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$2,000-3,000 Tower speaker comparison: Need help picking the contenders for a shootout - Page 5

post #121 of 240
Quote:
Originally Posted by NewHTbuyer View Post

Some more observations after another few hours of listening today…

I am feeling pretty torn still about which set I like better. I feel pretty comfortable when I say that the Phil 2s are the “better” speaker if the criteria is pure accuracy and transparency. Probably, most reviewers for magazines would appreciate their clear sound and clean, enveloping high end. But, while that might mean that the SVS Ultras are therefore more “colored” and less pure, they present a very attractive sound. They are rich, deep and powerful.

Another way I thought of to describe it is that, when I just listen to the SVS Ultras, I don’t really notice any real failings. It is only when I switch to the Phils that I say ahhh..the soundstage opened up even more and the highs became clearer. When I listen to just the Phils, I do notice some lack of depth and oomph. That makes the choice difficult, kinda between the technically better set and the one that maybe agrees with me more. Also, in truth, the SVS seem to mesh better with rock music and the deep bass on jazz, which I like to listen to a lot. For classical, I would prefer the Phil 2s.

On Monday, Victor is going to bring by his PB1000 sub and it will be interesting to see how much difference that makes when added to the Phil 2s.

On a side note, I am still kinda regretting that I was not able to listen to the other 2 brands at the same time. It would have been interesting to hear the Ascend with the Raals, to see whether I preferred how that tweeter with the more conventional midrange compared to the Phil 2s with the ribbon-open back cabinet. Looking at the specs though, I probably would have been disappointed in the low end extension on the Ascend towers and would probably feel like they need a sub. Also, I would have loved to see how the higher quality dome tweeter and cone driver in the VR-22s compared to the SVS towers, especially whether they projected a more immersive sound similar to what I am hearing from the ribbons.

I had very similar feelings when I had SongTowers and KEF Rs running side by side. At the end the kind of music I like won the battle for the KEFs.
For a while I was considering running dual setup, Salks for mellow stuff and KEFs for the rest. Might an option for you:)
post #122 of 240
NHTB, have you tried using the tone controls on your HK to either bump the bass on the Phils or reduce it on the Ultra's? I know the practice is considered anathema to many, but lacking Room EQ, it may help round out any apparent shortcomings.

In the end, for me at least, in reference v. preference, I go with preference. After all, I'm the one listening. If a slight tweak to a knob makes either the Phil or Ultra better, go for it.
post #123 of 240
Glad you mentioned the sub. I was wondering how the ultras would do once the low end was mitigated to a dedicated sub. I do wonder if the ultras will blend better though.
post #124 of 240
The need for a sub brings up the cost of the system.
post #125 of 240
Thread Starter 
Quote:
Originally Posted by JerryLove View Post

The need for a sub brings up the cost of the system.

It does, although not too badly.

Option A, keep SVS and pay for shipping back on Phil 2s, total about $2,150-2,200 depending on shipping.

Option B, Keep Phil 2s, ship SVS back (free), cost $1,800. Add sub, possibly SB/PB1000, total $2,300, or SB12, total $2,450.

The main reason I am avoiding a sub is because the listening room is right under our master bedroom and the infrasonic rumble wakes my wife when I listen while she sleeps. If I do keep the Phil set though, I would likely get a sub anyway but I may have to really turn it down or off at night.
post #126 of 240
Well I'm still excited to hear what they sound like, it might be a game changer in my own HT.
post #127 of 240
Quote:
Originally Posted by yveletnik View Post

I had very similar feelings when I had SongTowers and KEF Rs running side by side. At the end the kind of music I like won the battle for the KEFs.
For a while I was considering running dual setup, Salks for mellow stuff and KEFs for the rest. Might an option for you:)

There is a speaker for everyone, right? biggrin.gif

There is not a single speaker that will be loved for all occasions by everyone.

Gotta get what you like in the end.
post #128 of 240
Im jealous - nice $2k speaker shoot out...

I've got the phil 2s which I adore. I wish I had 2 dedicated rooms at this point because i like the speaker floor position different for music and movies...

Maybe I just need to build a new a house
post #129 of 240
Quote:
Originally Posted by Twylight View Post

Im jealous - nice $2k speaker shoot out...

I've got the phil 2s which I adore. I wish I had 2 dedicated rooms at this point because i like the speaker floor position different for music and movies...

Maybe I just need to build a new a house
Maybe you just need another set of Phils smile.gif
post #130 of 240
Quote:
Originally Posted by ambesolman View Post

Maybe you just need another set of Phils smile.gif

I know...I even have the elusive phil center thingy...
post #131 of 240
OP - email Dennis and see which position for the Raal pad was the flatest response...I think they are a little hot without a single pad on there (mine is at the very top based on measurements for flatness)
post #132 of 240
All the Phil's will measure a little hot with no pads. Otherwise, you couldn't use them without rolling off the highs. One pad on top is generally flat on axis, two spaced far apart is generally a little shelved down in the highs, but with superior vertical dispersion. But it's all a matter of what agrees with you.
post #133 of 240
I know its not exactly an apples to applies...but I am about ready to bite on the Phil 2's.

I needed a sub anyway...so there is no comparison. Yes...it was 50/50 toss up with the speakers head to head...for all the reason's noted.

Add in a couple of HSU subs...and Phil's 2 win hands down.

Another consideration here though is that the Phil 2's dont have a center. Have to go to Salk for that... And although Salk is awesome...it is rather expensive. That should be factored in as well for HT peeps like me.

I have a small worry that if I do go with Salk for the center...even with the cost...I need to make very sure tone and timber are the same.
Edited by Newbie01 - 2/10/13 at 8:44pm
post #134 of 240
Quote:
Originally Posted by Newbie01 View Post

I know its not exactly an apples to applies...but I am about ready to bite on the Phil 2's.

I needed a sub anyway...so there is no comparison. Yes...it was 50/50 toss up with the speakers head to head...for all the reason's noted.

Add in a couple of HSU subs...and Phil's 2 win hands down.

Another consideration here though is that the Phil 2's dont have a center. Have to go to Salk for that... And although Salk is awesome...it is rather expensive. That should be factored in as well for HT peeps like me.

I have a small worry that if I do go with Salk for the center...even with the cost...I need to make very sure tone and timber are the same.


Hi. The relevant center channel is the one I used to sell. It's not the Song Center (although I also designed that). I just turned the manufacturing procerss over to Jim. Mine uses the 5 .5" version of the 8" SBAcoustics woofer from the Phil 2, and the Fountek ribbon tweet from the Phil 1. It's voiced to match any of the Phil's, and the Fountek is fine for center channel duty. I think the RAAL is kind of a waste in that application, since most of what you're hearing from the center is dialog anyhow. The cost should be about the same as the Song Center--the Fountek and 0W2 tweets are approximately equal in cost.
post #135 of 240
Thanks again Dennis...that clears it Up! When I read the info on your site...I didn't get that.

You just make me a happy!
Edited by Newbie01 - 2/11/13 at 12:23pm
post #136 of 240

As a kind of side note.  It's really cool to watch the analysis/debate flow for having had those Phil-2s previously.  The Phil-3s (new style cabinets) arrived at my place last week.  So far I don't have a lot of listening time on them but I'm being amazed all over again.  I did not expect much difference in the high and midrange but for some reason (maybe simply a little bit different location) the P3s just sound overall smoother and warmer - but no less accurate.  I have them a bit further apart 10.5', no toe-in, and pushed within 2" of the back wall, plus I'm using both the tweeter pads (as far apart as they will stick) to maximize dispersion.  The TV screen (100") has been up for all of my listening so far and I think the draperies help the sound.  This is a "bonus room" over a 2 car garage so they are far enough into the corners (22" from the side walls) that the ceiling is sloped above.  I don't think I'd want them any further into the corner, but so far I'm not feeling the need for bass traps or other room tweaks.

 

As I hear more of my music, get them broken in a bit, I'll report more, and be happy to post comparisons.  So far have limited listening to jazz and classical but I've a large collection of 24bit Raunch and Roll including the new release of Santana Abraxas @ 24/176.4

 

I'll also be happy to host anyone for a listen if they happen to be in Eastern NC.  I'm 15 minutes south of downtown Raleigh.

 

Cheers

Frank

 

Driving the Phil-3s is a Schiit Gungnir DAC into a Wyred-4-Sound STI-1000 integrated amp (Balanced Inputs) or an Oppo BDP105 into the STI-1000 (RCA inputs).  I only use the 5.1 gear for TV+Movies.

 

 

post #137 of 240
Quote:
Originally Posted by NewHTbuyer View Post

It does, although not too badly.

Option A, keep SVS and pay for shipping back on Phil 2s, total about $2,150-2,200 depending on shipping.

Option B, Keep Phil 2s, ship SVS back (free), cost $1,800. Add sub, possibly SB/PB1000, total $2,300, or SB12, total $2,450.

The main reason I am avoiding a sub is because the listening room is right under our master bedroom and the infrasonic rumble wakes my wife when I listen while she sleeps. If I do keep the Phil set though, I would likely get a sub anyway but I may have to really turn it down or off at night.

If I were to add a sub to some Phils, I would add something that could actually extend the bass extension of your system, instead of merely shoring up existing bass. I definitely wouldn't get a entry level sub. I would be looking at a Hsu ULS-15 or Rythmik F15. I would cross it over pretty low to not risk any localization. You might try a 50 hz or 60 hz crossover.
post #138 of 240
Quote:
Originally Posted by shadyJ View Post

If I were to add a sub to some Phils, I would add something that could actually extend the bass extension of your system, instead of merely shoring up existing bass. I definitely wouldn't get a entry level sub. I would be looking at a Hsu ULS-15 or Rythmik F15. I would cross it over pretty low to not risk any localization. You might try a 50 hz or 60 hz crossover.

Funny you should say that: I actually asked Dennis this exact question... I don't think he will mind me sharing the answer. At least I hope he dosent mind:

"...Get a Rythmik with the servo feedback circuit."
post #139 of 240
Rythmik is very good, I tried one out and was very impressed by it. Rythmik does have a weak spot, it's high end rolls off pretty early, petering off at 80 hz or so on many of the models, but that is high enough to get the job done for most people. That certainly wouldn't be a problem for you, as I would want to use the Phils well below that point for a seamless two channel experience. I would go for one of the sealed 15"s. The ULS is great too, it has a very clean sound and digs very deep for a sealed design. I think the SB13 Ultra would be great as well. If you like it loud, I would want multiples of any of these subs though. Sealed Funks, Submersives JTRs, and so on would be the ideal, but that is getting pricey.
post #140 of 240
What happened to the Gallo's in this shootout?
post #141 of 240
Thread Starter 
We had a fun listening session today. Vic brought over his Gallo CL-3s and Bitterwaste brought over his EmpTek E55 towers. I enjoyed it, especially because I was able to hear some different music other than the same stuff I have been using for the last couple weeks. It is impressive how big the E55 towers are, even taller than the Ultra towers. The finish is also is very nice. The CL-3s are definitely the midget of these speakers. It was also pretty apparent to all of us that the EMPs and SVS towers were cousins, so to speak, as far as their sound. The Gallos and Phils also were similar, probably because of their tweeters. We also tried with Vics PB1000 sub both on and off.

As far as how they sounded, again it was somewhat track dependent, but we did notice definite differences. With most tracks you could really not notice if the sub was on or off while the Ultra towers were playing. The other 3 sets did benefit from the sub at the bottom end. Everybody marveled at the wide soundstage of the Phils and commented how they disappeared compared to the others. We all liked the richness and fullness of the SVS towers. The difference between the Ultras and the EMPs was subtle. I can't really put a good description on the difference. On some tracks the EMPs were a bit thinner in the mids but on some the SVS seemed to be a bit less clear. The SVS to me did sound overall a bit better with all genres, but value-wise what you get with the EMPs at $800/pair is remarkable. Did I mention they are really tall!

As far as how the Gallos sounded vs. the Phils, I thought they were a bit too bright and the lacked some depth to the mids. (I have both diffuser pads on the Phil tweeters, so they are not running hot right now.) The Gallos definitely needed the sub the most of the 4 sets. On some classical and acoustic tracks they shined and did the best, but overall they were not my favorite sounding set.

It is interesting to compare ears to specs. The amount of bass on the Ultras seems considerably more than the other sets, but they are only rated 4 hz lower than the Phils or the Gallos, which are rated down to 32 Hz. Also, the EMPs are only rated to 40Hz. But, listening, I would say the EMPs and Phils had similar low end, pretty great, while the Gallos were not nearly getting as low. I have read that the bass gets better once the filling in the Gallos settles, so maybe the fact that they were transported over to my place adversely affected them. Also, Vic noted that they sounded better to him at his place away from boundaries, maybe due to their wide dispersion tweeter. But that was impossible with the speakers all next to each other. So, maybe they did not get a fair shake.

I think the other guys agreed with me that the SVS and EMPs did best on rock and more intense music while the Phils/Gallos were better with acoustics.

here are some pics:





I was relieved that none of the guys ended up being axe murderers! biggrin.gif It was fun sharing some beers and meeting other enthusiasts. It was also great of the guys to load up their sets and haul them over to my place.
post #142 of 240
Quote:
Originally Posted by shadyJ View Post

If I were to add a sub to some Phils, I would add something that could actually extend the bass extension of your system, instead of merely shoring up existing bass. I definitely wouldn't get a entry level sub. I would be looking at a Hsu ULS-15 or Rythmik F15. I would cross it over pretty low to not risk any localization. You might try a 50 hz or 60 hz crossover.

This is very good advice IMO.

I second the recommendation for Rythmik. Just be sure to cross it no higher than 100Hz (I'd go 80 or lower), as mentioned by shadyJ.
Quote:
Originally Posted by NewHTbuyer View Post


I was relieved that none of the guys ended up being axe murderers! biggrin.gif It was fun sharing some beers and meeting other enthusiasts. It was also great of the guys to load up their sets and haul them over to my place.

LOL - nice. biggrin.gif I am glad you all had a good time. Mini GTG's are a blast!
post #143 of 240
I think you ought to try a single blinded comparison by having someone else do the switching. Bias is too powerful. The speaker with the most bass might have the advantage, so I think using a sub & XO all speakers to 80Hz might be good.

I think the EMPs are the prettiest ones. I didn't realize they are that much taller than the rest.
Edited by AcuDefTechGuy - 2/12/13 at 6:03am
post #144 of 240
Quote:
Originally Posted by shadyJ View Post

Rythmik is very good, I tried one out and was very impressed by it. Rythmik does have a weak spot, it's high end rolls off pretty early

ShadyJ, you one you tried was FV12. That model had only two RCA inputs. That has been corrected in the new LV12 subs (now with 3 RCA inputs, and one of them is LFE input). As a matter of fact, all of our subs have LFE inputs that can go up to at least 200hz. Hope this will set the record straight. smile.gif
post #145 of 240
NHTB, of those 4 speakers which would you pick if you had to choose today? Thanks.
post #146 of 240
I would have to agree NewHTbuyer about the speakers in the most part and within about 10 minutes without really knowing what speakers was what you kind of figured it out as time went. If I had to choose any of these speakers to take home yesterday I would have picked the SVS ultra speakers due to their bass extension as well as how tight they sounded with most of the things we played throughout the day. The finish looked amazing on these speakers as well as the placement of the speakers themselves.

Phil’s for me had the most amazing sound stage I think I’ve ever heard where the speakers disappear in the room without any issues and they seem to pick up acoustic music as well as horns with no problems and some music like Apocalyptica sounded out right amazing on these speakers. The two down sides for me is by far is the look of them next to the rest of the speakers they looked a little bland and the bass extension wasn’t anywhere near as good as the SVS ultra speakers. Now this is only my opinion due to the music I enjoy and listen to most of the time but I can see why so many people would love these speakers if you enjoy more mellow style of music/ acoustic based .

Anthony Gallo speakers had the same idea as the Phil’s with the ribbon tweeter and I would love to see how these speakers sound in Vic’s theater. The thing I enjoyed the most with these speakers is the size and how well they hit the high end of sounds, again very good with Mellow music and I could see Jazz or blues being killer on these speakers with singers with a higher pitch voice. On the flip side for the price they seem to be lacking a lot in mid range to low range and I think a lot of that is due to their size and what they can handle. If they were priced maybe around 800 dollars then I might say they would be worth it.
EMP tek, I can’t give my full opinion on these speakers since I hear them every day but I will give a impressions for our GTG. When we would switch to the E55ti speakers I could tell because of the full range they have and over all they seem to fit closest to the SVS towers in sound, NewHTbuyer had it right next to the SVS speakers though they sounded thin and not as full or as tight as the SVS speakers but on the flip side I don’t think the SVS speakers had double the cost better sound of the EMP tek. For the price I think the EMP are an amazing deal if that is what you can afford for a system which I can tell you now would not let you down, but if you are looking for a really nice HT then I would go with the Ultras over the EMP tek speakers.

Thanks NewHTbuyer it was a fun GTG and glad you or Vic were a local Denver serial killers. Lol
post #147 of 240
This was definitely a fun experience. While I am a serial killer, I unfortunately didn't have a good opportunity to take out either NHTB or bitterwaste as bitterwaste brought a friend and I only had enough hydrochloric acid for two bodies. Despite my initial plans, I was able to enjoy some good music and good beer with some fellow audiophiles.

My analysis:

All of the speakers sounded good and none had any glaring deficiencies; however, there were some subtle and other not so subtle differences between the speakers. The SVS Ultras and the EMPTeks both shared a similar sonic signature as did the Phils and the Gallos. The differences were less apparent between the Ultras and EMPTeks compared the differences between the Phils and Gallos. While I likely don't listen to as much rock as NHTB or bitterwaste, the sound of the Ultras and EMPs is still appealing for jazz, acoustics and female vocals, but these two speakers definitely handle rock well. They also seem very versatile for use as home theater speakers due to their good range. The Ultras seemed to go the lowest and didn't have any real noticeable deficiencies. As an all around speaker (for both music and movies), especially if no sub was used, I think the Ultras were the most complete.

The EMPs are not just a bargain at their price; they are good speakers. The pair cost approximately the same as one of the Gallos and roughly 75% of the cost of one speaker of the Ultras or Phils. These speakers definitely held their own. While the finish is a vinyl wrap, it looks expensive with high gloss over wood grain accents. As stated above, these speakers were most similar to the Ultras. They don't go as deep, but have a nice range nonetheless. With music that didn't have much bass, it was hard to tell a difference between the Ultras and EMPs unless you were switching back and forth. In addition, I think the timbre of these speakers was strikingly similar. Both the Ultras and EMPs were warmer than the Phils and Gallos, but not in a bad way. After the GTG, I've already recommended these speakers to my cousin who is setting up a new theater/music room.

Admittedly, the Phils were my favorite of the bunch. Unfortunately, I don't have the space in my theater room to keep them 2 feet from the wall. Otherwise, I would have definitely found an additional supply of hydrochloric acid, and the Phils would be sitting in my basement right now. I think they produced what I would call the most neutral sound of the group. Since I do tend to listen to more jazz and acoustic music, I think the sound reproduced by the ribbon tweeter is quite nice. The bass extension, while not as good as the Ultras, was definitely adequate. As both NHTB and bitterwaste noted, when played, these speakers disappear and the sound-stage really opens up.

The Gallos seem to be not too distant cousins of the Phils. It wouldn't be illegal for them to marry, but they might show up at the same family reunion. I personally like the tweeter on the Gallos the second best of the group. It was noticeably brighter at the GTG than in my current setup, but I don't have them close to any sidewalls. As I said, I like jazz, blues and acoustic music, and I don't necessarily favor a warmer sound. Nonetheless, switching between the Phils and Gallos, which have a similar sensitivity, was revealing as to what was missing in the mid-low to lower range from the Gallos. The Gallos go great coupled with a musical sub. When I was in home auditioning a REL subwoofer and had the Gallos crossed over at 80hz, it was a great compliment to the Gallos. But if you are going strictly two channel, no sub, the Gallos (at least compared to the speakers present at the GTG) seemed like their range in the mid-low to bottom end wasn't as capable. I currently have the Gallos connected to an XPA-3 and Marantz SR6007 and they sound great, but I'm still debating whether I will be keeping these. I'm running them with two SVS PB1000s.

Edit: One thing I've noticed after bringing my Gallos back home is the room eq definitely makes a difference in their sound.
Edited by VicTorious1 - 2/13/13 at 8:31am
post #148 of 240
bitterwaste and VicTorious1, thank you both for adding your impressions as well. We appreciate it.
post #149 of 240
I know you guys are comparing apples to apples out of the box. Would any of your opinions change when you throw in a Sub? We all know that the SVS will go lower...its a given but if you plan on going with a sub...shouldn't that just make the phils the clear winner? (Again just askin)

Also, I would like some clarification if possible. Is it really required to pull the Phil's 2 ft. from the wall... Are you talking back wall or side wall. I need to go back and read but I "think" I remember Dennis saying that these are fine near a wall but shoudl be 2 feet from a side wall?

Also, I have heard Phil and word "pads" mentioned many times..and adjusting the high end with the pads...can someone edumikate me?

Really makes me wonder what you guys would have done with something like the Tekton Pendragons. I would so much like to see those thrown in the mix.
post #150 of 240
Note to self: Whenever you meet Vic bring at least two friends. smile.gif

Great impressions guys. I had once eliminated the EMPs from my list since they didn't look "high end" enough but I may need to reconsider that. I'm mostly a HT kind of dude so the Phils and Gallos got knocked down a bit although I like the idea of having a transparent speaker like the Phils. Just not sure that I'd have the layout to pull them that far from the walls.

How do you think the Aperion Grand Towers would hold up against this lot?
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