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Transform my living room! - Page 3

post #61 of 98
Thread Starter 
The idea was you watch the movie and the commentary tracks simultaneously play from around the couch area, like you had friends sitting there making jokes. The commentary track is mono, actually. They publish an OS X app that will simultaneously play a DVD and the commentary track properly synced, so that is actually the easiest way to get it to work. As for mixing into the surround differently...you're right, probably not worth the effort.

I did update the firmware in the receiver with a temporary cable. I don't think the projector is networked.

Everything else is on WiFi.
post #62 of 98
I doubt that app will work with Blu-ray (but I could be wrong) since the encryption is much more robust and may not allow for easy muxing of audio streams. Personally, I watch very few DVD's any more.

If you can swing it... I'd run Cat 6 rather than use wi-fi. Streaming, especially, can get wonky with wi-fi, even with the most recent products. If you're updating the firmware and there's a hiccup in the internet connection... you could brick your device. Hard wire connections are still the best.

Unless there's some special way to use the R-232 COM port and an R-232 to USB adapter cable on the Epson for firmware updates, it looks like it may not be able to by consumers. Hope you wouldn't have to take it into a service center for updates. That would be a total pain.
post #63 of 98
Thread Starter 
The access point is only 20 feet away from the audio cabinet, so I think it'll be ok. Easy enough to run a concealed-ish network cable along the wall if it comes to that.
post #64 of 98
Thread Starter 
Working on mounting the surrounds and running the flat wire today...is there an appropriate way to join the flat wire to stranded? I was planning to solder the stranded to the flat and cover it with a small piece of molding. Termination blocks all looked kind of sketchy to me.

Or should I try to keep the runs completely intact even though it looks weird to have the tape going directly to the receiver, etc.? The tape is about 2" wide, two solid pieces of 3/4" copper.

Baby screen working well. Will gather up some pics. Although apparently the menu from the Onkyo only appears on the "main" HDMI output? I don't want to add an HDMI splitter in the mix but this is annoying.
Edited by Pyxle - 6/24/12 at 5:00pm
post #65 of 98
Just use the flat wire directly to the receiver from the surround speakers and don't splice. Use regular speaker wire to the front three. I don't usually recommend attaching bare wire connections to the terminal plugs on the receiver. I use something like this:

http://www.speakerrepair.com/mm5/merchant.mvc?Screen=CTGY&Category_Code=locking

The menu GUI is usually sent via the main HDMI output on most A/V products. Just the way they're wired. You will need a splitter on the main HDMI monitor output, sorry to say, so you don't have to fire up the projector just to change a setting on the receiver. Just make sure it's low loss and high speed HDMI compatible so it doesn't affect the data to the projector.

Many have had good luck with this amplified Monoprice splitter. Good thing they're pretty cheap.

http://www.monoprice.com/products/product.asp?c_id=101&cp_id=10113&cs_id=1011306&p_id=8204&seq=1&format=2

$24 bucks.
Edited by Dan Hitchman - 6/24/12 at 10:44pm
post #66 of 98
Thread Starter 
So...the flat wiring was a bad idea. There's no good way to make the ends look tidy without severe splicing, and the wire is so sticky that you can't reposition it at all without tearing the paint off the wall. Furthermore the sheer length of the runs makes me think that it would be pretty noticeable even when painted.

Will have to call the electricians to get the wall scoops put in this week.

Not an adventure I really had time for...
Edited by Pyxle - 6/24/12 at 7:47pm
post #67 of 98
Quote:
Originally Posted by Pyxle View Post

Not an adventure I really had time for...

Sounds like another expression from Die Hard 2: "Not the kind of ride I was looking for!" biggrin.gif

Nothing ever goes totally smoothly. If it did, fate usually moves in to jinx the setup in some other way. It's the nature of the beast.
post #68 of 98
Thread Starter 
It's worked out well for Monoprice. Every time I think it's REALLY the last order, just wait two days, oops need another $50 in parts.
post #69 of 98
Thread Starter 
Aperion Grand Verus towers arrived today. Hooked things up for stereo only as the rest is unconnected. I am very enthusiastic.
post #70 of 98
Awesome! biggrin.gif Just wait 'til it's all connected and the HSU sub is roaring!

Keep the updates coming...
post #71 of 98
Thread Starter 
Electricians did the in-wall yesterday and the plasterer/painter is here today. Also the rug and coffee table arrived and I put them in place. Very excited.

I took the opportunity with the in-wall to upgrade to wired and switched networking. Nice to shave those 4ms of latency off of online gaming.

1080/24p blu-ray looks really, really good.

Only thing I'm waiting on is a better hard drive enclosure (Rosewill R2-JBOD I got was unreliable and going back Newegg), and have to measure and install blackout blinds.

I feel like the rear surrounds (Verus Grand Bookshelves) are overkill. Would it have been better to go with the Verus Forte Satellites? They have the same drivers as the bipole/dipole Verus Surround sides.

First, the failed experiment:

640

What exactly will happen at the end? Need some kind of junction box, right? Might as well do in-wall then since there is crawlspace access.

450

Surround mounted. The wiring is directly behind the speaker and invisible:

640

Rear surround:

450

Tower and cabinet:

450

Center channel:

450

Full setup:

450

Ready for painting:

450

Cat-based calibration system:

450

The true final cost for this project is turning out to be $11,000-$12,000, furniture excluded. I'll do an inventory at the end and calculate exactly.
post #72 of 98
The Verus Grand bookselfs weren't over kill. Trust me.

Get a good, active 7.1 Blu-ray movie soundtrack or 5.1 Super Audio CD (using Dolby ProLogic IIx Movie processing) like Pink Floyd's Dark Side of the Moon or an AIX Records music Blu-ray, and you'll definitely need the extra bit of bass response that larger surrounds will give you. You ought to see some Procella and Triad surround speakers... they can be almost as big as the main speakers!

Though it's DTS-Master Audio 5.1 (again, use ProLogic IIx Movie to create a 7.1 effect), the Blu-ray version of the IMAX film Chronos really puts your speakers to the test with full frequency response from all the main channels and is recorded at 24 bit/96 kHz (audiophile). It and the equally awesome companion large-format time-lapse film Baraka (both by famed cinematographer Ron Fricke), are great demos for audio reproduction. Baraka also sports a pretty stunning picture (with a few slight flaws due to the older 8k scan) from the 65mm camera negatives. Many IMAX and large-format films take full advantage of stadium theater systems' sonic capabilities.

You don't want the sub to do all the work of reproducing higher frequency bass.
Edited by Dan Hitchman - 6/30/12 at 3:17pm
post #73 of 98
Thread Starter 
Ok. I guess my concern is that the side surrounds don't have the greatest bass response, and I don't want the rears to go to waste. But I assume Dolby will matrix-decode a center rear channel that would have a lot of bass in most cases.

For the crossovers, it looks like the Verus Surrounds should be at 100 and the Verus Grand Bookshelves should be at 60 or 80?
post #74 of 98
Verus Surrounds at 100 (I wish this model had larger drivers and a bit more bass extension IMHO) and Verus Grand Bookshelves at 80. Verus Grand Towers probably should start at 60 Hz. These are not brick wall crossovers; they gently roll off frequencies before the speakers' rated lowest frequency capabilities and shunt them to the subwoofer.

Actually, Dolby ProLogic IIx Movie mode extracts fully steered, full frequency stereo information from the discrete side surround channels of 5.1 or 5.0 mixes and places the audio into the back left/right pair... and works fairly well with even 2-channel stereo material. You get a synthesized 7.1 mix.

I've listened to some aggressive 5.1 mixes using this mode, and depending on the panning information contained in the track, can make it sound like a missile is flying from right back surround to right side surround to right front main. Pretty cool!

True 7.1 soundtracks have discrete stereo back surround channels in addition to the standard discrete stereo side surround channels. This can create a kind of 360 degree soundfield when mixed correctly.

The very few 6.1 discrete tracks out there on Blu-ray have a mono back channel (like The Lord of the Rings Extended Cuts and Top Gun). With two back speakers, that channel is evenly spread across both speakers. ProLogic IIx will be overridden and disengaged in that instance.

In case you run across an early Blu-ray disc that defaults to the lossy, backwards compatible track or a Blu-ray that's authored poorly, here are the formats to choose in the audio setup by order of importance (usually):

1) DTS Master Audio lossless compressed

2) Dolby TrueHD lossless compressed

3) PCM multi-channel uncompressed

4) DTS lossy compressed (backwards compatible)

5) Dolby Digital lossy compressed (backwards compatible)

If you're unaware, lossless audio compression formats usually act like a Zip file program on a computer. When decompressed, the original file is recreated. Rarely is there an instance where both DTS Master Audio and Dolby TrueHD reside on the same disc since they are both lossless formats (one exception is Close Encounters of the Third Kind).

Lossy audio compression is when data from the original file is thrown out permanently. Like the MP3 format.
Edited by Dan Hitchman - 6/30/12 at 7:40pm
post #75 of 98
Thread Starter 
Thanks, ok. I also would have preferred a Verus Grand Surround if there was such a thing. But so far I am liking the dipole mode.

Thanks for the list of formats. I've noticed that the content negotiation can be spotty along the HDMI chain and you often have to manually set a component into the optimal mode for your source data.
post #76 of 98
Quote:
Originally Posted by Pyxle View Post

Thanks, ok. I also would have preferred a Verus Grand Surround if there was such a thing. But so far I am liking the dipole mode.
Thanks for the list of formats. I've noticed that the content negotiation can be spotty along the HDMI chain and you often have to manually set a component into the optimal mode for your source data.

No problem.

One thing you can do in the Onkyo's Surround Mode menu in the setup screen is choose the default surround mode for each input device. That's where I have my Onkyo 805 default to Dolby ProLogic IIx Movie for everything. Obviously, if the movie is mixed in mono, only the center channel speaker will work... and if a true 6.1 or 7.1 track is detected it will switch to that kind of decoding and turn off post-processing automatically.

As to other flaky HDMI issues (and there can be some), you'll need to explain a little bit about what isn't working properly or what you're having trouble with.
Edited by Dan Hitchman - 7/1/12 at 7:46am
post #77 of 98
Thread Starter 
For example: setting the blu-ray player to 24fps "auto" and the receiver to either auto or 1080p/24 is not sufficient to get 24fps output. I have to force them both into 24fps. The projector is the only thing that adapts automatically.
post #78 of 98
It may be the interaction of the Sony player and the Onkyo's internal video processor... as in, they may not play nicely together. You might have to set the Onkyo to video pass-through for the Blu-ray input and leave the Sony at 24 fps. Hopefully, that's not a global setting, but a per input setting.
post #79 of 98
Thread Starter 
That is per input AFAICT, but then the Onkyo upscaler won't be on if I put in a DVD. I get the sense that for the Onkyo "auto" doesn't mean "adaptive". It just means "default".
post #80 of 98
Thread Starter 
Done!*

450

450

640

*Not actually done.
post #81 of 98
Lookin' sharp!

Very nice living room space! Great job and it looks clean and tidy. Darken the room colors and it'll be rockin'! smile.gif

Have you done a full Audyssey calibration with no ambient noise in the house and the shades drawn over the windows? How does it sound as a complete system?
post #82 of 98
Nice setup you've got!! It was a treat reading through your ideas and progress smile.gif that's a great looking room that should get lots of use being in such a public area of your home (which looks great all around)

how do you life the finish on the Aperion speakers? The gloss cherry looks a little... unnatural on Aperion's website. I've seen a few other high gloss wood finish on speakers, and it's usually a hit or miss for me personally. Your thoughts?



PS
These component fans have a temp sensor, you can also get the kit without the sensor a bit cheaper

http://www.coolerguys.com/ccstandktc.html

Sorry if you already found a cooling solution, I ay have missed that during my first read/viewing wink.gif
post #83 of 98
Thread Starter 
The walls are actually already repainted although it's hard to tell on a cloudy day. They are a very pretty mocha color now. I think it will be a big improvement. Reluctant to go darker or change the box molding colors. I need to solve the light leakage from the windows first and then we will see.

Does the sub placement look ok (in the corner behind the front right)? There's not really an alternative that I could envision.

I haven't run full audyssey yet. Sometime this week.

Yeah, at first we were thinking eventually in the next house we would build a dedicated home theater but now we're not sure. Really like that it's part of the living room, in the middle of the house, and has a cozy feel. It's not like I actually like the movie theater vibe.

I like the gloss cherry finish. It is very warm, orangish almost. It looks more like a violin and less like a piece of furniture. Seems appropriate.

A temp sensor on the fans sounds good. I haven't installed any cooling yet. I haven't noticed the Onkyo overheating--apparently some of the 809 line actually runs pretty cool. Since the entire back of the cabinet is open I decided to wait until I have a problem to worry about it.
post #84 of 98
Sub placement looks fine with what furniture issues you have to deal with.

Oh, you'll want a dedicated theater room at some point. It will beckon to you like a siren's call from the rocky cliff tops. biggrin.gif The acoustics and video quality can be perfected in a theater room, especially one that's custom built.

If you go the DIY route, the Dennis Erskine team can still draw up the plans. It'll be the best money you've ever spent for A/V.
post #85 of 98
Thread Starter 
It would be nice acoustically seal off the room when desired...more for the rest of the house than for the audio quality. If it was still in the living room maybe I could try to make it sealable with pocket doors on the openings. I don't actually need a lot of seating as we rarely have a lot of guests. It just seems kind of sad to me to sit by yourself it a big black room in the basement and play Battlefield 3. wink.gif

I'll keep the professional design in mind. This one was in my comfort zone but still took too much time. Next time around would be undoubtably worse.
post #86 of 98
Oh, don't do pocket doors with a subwoofer. They'll rattle like an SOB.

How do things sound sans a complete calibration? Do remember to check the crossover settings that Audyssey comes up with and then adjust manually accordingly if they look wrong.

Your first microphone placement must be centered within your seating area, irrespective of whether or not anybody actually sits dead center to the screen. Then all subsequent seating positions being measured will be calculated off that mid section point.
post #87 of 98
Thread Starter 
Hmm, good thought. Any solutions that can seal off a large entryway and not look awful or be annoying? For future reference.

On Friday it sounded impressively good with just the Audyssey Quick Setup.
post #88 of 98
Here's how someone cordoned off their open doorway to their theater space... they have a much older home than yours: thick, heavy theater style velvet curtains. Looks classy to me. You can get a variety of colors to more closely match your decor.

They won't block the sound, of course, but some of it will get muffled and as a bonus the room gets a bit of that cinema vibe.

375
Edited by Dan Hitchman - 7/2/12 at 2:14pm
post #89 of 98
Thread Starter 
At long last I return!

I got all the blinds, and hung them this weekend. Furniture arrived about 3 weeks ago.

Additional expenses, although not really included in the budget:
  • Blinds and solar shades, living room and dining room $1500
  • Furniture $3500-ish

I could've saved at least $1000 on the blinds if I just put cloth blackout shades underneath, but we wanted to change them up in order to get solar shades on the window interior. The dark brown wood blinds with blackout liner are incredibly heavy but really help the room. It is quite dark and the dark red wood blocks reflections. The solar shades also look great during the day (14% openness).

I ran the full Audyssey calibration with the heavy upholstery in place and the sound is much improved. Pretty great, in fact. I'm very glad I got diffuse side surrounds. It makes a big difference. I leave them in diffuse mode even for music. Still too bad they don't have larger drivers; I feel that the rears are underutilized especially when you are playing something that has a 6.1 or 7.1 native track so there's no steering of side sounds to the rears.

I haven't bothered to calibrate the video. It seemed like a fool's errand given that it changes by the source and the time of day and lighting conditions. Although I usually only use 2 different modes on the projector so maybe it would help after all.

There a couple things I haven't used yet:
  • Blu-Ray drive on the Mac mini. I don't actually have access to a ready source of DVDs for use with Rifftrax. Does Netflix still do this? Or maybe I can find a Redbox near me and just take a list of Rifftrax with me.
  • Universal remote. Just haven't bothered to program it yet. The annoyance of the 3 or 4 separate remotes isn't quite high enough.

And in hindsight maybe I should've got a different screen. The 1.3 gain is completely necessary, but the Vuplex Pro material is grainy. Potentially a more expensive screen like Da-lite would have less grain. The 110" size at 11'-12' view distance is perfect for 16x9, a tad small for 2.39:1", but definitely not worth the trouble of an anamorphic lens.

So, aside from the valance returns, which Blinds.com forgot to send, I am done! And very happy to be done, too. Quite a bit deeper in the hole and a lot later than predicted but happy with the outcome. Everything sounds and looks great, and is reasonably stylish.


West window with solar shade down. Incidentally the solar shade does a good job of cutting the reflection from the window at night; no need for the blackout blind to be drawn:




Cat:



I need a piece of art for over the fireplace:



Equipment cabinet. It does not overheat due to the open back:



Looking back at the projector and couch:



East window:



Screen down:



Wooden blackout blind down:



It is quite dark even with shades up in the rest of the house:



PS3 dashboard in blacked-out room:





Now, I wonder what upgrades are available........

...just kidding!
Edited by Pyxle - 8/20/12 at 8:06pm
post #90 of 98
Lookin' great! I'm sure it's a serious load off that you've pretty much come to the conclusion. Or have you...? wink.gif

The first thing I'd look into is a beefier power amplifier, as I mentioned previously. It would really open up those speakers and make 'em sing.

Though the movie ain't that great IMHO, people have been raving about the DTS-MA 7.1 mix on "The Hunger Games." Unfortunately, the rental version is lossy Dolby 5.1 only (if you haven't seen it yet). However, if you actually saw and liked the film then just go buy it and give your system a workout.

Personally, even though the 7.1 re-mixed track isn't the most aggressive out there, I'd be more inclined to pick up a copy of "Jaws" on Blu-ray. Which I did. biggrin.gif One of my all-time favorites.
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