Quote:
Originally Posted by LTD02 
good lord mr. c., i knew the 2452-sl large format compression driver was good, but 145db with midrange distortion less than 1% down to 300hz??? that's crazy.
http://www.audioheritage.org/vbullet...21706-2452h-sl
the 15tbx100 has relatively low sensitivity in its class and a nasty resonance at the top end. the 18 sounds version of that driver, the 15lw1401, might be better for a bespoke 4722 now that the 2226h price has shot to the moon.

good lord mr. c., i knew the 2452-sl large format compression driver was good, but 145db with midrange distortion less than 1% down to 300hz??? that's crazy.
http://www.audioheritage.org/vbullet...21706-2452h-sl
the 15tbx100 has relatively low sensitivity in its class and a nasty resonance at the top end. the 18 sounds version of that driver, the 15lw1401, might be better for a bespoke 4722 now that the 2226h price has shot to the moon.
Yeah, the 2452H-SL is pretty awesome IMO. I've been tempted to try the TruExtent Berylliums in those drivers but I haven't forked over the money. I'd love to get some aquaplas'd beryllium or Mg diaphragms...or just some Everests.
I mention the 15TBX100 because it is a well known quantity. That 18Sound driver has slightly higher Le than I'd like and no indication of a shorting ring which IMO is a necessity for this duty. Of course used 2226's are always an option as are dual 12s below the 4722 horn.
That brings up another interesting possibility. You can actually get better horizontal directivity with the 4722's 15's side by side crossed around 650-700hz or dual pro 12's crossed 750-800hz. That is actually the best setup IMO. You get horizontal directivity control all the way down to about 500hz instead of only to about 700-800hz and the widening of the pattern is more gradual. IMO JBL doesn't do this for packaging reasons.
Edit: Another interesting option for a 15 would be the Faital Pro 15FH520. I have no experience with them but they look good on paper and are $290.



















