....here are recent Screen Shots taken with a Epson 8350 set at 13' from a 110" Acrylic Mirror Light Fusion, that has the older MMud 1:1:1 formula (UPW - Deep Base - Pearl) sprayed on it.
That Mix had no claim to ambient light status, just the ability to "maintain" contrast and brightness under less than optimal light conditions.
The original PJ was a Sanyo Z3....quite a drop downward in potential, but that of course is why the Light Fusion was at the time (6 years ago) an ideal choice.
With the 8350......zowie!
Ultra high ambient light...including some from Globe-style Floods:
OK...here's a shot taken at a 1/3 reduced light level... :
And a final one taken at the same light level but zoomed in to frame the Screen and screen wall only...:
All in all, not a bad showing for what is in effect a White Screen under some pretty high levels of incandescent lighting.
So now then, all you potential Light Fusion'ers....imagine the uptick in performance you'd get with a Panny AE100U and a N7.5 Gray Light Fusion?
I already know, and even for me I get goosebumps.
That Mix had no claim to ambient light status, just the ability to "maintain" contrast and brightness under less than optimal light conditions.
The original PJ was a Sanyo Z3....quite a drop downward in potential, but that of course is why the Light Fusion was at the time (6 years ago) an ideal choice.
With the 8350......zowie!
Ultra high ambient light...including some from Globe-style Floods:
OK...here's a shot taken at a 1/3 reduced light level... :
And a final one taken at the same light level but zoomed in to frame the Screen and screen wall only...:
All in all, not a bad showing for what is in effect a White Screen under some pretty high levels of incandescent lighting.
So now then, all you potential Light Fusion'ers....imagine the uptick in performance you'd get with a Panny AE100U and a N7.5 Gray Light Fusion?
I already know, and even for me I get goosebumps.
