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Marantz AV8801 Preamp/Processor Official Owner's thread - Page 117

post #3481 of 5642
Quote:
Originally Posted by jdlynch View Post

+1

I still have not decided to keep the Lexicon or the Marantz. I still have a few weeks left on the return period to decide.

I kept both! But then the 8801 replaced an 8003 that I'd been using in combination with my MC-12 since 2008....

Off topic...I'm presuming SMR is gone for good...??? frown.gif
post #3482 of 5642
Quote:
Originally Posted by Razvanel View Post

Is $2800 a good price for the AV8801 or I could do better?

Thank you,

R
Absolutely. If you can find on at $2,800, I think that you should grab it, before someone else does. I think you can negotiate down to $2,700 too though.
Thanks.
Ken.



Quote:
Originally Posted by Big Screen View Post

Because I have two subs, I waited for a processor like the 8801 (XT32) verses obtaining the Marantz 7005 and I'm so happy I did!

The initial Audyssey setup went well, so well, that I was amazed with the results. My music DVD's sound superb, coherence from bottom to top (between the subs and stand-mounted monitors) is significantly better and center channel dialogue has improved considerably.

My room is anything but rectangular, so a correction system like the Audyssey, was one that I considered vitally important, and it didn't fail to impress. Of course, I was replacing a quite long-in-the tooth Lexicon MC1 processor, so my baseline wasn't nearly as good as most on this forum. Nevertheless, so far (without trying all the ancillary whistles and bells), I'm really satisfied with the 8801's purchase.

I have enjoyed following this thread and appreciate all the help that it has contained....
I am on the same page as you, as I have noticed such a huge improvement in my 7.2 Set-Up, after using the AV8801 processor; I was Amazed. And the Dialogue has become so much Clearer and Coherent, that I can now watch a movie at even -45 dB (Relative Mode) and understand what people are saying in the movies in the middle of the night!!!
post #3483 of 5642
Quote:
Originally Posted by wyliec2 View Post

I kept both! But then the 8801 replaced an 8003 that I'd been using in combination with my MC-12 since 2008....

Off topic...I'm presuming SMR is gone for good...??? frown.gif

The last I heard Stuart had closed the forum to clean up spam that had been flooding the site. I also heard that he was considering not renewing the site due to the the lack of activity, and, the current state of Lexicon. I hope that he decides to keep it going.
post #3484 of 5642
Quote:
Originally Posted by jdlynch View Post

+1

I still have my old fat pS3 as well as my new Oppo 103. I have them both for the reasons cited above; Though my Oppo has never failed to play a disc. My lexicon MC-12 is the non-hd version, so, I need the analog outs of the Oppo to feed my Lexicon with the decoded lossless soundtracks.

I still have not decided to keep the Lexicon or the Marantz. I still have a few weeks left on the return period to decide.

Have you tried the analog outs from the 103 into the 7.1 analog in's on the Marantz?
If so, what do you think of that configuration compared to your Lexicon?

- Rich
post #3485 of 5642
Quote:
Originally Posted by Bill222 View Post

I love Oppo players. But they (and all players) have that exact problem I described. If a new "problem" disc comes out, you might not be able to watch it. I've had that problem a few times. 

Really?  I have never had that problem.

post #3486 of 5642
Quote:
Originally Posted by RichB View Post

Have you tried the analog outs from the 103 into the 7.1 analog in's on the Marantz?
If so, what do you think of that configuration compared to your Lexicon?

- Rich

Unlike the MC-12, the 8801 does not allow me to use room correction and digital processing (ie., Logic7) when using the analog inputs. I am 95% movies...

I am sure it is just my subjective opinion as I find the 8801 to be an awesome sounding processor. However, at this point I "prefer" the sound of my Lexicon. I don't require HDMI inputs/switching. and, I don't use airplay, ethernet, tuner, and the other extras provided. Also, Lexicon's room EQ is sufficient for my needs.

If any of the above were important to me it would be an easy decision to keep the Marantz.
post #3487 of 5642
Quote:
Originally Posted by jdlynch View Post

Unlike the MC-12, the 8801 does not allow me to use room correction and digital processing (ie., Logic7) when using the analog inputs. I am 95% movies...

I am sure it is just my subjective opinion as I find the 8801 to be an awesome sounding processor. However, at this point I "prefer" the sound of my Lexicon. I don't require HDMI inputs/switching. and, I don't use airplay, ethernet, tuner, and the other extras provided. Also, Lexicon's room EQ is sufficient for my needs.

If any of the above were important to me it would be an easy decision to keep the Marantz.



Interesting view. Why the decision not to go HDMI for movies? I would think if I watched that percentage of movies I'd want to take advantage of the height and wides of the 8801 not offered on the Lex. Just wondering.
post #3488 of 5642
Quote:
Originally Posted by comfynumb View Post

Interesting view. Why the decision not to go HDMI for movies? I would think if I watched that percentage of movies I'd want to take advantage of the height and wides of the 8801 not offered on the Lex. Just wondering.

The Lex has the side channels. I have never experienced heights or wides; maybe I am missing out?
post #3489 of 5642
Quote:
Originally Posted by jdlynch View Post

The Lex has the side channels. I have never experienced heights or wides; maybe I am missing out?



Hi, I'm mostly music and I like 5.1 for that but the movie guys on here and other threads swear by them. Like anything else it's all preference. I've heard great things about your Lex and own some of the sibling companies speakers, which I love.
post #3490 of 5642
Thread Starter 
Quote:
Originally Posted by jdlynch View Post

The Lex has the side channels. I have never experienced heights or wides; maybe I am missing out?

JD... I'm a former Lexicon owner (and I hope SMR won't be closed. When they transitioned from the old to the latest forum I was the 5th member or so to join smile.gif ), and as much as I loved the Lexicon, I made the decision a few years ago to move on. I had the Lexicon hooked up to a AV8003 at the time and switching back and forth between them, really made me wonder if it's placebo that the Lex sound different (I also have to note that before the AV8003 I had the Onkyo Pro 885/Integra 9.8 and that unit sounded awful compared to the Lexicon). I decided that the hassle of having 2 pre-amps, not using HDMI, or more than 7.2 channels was not worth it.

Sometimes I "miss" my Lexicon. I think. I was hoping for a new model. But for now and the foreseeable future I am happy with the Marantz.
post #3491 of 5642
Quote:
Originally Posted by exm View Post

JD... I'm a former Lexicon owner (and I hope SMR won't be closed. When they transitioned from the old to the latest forum I was the 5th member or so to join smile.gif ), and as much as I loved the Lexicon, I made the decision a few years ago to move on. I had the Lexicon hooked up to a AV8003 at the time and switching back and forth between them, really made me wonder if it's placebo that the Lex sound different (I also have to note that before the AV8003 I had the Onkyo Pro 885/Integra 9.8 and that unit sounded awful compared to the Lexicon). I decided that the hassle of having 2 pre-amps, not using HDMI, or more than 7.2 channels was not worth it.

Sometimes I "miss" my Lexicon. I think. I was hoping for a new model. But for now and the foreseeable future I am happy with the Marantz.

I keep "hoping" its just a placebo effect as I do like the ease of one HDMI cable, and, I do feel the Audyssey XT32 is superior to the Lex EQ. However, when I put my Lex back in the system I immediately heard more detail in the sound and the sound is more "airy" like adding another dimension if you will. Perhaps this is due to the rest of my system which is fairly revealing; Proceed (Levinson) amplification and Aerial Acoustics LR5 speakers.
:
post #3492 of 5642
Quote:
Originally Posted by Bill222 View Post

Update on my -12db Audyssey odyssey.

When using the balanced/XLR connections from the Marantz to my amps-that-have-no-gain-control, my fronts, center, and surrounds were all trimmed by -12db by Audyssey. Which is a no-no. It means Audyssey failed to build its filters properly for those speakers because it hit a hardware limitation on the trim...

Following what was suggested here - first I ordered line attenuators - but they're still a week or two away from delivery. So last night I followed the other suggestion and replaced the XLR connections with good, ol' fashioned RCA connections. (I died a little inside as I performed the replacement. Especially given how old my RCA cables are. They are Monster RCA cables! It's been over a decade since I wasted money buying Monster cables...)

Anyway - when I ran Audyssey this time - I have acceptable trims. Fronts are -7.5/-7.0. Center is -7.0. Surrounds are -9.0/-9.5. All much better than -12.0 db. So - yes - switching over to RCA did the trick for Audyssey with my combination of efficient speakers, speakers close to the main listening position, and sensitive amps.

I dug a little further into the specs and I think I found the root of problem. On the 8801 Audio specs it states:

Rated output:
- Unbalanced pre-output: 1.2 V
- Balanced pre-output: 2.4 V

But for my amplifier, the specs state:

Input Impedance:
- Single Ended 22K ohms
- Balanced 44K ohms

Input Sensitivity:
- 1 Watt Output 120mV
- Full Output 1.68 V

So my amps will run full-out at 1.68V, but the 8801 is feeding them up to 2.4V on the XLR inputs. Scary. Basically this particular Marantz isn't meant to be used with amps as sensitive as mine? Or are line attenuators standard between pre-amps and amps? I was hoping to avoid line attenuators or anything that alters the signal. I really wish the 8801 had a max-voltage setting on its pre-outs.

Hi Bill,

i have the same -12db problems.

I reran the audyssey and same results. I'm connected to Mcintosh amps and will later try the av8801 connected to the MM8807 (balanced connections) and report my findings.
post #3493 of 5642
Quote:
Originally Posted by jdlynch View Post

Unlike the MC-12, the 8801 does not allow me to use room correction and digital processing (ie., Logic7) when using the analog inputs. I am 95% movies...

I am sure it is just my subjective opinion as I find the 8801 to be an awesome sounding processor. However, at this point I "prefer" the sound of my Lexicon. I don't require HDMI inputs/switching. and, I don't use airplay, ethernet, tuner, and the other extras provided. Also, Lexicon's room EQ is sufficient for my needs.

If any of the above were important to me it would be an easy decision to keep the Marantz.

That is a tough one.
If you have a couple of balanced cables hanging around you could try those into the Marantz.
At least for 2 chanel, it gives you the option of digital processing and room correction.

- Rich
post #3494 of 5642
Quote:
Originally Posted by RichB View Post

That is a tough one.
If you have a couple of balanced cables hanging around you could try those into the Marantz.
At least for 2 chanel, it gives you the option of digital processing and room correction.

- Rich

Maybe I'm wrong Rich; I will research further to see if I can run the Oppo analog outs into the Marantz and still get Audyssey to apply room correction and speaker management.

David
post #3495 of 5642
Quote:
Originally Posted by jdlynch View Post

Maybe I'm wrong Rich; I will research further to see if I can run the Oppo analog outs into the Marantz and still get Audyssey to apply room correction and speaker management.

David

Analog unbalanced (RCA) 7.1: There is no A/D so there will be no room correction.
Analog balanced (XLR) 2.0: A/D is available so you should be able to perform all functions.

- Rich
post #3496 of 5642
Quote:
Originally Posted by RichB View Post

Analog unbalanced (RCA) 7.1: There is no A/D so there will be no room correction.
Analog balanced (XLR) 2.0: A/D is available so you should be able to perform all functions.

- Rich

So, for home theater, I need to use digital in to get room correction and speaker management.

Thanks Rich-
post #3497 of 5642
I'd have to go with Rich on this one. -1 Rich can't have a conversation with himself lmao.
post #3498 of 5642
Quote:
Originally Posted by audiman View Post

Hi Bill,

i have the same -12db problems.

I reran the audyssey and same results. I'm connected to Mcintosh amps and will later try the av8801 connected to the MM8807 (balanced connections) and report my findings.

I use all Mac amps but they have a trim, I think 1.4 & 2.4 notched all the way down to zero. I bridge mains, center & surrounds, they were at -12 till i reduced the output. The back and heigh run direct and wide open. This fixed it.
post #3499 of 5642
Quote:
Originally Posted by jdlynch View Post

The Lex has the side channels. I have never experienced heights or wides; maybe I am missing out?
I don't have room for wides so I can't comment on those but have heard they can make a difference. I have heights and use them with PLIIz to help disperse my in-ceiling surrounds. If you have sides and rears I am not sure you would gain much but have not tried other surround modes. My guess is you are not missing much.
post #3500 of 5642
Quote:
Originally Posted by jdlynch View Post

So, for home theater, I need to use digital in to get room correction and speaker management.

Thanks Rich-

Yesm for two channel from the Oppo.
For multi, you can use HDMI and get all he bells and whistles.

You will net to either switch inputs for the source with the menus or use the discrete codes and a programmable remote.

- Rich
post #3501 of 5642
Quote:
Originally Posted by comfynumb View Post

I'd have to go with Rich on this one. -1 Rich can't have a conversation with himself lmao.

I thought we were doing fine smile.gif

- Rich
post #3502 of 5642
Quote:
Originally Posted by Roger Dressler View Post

Quote:
Originally Posted by Mark Seaton View Post


I personally tend to set the low pass on the LFE channel at 80Hz in most systems by preference. I think many forget that the difference between a 120Hz low pass and an 80Hz low pass is nothing more than a shelving filter. If the low pass is 4th order, the 80Hz filter is about 7dB lower at 100Hz and about 4dB at 80Hz. A 100Hz low pass setting would have about 1/2 that difference. The adjustment has more effect on shaping the LFE track's response than it does on cutting off content. If you're running the subs with a rising response on the low end which blends with the main speakers, experimenting with 80, 100 vs. 120Hz is basically a means to taper the top end of the LFE channel. Setting this lower than 120Hz is not hacking off content any more than setting your sub a few dB hot would destroy a soundtrack. wink.gif
Thanks, Mark. Nice to see someone with authority corroborate one's own opinion. Sometimes we get so fixated on numbers and forget about how it sounds. biggrin.gif

Link to my plot which shows exactly the response difference you describe.

You're welcome and back at ya on the affirmation. smile.gif

What would probably be even more enlightening to people is to show the difference between the curves. It sheds some clarity on what you are really doing when you shift a crossover higher or lower from a given frequency. It really helps to visualize what change occurs to the response of a sub with low pass. The difference is as I described exactly a shelving filter. Following this, if you wanted to taper the response of the subwoofer, shifting the crossover frequency (when possible) can achieve exactly this effect.

A matter you may have more insight into than I, I recall reading a few accounts in the past where mixing studios often ran the LFE to a subwoofer having an 80Hz low pass at the input. I suspect this has changed over the years, but an interesting consideration to those who might think we're butchering the intended sound by changing such things. wink.gif
post #3503 of 5642
Thanks for the PS3 info! I really like everything that it does!

Does my "Fat"PS3 play 3D blu-ray?

Stan
post #3504 of 5642
Quote:
Originally Posted by RichB View Post

I thought we were doing fine smile.gif

- Rich



It was funny when you both signed Rich, I had to do a double take.
post #3505 of 5642
Quote:
Originally Posted by comfynumb View Post

I'd have to go with Rich on this one. -1 Rich can't have a conversation with himself lmao.

Took me a while, but, I just got the meaning of your comment.

I was actually thanking Rich...not signing my name as Rich rolleyes.gif
post #3506 of 5642
Originally Posted by Mark Seaton


I personally tend to set the low pass on the LFE channel at 80Hz in most systems by preference. I think many forget that the difference between a 120Hz low pass and an 80Hz low pass is nothing more than a shelving filter. If the low pass is 4th order, the 80Hz filter is about 7dB lower at 100Hz and about 4dB at 80Hz. A 100Hz low pass setting would have about 1/2 that difference. The adjustment has more effect on shaping the LFE track's response than it does on cutting off content. If you're running the subs with a rising response on the low end which blends with the main speakers, experimenting with 80, 100 vs. 120Hz is basically a means to taper the top end of the LFE channel. Setting this lower than 120Hz is not hacking off content any more than setting your sub a few dB hot would destroy a soundtrack.
Quote:
Originally Posted by Roger Dressler View Post

Thanks, Mark. Nice to see someone with authority corroborate one's own opinion. Sometimes we get so fixated on numbers and forget about how it sounds. biggrin.gif

Link to my plot which shows exactly the response difference you describe.

Just so I'm clear on this, I have my mains, center and surrounds XO @80hz & LFE @120hz, your saying it would clear up the low frequencies even further setting the LFE to 80hz.
post #3507 of 5642
Quote:
Originally Posted by StanFL View Post

Thanks for the PS3 info! I really like everything that it does!

Does my "Fat"PS3 play 3D blu-ray?

Yes. Mostly. Apparently the PS3 DOES have one 3D failure. And it doesn't matter if it's new (slim or super-slim) or old ("fat") - all PS3s fail on one aspect for 3D.

http://www.avsforum.com/t/1439047/ps3-no-dolby-truehd-7-1-audio-on-3d-blu-rays-playstation-3

Apparently PS3's don't support Dolby True HD 7.1 when playing a 3D Blu-ray. And this problem will probably never be fixed on the PS3. I can't verify this personally because I don't have any 3D displays (so I don't watch 3D movies). But I have seen it posted in enough locations that I trust this problem exists and is accurately described. Please see the linked thread for details (and note that lossless DTS is supported during 3D playback - just not lossless Dolby 7.1 - and I'm not sure about lossless Dolby 5.1).

Edit: Also - please note that the 3D movie still plays, and you still get sound. It's just that instead of hearing the Dolby True HD 7.1 lossless soundtrack, the PS3 downgrades to the Dolby lossy soundtrack. I can understand why this could be a "deal-breaker". But I would still keep the original PS3 in the system and simply add another blu-ray player if you find this to be a "deal-breaker". All the reasons for why a PS3 is - in my opinion - a necessity for a movie-playback system still stand.
Edited by Bill222 - 3/2/13 at 4:54pm
post #3508 of 5642
Quote:
Originally Posted by RichB View Post

Analog unbalanced (RCA) 7.1: There is no A/D so there will be no room correction.
Analog balanced (XLR) 2.0: A/D is available so you should be able to perform all functions.

Hey Rich - since you love running the 7.1 inputs from the Oppo - can you check something for me?

I have seen numerous people say that the Speaker Config - Manual Settings - Speaker Levels will be applied to the 7.1 inputs because they don't require digital processing. But when I actually tried it - I found the Marantz's Manual Speaker Level setting to have no effect when playing 7.1 content from my Oppo 105.

I was measuring with a good ol' Radio Shack analog-display sound meter (not digital. Analog. As in an "old" sound meter.) I was playing the configuration/tuning AIX blu-ray that oppo used to include for free with all their players. I was playing the speaker-balance selection from that disc (which plays white noise to each channel, one channel at a time). From the Marantz set-up menu I pumped up the center channel by 2 db, and then replayed the disc and re-ran my measurement. No change in output. Then I bumped up the center channel by another 6 db just to be sure. And replayed/reran. Again, no change in output. It has a definite change in the output of the HDMI playback, but did not affect the output of the RCA 7.1 playback.

Can you (or anyone) please confirm or deny? The manual speaker trim level settings are ignored when playing content from the 7.1 RCA inputs?

Thanks,
Bill
post #3509 of 5642
Bill222,

I will try it tomorrow.

- Rich
post #3510 of 5642
Quote:
Originally Posted by dahlgren View Post

Just so I'm clear on this, I have my mains, center and surrounds XO @80hz & LFE @120hz, your saying it would clear up the low frequencies even further setting the LFE to 80hz.
The issue we are discussing is not related to where you set the crossover. Only with regard to the low-pass filter in the LFE channel.

Yes, it is our collective assertion that it imparts a sense of tighter, deeper bass on the LFE effects when the filter is set lower than 120 Hz.

So simple to try, no cost, no obligation. wink.gif
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