One interesting contrast is that Kubrick's future was a plastic future. Solaris and Sunshine are metal futures. So much of the look of 2001 is bright and plastic and primary colors, sort of like the inside of a modern grocery store when you come into one at night from the dark. Solaris and Sunshine are washed out palette metal visuals. Has anyone since that 70's era really gone for that sort of bright, plastic look? So much of sci-fi since then seems to be either almost monochrome metal or that 'old tech' look of things like Alien, where it's modern technology but just as dirty and beaten up as much current technology is that is in real world use.
Kubrick I guess caught the very tale end of the 50's view of the future and of technology, at least in the visuals and technology as displayed, but with the distopian 70's view of human nature and computers layered over it. Sort of makes sense given that his childhood was in the one era and his early film making career in the other.
Kubrick I guess caught the very tale end of the 50's view of the future and of technology, at least in the visuals and technology as displayed, but with the distopian 70's view of human nature and computers layered over it. Sort of makes sense given that his childhood was in the one era and his early film making career in the other.



![Aliens [Blu-ray]](http://cdn.avsforum.com/4/4b/50x50px-ZC-4bd4fe1c_B004RE29PO-61Iz4u6bADL.jpeg)
![Sunshine [Blu-ray]](http://cdn.avsforum.com/1/10/50x50px-ZC-103495a2_B000VIRD6U-51l6MmREQPL.jpeg)












