If you can switch backward and forward, it would be interesting to see calibration results with calibrated setting, with the same settings for both firmwares. Is that possible to do?
hello 10k
Some comments on this. Your original calibration was better. Problems I see here is the following:
black level: your black level is a bit high, and therefore contrast ratio a bit low. Lower brightness setting one step at a time, until black level stops decreasing. Do not decrease brightness further, because that will crush blacks.
Contrary to prsut, I would not use clipping patterns for brightness and contrast settings and use visual observation, because it is very subjective. For brightness, see above. For contrast, you can max as long as there is no clipping (greyscale dE at 100% not too high).
10p white balance: corrections should be at most +-2. Also, do not use the 10p white balance to make large corrections to the gamma curve. I would not even make small corrections to the gamma curve, only correct greyscale.
custom color space: red 79, 0, 3. The base setting is 50, 0, 0. So it seems you make a large correction to red, probably with the aim to get the red dot aligned properly on the graph. But native red gamut of the panel is limited. You might not get a perfect dot on the graph by increasing red. If you do that, you increase red luminance, and dE error increases. So in short: make your custom color space corrections to get a minimum dE, independent of where the dot is on the graph.
Before , I made the recommendation to calibrate custom color space at 100% saturation, 75% luminance. Which is better than 100% luminance. The problem is that with 100% saturation, you are close to clipping. If the native gamut is red undersaturated, you can never achieve perfect 100% saturation, even if you increase red value. Red is clipping. And if you only look at the saturation triangle, you do not notice that you are making a mistake by increasing red.
Better would be to use 75% saturation, but I am not sure if HCFR has that capability. Chromapure and Calman have. This is actually what I prefer: custom color calibration at 75%luminance, 75% saturation. Because it is closer to real content, and avoids the clipping problems.
What I would suggest is to go back to your original settings, and see if gamma gets better when you play the patterns through DNLA or from USB thumb drive.
I know that buying the Colormunki and using HCFR is lowest cost, but HCFR is tricky and more difficult.
Which HCFR are you using? The standard one? Have a look here: http://www.avsforum.com/t/1393853/fork-of-hcfr-started-whats-needed/1380#post_22940353
This is a variation of HCFR where knowledgable guys like zoyd developed it further, and the last post showed that they should be able to do 75%saturation/75%luminance.
I have not looked at this HCFR version yet, and it was 2 years ago since I used the standard HCFR, but have a look at this special version and see what it can do for you.
Turboman,
Thanks again for the comments, I really appreciate your time in looking things over and giving your thoughts. I agree that post is a bad calibration. I have spent a few hours doing it all over again. One question I have is that you have said that you should not use GAINS in white balance to correct gamma curve. You also mention above that 10pt should not be used to correct gamma curve. What is the best way to adjust gamma curve then? Is it limited to backlight, brightness, contrast, and OFFSETS? Using those three I have been trying to calibrate the set by adjusting backlight/contrast to get to 30ftl while also having minimum brightness. Looking at gamma graph, it looks like the R,G,B components of gamma graph (the logarithmic graph, not luminance) split apart if you have contrast too high (90% gamma) or brightness too low (10% gamma).
If I reduce backlight to say 10, then in order to get a razor straight gamma graph I need to end up using contrast of about 73 and brightness of over 45, resulting in total contrast of less than <1,000:1, which seems pretty low.
You asked earlier which patterns I am using, I am using the 10% window patterns in AVS forum disc. Also, thank you for the pointer to the newer HCFR, I just got the new version of that yesterday.
One interesting thing I have noticed is that my display appears to be set for gamma 2.5 at GAMMA=0 in menu. I have to do GAMMA=+2 to get gamma 2.2. I will post a new set of settings which hopefully have minimal/no 10p adjustments in the next hours/day. Cheers all.
My tips:
- I believe you are using field patterns
- eco sensor off
-run 10% white and look if you have banding. Move meter to most average position (not on dark line)
- move meter up a bit verticaly as blue color menu can affect measuring
- wait until play info disapears from screen when measuring
- reset 2pt, 10pt
- using colr plipping and black clipping patterns set brightness and contrast. Do i iterative.
- set grayscale using 2pt. Do not move green. Once you move green, you have to set brightness and contrast again. Note, you cannot alter gamma with 2pt. First set gains, then offsets. If changed one end, you have to check other side.
-If 2pt is OK, again check brightnes/contrast
- 10pt : go from 10%. At this small level of luminance each small change in 1. causes huge change in measurement. If you move picture control, wait a bit as TV accepts new settings bit later.
- go 20%. If you change some value, go back to10% and check
- this way go up.
- do changes in small steps.
Also yo may want to read this article. Must register, but then read DrMark's post. It is outstandig...
Hello, thank you for the tips. I am using the HCFR window patterns on AVS disc. Good call on the banding. I didnt realise but my set does have minimal horizontal banding which goes through the center of the screen. It makes it awkward to try and get the meter in a spot without banding but still within the window pattern.
hello Marco
That is interesting. I know that others have reported seeing an improvement, but I was always wondering.
Question: can you switch back and forward between different firmwares? I thought this is not possible.
If you can switch backward and forward, it would be interesting to see calibration results with calibrated setting, with the same settings for both firmwares. Is that possible to do?
If you could, you would have to power-off and restart the display from scratch each time for it to load the different firmware, thus making A:B comparisons all but impossible.
Was going good until tonight. After hours of trying to get the blue primary on the CIE chart where it should be, I realized that the hight contrast was clipping blue making it impossible to calibrate properly at 100% saturation. I've decided to wait until tomorrow to do more.
So why do you think that some of your 10p White balance numbers are so far from Zero? Are you happy with your picture now?
Completely starting over from scratch. As others said, that calibration was a bit of a hack job. I'm trying to get things as close as I can without touching white balance controls. It's quite time consuming though
Make sure Film Mode is set to Auto 1, and try setting AMP to Clear.
Quote:
Originally Posted by OugaBooga
I am not sure if what u mention is what i experience when in PC mode, 1 thing that REALLY pisses me off is the AMP "auto motion plus", i originally thought the smooth would be OK but NO SIR _E, that AMP for me NO matter what content is ALWAAYS OFF.when using a PC that AMP causes what i call "nervous breakdown", **** is moving around when highlighted or mouse over or near, mainly over dark stuff where it seems like it's worms.
Hope this helps, i turn all that stuff off when gaming, not sure how it is for TV/movies.
AMP/LMP i leave ALWAYS OFF, maybe i might try LMP in some racing games, i dunno yet.
Hope this helps.
CYA:)
Thanks for the suggestions. I'll give them a try over the weekend and see if it helps resolve the issues I'm seeing.