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Marantz AV8801 Preamp/Processor Official Owner's thread - Page 92

post #2731 of 5734
A little update on my AV8801 experience.

Had it since last monday, and can say that in my room, and with my Vienna Acoustics Beethoven Concert Grand / Maestro speakers, this units an extreme upgrade from the AV8003.
It's much more detailed. The bass have had a hugh upgrade thanks to the Audyssey correction.

The web interface it extremely great for testing different settings

Even in Pure Direct for music, the unit is much better than the AV8003. (Analog from Musical Fidelity M1Clic)


I believe it might be even better if I upgrade my Rotel RMB-1575 and the XTZ sub. The sub is getting upgraded this summer with a Velodyne SPL1200
post #2732 of 5734
Quote:
Originally Posted by DHF View Post

Rich:

I believe your thinking is logical and sound...pun intended. Speakers are the most important single piece. But I would caution that audio is a chain, and the weakest link can limit the overall SQ. I have heard the 8801 with Parasounds and I have a SIM. The sound is captivating.

Except for the folks who have nearly infinite budgets, there is always something better out there.

I have decided the weak link in my home is the Romex in my walls and the bones in my ears.
No affordable solutions have presented themselves. smile.gif

- Rich
post #2733 of 5734
Quote:
Originally Posted by DHF View Post

Rich:

I believe your thinking is logical and sound...pun intended. Speakers are the most important single piece. But I would caution that audio is a chain, and the weakest link can limit the overall SQ. I have heard the 8801 with Parasounds and I have a SIM. The sound is captivating.

DHF,

Is your AV8801 hooked up via XLR to amp?

I have a 7-channel Gemstone amp and bi-amp main speakers. I had a bad experience bi-amp'ng the amp with Ayre K-5XE preamp. i was getting enemic sound with complete lack of dynamics. I hope that AV8801 can properly drive the amp via XLR Y-Cables.
post #2734 of 5734
Quote:
Originally Posted by RichB View Post


They look nice. Never heard them.
I have trouble considering amps that do not power double into 4 ohms.
The Salons dip into the 3 ohm terratory and like current.

- Rich

Rich- I am with you on this one. I have often considered a Halo A-51 amp, but, I too am hesitant because it does not double the power output into 4 ohms. I have Aerial Acoustics speakers which put quite a demand on an amplifier.

I am a fan of Parasound though; I have an older HCA-1206 that I relegated to surround channel duties when I purchased a Proceed HPA3 for my front three Aerial LR5's.
post #2735 of 5734
Quote:
Originally Posted by jdlynch View Post

Rich- I am with you on this one. I have often considered a Halo A-51 amp, but, I too am hesitant because it does not double the power output into 4 ohms. I have Aerial Acoustics speakers which put quite a demand on an amplifier.

I am a fan of Parasound though; I have an older HCA-1206 that I relegated to surround channel duties when I purchased a Proceed HPA3 for my front three Aerial LR5's.

I've never heard of a Parasound amp having any difficulties driving any load and in fact just the opposite, they have always been the go to amps for speakers with difficult to drive speakers loads. They Halo's are a great combination of finesse and brute force!
post #2736 of 5734
Quote:
Originally Posted by RichB View Post

I have trouble considering amps that do not power double into 4 ohms.
The Salons dip into the 3 ohm terratory and like current.
 

I am not sure that is a concern.  I have driven the B&W 800Ds (similar impedance dip) and TAD E-1s with the A31 and had no problems.

post #2737 of 5734
I'm in no way criticizing the Parasound Halo series. The bigger reason for me not getting one is I need every last watt I can get at 4 ohms. The Proceed simply has more.
post #2738 of 5734
Quote:
Originally Posted by jdlynch View Post

I'm in no way criticizing the Parasound Halo series. The bigger reason for me not getting one is I need every last watt I can get at 4 ohms. The Proceed simply has more.

Hey man I got nothin but love for the Proceed amps and Am fully aware of there true pedigree;) and no worries I didn't take it as criticizing:)
post #2739 of 5734
Quote:
Originally Posted by Kal Rubinson View Post

I am not sure that is a concern.  I have driven the B&W 800Ds (similar impedance dip) and TAD E-1s with the A31 and had no problems.

Quote:
Originally Posted by jdlynch View Post

I'm in no way criticizing the Parasound Halo series. The bigger reason for me not getting one is I need every last watt I can get at 4 ohms. The Proceed simply has more.

Nor am I.
I am happy with my Sunfire for the time being.
Sounds fantastic connected to my Oppo.

Other components seem to have a much more dramatic impact on the sound quality than most high-quality solid state amps.

A couple of years back I did a mini-shootout with friends comparing a D-Sonic 400Watt amp, and older Outlaw 200 watt amp, and an older Sunfire Cinema Grand Signature.

Each of these were very different architectures and sounded different.
I liked the speed and attach of the Outlaw so I upgraded my Sunfire to a newer model which I find more transparent.
I like technology, so I tried a 400 Watt D-Sonic ICE amp., I had nice midrange but it did not sound quite right and the bass was missing.
That thing could not drive the Salons woofers. At least in the case, "Controlled Bass" = No Bass.

- Rich
post #2740 of 5734
After reading the comments in this thread, and, much deliberation, I just today ordered an AV8801. I want to see for myself how it compares to my Lexicon MC-12Bv5EQ.

I am heavily biased towards the Lexicon after having been a faithful owner for over 15 years now. I can't wait to make the comparison.
post #2741 of 5734
Quote:
Originally Posted by jdlynch View Post

After reading the comments in this thread, and, much deliberation, I just today ordered an AV8801. I want to see for myself how it compares to my Lexicon MC-12Bv5EQ.

I am heavily biased towards the Lexicon after having been a faithful owner for over 15 years now. I can't wait to make the comparison.

Great!

That should be interesting.

- Rich
post #2742 of 5734
Quote:
Originally Posted by jdlynch View Post

After reading the comments in this thread, and, much deliberation, I just today ordered an AV8801. I want to see for myself how it compares to my Lexicon MC-12Bv5EQ.

I am heavily biased towards the Lexicon after having been a faithful owner for over 15 years now. I can't wait to make the comparison.

Congrats! It IMHO is an "Audiophile" preamp/processor with the ability to evenly distribute equal treatment to the signal its handed at a true refernce level of playback!

Enjoy your 8801:)
post #2743 of 5734
Quote:
Originally Posted by audiofan1 View Post

Congrats! It IMHO is an "Audiophile" preamp/processor with the ability to evenly distribute equal treatment to the signal its handed at a true refernce level of playback!

Enjoy your 8801:)

That's what I've been hearing about it ;-)

I am a bit of a Lexicon snob. However, I have been having to use the analog outs of my Oppo BDP-103 into the Lexicon's 5.1 analog inputs to get the Dolby TruHD and DTS MA HD. I am expecting a slight improvement by using a direct digital input without the D/A then A/D conversions.

I do love the Lexicon set-up process. That, including the auto speaker calibration and roomEQ, is VERY easy. I am a bit concerned about the complexities of the Audyssey XT32.
Edited by jdlynch - 2/11/13 at 7:48pm
post #2744 of 5734
JD....I too have owned many versions of Lexicon....I just came from an MC12HD with EQ...latest version etc etc...... You won't be disappointed in the least...actually I know you will be plesaeantly surprised.I haven't even touched Audysey yet either. The Lex stills gives you alot more flexability in the surround modes and bass management though. The user interface on the lex is still very easy to use..

But its the sound......sweet.
post #2745 of 5734
Quote:
Originally Posted by jdlynch View Post

That's what I've been hearing about it ;-)

I am a bit of a Lexicon snob. However, I have been having to use the analog outs of my Oppo BDP-103 into the Lexicon's 5.1 analog inputs to get the Dolby TruHD and DTS MA HD. I am expecting a slight improvement by using a direct digital input without the D/A then A/D conversions.

I do love the Lexicon set-up process. That, including the auto set-up and roomEQ, is VERY easy. I am a bit concerned about the complexities of the Audyssey XT32.

I had heard the same thing, but audyssey is super simple. Plug in mic, move to 8 locations in room, hit compute. Maybe the pro one is more complicated but just xt 32 is as easy as they get.
post #2746 of 5734
Quote:
Originally Posted by mookie b View Post

I had heard the same thing, but audyssey is super simple. Plug in mic, move to 8 locations in room, hit compute. Maybe the pro one is more complicated but just xt 32 is as easy as they get.


Is it best to put the mic all over the room to get the 8 measurements? Or if I/we sit in the same counch to put the mic in 8 different spots on the couch only?
post #2747 of 5734
The #1 mic position would be at the main listening position (ie. generally center of couch) with the additional 7 being within a 2'-3' radius around that #1 position (regardless of where anyone sits).

post #2748 of 5734
Quote:
Originally Posted by AlxG View Post

DHF,

Is your AV8801 hooked up via XLR to amp?

I have a 7-channel Gemstone amp and bi-amp main speakers. I had a bad experience bi-amp'ng the amp with Ayre K-5XE preamp. i was getting enemic sound with complete lack of dynamics. I hope that AV8801 can properly drive the amp via XLR Y-Cables.

I bi-amped my Revel salons when I first got the 8801. I am not doing so now, but that is a possibility.

I would try them not bi-amped and see if it is better.

- Rich
post #2749 of 5734
Quote:
Originally Posted by ssabripo View Post

you need to get a pass labs X350 or X600 mono's, and then you'll REALLY see it's performance!
are'nt the X350 (350W X 2) = $11,000.00USD?
post #2750 of 5734
Quote:
Originally Posted by jdsmoothie View Post

The #1 mic position would be at the main listening position (ie. generally center of couch) with the additional 7 being within a 2'-3' radius around that #1 position (regardless of where anyone sits).


This is pretty much what I did, thanks!
post #2751 of 5734
Quote:
Originally Posted by ssabripo View Postthen you need to get a pass labs X350 or X600 mono's, and then you'll REALLY see it's performance! wink.gif

 

+ a Hole in your wallet and heat up the room, seriously I heard the Pass Labs are supposed to be fantastic!

post #2752 of 5734
Quote:
Originally Posted by jdsmoothie View Post

The #1 mic position would be at the main listening position (ie. generally center of couch) with the additional 7 being within a 2'-3' radius around that #1 position (regardless of where anyone sits).


Interesting, my seating is identical to yours so I am curious why you don't put the mic in the two chair seats as well?
post #2753 of 5734
I just setup my 8801 and so far i am blown away at the feature set and how good it sounds. For the money , its quite amazing.

The thing that is blowing my mind a little and maybe someone knows how this is doing this is the Volume Control.

I use my Directv remote to work the volume on my Pana VT50 tv

When the 8801 is on the Dtv remote is somehow working the volume on the marantz and then when the 8801 is off the volume is controlling the panasonic VT50.

I have done no programming or anything , it just magically does this ?

Its quite amazing and in 20 years of being in this business ive never seen something work so nicely. Is this being done in CEC ?

Whats more amazing is i havent seen anyone mention this option yet and i think its one of the neatest features of the piece.

Does this work on any other receivers/Pre pros ?

Craig
post #2754 of 5734
Its just a standard feature of HDMI Remote control called AnyNet by some or VieraLink by others etc.
Because the HDMi chips have to be on all the time for this to work the unit is not going into "real" standby if turned off as long as this feature is switched on.
It can be enabled or is already by default on most components featuring HDMI connections.
Its has to be active, if you want to use ARC from your TV, if available there.
post #2755 of 5734
Quote:
Originally Posted by AlxG View Post

DHF,

Is your AV8801 hooked up via XLR to amp?

I have a 7-channel Gemstone amp and bi-amp main speakers. I had a bad experience bi-amp'ng the amp with Ayre K-5XE preamp. i was getting enemic sound with complete lack of dynamics. I hope that AV8801 can properly drive the amp via XLR Y-Cables.
My SIM Audio is actually a Gemstone too:cool:
I am hooked up with all XLR cables.
Dali Euphonias LCR, Dali Helicon walls for sides, kinda junky for backs and heights. I had to put 10dB attenuators on the Helicon walls to make them match levels with the old (AV7005) Audyssey. Have not tried removing them. Sound is anything but anemic.
post #2756 of 5734
Quote:
Originally Posted by WestCoastD View Post

are'nt the X350 (350W X 2) = $11,000.00USD?

I looked at them on the web. I think they are a bargain, as you dont have to use a furnace to heat the house. wink.gif
post #2757 of 5734
Still amazed at the amounts of clear detail we hear. And that is all around the room! Combine that with the Aura Pro Bass Shakers powered by a Dayton APA150 AMP and movies sound and feel next level!!!
post #2758 of 5734
Quote:
Originally Posted by jdsmoothie View Post

The #1 mic position would be at the main listening position (ie. generally center of couch) with the additional 7 being within a 2'-3' radius around that #1 position (regardless of where anyone sits).
pretty much use similair mic positioning logic as well. Although, since you're using those additional outside perimeter seats (on each side of couch), I probably would have included at least two measurements (one each) for each seat. Open-out sweet-spot.
post #2759 of 5734
Quote:
Originally Posted by DHF View Post

My SIM Audio is actually a Gemstone too:cool:
I am hooked up with all XLR cables.
Dali Euphonias LCR, Dali Helicon walls for sides, kinda junky for backs and heights. I had to put 10dB attenuators on the Helicon walls to make them match levels with the old (AV7005) Audyssey. Have not tried removing them. Sound is anything but anemic.

Do you bi-amp your gemstone via Y-adapter?

The gemstone has 22kOhms input impedance, so when I bi-amp it... the preamp is only seeing 11kOhms load which is very tough for some of the preamps. In other words, the Gemstone amp was sinking too much current and was not getting the maximum voltage swing that was needed to achieve dynamic sound when I used Ayre preamp. I'm getting very good results with my ancient Outlaw 1050 processor so I'm hoping the AV8801 would supply the needed current in the bi-amp mode. Marantz never got back to me to confirm this.
post #2760 of 5734
Quote:
Originally Posted by DHF View Post

My SIM Audio is actually a Gemstone too:cool:
I am hooked up with all XLR cables.
Dali Euphonias LCR, Dali Helicon walls for sides, kinda junky for backs and heights. I had to put 10dB attenuators on the Helicon walls to make them match levels with the old (AV7005) Audyssey. Have not tried removing them. Sound is anything but anemic.

DHF,

I've never heard Dali speakers. I believe the Gemstone was tested and voiced around Dali sound.

Like you, I'm delighted how Gemstone sounds:)
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