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HT Speaker setup dilemma

post #1 of 21
Thread Starter 
Greetings,

I've ended up here posting for the first time in the hope that someone will tell me what I'm doing wrong. I've wasted an enormous amount of time and am not satisfied with the sound produced by my audio system. I'm not certain which forum this should be in, so I'm posting in "Speakers" in the hopes that I'll find the help I need.

My system consists of:
Onyoko TX-SR608
Polk RM6750
Old Packard Bell RPC-31 console with modern speakers (6" Dayton + Silk dome tweeter)

My setup is fairly straightforward. The Polk 5.1 system is set up with the center channel below the TV, one surround in each of the room's corners near the ceiling). The two Dayton cabinets are left and right in the front of the stage. Audyssey setup has been run (using wide profile). The three listening positions were center couch, the right arm of the couch, and the left arm of the couch, all 4' from the ground.

2numal5.jpg

The issue. Music sounds horrible and the low end is terribly chaotic. While there's a fair amount of BOOM, it would be a great challenge to me to figure out what runs are being played by the bassist. It's almost as if 100-200hz is completely missing.

I've tried:
Rerunning Audyssey setup several times.
Manually adjusting Volume/Xover on the sub
Iterating through all of the Onyko music "modes", primarily focusing on "Audyssey DSX" and "All Channels Stereo"
Changing sources (iPad and PS3)
Moving the sub to various positions in the room via a 25' RCA cable
A short sub cable, to make certain my 25' cable wasn't the issue
Filling/covering the ports on the back of the Dayton speakers.
Toggling the phase on the sub

Notes:
The Dayton/homebrew full-range speakers sound wonderful when used in conjunction with the Packard Bell. It is only when plugged into the Onyoko when the issue is apparent. FWIW, Audyssey detects them as THX capable.

I'm really hoping that someone tells me that I'm doing something incorrectly. I had thought that the Onyko/Polk would sound at least as good as the 50 year old PBell, but with a wider sound stage and additional power. While the system doesn't really sound bad, it certainly doesn't sound 'good'.

Thoughts?
themetatron
post #2 of 21
Several things could be playing havock on you right now. If you can actual pictures of your room would be a HUGE help. Also tell us your goal and an overall budget.

But for one when possible always place the TV and front speakers along the narrowest wall. So for your room that means rotating everything 90 degrees. Then with that said pull the couch at least 3' off the back wall.

Make sure your speakers are set to small and try 80hz to 120hz crossover see what cross over sounds better. The other thing is you are asking TINY speakers to fill a fairly large area. My guess is that their -3db point is like 100 to 120hz so they have no bass whatsoever and the sub is only good down to 45hz at -3db.

Not sure what your budget is but if you have to have tiny speakers check out these as they will be better than the Polks http://hsuresearch.com/products/performance2.html also I think you can order a single speaker so you can have a 7.1 setup. But unfortunately any time you limit the size of the speakers that much there is only so much sound they can produce and they will not sound as good as bigger speakers.
post #3 of 21
Audyssey keeps picking large for our mains and it confuses heck out of me as I know for purposes of quality bass management, the mains need to be set to small. What's with that?

(LPF set to 120Hz in Audyssey and both subs.)

confused.gif
post #4 of 21
Your problem is obvious; you have cheap little inadequate front speakers. The 3-inch driver in those things is about the right size for a motel clock radio, and that's why they sound like one.

Personally, I would say that the tiny Polk speakers simply don't sound very good to you; they wouldn't sound good to most people eother IMO.

I would recommend that you get a pair of KEF iQ3 speakers (KEF Direct website) or a pair of Monitor Audio Bronze BX-2 speakers. Either of those should give you about 500% better sound quality and solve your problem.

If that is more money than you want to spend, a pair of Polk Monitor 40 speakers would be a lot less money and still be a VERY big improvement over what you have.
Edited by commsysman - 7/31/12 at 7:42am
post #5 of 21
Thread Starter 
@ Flick
I made a quick 360 degree video of the living room. You can find it here. How do I "make sure your speakers are set to small" I just plugged in the Onkyo's mic and the Audyssey setup seemed to do the rest (see listening positions 1,2,3 in the diagram above). I'll DL the manual and make certain I didn't miss something.

@Bee
I guess I need to figure out how to get the LPF set in Audyssey then. The sub has an xover knob.

@comm
You may be correct. Understand that the 13-watt-per-channel Packard Bell RPC31 and Dayton speakers can fill the room on their own. Also understand that I have no lack of earth-shaking volume, only that part of it seems to be missing. You're probably still right though.

The PB is completely unplugged at the moment, and I upgraded to 7.1 because we've started doing "Movie Nights" with the 2-year old. I also thought it would be nice to rediscover my music in my leisure time. DTS streamed from the PS3 to the receiver through the Audyssey "movie DSX" mode sound neat and immersive.

Budget is pretty arbitrary. If I were to spend money, I'd probably hire a consultant or go to Hippos (or both). I refresh my entertainment gear every 5 years (notice the 3 year old Panasonic plasma, the 3 year old receiver, and the 3 year old Polks) so maybe I'll spring for something nice in 2 years.

Thanx again for suggestions.
F
Edited by themetatron - 7/31/12 at 8:58pm
post #6 of 21
Thread Starter 
Gentlemen,

After reading your responses and downloading the Onkyo manual, I dug back into the settings.

Things I changed.

1: Set crossover @ 120hz on both the sub and receiver
2: Change the 2 Dayton's (the speakers physically attached to the center console in the movie above) to "Full Range"

Things still didn't sound quite right, so I went into the Audyssey settings. Which brings me to the resolution and closure of this thread:

3: Turned "Loudness Plus" off. Apparently, this "Brings the dynamics of surround sound at lower volume levels". In reality, it appears make everything sound completely awful unless you turn the volume up very high.

I'll be busy watching the 5.1 version of Yellow Submarine.

Thank you all much.
post #7 of 21
Quote:
Originally Posted by themetatron View Post

Gentlemen,
After reading your responses and downloading the Onkyo manual, I dug back into the settings.
Things I changed.
1: Set crossover @ 120hz on both the sub and receiver
2: Change the 2 Dayton's (the speakers physically attached to the center console in the movie above) to "Full Range"
Things still didn't sound quite right, so I went into the Audyssey settings. Which brings me to the resolution and closure of this thread:
3: Turned "Loudness Plus" off. Apparently, this "Brings the dynamics of surround sound at lower volume levels". In reality, it appears make everything sound completely awful unless you turn the volume up very high.
I'll be busy watching the 5.1 version of Yellow Submarine.
Thank you all much.

With a subwoofer in use, all speakers should be set to small. Also the crossover on the sub should be set as high as it can go. That way you are not using both crossovers.
Reply
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post #8 of 21
FWIW, every time I run Audyssey, it changes things to less than ideal; mains large, center channel LPF set to 40Hz. confused.gif

This is what I found on Onkyo's "Loudness Plus."

Turning Loudness Plus off was the right move as it's in conflict with Audyssey's Dynamic EQ. I love Dynamic EQ.

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Edited by BeeMan458 - 8/1/12 at 6:36am
post #9 of 21
Thread Starter 
@AV: Indeed. The LPF on the back of the Polk sub is now at 150hz. The LPF on the Onkyo is now at 120hz. I understand that nothing above 120hz is being sent to the sub, but it is nice to know that I'm not losing anything due to the misreading of the LPF illustration on the sub's potentiometer. Is it me, or is Audyssey not automagically setting the sub's level on the Onkyo 608?

@Bee: Thank you for the confirmation. Writing the first post was difficult for me as it was hard to quantify the issue. I knew something was very wrong, I knew that the issue was most noticeable in the lower frequencies. It's like that old expression "I may not know how to spell diarrhea, but I know when I have it".

I am also inclined to agree with the sentiment of the earlier posts. The small Polk satellites seem to be OK for movies. Music really seems to desire full range speakers all around. If I close my eyes, the position of the bass guitar moves around the room (from the sub's position to the front) depending on the bassist's position on the neck. It doesn't sound bad, just a bit uncanny at times. I'll live with what I have for another 2 years and grab a consultant when I upgrade.

The last thing that surprised me is that the Dayton-equipped home-brew speakers sound quite good. I need to send them a thank-you card or something.
post #10 of 21
Quote:
Originally Posted by themetatron View Post

@Bee: Thank you for the confirmation. Writing the first post was difficult for me as it was hard to quantify the issue. I knew something was very wrong, I knew that the issue was most noticeable in the lower frequencies. It's like that old expression "I may not know how to spell diarrhea, but I know when I have it".

LOL

Quote:
I am also inclined to agree with the sentiment of the earlier posts. The small Polk satellites seem to be OK for movies. Music really seems to desire full range speakers all around. If I close my eyes, the position of the bass guitar moves around the room (from the sub's position to the front) depending on the bassist's position on the neck. It doesn't sound bad, just a bit uncanny at times. I'll live with what I have for another 2 years and grab a consultant when I upgrade.

The problem is how the sound engineer mixes music vs how the sound engineer mixes a sound track for an action sequence; two totally different animals requiring two different speaker settings. In my opinion, we're dealing with three different mixes if not a dedicated home theater system; mixed for television, mixed for music and mixed for THX movie theaters and the three do not get along and play well with each other.

For music and the television, I'm going go with three channel and a sub.

For THX theater mix, you need a pair of subs, LPF set to 120Hz and the Amp setting set to 7.1 at a minimum as there's all kinds of confusing choices for this setting. Let Audyssey analyze the room and go for it.

In the case of the Amp settings, set the amplifier settings as such:

Speakers:

All speakers set to small.

Mains LPF (crossover) set to 120Hz.

Center Channel LPF (crossover) set to 80Hz. (improves television listenability.

All Surround LPF (crossover) set to 120Hz.

Audio:

Center Channel or Dialogue increased 8dB. (improves television listenability.

The above settings are intended to create a compromise between television listening and THX movie theater mixes. Now one can listen to the television as ~90% of dialogue is ported to the center channel so the settings are center channel centric. This way, for television listening, for the most part, the subs do not need to be turned on unless it's a bass-y kind of action mix with a lot of bass mix or a full range music video mix.

Audyssey user settings.

Audio > Audyssey; Audio Surround Parameter:

Audio > Audyssey; MultiEQ XT GraphicEQ; On.

Home Theater EQ: On.

Dynamic Compression: Medium.

A hidden one in the Marantz is the button on the lower left of the Marantz remote control that shows on the on screen display, what DSP settings are available as movies, television and music might use three different possible DSP's; pick the one which reflects the most advanced possibility such as:

Stereo
Dolby Digital
Dolby PLII Movie

Currently, this is how our system is set to match our various viewing and listening choices.

Good luck as it seems Audyssey like to fiddle with the above.

tongue.gifbiggrin.giftongue.gif

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Edited by BeeMan458 - 8/1/12 at 12:22pm
post #11 of 21
Thread Starter 
Quote:
Originally Posted by BeeMan458 View Post

Mains LPF (crossover) set to 120Hz.

I've matched everything with the exception of the mains, which are currently set to "full range" and seems to help mitigate the invisible bassist running around my living room. I may be a victim of my own bias here, as I firmly believe that bassists should remain stationary and look as bored and uninterested as possible.

Thanx again
post #12 of 21
Quote:
Originally Posted by themetatron View Post

I've matched everything with the exception of the mains, which are currently set to "full range" and seems to help mitigate the invisible bassist running around my living room. I may be a victim of my own bias here, as I firmly believe that bassists should remain stationary and look as bored and uninterested as possible.

That's the rub of a music mix vs television vs a THX level movie mix; three different animals with only the music studio caring a wit about the poor bassist's feet. Well, that's the rumor but nobody's inviting me to any after parties and the drummer's not talking to me either, so I have go with rumor.

If the sound mix ports the 120Hz and below to the 0.1 channel, then zero will come through the mains or centers. But if you have the mains, both are playing and both are set for 120Hz, then the two sound waves, one from the mains and one from the sub, get into a street brawl and your bass, despite the quality level of gear, cables and subwoofers, will get in an argument with each other and you'll end up with boom-y, bloated bass notes that sound terrible as you try to deal with cancelled out bass notes, wanting tight, punchy bass.

Hopefully this link will give you more information to work with.

Here's a bit more from Audyssey.

And despite your best efforts, because it's not a perfect world, when the movie ends and you put on music, thankfully, the music studio sound engineer does a crazy good stereo sound mix and reasonably you want your mains to accurately reproduce the sound engineer's efforts so you know right where the bassist is. My solution, two subs, one on the outside of each of the mains, LPF set to 120Hz so when the music is ported to the mains, the bassist is right where he's suppose to be. But I lighten up on the center channel (80Hz) as there's where most of the television action is; compromise and balance.

Note how the specs of these Klipsch, THX bookshelf speakers are limited to 80Hz.

Quote:
Thanx again

You're welcome. Hope the information is found useful.

biggrin.gif

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Edited by BeeMan458 - 8/1/12 at 12:55pm
post #13 of 21
Thread Starter 
Quote:
Originally Posted by BeeMan458 View Post

My solution, two subs, one on the outside of each of the mains, LPF set to 120Hz so when the music is ported to the mains, the bassist is right where he's suppose to be.

Do you have any thoughts on hybrid solutions that incorporate this? I swung by a friend's house that has a GoldenEar setup (Cinema 2 or something like that) plugged into a Denon. Two big fronts, small center and 2 small sats. No subs though apparently they're built into the floor-standing fronts. Music sounded a lot like a regular 'contemporary' stereo should with a much wider stage/field.

I am puzzled as to whether the sound I heard was a result of the quality of the receiver, the quality of the loudspeakers, or both. The down side is that they looked like something the CIA reverse engineered from an alien spacecraft.
post #14 of 21
Most likely your speakers are the culprit. Those fronts are really old. Can you see the cones? Are they in good shape? They were just never designed for home theater use. Also your setup looks a little odd.

Look here:

http://www.dolby.com/gb/en/consumer/setup/connection-guide/home-theater-speaker-guide/index.html

and here:

http://www.thx.com/consumer/home-entertainment/home-theater/surround-sound-speaker-set-up/

for some help.

I also noticed you have a whole lot of very reflective surfaces in your room. That makes the sound bounce all over the place. As a result you are getting the same sound a varying times which will give you a very smeared impression of what you are hearing. Placing some absorption at reflection points throughout the room would help a lot too. There are a lot of threads here in room treatments. I think you could benefit greatly by doing a bit of that.
post #15 of 21
Thread Starter 
Quote:
Originally Posted by flyng_fool View Post

Most likely your speakers are the culprit. Those fronts are really old. Can you see the cones? Are they in good shape? They were just never designed for home theater use. Also your setup looks a little odd.

The fronts have been modernized with components from Dayton. The original treated-paper cones were 50 years old and turned to dust from the force of an aerosol can of spray-on-poly. The 50 year old tweaters looked like miniature air-raid sirens. You can see the updated components at the end of this video when I remove the grill-cloth at 1m:30s.

The only acoustic treatment I can apply is to close the infinity blinds on the big bay window behind the couch. It actually makes a fair difference.
post #16 of 21
Did you match the parameters of your drivers to the cabinets? It isn't a simple matter to drop in new drivers that are the same size as your old ones. The cabinets and crossovers are specifically designed to work with the original drivers. If you already knew this then never mind.
post #17 of 21
Quote:
Originally Posted by themetatron View Post

The fronts have been modernized with components from Dayton. The original treated-paper cones were 50 years old and turned to dust from the force of an aerosol can of spray-on-poly. The 50 year old tweaters looked like miniature air-raid sirens. You can see the updated components at the end of this video when I remove the grill-cloth at 1m:30s.
The only acoustic treatment I can apply is to close the infinity blinds on the big bay window behind the couch. It actually makes a fair difference.

You can always purchase uber expensively priced speaker cables and hope the placebo effect kicks in. eek.gif

(sorry, couldn't stop myself)

biggrin.gif
post #18 of 21
Quote:
Originally Posted by themetatron View Post

The fronts have been modernized with components from Dayton. The original treated-paper cones were 50 years old and turned to dust from the force of an aerosol can of spray-on-poly. The 50 year old tweaters looked like miniature air-raid sirens. You can see the updated components at the end of this video when I remove the grill-cloth at 1m:30s.
The only acoustic treatment I can apply is to close the infinity blinds on the big bay window behind the couch. It actually makes a fair difference.

220px-The_Scream.jpg

The speakers for the television, up in the upper Left/Right are too far away and you have mismatched speakers, mains to center channel, creating a serious timbre mismatch. And the distance of the speakers is so great that you probably have a 6 - 9 dB differentiation as to output matching. Hopefully Audyssey addressed this timing/distance mismatch.

If I were to make any changes, I'd bring one pair of the little speakers down and put the pair on stands to the L/R of the sofa and then have the other pair about even with the front of the sofa just above head height pointing down at the viewers sitting on the sofa. Not knocking the speakers in the entertainment center, but I'm betting they're not a good match and should be used just for music and not be part of the theater system.

(my apologies if I'm now in trouble)

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Edited by BeeMan458 - 8/1/12 at 2:41pm
post #19 of 21
Quote:
Originally Posted by BeeMan458 View Post

FWIW, every time I run Audyssey, it changes things to less than ideal; mains large, center channel LPF set to 40Hz. confused.gif
This is what I found on Onkyo's "Loudness Plus."
Turning Loudness Plus off was the right move as it's in conflict with Audyssey's Dynamic EQ. I love Dynamic EQ.
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FYI, Audyssey is not setting the crossover point, it is determining the point that your mains roll-off:
https://audyssey.zendesk.com/entries/108049-crossover-frequency

If you have a dedicated sub, set all speakers to small and your crossover point at 80hz. Measure and go from there.
post #20 of 21
Quote:
Originally Posted by ack_bk View Post

If you have a dedicated sub, set all speakers to small and your crossover point at 80hz. Measure and go from there.

Thanks. I've read these articles over the past few days and believe what you're posting but as stated, it reports back to the AVR and because of this report, the AVR changes things.

"In your product, speakers found to roll off below 40 Hz are set by Onkyo to Full Range (i.e. with no crossover to the sub). That means that bass will not be redirected to the sub. Audyssey recommends that if you have a sub you should set crossovers for all your speakers."

So, as I posted a few posts above, I keep doing what Chris suggests. I'd much prefer the spoiled world of having things done my way.

tongue.gif

Due to the wife watching the Olympics, I haven't been able to run Audyssey again to see if the changes I made, hold. The good news, I have a solid bass management plan in place. The bad news, the machines are conspiring against me and right now, they're winning.

tongue.gif

(Oh, and I got my wire and RCA cable orders in today, so it was a good day. Soon I too can manufacture uber expensive speaker cables and then sell them to my unsuspecting self. I'll make a killing.)

tongue.gif
post #21 of 21
Thread Starter 
Quote:
Originally Posted by BeeMan458 View Post

The speakers for the television, up in the upper Left/Right are too far away and you have mismatched speakers, mains to center channel, creating a serious timbre mismatch. And the distance of the speakers is so great that you probably have a 6 - 9 dB differentiation as to output matching. Hopefully Audyssey addressed this timing/distance mismatch.
If I were to make any changes, I'd bring one pair of the little speakers down and put the pair on stands to the L/R of the sofa and then have the other pair about even with the front of the sofa just above head height pointing down at the viewers sitting on the sofa. Not knocking the speakers in the entertainment center, but I'm betting they're not a good match and should be used just for music and not be part of the theater system.

I hear what you're saying. I'm not sure I agree with you given the specifics of my current implementation, but will definitely procure a matched set for my next implementation.

The wide-right/left are 14 feet away from "listening position 1". I agree that this is at the edge of their capability. Audyssey seems to get this correct and applies a +4db to each of them. Another promising note is that Audyssey detects them as being equidistant and applies the same treatment to each of them. The speakers are up there because I have a 2-year-old.

The R/L/C timbre mismatch does exist, but isn't particularly noticeable from any of the listening positions. Audyssey detects all three at 9 feet, and applies the same treatment to both the right and left speakers. I would describe the extended highs of the console speakers as being fairly complimentary. The overlapping ranges I would describe as being sympathetic. I do not perceive any aliasing or other forms of "audio-diarrhea" in the upper frequencies. Basically, I think I got lucky here.

The one area that I discovered a problem with was that Audyssey detects my sub as being 1 foot away from the mic, when it is really 13. My feeling is that I need to rerun the Audyssey setup and do a better job of isolating the mic from the hardwood floor. I've read a bunch of Chris's (From Audyssey) writings and am pretty astounded by how badly I originally misinterpreted the literature provided by Onkyo. I finally understand how the AVR handles bass managment, "why" the LFE on the AVR should be set to 120hz, why you should never use "Full Range/Large", and why you should (almost) never adjust a speaker's rolloff frequency from what Audyssey detected, especially downward.

Thanx again.
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