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In most cases the statement is correct in moving video but if you want to see what Miami Dolpins uniform color looks like....
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Originally Posted by sillysally 
I don't think the guy knows what he is talking about, Maybe the guy should tell us and the professional studio's why, understanding that many professional studio's that master films and videos use LUT cube up to 1000 point gamut/cube to calibrate there equipment.
I do agree that the VT50's are fairly accurate with base settings. However please explain how a 6 point gamut/cube can compare to a gamut/cube of up to 1000 points, plus the fact that you can do a 21 point grayscale/Gamma/RGB balance when using most LUT boxes, like a Radiance 3D.
fyi, the VT50 (as most high end TV's) can hold/process only a 6 point gamut and a 10 point grayscale/gamma/RGB balance.
ss

I don't think the guy knows what he is talking about, Maybe the guy should tell us and the professional studio's why, understanding that many professional studio's that master films and videos use LUT cube up to 1000 point gamut/cube to calibrate there equipment.
I do agree that the VT50's are fairly accurate with base settings. However please explain how a 6 point gamut/cube can compare to a gamut/cube of up to 1000 points, plus the fact that you can do a 21 point grayscale/Gamma/RGB balance when using most LUT boxes, like a Radiance 3D.
fyi, the VT50 (as most high end TV's) can hold/process only a 6 point gamut and a 10 point grayscale/gamma/RGB balance.
ss
Movie studios and post houses use 17 point display characterizations (4913 color points) as a standard, and they don't use Radiances, rather boxes like the Davio and more recently the eeColor Processor.

























