Poor Auhnuld was there for the child support paycheck. His acting chops were never stellar, but he's sure rusty these days.
Those catchphrase shootouts were shameless.
I finally managed to watch this one in my 11.1 DTS:NeoX setup and must say, I am impressed (sound, not the movie). While NeoX is supposedly not discrete 11 channels on Blu-ray, I was surprised at how "discrete" it actually was. In fact, one of the Extras on the disc is an explanation and demonstration of the Neo X technology. When you run this, it shows a graphic of the 11.1 speakers and plays an audio clip from the movie and the corresponding speaker that the sound should come from. It successfully played audio from all 11 speakers and the sub discretely. Watching the actual movie, the sound was very immersive and it was also obvious that they went to great lengths to incorporate a large soundfield of both music and ambient sound. Right from the start, the soundtrack smoothly panned and played various effects from all the speakers. The film seemed to rely heavily on a track of 60's classics that it kept in the side and rear surrounds for ambiance and which remained out of the front sound stage as if to heighten the sense of space the listener occupied. Sound effects like bullets flying and explosions realistically whizzed around and there was a good dose of LFE, both in the threatening music tracks and the effects. At first, I thought maybe they were going overboard in simply displaying the tech, but after a while, I forgot about looking for it and they simply melted into the movie and kept me surrounded at all times. It was very impressive to say the least and will definitely cause me to look for this feature in the future.
My HT is large (20' wide X 32' long with a 10.5' wide 2.35 screen and large speakers), so that probably played a role as well. The movie, as I expected, was very cartoonish with real bloody violence. But, it wasn't terrible and the sound effects were worthwhile to me. It was the best use of my system for pure 11.1 audio to date. Running the soundcheck program and getting discrete sounds from each speaker was unexpected and while I can't say that the actual film did that, it was immersive enough to make me think it did. Nothing was steered incorrectly and once I got past listening for the effects and their placement, it became natural sounding and put me center stage for the action. Happily, dialogue always instantly snapped back to center and never bled over except to pan the screen with the movement of the actors. Overall, a good first effort from Lionsgate in their DTS:Neo X 11.1 experiment.