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Are audio companies all involved in a huge conspiracy? - Page 42

post #1231 of 3048
That running separate amps can incur sonic changes is not at all impossible. If you're unlucky, your setup does no longer let the crossover meet as intended. This can be regarded by some as an improvement. You still run the full signal through both "amps" so there's not the power win as you would have using an active crossover before dual poweramps.

Then of course people want to hear an improvement after they've done something. wink.gif

There's probably a lot more to be won from using a single well made high-powered poweramp.
post #1232 of 3048
Quote:
You wind up sending the same thing to your mids/woofers and your tweeters, and generally, due to the power-limited nature of AVRs, without much if any additional headroom for peaks that you could get with external amplifiers for the mids and woofers.

So the claim that passive bi-amping separates highs from lows is really just unfounded? Yet I hear it all the time.
post #1233 of 3048
Quote:
Originally Posted by Heinrich S View Post

So the claim that passive bi-amping separates highs from lows is really just unfounded? Yet I hear it all the time.

The crossover network is what separates highs from lows. I hear a lot of crazy things, too. biggrin.gif
post #1234 of 3048
Ah okay, so basically with passive bi-amping each amp would still receive a full range signal ...
post #1235 of 3048
Quote:
Originally Posted by Heinrich S View Post

Ah okay, so basically with passive bi-amping each amp would still receive a full range signal ...

Yup.

There's something to be said for a well configured active crossover, and amplification tailored to the different sections of your speakers. You can use something with a lot of power for the low/mid frequency speakers and something rather less extravagant for the high end. You get custom tailored response curves. You can get closer to your ideal (whatever that may be for you) with sufficient tweaking. Just hooking up a couple of extra channels of an AVR to the other terminals on your speakers and removing buss bars isn't in the same league.
post #1236 of 3048
You still need a lot of power to handle transients in the high registers, so even if it's not used most the time, when you do need it - it's quite important that you don't clip the peaks. Rim shot or cymbal crash perhaps.
post #1237 of 3048
Quote:
Originally Posted by Heinrich S View Post

Maybe some can explain this. I've heard people talk about bi-amping using AVR's and wax lyrical about the audible benefit. I've heard people claim that it separates the highs from the lows. Is that true, for passive bi-amping? The other claim I hear about is that power goes up.

Any truth to any of this? I don't know if this qualifies as a conspiracy per se, but I'm positive some manufacturers make lofty claims in support of bi-amping.

I found the following extensive tech analysis on the web. It is written by someone who also posts on AVS:

http://www.whatsbestforum.com/showthread.php?5186-Passive-Bi-amping&p=76600&viewfull=1#post76600
Quote:
Originally Posted by DonH50 

"Passive bi-amping does not utilize line-level crossovers; instead, two power amps are driven full-range into each speaker’s high and low terminals. The crossover (technically now split into a LPF and HPF) inside the speaker provides the filtering (“splitting”) of signals appropriate to each driver. The amps thus still provide a full-range signal, but the speaker’s crossover rejects the out-of-band signals to each driver.

A few key points:

Each amplifier requires the same voltage drive as a single amplifier since they each have the same signal. There is no voltage headroom benefit.
Because the load (speaker) is essentially an “open” in the unused frequency band, less current output is required from each amp. For example, the bass amp drives the woofer, but there is essentially no high-frequency current since the crossover “blocks” the HF energy. The opposite is true for the HF amp; the voltage swing is the same as a single amp, but there is almost no LF current so the net power per amp is less. Of course, this could potentially cause stability issues with the amp. Higher-order crossover networks may load the out-of-band frequencies to reduce their input into the drivers, increasing power dissipation the amps (which are driven full-range in a passive bi-amp system).

There is no net system power increase at the speakers assuming the amps have the same voltage rails (e.g. inside an AVR or multichannel amplifier with the same power voltage rails to all amps). If you had a 100 W amp before, passive bi-amping does not give you 200 W to the speaker. You have split the load into two frequency bands, but the net power is the same to the speaker. That is, 100 W to the lows and 100 W to the highs is the same as having a 100 W amp that covers the entire frequency range. It is not the same as driving the speaker with a 200 W amplifier; to increase the power, you need to increase the voltage rails.

In fact, there is more power lost, since the amps are not 100% efficient. That is, it actually takes more energy from the power supply to passively bi-amp than if you used a single amp. This is also true for active bi-amping, but in that case we can choose lower-power amps for the highs (which rarely need the same power as the lows) and realize net power savings. That does not happen with (typical) passive bi-amping.

There is no damping factor improvement over a single amp since the speaker crossovers are still in-circuit. One of the benefits of active bi-amping is direct connection from amp to driver, providing better driver control; this is not true in passive bi-amping. The lossy, passive high-power internal speaker crossovers must remain in place else out-of-band energy wil be applied to the drivers (causing at least distortion and quite likely destruction). This defeats one of the main reasons for bi-amping.

There is no longer electrical interaction among drivers with passive (or active) bi-amping. (There may still be mechanical coupling if the drivers are not isolated from each other.) That is, if the woofer starts to distort the input signal through electromechanical forces, it no longer modulates the HF amp’s output. One plus for bi-amping, active or passive.

If the amps share a power supply, as do most AVRs and many (most?) multichannel amps, then modulation between high and low amps can still occur through the power supply. This can also happen with active bi-amping, although separate amps are the norm in the pro world. At least when I have done it…

There may be some distortion reduction since power output is lessened in the amps. I suspect this is not significant, but it should happen due to the lower current draw. The catch is that the voltage swing of each amp is unchanged, so any distortion related to voltage swing is not changed. Only distortion components depending on output current may be reduced. That is
design-dependent, but since most amps are primarily voltage-mode amps, I suspect any distortion reduction is small.

You have two amps now so presumably noise is a little higher since you have two uncorrelated noise sources. At the speaker outputs I suspect it’s a wash since only a reduced frequency band gets through the drivers to hear.

Thermally it is a loss since no amp is 100% efficient. There is always a little “waste” power that gets turned into heat, both standing bias current (especially if not class D amps) and losses through the components in the amp. Thus passive bi-amping will cause your AVR/amp to run hotter than if using a single amp (assuming unused channels). It is worth noting that amplifiers are typically most efficient at maximum output; the HF amp is probably loafing most of the time and thus wasting power and generating heat.
So, there are some potential benefits, but I suspect they are inaudible (I have not tried passive bi-amping so cannot say). And a lot of drawbacks. The major benefit is mostly mental, IMO; users can now use their “extra” amp channels. Whether this benefits anyone other than the electric company I cannot say, but I strongly suspect not…

I did simulate a passively-bi-amped system just for grins. I used a simple first-order (single LC) crossover at 1 kHz and modeled the speakers with ideal 8-ohm resistors. I assumed 80 V rails (theoretical rails for a 100-W amplifier) and drove a relatively small signal into the speakers (1 Vpk at 100 Hz, 0.1 Vpk at 10 kHz). In the schematic below, the top is the single-amp system, and the bottom the passively bi-amped system. There is an input stage at left, combining the 100 Hzand 10 kHz signals to drive the amps, E1 – E3. (SPICE purists will note I did not need the dependent sources for this, but it makes the picture easier to follow.) I ran the simulation for 400 ms to allow the RMS power calculations to reach their final values.



The top plot shows the input signal; the “fuzz” is the 10 kHz signal riding on the 100 Hz tone. The second plot shows all the speaker voltages; note the woofer and tweeter signals are identical for the two systems as desired. Since I used only a first-order network, there is a little modulation of the tweeter by the low-frequency signal and vice-versa.



The third plot from the top shows the amplifiers’ RMS output powers. The single amp (P1) outputs 63.12 mW; the bi-amp system’s amps output 62.5 mW (P2, woofer) and 8.84 mW (P3, tweeter). Note that superposition does not apply with power, and P1 does not equal P2+P3. The extra power? Lost, wasted…

Looking at the power actually delivered to the drivers, the woofer (P1W, P2W) receives 61.89 mW and the tweeter (P1T, P2T) 1.239 mW for both systems (identical as expected). The power dissipation of the amplifiers, assuming 80 Vpp power rails, is 7.11 W for the single amp (Pd1), 7.04 W for the woofer amp (Pd2), and 1.00 W for the tweeter amp (Pd3). As expected, using two amplifiers costs a little power. This also highlights the inefficiency of amplifiers with relatively low output power. Unfortunately for our power-mad egos, average output is more often in the 100 mW to few Watt range than anything like 100 W.

I should add that passive b-amping adds unnecessary complexity, most visible to the audiophile as the extra speaker wires. External wiring is typically the most unreliable and most likely to be screwed up by human error of any part of an electronic system. I could get cynical and say that some of the reports of improvement are actually the result of screwed up wiring.
post #1238 of 3048
Quote:
Originally Posted by Nightlord View Post

You still need a lot of power to handle transients in the high registers, so even if it's not used most the time, when you do need it - it's quite important that you don't clip the peaks. Rim shot or cymbal crash perhaps.

The immutable laws of physics dictate that it is often fairly easy to make highly efficient tweeters and midrange speakers, but that bass extension and efficiency can only be obtained at a significant cost in physical size.

Bottom line, it is not a global truth that it takes a lot of power to handle transients in the high registers.

Any higher efficiency of tweeters and midranges cannot be exploited in a system with passive crossovers. The signal delivered to the speaker system is dictated by the efficiency of the woofer. It is common practice to use resistive attenuators built into the passive crossover to match the higher efficiency of tweeters to the lower efficiency of woofers.

In contrast, an active biamp speaker system can exploit the higher efficiency of the tweeter.
post #1239 of 3048
Quote:
Originally Posted by arnyk View Post

The immutable laws of physics dictate that it is often fairly easy to make highly efficient tweeters and midrange speakers, but that bass extension and efficiency can only be obtained at a significant cost in physical size.

Bottom line, it is not a global truth that it takes a lot of power to handle transients in the high registers.

Total agreement. Very few things are global truths. I do feel that not using all power available is a less evil than having too little and clipping.
Quote:
Any higher efficiency of tweeters and midranges cannot be exploited in a system with passive crossovers. The signal delivered to the speaker system is dictated by the efficiency of the woofer. It is common practice to use resistive attenuators built into the passive crossover to match the higher efficiency of tweeters to the lower efficiency of woofers.

In contrast, an active biamp speaker system can exploit the higher efficiency of the tweeter.

A real active system gets the benefit, yes. I guess it could be possible to get rid of attenuators when dividing into bi-amp mode, but then the user would be left with having to handle the differing efficiencies themselves, so I won't expect that to have been done to very many speakers. But with attentuators still in place and the desire to handle 120dB peaks in the high range, then you most often require a lot of power, even if a lot of it would be bled by the resistors...
post #1240 of 3048
Quote:
Originally Posted by arnyk 
I found the following extensive tech analysis on the web. It is written by someone who also posts on AVS:

I'm not sure I'm able to decipher all of that. . smile.gif Could you explain to a layman the difference between active and passive biamping?
post #1241 of 3048
Quote:
Originally Posted by Heinrich S View Post

I'm not sure I'm able to decipher all of that. . smile.gif Could you explain to a layman the difference between active and passive biamping?
http://lmgtfy.com/?q=active+vs+passive+crossover
post #1242 of 3048
Yes but I don't know which sources to trust. There are a number of explanations out there. I have faith the expertise on this forum is good enough but I can't say the same for every other website.
post #1243 of 3048
My understanding is that with passive bi-amping all driver sets receive the same full spectrum signal and crossovers are done after receiving the full amplified signal. With active the crossovers are pre-amplification so only the modified signals are amplified and send to the two different driver sets. I could be totally wrong but I don't know what is technically correct or not. Just reading several sites gives me a little bit of info .. some conflicting.
post #1244 of 3048
Quote:
Originally Posted by Heinrich S View Post

So the claim that passive bi-amping separates highs from lows is really just unfounded? Yet I hear it all the time.
Both amps carry the entire bandwidth of the source signal. In that sense there is no separation of highs from lows.

But the amp driving the woofer terminals only supplies current to the woofer. The amp driving the mid/tweeter terminals only supplies current for those drivers. This is a result of the passive crossover offloading the other drivers in each case.

That means that the amp (and speaker cable) driving the tweeter will not be sourcing the woofer current, and vice versa. Does that make the overall speaker sound any better? The better the amp and cables, the less that would be the case.

Does it play louder? Not enough for a human to care. Bridged amps can play louder, however.
post #1245 of 3048
Quote:
Originally Posted by Heinrich S View Post

My understanding is that with passive bi-amping all driver sets receive the same full spectrum signal and crossovers are done after receiving the full amplified signal.

True.
Quote:
With active the crossovers are pre-amplification so only the modified signals are amplified and send to the two different driver sets.

True. Active bi-amping makes more effective use of the amplifiers because the active crossover precedes them and each amplifier amplifies only the part of the signal that is destined for the speaker it drives.

A second advantage is that passive crossovers are limited in terms of their ability to be idealized for a given speaker system while active crossovers are far more flexible.
post #1246 of 3048
Quote:
Originally Posted by Roger Dressler View Post

Quote:
Originally Posted by Heinrich S View Post

So the claim that passive bi-amping separates highs from lows is really just unfounded? Yet I hear it all the time.
Both amps carry the entire bandwidth of the source signal. In that sense there is no separation of highs from lows.

But the amp driving the woofer terminals only supplies current to the woofer. The amp driving the mid/tweeter terminals only supplies current for those drivers. This is a result of the passive crossover offloading the other drivers in each case.

That means that the amp (and speaker cable) driving the tweeter will not be sourcing the woofer current, and vice versa. Does that make the overall speaker sound any better? The better the amp and cables, the less that would be the case.

Also, the better the quality of the amplifier, the less there is a problem due to the extra current that is required.

In some sense a manufacturer that recommends passive bi-amping is making an implicit criticism of his product. He's saying that it is so nonlinear that its performance is audibly degraded by being loaded with a normal speaker system.
Quote:
Does it play louder? Not enough for a human to care.

I know of no reliable listening tests showing any sonic advantage for passive bi-amping.
Quote:
Bridged amps can play louder, however.

The point being that bridging power amps can provide up to 6 dB more output, and that has a lot of potential to be audible when the extra power is actually needed. The complexity of adding a bridging feature is not that much greater than that associated with providing a biamp feature.

One minor problem is that AVRs with class D power amps are typically already bridged. But the class AB and H power amps generally are not.
post #1247 of 3048
Quote:
Originally Posted by Heinrich S View Post

My understanding is that with passive bi-amping all driver sets receive the same full spectrum signal and crossovers are done after receiving the full amplified signal. With active the crossovers are pre-amplification so only the modified signals are amplified and send to the two different driver sets. I could be totally wrong but I don't know what is technically correct or not. Just reading several sites gives me a little bit of info .. some conflicting.

what JD said. For example, at 100 Hz, the high pass crossover element for the tweeter presents a very very high impedance to the amp, and it's not making or sending meaningful power to the tweeter. IOW, the crossover doesn't absorb that "unused" power, it prevents the amp from sending real power at the frequencies below the crossover point. So your tweeters don't melt or blow across the room from seeing 50 watts or more of 100 Hz input.
post #1248 of 3048
Thanks JD and ArnyK. Just another question I have. Many people claim that AVR's do movies well but can't do music justice. Does that make any sense? I assumed the amps job is to take the incoming signal and make it bigger. So I don't understand why music signals and movie signals couldn't be handled equally well. Do amps know the difference? Are there other reasons I have missed?
post #1249 of 3048
First of all you need to have control over what processing is active, there might be things happening which you wouldn't expect unless you really go through the manual a few times.

But with all that off, there's a good chance the preamp can be good enough. Denons typically are so I expect that to apply to current Marantzes as well. So then it leaves the question whether the poweramp is good and enough. Easily solved by putting an exernal poweramp for the fronts, which the rest of the channels in the avr also would benefit from.
post #1250 of 3048
Quote:
Originally Posted by Heinrich S View Post

Thanks JD and ArnyK. Just another question I have. Many people claim that AVR's do movies well but can't do music justice. Does that make any sense?

No.
Quote:
I assumed the amps job is to take the incoming signal and make it bigger. So I don't understand why music signals and movie signals couldn't be handled equally well. Do amps know the difference? Are there other reasons I have missed?

There is a lot of money on the table in this discussion because 5.1 AVRs are very, very price-competitive. They can be very price competitive because the volume in which they are sold is very high. Economies of scale and all that.

Back in the days when the many extra features of an AVR were implemented with analog circuitry there was some legitimate concern that the features were getting in the way of the sound quality.

Many modern AVRs have a remarkably short signal path, especially when they are used with sources that have digital audio outputs which includes everything that is HDMI. Digital processing can be very clean and has remarkable performance because it is impossible for a signal to be unintentionally degraded in the digital domain.

In a modern AVR the signal is in the digital domain up to a bank of high performance DACs which drive a high performance analog volume control chip which drives a bank of identical SS output stages. The signal does not go through a bunch of switches that turn the features on and off. The features are implemented by a program that is running on one or two DSP chips. The processing that is done by the DSP(s) is done with levels of precision that are practically impossible in the analog domain.

The power amplifiers in even low end AVRs are sonically very clean. There are some misunderstandings about their power and impedance capabilities due to the fact that for legal reasons bench testing puts far more stress on power amplifiers than actual use. Furthermore, the near universal use of self-powered subwoofers in high performance systems substantially reduces the power load on the AVR.
post #1251 of 3048
Quote:
Originally Posted by arnyk 
The power amplifiers in even low end AVRs are sonically very clean. There are some misunderstandings about their power and impedance capabilities due to the fact that for legal reasons bench testing puts far more stress on power amplifiers than actual use. Furthermore, the near universal use of self-powered subwoofers in high performance systems substantially reduces the power load on the AVR.

But then why do so many people swear by using stereo amps vs using receivers for music? You mentioned the digital out's in your other quote. But what about analog? Would that not influence sound quality and explain why many people feel stereo amps are more musical than avr's?
post #1252 of 3048
Quote:
But then why do so many people swear by using stereo amps vs using receivers for music?
Because they want to believe it. And when you want to believe something, it's pretty easy to convince yourself that it's true. Human hearing is extremely suggestible.
Quote:
But what about analog? Would that not influence sound quality and explain why many people feel stereo amps are more musical than avr's?
How?
post #1253 of 3048
Quote:
Originally Posted by mcnarus 
How?

Wouldn't have a clue. People say the darndest things.... what I have found from reading threads on various forums is that people sometimes claim the analog sections change the sound somehow compared to digital.
post #1254 of 3048
Quote:
Originally Posted by Heinrich S 
My understanding is that with passive bi-amping all driver sets receive the same full spectrum signal and crossovers are done after receiving the full amplified signal.
Quote:
Originally Posted by Arnky 
True.

Would I then be correct in assuming that no matter what signal is sent to the HF or LF drivers by the Amp in a Bi-Amp configuration, it will be altered by the speaker crossover anyway? Hence, the effects of Bi-Amping is eliminated?
post #1255 of 3048
Quote:
Originally Posted by Heinrich S View Post

Quote:
Originally Posted by arnyk 
The power amplifiers in even low end AVRs are sonically very clean. There are some misunderstandings about their power and impedance capabilities due to the fact that for legal reasons bench testing puts far more stress on power amplifiers than actual use. Furthermore, the near universal use of self-powered subwoofers in high performance systems substantially reduces the power load on the AVR.

But then why do so many people swear by using stereo amps vs using receivers for music?

That is their privilege. The world is full of people who say the darndest things. Ever hear the phrase "audiophile myth"?

I'm all about things that can be reliably observed using the best procedures that are known. That is a sharp knife that cuts though audiophile myth like it was melting butter.
Quote:
You mentioned the digital out's in your other quote. But what about analog? Would that not influence sound quality and explain why many people feel stereo amps are more musical than avr's?


The idea that analog sources are somehow inherently difficult for AVRs is yet another audiophile myth.
post #1256 of 3048
Quote:
Originally Posted by Heinrich S View Post

Quote:
Originally Posted by Heinrich S 
My understanding is that with passive bi-amping all driver sets receive the same full spectrum signal and crossovers are done after receiving the full amplified signal.
Quote:
Originally Posted by Arnky 
True.

Would I then be correct in assuming that no matter what signal is sent to the HF or LF drivers by the Amp in a Bi-Amp configuration, it will be altered by the speaker crossover anyway?

Yes
Quote:
Hence, the effects of Bi-Amping is eliminated?

I would say that virtually all of the actual and practical benefits of active biamping are eliminated by passive biamping.
post #1257 of 3048
Quote:
Originally Posted by Heinrich S View Post

Many people claim that AVR's do movies well but can't do music justice. Does that make any sense? I assumed the amps job is to take the incoming signal and make it bigger. So I don't understand why music signals and movie signals couldn't be handled equally well. Do amps know the difference? Are there other reasons I have missed?
Quote:
Originally Posted by Heinrich S View Post

But then why do so many people swear by using stereo amps vs using receivers for music?
There are plenty of people who are not overly concerned about the music performance of their AV systems, as the primary use is movies and TV. Let's set them aside in this discussion and consider the users who are focused on getting the best music performance from their HT system.

I have heard plenty of home theater systems that are perfectly enjoyable for movies but are not satisfying for music. I have also heard home theater systems that are equally great for music and movies.

What it comes down to has little to do with the AVR, but it can also be involved. If the home theater does not have these three characteristics:

a) optimally matched speakers -- not necessarily identical speakers, but well integrated such as by acoustics and EQ,

b) optimal subwoofer performance, including response, uniformity of response over several seats, lack of nulls and ringing, and seamless integration with the mains

c) optimal EQ target curve for the whole system,

then it can still perform perfectly well for movies, yet fall far short as a satisfying long-session music system. However, if the owner of the system takes care to address all these matters, and does achieve good music performance, I assert that none of that will detract from the movie playback performance. In my view, it actually enhances movie sound, too.

Movies are different than music. The nature of the sounds, how they are used, their temporal and spatial nature, the story playing out on screen, the visuals occupying (or distracting) our attention. They are simply very different animals. How we react to them, and their sound qualities, is understandably very different, with music being the more demanding in all respects, with the possible exception of bass headroom.

So why impute the AVR in all this? It may be partially the AVR or partially the AVR user, but if one just sets it up and runs the auto-cal routine and calls it done, the results are not likely to be "optimized" for music as described above, yet may sound delightful for movies (eliciting the "even my wife noticed the improvement" sort of comments). Enthusiasts who are focused on music know it takes a lot more effort to "get there" than that.

Lastly, from a hardware perspective, there are certainly AVRs that sound as good as separates. I would not doubt that some AVRs sound better than some separates. But there are also separates that sound better than AVRs. These are not just psychological reactions. The ability for a consumer to address those aspects of system design that more directly affect music performance are more easily addressed when one can choose the front end independent of the amps, which is why separates are preferred over AVRs, with the exceptions already noted.
post #1258 of 3048
Quote:
Originally Posted by arnyk 
I would say that virtually all of the actual and practical benefits of active biamping are eliminated by passive biamping.

So passive bi amping only really offers a benefit if the power supply is not shared between channels feeding high and low freq signals. Which is a reason why the bi-amp feature on receivers offers little to no benefit. Correct me I'm wrong?
post #1259 of 3048
Quote:
Originally Posted by Heinrich S View Post

Quote:
Originally Posted by mcnarus 
How?

Wouldn't have a clue. People say the darndest things.... what I have found from reading threads on various forums is that people sometimes claim the analog sections change the sound somehow compared to digital.

The nature of things is that analog sections can make unintended changes to the sound quality of music, but this is far, far less likely with digital processing. On balance, the art of building sonically transparent analog circuits is highly developed. Both analog and digital circuitry can be sonically transparent, that is have no audible effects.

What people are actually claiming for sure is that they have the perception of changes to the sound. Carefully controlled listening tests have shown that even highly experienced listeners can be very optimistic about hearing differences. For a time there were controversies in leading professional audio organizations such as the AES, relating to differences in sound quality that were unmeasurable. Once existing technology in blind testing was implemented for audio, it was found that all previously known instances of this were illusions and not repeatable.
post #1260 of 3048
Quote:
Originally Posted by Heinrich S View Post

Quote:
Originally Posted by arnyk 
I would say that virtually all of the actual and practical benefits of active biamping are eliminated by passive biamping.

So passive bi amping only really offers a benefit if the power supply is not shared between channels feeding high and low freq signals.

Furthermore, the power supplies involved must be inadequate. This post shows why this is highly unlikely: http://www.avsforum.com/t/1455620/nad-c-356-vs-outlaw-rr2150-vs-marantz-pm8004#post_22910044
Quote:
Which is a reason why the bi-amp feature on receivers offers little to no benefit. Correct me I'm wrong?

Passive biamping involving separates and even monoblocks fares very very little better.

Passive biamping is basically a scheme for selling more power amps to people who already have enough. ;-)

It is a means for creating an impressive-sounding feature for very little actual expenditure on the part of the manufacturer.

In the case of the AVR, the amps involved would otherwise be idle. Then, it is a means for adding unnecessary complexity.
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