Quote:
Originally Posted by AsthmaticZero 
I've been playing around with more picture calibration settings, and I thought I'd share. I've now tried (in order) the THX Optimizer (found on the Terminator 2: Judgment Day - Skynet Edition Blu-ray), the Avia calibration DVD, CNET's official review calibration settings (found here), and the AVS HD 709 calibration patterns (obtained here).
THX
Picture Mode: Cinema
Backlight: Min
Picture: Max
Brightness: 32
Color: 55
Hue: 0
Sharpness: Min
Color Temp: Warm 2
Noise Reduction: Off
MPEG Noise Reduction: Off
Motionflow: Off
CineMotion: Off
Avia
Picture Mode: Cinema
Backlight: Min
Picture: Max
Brightness: 45
Color: 51
Hue: G1
Sharpness: Min
Color Temp: Warm 2
Noise Reduction: Off
MPEG Noise Reduction: Off
Motionflow: Off
CineMotion: Off
CNET
Picture Mode: Custom
Backlight: 9
Picture: 97
Brightness: 51
Color: 50
Hue: 0
Sharpness: Min
Color Temp: Warm 2
Noise Reduction: Off
MPEG Noise Reduction: Off
Motionflow: Off
CineMotion: Auto 1
Advanced Contrast Enhancer: Off
Black Corrector: Off
Gamma: 0
Clear White: Off
Live Color: Off
LED Motion Mode: Off
White Balance: R-Gain (-5), G-Gain (0), B-Gain (-5), R-Bias (-2), G-Bias (+2), B-Bias (+3)
AVS HD
Picture Mode: Cinema
Backlight: Min
Picture: Max
Brightness: 50
Color: 52
Hue: G2
Sharpness: Min
Color Temp: Warm 2
Noise Reduction: Off
MPEG Noise Reduction: Off
Motionflow: Off
CineMotion: Off
You'll notice that the only wildly different one is CNET's, and even then, Picture and Color are almost identical across the board. I'd say that's a good sign that I'm on the right track. When calibrating by eye with a BD, DVD or test pattern, all of the info I found said to start with the Cinema setting, which I agree works best. CNET chose to use the Custom setting, which allows you access to the Advanced Options, of which they only changed the white balance. I think putting it on Cinema and leaning the Hue setting toward G a bit achieves pretty much the same effect.
I actually thought that CNET's settings were too bright, and they made my TV look washed out. I felt the AVS HD test patterns were a better-for-LED/LCD version of what the Avia disc includes, and the settings reflect that. The THX settings looked off to me. In every instance, I turned off all of the "noise reduction" and "motion" settings.
In the end, I decided that the settings I got with the AVS HD test patterns look the best in my viewing room. I watch in mostly darkness, save for the stove light in the kitchen in the next room, which supplies a tiny bit of light. If anyone has any comments on this or anything to add that might help me improve my picture even further, please let me know!

I've been playing around with more picture calibration settings, and I thought I'd share. I've now tried (in order) the THX Optimizer (found on the Terminator 2: Judgment Day - Skynet Edition Blu-ray), the Avia calibration DVD, CNET's official review calibration settings (found here), and the AVS HD 709 calibration patterns (obtained here).
THX
Picture Mode: Cinema
Backlight: Min
Picture: Max
Brightness: 32
Color: 55
Hue: 0
Sharpness: Min
Color Temp: Warm 2
Noise Reduction: Off
MPEG Noise Reduction: Off
Motionflow: Off
CineMotion: Off
Avia
Picture Mode: Cinema
Backlight: Min
Picture: Max
Brightness: 45
Color: 51
Hue: G1
Sharpness: Min
Color Temp: Warm 2
Noise Reduction: Off
MPEG Noise Reduction: Off
Motionflow: Off
CineMotion: Off
CNET
Picture Mode: Custom
Backlight: 9
Picture: 97
Brightness: 51
Color: 50
Hue: 0
Sharpness: Min
Color Temp: Warm 2
Noise Reduction: Off
MPEG Noise Reduction: Off
Motionflow: Off
CineMotion: Auto 1
Advanced Contrast Enhancer: Off
Black Corrector: Off
Gamma: 0
Clear White: Off
Live Color: Off
LED Motion Mode: Off
White Balance: R-Gain (-5), G-Gain (0), B-Gain (-5), R-Bias (-2), G-Bias (+2), B-Bias (+3)
AVS HD
Picture Mode: Cinema
Backlight: Min
Picture: Max
Brightness: 50
Color: 52
Hue: G2
Sharpness: Min
Color Temp: Warm 2
Noise Reduction: Off
MPEG Noise Reduction: Off
Motionflow: Off
CineMotion: Off
You'll notice that the only wildly different one is CNET's, and even then, Picture and Color are almost identical across the board. I'd say that's a good sign that I'm on the right track. When calibrating by eye with a BD, DVD or test pattern, all of the info I found said to start with the Cinema setting, which I agree works best. CNET chose to use the Custom setting, which allows you access to the Advanced Options, of which they only changed the white balance. I think putting it on Cinema and leaning the Hue setting toward G a bit achieves pretty much the same effect.
I actually thought that CNET's settings were too bright, and they made my TV look washed out. I felt the AVS HD test patterns were a better-for-LED/LCD version of what the Avia disc includes, and the settings reflect that. The THX settings looked off to me. In every instance, I turned off all of the "noise reduction" and "motion" settings.
In the end, I decided that the settings I got with the AVS HD test patterns look the best in my viewing room. I watch in mostly darkness, save for the stove light in the kitchen in the next room, which supplies a tiny bit of light. If anyone has any comments on this or anything to add that might help me improve my picture even further, please let me know!
I really appreciate you posting these! I'll play around with them and let you know my thoughts once my EX645 gets here.












