I am only going to recommend tier 1.5 for the 2D Blu-ray version in the AVS Picture Quality Tiers. There is a ton of digital grading and the color correction practically changes from scene to scene. The warmer reds of the early moments give way to more and more orange later in the movie. Most reviewers won't notice it, but select scenes have clearly been low-pass filtered. It is most noticeable in the scenes with Martin Sheen (whom I thought was an awful Uncle Ben) or Sally Field. You can count the number of tight close-ups from the movie on one hand.
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11/11/12 at 10:50am
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Agreed on the audio, it felt like a rush job for a major superhero action film. I think the hints of a great movie are somewhere to be found in the Amazing Spider-Man, but much of the plot is glossed over or crammed in without much explanation. The first act should have simply been cut out of the movie, there is virtually no moviegoer over the age of 10 in the US that is not familiar with Peter Parker's origin by now, but I guess it was included for foreign markets. Uncle Ben's death, the most pivotal moment in Spider-Man's career, lacks emotional punch and deviates from the iconic version of the story for no good reason. Everything about the production felt rushed to me except the blossoming relationship between Peter and Gwen. I did think the CGI for the Lizard was better than anything we saw in the first trilogy, though I was disappointed by the motion of Spidey's webslinging. I imagined a much more epic tour of New York City than the limited shots we got at night.I am only going to recommend tier 1.5 for the 2D Blu-ray version in the AVS Picture Quality Tiers. There is a ton of digital grading and the color correction practically changes from scene to scene. The warmer reds of the early moments give way to more and more orange later in the movie. Most reviewers won't notice it, but select scenes have clearly been low-pass filtered. It is most noticeable in the scenes with Martin Sheen (whom I thought was an awful Uncle Ben) or Sally Field. You can count the number of tight close-ups from the movie on one hand.























A better argument might be that mid bass is not as prominent as it should be in spots since some of these moments in the film seem to be all low bass, but I did not really find that a problem either subjectively and thought the bass track was done very well.