Quote:
Originally Posted by omegaslast 
After receiving my QSC K12 and comparing them to my old monitor audio RS6 i cant believe what ive been missing out on... having a speaker that can hit peaks of 120-125db in my room is a totally different movie experience.
My room is 19x13' sealed.
The question is if anyone has ever gone back to low sensitivity speakers in their theater after hearing high sensitivity? and why?
Im going to go out on a limb and say that the only people with low sensitivity speakers in their theater have never heard high sensitivity speakers or require high WAF. or maybe their room is 12x12

After receiving my QSC K12 and comparing them to my old monitor audio RS6 i cant believe what ive been missing out on... having a speaker that can hit peaks of 120-125db in my room is a totally different movie experience.
My room is 19x13' sealed.
The question is if anyone has ever gone back to low sensitivity speakers in their theater after hearing high sensitivity? and why?
Im going to go out on a limb and say that the only people with low sensitivity speakers in their theater have never heard high sensitivity speakers or require high WAF. or maybe their room is 12x12
Yeah. I tried some 135dB-rated dual 15" Yamaha cab pro speakers that cost $1500/pr and they sounded like crap compared to my $300/pr Infinity P362. So yeah, I returned those "high efficient" speakers back to the store. Sure they played loud in my 18" x 20" room that is very open to 3 sides. But so what? Who cares if they don't even sound as accurate as my $300 P362?




















. I'm sure others will be there too.



"Best" is rather illusive and subjective.



