AVS › AVS Forum › Display Devices › Digital Hi-End Projectors - $3,000+ USD MSRP › Sony HW50 / BenQ W7000 / Epson 5020 / JVC RS55 / JVC RS 46 / JVC RS4810 / JVC RS56 Mini-shootout 2012-2013
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Sony HW50 / BenQ W7000 / Epson 5020 / JVC RS55 / JVC RS 46 / JVC RS4810 / JVC RS56 Mini-shootout... - Page 117

post #3481 of 4156
I didn't compare, just watched them. But Zombies comparison clearly shows differences and that may explain what it is I don't like.
I cannot present any evidence to support my opinion but I'm confident in my assessment - for me - others may differ.
post #3482 of 4156
Quote:
Originally Posted by Geof View Post


I'm one of the owners that prefers eshift1. I've owned both an RS55 and now the RS4810. I noticed a difference in the eshifted picture right from the get-go. I sit at 1.6 Screen Widths and saw a benefit to eshift1 and considered it a must have. I no longer feel that way and use my RS4810 with eshift2 turned off. Eshift1 appeared natural yet it added detail that I could see at 1.6 SW. Not so with eshift2 IMO. The picture looks too processed with eshift2 even with the controls turned down. Like Jason I can't quite put my finger on what it is that distracts but for me eshift2 is a step backwards. They should have left well enough alone, or at the very least given us an eshift1 mode. I'm probably in the minority here but that's the way I see it. YMMV!

Besides the e-shift, how do they compare?
post #3483 of 4156
Thread Starter 
so folks are clear, it's not a day night / difference. It's subtle and you would need to see both in person to see the differences. Some may not see a difference at all.

I do like that the MPC settings are available in 3D on the new models.
post #3484 of 4156
Quote:
Originally Posted by zombie10k View Post

so folks are clear, it's not a day night / difference. It's subtle and you would need to see both in person to see the differences. Some may not see a difference at all.

I do like that the MPC settings are available in 3D on the new models.
Yes, I agree. As I mentioned before I'm likely in the minority so most should take my comments with a grain of salt.

Drexler,
I think both compare similarly. In my case the RS55 was sharper and had better focus uniformity but worse convergence compared to my RS4810. I prefer the CR of the RS55 tho.
post #3485 of 4156
Quote:
Originally Posted by Tom Monahan View Post

In Jason I trust.

As I can't see these projectors in person, I turn to the one who's opinion I respect most. Those screenshots say it all IMO.

I would rather buy a used 55 that I know has excellent out of the box convergence and focus and pay a premium for it than buy a 4810 new. You may consider it silly but I don't.

I'm tired of having projectors with only fair convergence and focus.

Since I have only 3 to 5 years left, I want to enjoy myself and the 55 for 2D is the projector that will make it happen.

Tom
Makes sense given your priorities...and didn't mean to poke you in the eye; I hope you didn't take it that way. Best of luck with your health! smile.gif
post #3486 of 4156
Having both the 55 and 48, its hard to compare the eshifts. I found that I got eshift 2 to look similar to eshift 1. I was hoping for an improvement, but the same to me. Even the contrast looks similar. Maybe if I had both side by side, but going off of memory, they are very similar. If I had to choose one, it will probably be the RS48 for the improvements. Since there will probably be no 4k models for this price next year, the better bulb is worth it for another year. I would not pay more for a used 55 over a new 48, that's just me after having both of them. Also, I have a 9ft wide HP and Zombies HP is much bigger and brighter than mines and he has a different perspective from his setup.
post #3487 of 4156
I happened across a new review for the JVC DLA-X35 that looks to have just been posted earlier this week. My searching didn't find it in this thread or the "Official JVC DLA-RS46 / DLA-X35 owners thread" so I thought I would post it for those who might be interested:

http://www.hdtvtest.co.uk/news/jvc-x35-201302052614.htm

The X35 received their "Highly Recommended" verdict.

There are some direct comparisons to the Sony VPL-HW50ES which I thought might be applicable to this thread.
post #3488 of 4156
Thread Starter 
Quote:
Originally Posted by walterappleby View Post

I happened across a new review for the JVC DLA-X35 that looks to have just been posted earlier this week. My searching didn't find it in this thread or the "Official JVC DLA-RS46 / DLA-X35 owners thread" so I thought I would post it for those who might be interested:

http://www.hdtvtest.co.uk/news/jvc-x35-201302052614.htm

The X35 received their "Highly Recommended" verdict.

There are some direct comparisons to the Sony VPL-HW50ES which I thought might be applicable to this thread.

Thanks for posting. These guys have some of the best, detailed reviews out there. They are using top shelf equipment and cover areas that are completely overlooked by some of the other reviews, such as the detailed analysis of color through the glasses.

Folks must get used to the colors being off by quite a bit with the 3D glasses. It doesn't have to be this way with a basic through the glasses calibration.

3d-pre-rgb.png

IMO, the HW50 is more 3D calibration friendly in the sense that it auto-switches the calibrated modes whereas you must select the 3D mode in the JVC. They also point this out in the review.

Also, from the sample's I've seen, the HW50 has better gamma settings out of the box vs the JVC's. Every HW50 I calibrated recently is nearly flat @ 2.2 with the setting at 2.2 whereas the JVC's needed some calibration right out of the box.

Both projectors deserve a good calibration to see the best they can offer.
post #3489 of 4156
Quote:
Originally Posted by havok2022 View Post

I'm eagarly awaiting Zombie's review on these babies... biggrin.gif:p:D

http://www.engadget.com/2013/02/04/smi-eye-tracking-3d-glasses/

Boy, not even a chuckle. Tough crowd....
post #3490 of 4156
Been following this thread for a long while; thanks to contributers for the hard work-- especially Zombie! I'm looking forward to his thoughts on the AE8000. I am leaning towards that as a replacement for my Epson 6500UB with Darbee. I have a 132" Adeo screen in a dedicated "bat cave". I was going to stay with Epson and go for a 5020 or 5010, but I sit close enough to where the pixel structure on the 6500 is (barely) visible. I figure the "smooth screen technology" on the Panny will fix this. Also in favor of the Panny is: FI available in 3D, FI reportedly more subtle in 2D (the 'soap opera' effect annoys me on the 6500), quieter fan (I have a lot of opera and classical music BDs), and the lens memory option--though I'm not set up to use it right now. The projector case being black against my flat black ceiling is just icing on the cake.

The trade-off is foregoing the better blacks and brighter 3D of the Epson, but I'm pretty sure even the blacks on the Panny are better than the "good enough for me" ones on my current Epson. The 3D will be nice to have, and it is admittedly one of the key factors that are leading me to upgrade, but it will make up less than 5% of my use. Another negative is that you have to wait a couple of months to get the glasses in the mail for the Panny, but I'm not so impatient as to let that be a deciding factor.

The HC7900/8000 is tempting, but I doubt it has enough lumens to fill my big, low-gain screen. I really like the Sony HW50, and the RC seems awesome. Same thing with the JVCs with E-shift. But with affordable 4k right around the corner, I can't seem to convince myself to spend more than $3k on an incremental upgrade even though I could technically afford to. The residual value of my 6500 is roughly 1/3 of what I paid for it 4 years ago. I reckon any current projector bought today will see a similar drop by the time I want to upgrade again, potentially even worse if a bunch of people start flooding the market with used 1080p pjs once the first sub-$5000 4k hits the market.

If anybody thinks I'm off base here or I am missing something critical, feel free to comment smile.gif
post #3491 of 4156
Thread Starter 
Hi, the HW50 sounds ideal for this setup in a dedicated room. The black level is definitely better than the Panasonic 8000.

I would contact AVScience for the HW50 pricing, it's probably better than your thinking. It also comes with a 3 year warranty and a pair of glasses, so the price isn't very far off the Panasonic.

It's going to be many years before 4K is available a these price points. The HW50 + Darbee should certainly hold you over until that time. The HW50 also has the least expensive lamps of the models mentioned in this thread.
post #3492 of 4156
FYI

I replaced the lamp in my Epson 6010 last night. Brief history - at about 1,600 hours or so, the lamp started to flicker in "Eco" mode, and ghosting got a lot worse. Going to high lamp mode solved the flicker problem until I got to about 2,000 hours, when I started to notice flicker again. 3D quality degraded along the way, similar to the JVC but not nearly as bad. I expected to get "like new" 3D performance after the lamp replacement, but that hasn't been the case. Light ghosting is still very, very good, but dark ghosting (branches or highly contrasting dark objects against a bright background) is much worse than it was when the original lamp was new. I don't know if this is a lamp issue or a projector issue. It was disappointing, though. I'm hoping other Epson users will report their experiences when they change their lamps.

My go-to Blu-ray for dark ghosting is Monsters vs Aliens, especially Chpt. 7, where the president walks up the stairway to the alien robot. On the original lamp, I don't recall seeing any ghosting at all, but it was very noticeable in that scene last night. Overall, though, I was struck by how very good 3D still looks on the Epson. I use medium glasses brightness, and the image looks very bright on my HP screen. Contrast is not nearly as good as the JVC, obviously, but the lack of ghosting in general more than makes up for it in terms of the overall 3D experience. Recently, I started reading the BenQ W7000 thread and other comments about that DLP, and there seem to be a lot of issues with it, too, depending on the luck of the draw. I'm loathe to trade one set of problems for others, so I'm inclined to try to keep to my original plan and wait until the Red laser is released, or at least until next year. I may not be able to keep myself in check, but it's probably the wisest course. smile.gif

BTW, I was saving my 2 year old JVC RS40 for a family member, but that looks like it's fallen through, again. It has a brand new lamp, 4 sets of Xpand 103s and a few other goodies for a good price. PM me if you're interested.
post #3493 of 4156
Thread Starter 
Interesting info, thanks for the update. I wonder if the panels are somehow degrading over time?

myself, todd and coder haven't had any issues with the W7000, I am not really sure what others are running into. I think some component in their HDMI chain is triggering the BQ to fuss with the closed iris, I've never seen this and had 3 W7000's (when I was testing them). My current one is almost a year old and humming along with killer crosstalk-free 3D.

Did you get the Mediator player yet? I just signed up for the beta and will flash it later tonight. I'll report back on 23.97 3D playback which was always an issue with the Mica 950.

the best part so far is that it's working very well with 3D BD ISO and DTS-MA from my network storage. Even 3D ISO's on the local HD would skip if I had HD audio turned on. I ended up running core audio, but what's the fun in that. I have a pretty nice 7.2 setup and always want the HD sound.
post #3494 of 4156
Quote:
Originally Posted by zombie10k View Post

Interesting info, thanks for the update. I wonder if the panels are somehow degrading over time?

myself, todd and coder haven't had any issues with the W7000, I am not really sure what others are running into. I think some component in their HDMI chain is triggering the BQ to fuss with the closed iris, I've never seen this and had 3 W7000's (when I was testing them). My current one is almost a year old and humming along with killer crosstalk-free 3D.

Did you get the Mediator player yet? I just signed up for the beta and will flash it later tonight. I'll report back on 23.97 3D playback which was always an issue with the Mica 950.

the best part so far is that it's working very well with 3D BD ISO and DTS-MA from my network storage. Even 3D ISO's on the local HD would skip if I had HD audio turned on. I ended up running core audio, but what's the fun in that. I have a pretty nice 7.2 setup and always want the HD sound.

The dark ghosting is so much worse that I wondered if it might be the Epson panels, but it could just be the lamp. It seems plenty bright, but I don't have any way of measuring the lumens.

I had problems with DTS HD MA on the Micca, so I decided to dedicate it to my editing system. At present, I'm limited to Dolby Digital 5.1 for Sony Vegas Pro 3D iso exports, and the Micca doesn't have any trouble with DD. I copy the iso files to my Unraid server and watch via an LG LM7600 passive display. It works really well. The Mede8ter should be here by Monday, latest. I'll check out the S3D m2ts and mp4 playback. I'm hoping it works. PowerDVD 12 is supposed to do it, but it sucks at 60i 3D playback. It insists on playing them at 24fps.
post #3495 of 4156
Quote:
Originally Posted by havok2022 View Post

Boy, not even a chuckle. Tough crowd....

smile.gif

I'm going to add 3 balls on sticks to each eye of my Sony glasses just to look cool.
post #3496 of 4156
Quote:
Originally Posted by cyniclaus View Post

I was going to stay with Epson and go for a 5020 or 5010, but I sit close enough to where the pixel structure on the 6500 is (barely) visible. I figure the "smooth screen technology" on the Panny will fix this.

Note that the 6500 used Epson's D7 LCD panels, which only had 52% fill factor. The 5010/20 use the newer D9 panels with 65% fill factor. I have an Epson 7500 with D7 and last week I evaluated a 5020 at my dealer. The screen door effect is definitely reduced with the D9 panels.

http://global.epson.com/newsroom/2008/news_20080909.html

http://global.epson.com/newsroom/2011/news_20110901.html
post #3497 of 4156
Quote:
Originally Posted by walterappleby View Post

I happened across a new review for the JVC DLA-X35 that looks to have just been posted earlier this week. My searching didn't find it in this thread or the "Official JVC DLA-RS46 / DLA-X35 owners thread" so I thought I would post it for those who might be interested:

http://www.hdtvtest.co.uk/news/jvc-x35-201302052614.htm

The X35 received their "Highly Recommended" verdict.

There are some direct comparisons to the Sony VPL-HW50ES which I thought might be applicable to this thread.
Nice review, thanks for the link
post #3498 of 4156
post #3499 of 4156
Quote:
Originally Posted by pliesj View Post

Note that the 6500 used Epson's D7 LCD panels, which only had 52% fill factor. The 5010/20 use the newer D9 panels with 65% fill factor. I have an Epson 7500 with D7 and last week I evaluated a 5020 at my dealer. The screen door effect is definitely reduced with the D9 panels.



Having a JVC as my previous primary projector and sitting close to a very large screen, one of my main concerns with the 5020 was seeing pixels, which I'm sensitive to.
I can honestly say that I've not found it to be a problem - I got it for 3D and there's NO problem with seeing them there due to the glasses, etc., but last weekend I used the Epson for the Super Bowl, and I found the image looked just fine, again no pixel issues from pretty darn close seating.
Now, the picture's not as "smooth" or "refined" to my eye as the JVC, but I honestly think it's pretty good even for regular content. Still I'm using the RS40 for 2D and the Epson for 3D.

S A M 33

Edited by S A M 33 - 2/9/13 at 7:53am
post #3500 of 4156
Quote:
Originally Posted by Gagorian View Post

It is kind of hard to get to show up on a picture without adding too much noise, I had to adjust the contrast and gamma a bit to make it more visible. Below is my best attempt so far:

119" Da-Lite High Power 2.4 (white image, short exposure, adjusted contrast, brightness and gamma)

*Image removed*

I've also grabbed a short and rather low quality clip with a few vertical pans demonstrating the issue. It's hosted on google docs (75 MB):
https://docs.google.com/file/d/0B0gfCipWyN13RE0xVm1feFBXcFE/edit

I've submitted these to Da-Lite for review, I'll post an update when I know more.

I know this isn't completely relevant to this thread but I posted a while back regarding the problems with my 119" brand new Da-Lite High Power screen. I submitted the images and the video of my first screen to my dealer and I received a new HP 2.4 from Da-Lite, and it looks like this:




Can I hear you say vertical stripes? The pictures are completely unedited.

When my dealer reported the problem with the above replacement screen to Da-Lite, the Da-Lite representative said they aren't aware of any issues with their HP 2.4 screens. The rep also said they can't see any problem with the video clip I posted earlier. However they still promised to send me a new screen, but if they aren't aware of this or can't even spot the issue, I'm seriously doubtful a new screen will solve this.

I'm posting this here just so people are aware that the new HP 2.4 isn't the same quality as the HP 2.8 Zombie likes to praise.
Edited by Gagorian - 2/9/13 at 12:50pm
post #3501 of 4156
Thread Starter 
thanks for posting, I'm interested in the recent HP stories from different members. My 2.8HP is from 2010 and was one of the last 2.8's that was made. I've owned 3 2.8HP's of different sizes and never saw vertical stripes like in those photos.

What is lighting up the screen in that photo? a 40-50% gray pattern?

It's not obvious in that video but I do see it in the photos.

I did an install of a 2.4 for a friend, but it was over a year ago and didn't see that issue. Maybe something with the material changed or a bad batch.
post #3502 of 4156
Quote:
Originally Posted by Gagorian View Post

I know this isn't completely relevant to this thread but I posted a while back regarding the problems with my 119" brand new Da-Lite High Power screen. I submitted the images and the video of my first screen to my dealer and I received a new HP 2.4 from Da-Lite, and it looks like this:




Can I hear you say vertical stripes? The pictures are completely unedited.

When my dealer reported the problem with the above replacement screen to Da-Lite, the Da-Lite representative said they aren't aware of any issues with their HP 2.4 screens. The rep also said they can't see any problem with the video clip I posted earlier. However they still promised to send me a new screen, but if they aren't aware of this or can't even spot the issue, I'm seriously doubtful a new screen will solve this.

I'm posting this here just so people are aware that the new HP 2.4 isn't the same quality as the HP 2.8 Zombie likes to praise.

Check this thread here:

http://www.avsforum.com/t/1455184/hats-off-to-da-lite/0_50

I had the same issue as you did with my first 2.4 HPHC screen. The replacement I received doesn't have the issue. While waiting for my replacement I picked up a HP 2.8 screen and it is basically an entirely different screen material if you ask me. The surface is SMOOTH unlike the patterned 2.4 material. It also has a bit more pop (due to the higher gain), unfortunately they don't make it anymore and 2.8 HP screens are hard to come by in great condition on the used market. I lucked out. With that said, if you do receive a 2.4 like my replacement screen it gets you to about 85% of what a 2.8 HP screen looks like. If anyone is interested, I do have the replacement for sale currently and is basically new. I only had it rolled down for a couple hours to check to make sure it was better than the first. and it is....MUCH better than the original screen I received in regards to the issues mentioned above.
post #3503 of 4156
Thread Starter 
Quote:
Originally Posted by Seegs108 View Post

I received the 92" HP 2.8 screen today. All I have to say is that the 2.8 material is a totally different beast. The screen is VERY smooth. Recently I've been getting screen samples from many different manufacturers including Da-Lite (other materials), Stewart and Carada. It seems the only white materials that are smoother (as in you slide your finger tip across to feel the material) are StudioTek 100, Carada Classic White, and (Da-Lite) JKP Affinity 1.1 material. The latter being the smoothest out of all four. That smooth characteristic really helps the image to look as sharp as possible. The 2.4 HP material in comparison feels like fine grit sand paper. Considering that this is such a high gain material and they have to add a glass coating, the fact that this material is so smooth is nothing short of a miracle. The production costs must have been too high to keep manufacturing the material the way they did. It's a shame they don't make this material for screens anymore. It's THAT much better than the 2.4 HP material. If you have a chance to get your hands on a HP 2.8 that will fit your room definitely buy it.

Don't get me wrong, the HP 2.4 material is still nice and definitely worth buying if you're in need of something high gain, but in comparison to the older material it's no contest.

I saw this post in the other thread. My original HP was 92" model C. How is the uniformity on this screen?

When I installed a 2.4 about a year ago, I noticed the screen texture was different. When I ordered my 142", a VP @ Dalite told me they couldn't get the materials any longer to make the 2.8. That could translate into 'it was too expensive'. If they still made the 2.8 today, I would have paid a premium to have it available.

airscapes closeup might explain why it looks so smooth. the 2.8 beads look like the same size and equal distance from one another.

900x900px-LL-39c537df_sampleandscreen.jpeg
post #3504 of 4156
Quote:
Originally Posted by zombie10k View Post

thanks for posting, I'm interested in the recent HP stories from different members. My 2.8HP is from 2010 and was one of the last 2.8's that was made. I've owned 3 2.8HP's of different sizes and never saw vertical stripes like in those photos.

What is lighting up the screen in that photo? a 40-50% gray pattern?

It's not obvious in that video but I do see it in the photos.

I did an install of a 2.4 for a friend, but it was over a year ago and didn't see that issue. Maybe something with the material changed or a bad batch.

I just selected a light colored fill (two different tints, other is light blue and other is light yellow) in MS paint and displayed it full screen. The exposure time is kind of short so you can't see the tint. The video is of the first screen and the issue is kind of different, if you look at the ground at 16 seconds you can see darker horizontal bands, there's several less severe horizontal bands that you can't see on the video. It's not very easy to spot on the video, but definitely very distracting in full size seen live. The second screen has mostly vertical striping, which is probably even worse as they show up easily on horizontal pans, which are more common.

Quote:
Originally Posted by Seegs108 View Post

Check this thread here:

http://www.avsforum.com/t/1455184/hats-off-to-da-lite/0_50

I had the same issue as you did with my first 2.4 HPHC screen. The replacement I received doesn't have the issue. While waiting for my replacement I picked up a HP 2.8 screen and it is basically an entirely different screen material if you ask me. The surface is SMOOTH unlike the patterned 2.4 material. It also has a bit more pop (due to the higher gain), unfortunately they don't make it anymore and 2.8 HP screens are hard to come by in great condition on the used market. I lucked out. With that said, if you do receive a 2.4 like my replacement screen it gets you to about 85% of what a 2.8 HP screen looks like. If anyone is interested, I do have the replacement for sale currently and is basically new. I only had it rolled down for a couple hours to check to make sure it was better than the first. and it is....MUCH better than the original screen I received in regards to the issues mentioned above.

Well, I'm still skeptical but at least that would mean there's some hope. I received my first screen in the beginning of January and the 2nd screen about a week ago. So that's at least one month worth of bad batches. I can't see how the company couldn't be aware of these issues, especially with at least 4 or 5 users reporting this only on these forums. I told my dealer to tell Da-Lite I'd rather wait a longer time for a new screen as long as it's OK. I live in Finland, practically on the other side of the globe, so it's a shame to ship these faulty screens back and forth. At least Da-Lite is being very accomodating and are paying for the screens being delivered by air transport (that's like 250 dollars per screen).
Edited by Gagorian - 2/9/13 at 2:39pm
post #3505 of 4156
Quote:
Originally Posted by zombie10k View Post

I saw this post in the other thread. My original HP was 92" model C. How is the uniformity on this screen?

When I installed a 2.4 about a year ago, I noticed the screen texture was different. When I ordered my 142", a VP @ Dalite told me they couldn't get the materials any longer to make the 2.8. That could translate into 'it was too expensive'. If they still made the 2.8 today, I would have paid a premium to have it available.

airscapes closeup might explain why it looks so smooth. the 2.8 beads look like the same size and equal distance from one another.

It's more than just the grains of glass on the screen. It has to do with how they "press" the material there as there is an inherent crosshatch look to all of Da-Lite's current materials (with the exception of the JKP Affinity screens) and the HP 2.4 and HPHC 2.4 is no exception. All of the samples of different screens they offer had a lot of texture (minus the JKP). That unsmooth characteristic and non-uniform nature of the glass beads adds an extra amount of graininess to the image that just isn't there with the HP 2.8 material.

Here is their regular Da-Mat 1.0 material which has the same "crosshatch" texture as the rest of the material they sell ( I had to place something on the material to get the autofocus to work properly):



The HP 2.4 has the same texture but there is extra graininess to the image because of either excess glass or non-uniform beads (which makes it stand out more?). The HP 2.8 material is not like this at all. It looks and feels exceptionally smooth.
Edited by Seegs108 - 2/9/13 at 2:55pm
post #3506 of 4156
I want to know how the rs46 will perform against the Sony, with the new firmware and with it's own glasses and emitter... I am sure that in 2d will outperform the Sony and if it has an acceptable 3d... Zombie tested 4810 with the Sony but rs46 is brighter!1.gif
post #3507 of 4156
Thread Starter 
Quote:
Originally Posted by sotogng View Post

I want to know how the rs46 will perform against the Sony, with the new firmware and with it's own glasses and emitter... I am sure that in 2d will outperform the Sony and if it has an acceptable 3d... Zombie tested 4810 with the Sony but rs46 is brighter!1.gif

I'm going with the info in this review for now unless someone with the post-firmware measures otherwise. In 2D, the RS46 isn't really brighter than the RS4810 with both systems calibrated.

The RS46 pre-firmware was close in 3D lumen output to the HW50 (~900 vs. 1000). The 4810 is ~560 with CT @ 0 and goes up to ~850 with the CT @ 8. Based on the photo in the review, it appears the post firmware update is similar to the 4810 shipping firmware.

http://www.youtube.com/watch?feature=player_embedded&v=p71zvkaU910

germanreview.jpg

germanreview1.jpg

germanreview3.jpg
post #3508 of 4156
Thread Starter 
Quote:
Originally Posted by Seegs108 View Post



The HP 2.4 has the same texture but there is extra graininess to the image because of either excess glass or non-uniform beads (which makes it stand out more?). The HP 2.8 material is not like this at all. It looks and feels exceptionally smooth.

thanks for the close-up, this is how the 2.4 I installed last year looked. I was surpised how different it was from the 2.4 HP, definitely not as smooth.

Now I have to protect this screen.. the last of it's kind. cool.gif




JC - I updated the mediator last night to the beta firmware that support 23.97 3D BD playback. It worked well off the HD, but I started having issues with SMB streaming from the storage server. It was running OK before without an issue. They must have tweaked the SMB code.

I switched over to an NFS server discussed in this thread:

http://www.mede8erforum.com/index.php/topic,185.0.html

it was easy to setup on win7, runs as a service. It worked great, the skipping immediately disappeared and I was able to run full 3D BD with DTS-MA audio and 23.97 frame packed playback. I never saw the skip that was supposed to occure when it was 24 frame playback, but glad it's running in the right mode now.

let me know how you make out with the 600x model when it arrives.
post #3509 of 4156
Hello

For sony hw50es sony is sending external emmiter. Its name is TMR-PJ2 or TMR-PJ1?

In Turkey Sony sells Hw50es with TMR-PJ2 . so is this the good one or bad one?

Thank you
post #3510 of 4156
Quote:
Originally Posted by cemo62 View Post

Hello

For sony hw50es sony is sending external emmiter. Its name is TMR-PJ2 or TMR-PJ1?

In Turkey Sony sells Hw50es with TMR-PJ2 . so is this the good one or bad one?

Thank you
Quote:
Originally Posted by zombie10k View Post

Sony 3D emitter info - correction from my comment earlier regarding the external transmitter. I didn't realize that Sony has released a new external transmitter that is different from the original.

The TMR-PJ2 is designed to be aimed at the screen and should be just as strong as the internal emitter (which I think is quite good). I had no sync issues with the various HW50's I recently calibrated.

That's definitely good news if you have an HW50 that has the buzz. This would be an easy solution and still get to keep your specific copy.

I imagine it would also work on the HW30 as well.


The TMR-PJ2 should be the right one.
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